User:Holger Stoltenberg/embed: Difference between revisions
Finalized integration of minor chords |
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|mode10 dim (10:12:14)<br> ||[[File:TS_dim_L10-12-14_Eb_V03.mp3|80px]] | |mode10 dim (10:12:14)<br> ||[[File:TS_dim_L10-12-14_Eb_V03.mp3|80px]] | ||
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| | |mode9 dim (9:11:13)<br> ||[[File:TS_dim_L9-11-13_Eb_V03.mp3|80px]] | ||
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Fig.7 shows a selection of four different minor chords. <br> | |||
[[File:Fig-7_tonal_space_1051i_min_02.png|thumb|430px|right|<u>Fig.7</u>: Selection of 4 different minor triads]] | [[File:Fig-7_tonal_space_1051i_min_02.png|thumb|430px|right|<u>Fig.7</u>: Selection of 4 different minor triads]] | ||
:{| class="wikitable" | :{| class="wikitable" | ||
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|mode10 min (10:12:15)<br> ||[[File:TS_min_L10_D_V01.mp3|80px]] | |mode10 min (10:12:15)<br> ||[[File:TS_min_L10_D_V01.mp3|80px]] | ||
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Fig.8 shows four varieties of what I call ''crossover (x-over) triads'', all of which are rooted at 0 cents. Crossover triads are neither diminished nor augmented. From a major perspective, x-over chords incorporate a flattened third and a raised fifth. <br> | |||
[[File:Fig-8_tonal_space_867j_x-over_03.png|thumb|430px|right|<u>Fig.8</u>: Selection of 4 different ''crossover (x-over)'' triads.<br> | |||
Unlike minor or major chords, crossover triads are neither diminished nor augmented and do not incorporate a pure fifth.]] | |||
:{| class="wikitable" | |||
!Chord | |||
!Play | |||
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|mode17 x-over (17:20:26)<br> ||[[File:TS_xover_L17-20-26_C++_V03.mp3|80px]] | |||
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|mode14 x-over (14:17:22)<br> ||[[File:TS_xover_L14-17-22_C++_V03.mp3|80px]] | |||
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|mode11 x-over (11:13:17)<br> ||[[File:TS_xover_L11-13-17_C++_V03.mp3|80px]] | |||
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|mode9 x-over (9:11:14)<br> ||[[File:TS_xover_L9-11-14_C++_V03.mp3|80px]] | |||
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