User:Holger Stoltenberg/embed: Difference between revisions

(7 intermediate revisions by the same user not shown)

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Fig.5 shows a comparison of four augmented chords that sound quite different.

Listen to the following audio examples...

[[File:Fig-5 tonal space 753i aug.png|thumb|~~420px~~|right|Fig.5: Selection of different augmented chords]]

[[File:Fig-5 tonal space 753i aug.png|thumb|430px|right|Fig.5: Selection of different augmented chords]]

:{| class="wikitable"

!Chord

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Fig.6 shows a comparison of five different diminished chords.

[[File:Fig-6_tonal_space_864i_dim_III.png|thumb|~~420px~~|right|Fig.6: Selection of 5 different diminished triads]]

[[File:Fig-6_tonal_space_864i_dim_III.png|thumb|430px|right|Fig.6: Selection of 5 different diminished triads]]

:{| class="wikitable"

!Chord

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|mode10 dim (10:12:14) ||[[File:TS_dim_L10-12-14_Eb_V03.mp3|80px]]

|-

|~~mode8~~ dim (9:11:13) ||[[File:TS_dim_L9-11-13_Eb_V03.mp3|80px]]

|mode9 dim (9:11:13) ||[[File:TS_dim_L9-11-13_Eb_V03.mp3|80px]]

|}

~~'''WORK IN PROGRESS'''~~ Fig.7 shows a selection of four different minor chords.

Fig.7 shows a selection of four different minor chords.

[[File:Fig-7_tonal_space_1051i_min_02.png|thumb|~~420px~~|right|Fig.7: Selection of 4 different minor triads]]

[[File:Fig-7_tonal_space_1051i_min_02.png|thumb|430px|right|Fig.7: Selection of 4 different minor triads]]

:{| class="wikitable"

!Chord

!Play

|-

|mode26 min (26:30:39) ||[[File:~~TS_dim_L16-19-22_Eb_V03~~.mp3|80px]]

|mode26 min (26:30:39) ||[[File:TS_min_L26_D_V01.mp3|80px]]

|-

|mode16 min (16:19:24) ||[[File:~~TS_dim_L14-17-20_Eb_V03~~.mp3|80px]]

|mode16 min (16:19:24) ||[[File:TS_min_L16_D_V01.mp3|80px]]

|-

|mode12 min (12:14:18) ||[[File:~~TS_dim_L11-13-15_Eb_V03~~.mp3|80px]]

|mode12 min (12:14:18) ||[[File:TS_min_L12_D_V01.mp3|80px]]

|-

|mode10 min (10:12:15) ||[[File:~~TS_dim_L10-12-14_Eb_V03~~.mp3|80px]]

|mode10 min (10:12:15) ||[[File:TS_min_L10_D_V01.mp3|80px]]

|}

Fig.8 shows four varieties of what I call ''crossover (x-over) triads'', all of which are rooted at 0 cents. Crossover triads are neither diminished nor augmented. From a major perspective, x-over chords incorporate a flattened third and a raised fifth.

[[File:Fig-8_tonal_space_867j_x-over_03.png|thumb|430px|right|Fig.8: Selection of 4 different ''crossover (x-over)'' triads.

Unlike minor or major chords, crossover triads are neither diminished nor augmented and do not incorporate a pure fifth.]]

:{| class="wikitable"

!Chord

!Play

|-

|mode17 x-over (17:20:26) ||[[File:TS_xover_L17-20-26_C++_V03.mp3|80px]]

|-

|mode14 x-over (14:17:22) ||[[File:TS_xover_L14-17-22_C++_V03.mp3|80px]]

|-

|mode11 x-over (11:13:17) ||[[File:TS_xover_L11-13-17_C++_V03.mp3|80px]]

|-

|mode9 x-over (9:11:14) ||[[File:TS_xover_L9-11-14_C++_V03.mp3|80px]]

|}

@@ Line 39: / Line 39: @@
 Fig.5 shows a comparison of four augmented chords that sound quite different. <br>
 Listen to the following audio examples...
-[[File:Fig-5 tonal space 753i aug.png|thumb|420px|right|<u>Fig.5</u>: Selection of different augmented chords]]
+[[File:Fig-5 tonal space 753i aug.png|thumb|430px|right|<u>Fig.5</u>: Selection of different augmented chords]]
 :{| class="wikitable"
 !Chord
@@ Line 56: / Line 56: @@
 Fig.6 shows a comparison of five different diminished chords. <br>
-[[File:Fig-6_tonal_space_864i_dim_III.png|thumb|420px|right|<u>Fig.6</u>: Selection of 5 different diminished triads]]
+[[File:Fig-6_tonal_space_864i_dim_III.png|thumb|430px|right|<u>Fig.6</u>: Selection of 5 different diminished triads]]
 :{| class="wikitable"
 !Chord
@@ Line 69: / Line 69: @@
 |mode10 dim (10:12:14)<br> ||[[File:TS_dim_L10-12-14_Eb_V03.mp3|80px]]
 |-
-|mode8 dim (9:11:13)<br>   ||[[File:TS_dim_L9-11-13_Eb_V03.mp3|80px]]
+|mode9 dim (9:11:13)<br>   ||[[File:TS_dim_L9-11-13_Eb_V03.mp3|80px]]
 |}
-'''WORK IN PROGRESS''' Fig.7 shows a selection of four different minor chords. <br>
+Fig.7 shows a selection of four different minor chords. <br>
-[[File:Fig-7_tonal_space_1051i_min_02.png|thumb|420px|right|<u>Fig.7</u>: Selection of 4 different minor triads]]
+[[File:Fig-7_tonal_space_1051i_min_02.png|thumb|430px|right|<u>Fig.7</u>: Selection of 4 different minor triads]]
 :{| class="wikitable"
 !Chord
 !Play
 |-
-|mode26 min (26:30:39)<br> ||[[File:TS_dim_L16-19-22_Eb_V03.mp3|80px]]
+|mode26 min (26:30:39)<br> ||[[File:TS_min_L26_D_V01.mp3|80px]]
 |-
-|mode16 min (16:19:24)<br> ||[[File:TS_dim_L14-17-20_Eb_V03.mp3|80px]]
+|mode16 min (16:19:24)<br> ||[[File:TS_min_L16_D_V01.mp3|80px]]
 |-
-|mode12 min (12:14:18)<br> ||[[File:TS_dim_L11-13-15_Eb_V03.mp3|80px]]
+|mode12 min (12:14:18)<br> ||[[File:TS_min_L12_D_V01.mp3|80px]]
 |-
-|mode10 min (10:12:15)<br> ||[[File:TS_dim_L10-12-14_Eb_V03.mp3|80px]]
+|mode10 min (10:12:15)<br> ||[[File:TS_min_L10_D_V01.mp3|80px]]
 |}
+<br><br><br><br>
+Fig.8 shows four varieties of what I call ''crossover (x-over) triads'', all of which are rooted at 0 cents. Crossover triads are neither diminished nor augmented. From a major perspective, x-over chords incorporate a flattened third and a raised fifth. <br>
+[[File:Fig-8_tonal_space_867j_x-over_03.png|thumb|430px|right|<u>Fig.8</u>: Selection of 4 different ''crossover (x-over)'' triads.<br>
+Unlike minor or major chords, crossover triads are neither diminished nor augmented and do not incorporate a pure fifth.]]
+:{| class="wikitable"
+!Chord
+!Play
+|-
+|mode17 x-over (17:20:26)<br> ||[[File:TS_xover_L17-20-26_C++_V03.mp3|80px]]
+|-
+|mode14 x-over (14:17:22)<br> ||[[File:TS_xover_L14-17-22_C++_V03.mp3|80px]]
+|-
+|mode11 x-over (11:13:17)<br> ||[[File:TS_xover_L11-13-17_C++_V03.mp3|80px]]
+|-
+|mode9 x-over (9:11:14)<br> ||[[File:TS_xover_L9-11-14_C++_V03.mp3|80px]]
+|}
 <br>