31edo modes: Difference between revisions
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| {{plaincode|'''7 3 4 4 7 6'''}} | | {{plaincode|'''7 3 4 4 7 6'''}} | ||
| Graham Hexatonic | | Graham Hexatonic | ||
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| {{plaincode|'''5 7 3 3 4 4 5'''}} | |||
| [[Maeve Gutierrez#Scale recommendations|Superlydian b7 d6]] | |||
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| {{plaincode|'''3 7 8 8 5'''}} | | {{plaincode|'''3 7 8 8 5'''}} | ||
Latest revision as of 01:17, 17 December 2025
Taken originally from Scala, Manuel Op De Coul, this is a user-editable list of modes of 31edo. The numbers indicate successive intervals, in dieses. There is also a dedicated page about strictly proper 7-tone 31edo scales.
Nothing special
Or, to some, the only important thing.
2 3 3 2 3 2 3 2 3 3 2 3
|
Meantone Chromatic (53/220-comma) |
5 5 3 5 5 5 3
|
Thirty-one tone Major, Intense Diatonic Lydian, M.Ionian |
5 3 5 5 3 5 5
|
Thirty-one tone Natural Minor, Intense Diatonic Hypodorian, Aeolian |
5 5 8 5 8
|
Thirty-one tone Major Pentatonic |
5 3 5 5 5 5 3
|
Thirty-one tone Melodic Minor |
5 3 5 5 3 7 3
|
Thirty-one tone Harmonic Minor |
5 5 3 5 3 7 3
|
Thirty-one tone Harmonic Major |
5 5 3 5 3 5 5
|
Thirty-one tone Major-Minor |
8 2 8 2 8 3
|
Thirty-one tone Augmented |
3 5 2 5 3 5 3 5
|
Thirty-one tone Diminished |
5 2 6 5 2 5 6
|
"Septimal" Natural Minor |
MOS
4 5 4 5 4 5 4
|
Neutral[7] |
4 1 4 4 4 1 4 4 1 4
|
Breed 10-tone / Neutral[10] |
7 7 7 7 3
|
Orwell[5] |
4 3 4 3 4 3 4 3 3
|
Orwell[9] |
3 1 3 3 1 3 3 1 3 3 1 3 3
|
Orwell[13] |
9 9 2 9 2
|
Squares[5] |
2 7 2 7 2 2 7 2
|
Squares[8] |
2 5 2 2 2 5 2 2 2 5 2
|
Secor/Barton no-fives / Squares[11] |
5 5 5 5 5 6
|
Whole Tone / Tutone[6] |
4 1 4 1 4 1 4 1 4 1 4 1 1
|
Tutone[13] |
6 6 6 6 1 6
|
Mothra[6] |
5 1 5 1 5 1 5 1 5 1 1
|
de Vries 11-tone / Mothra[11] |
3 4 3 3 3 3 3 3 3 3
|
Miracle[10] |
1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1
|
Blackjack / Miracle[21] |
3 4 4 4 4 4 4 4
|
Greeley[8] |
3 1 3 1 3 1 3 1 3 1 3 1 3 1 3
|
Pseudo-Porcupine 15-note / Nusecond[15] |
2 2 2 2 2 2 2 2 2 2 1 2 2 2 2 2
|
Semi-Equalized Armodue / Valentine[16] |
5 7 5 7 7
|
A-Team[5] |
5 5 2 5 5 2 5 2
|
Oneirotonic / A-Team[8] |
3 2 3 2 2 3 2 2 3 2 3 2 2
|
A-Team[13] |
11 3 11 3 3
|
Joan[5] |
8 3 3 8 3 3 3
|
Hypermavila / Joan[7] |
5 3 3 3 3 5 3 3 3
|
Rothenberg Generalized Diatonic / Joan[9] |
3 2 3 3 3 3 2 3 3 3 3
|
Joan[11] |
8 1 1 8 1 1 8 1 1 1
|
Würschmidt[10] |
1 1 6 1 1 6 1 1 6 1 6
|
Myna[11] |
1 1 12 1 1 1 1 12 1
|
Tritonic[9] |
MODMOS
3 4 3 4 4 3 4 3 3
|
Graham Orwell |
5 4 4 5 5 4 4
|
Maqam Rast |
4 4 5 5 3 5 5
|
Maqam Bayati |
5 5 3 5 4 5 4
|
Turkish Major |
4 5 5 4 4 4 5
|
Thaiic |
4 4 4 4 5 5 5
|
Sheimanic |
5 5 4 4 5 5 3
|
Screamapillar |
5 3 5 5 5 4 4
|
Altered Dorian |
3 5 5 5 5 4 4
|
Altered Neapolitan Major |
7 2 7 2 7 2 2 2
|
Onydim |
5 5 2 2 2 2 5 2 2 2 2
|
Squares Major |
5 5 4 6 5 6
|
Harmonic Whole Tone |
5 5 5 2 5 2 5 2
|
Dylydian / Archeodim |
5 2 5 2 5 2 8 2
|
Harmonic Mnarian |
3 4 3 2 3 3 3 4 3 3
|
Miracle Major |
3 4 3 4 4 5 4 4
|
Greeley Major |
7 6 5 7 6
|
Subminor Pentatonic |
5 6 7 6 7
|
Supermajor Pentatonic |
1 6 1 1 1 6 1 1 6 1 6
|
Submyna |
Cradle MOS
1 7 1 2 1 7 1 2 1 7 1
|
Nested Bees |
3 1 6 1 3 3 1 6 1 3 3
|
Arc Aurelius |
5 4 5 4 2 5 4 2
|
Xenosquare |
5 4 5 3 5 4 5
|
Scorp |
5 6 2 5 5 6 2
|
Harrison Major |
4 2 4 2 4 2 4 3 3 3
|
Lumma Decatonic |
8 2 8 2 8 2 1
|
AugmentedPlus |
Hexany
5 5 8 5 5 3
|
1-3-5-9 |
5 6 7 6 5 2
|
1-3-7-9 |
3 7 6 2 6 7
|
1-3-5-7 |
9 4 1 4 9 4
|
1-3-9-11 |
4 4 6 4 4 9
|
1-3-5-11 |
4 7 7 7 4 2
|
1-3-7-11 |
8 4 6 4 8 1
|
1-3-5-13 |
Harmonic Series
8 7 6 5 5
|
Mode 5 |
7 6 5 5 4 4
|
Mode 6 |
6 5 5 4 4 4 3
|
Mode 7 |
5 5 4 4 4 3 3 3
|
Mode 8 |
4 4 4 3 3 3 3 2 3 2
|
Mode 10 |
4 3 3 3 3 2 3 2 2 2 2 2
|
Mode 12 |
3 3 3 2 3 2 2 2 2 2 2 2 1 2
|
Mode 14 |
3 2 3 2 2 2 2 2 2 2 1 2 2 1 2 1
|
Mode 16 |
4 4 5 5 6 7
|
Mode 6-over |
2 3 3 3 3 4 4 4 5
|
Mode 9-over |
1 2 2 1 2 2 2 2 2 2 2 3 2 3 3
|
Mode 15-over |
Euler–Fokker genera
Boxy shapes from the [3, 5, 7] lattice.
5 8 5 13
|
Genus primum |
10 3 5 5 5 3
|
Genus secundum |
8 2 8 3 7 3
|
Genus tertium |
10 10 10 1
|
Genus quartum |
5 7 6 7 5 1
|
Genus quintum |
4 6 2 6 4 3 3 3
|
Genus sextum |
4 6 5 6 4 6
|
Genus septimum |
6 6 6 1 6 6
|
Genus octavum |
4 6 9 6 4 2
|
Genus nonum |
13 6 6 6
|
Genus decimum |
5 5 3 5 5 3 2 3
|
Genus diatonicum |
3 5 2 3 5 3 2 5 3
|
Genus chromaticum |
5 5 2 1 5 5 2 3 3
|
Genus diatonicum cum septimis |
3 4 3 3 2 1 4 1 4 1 2 3
|
Genus enharmonicum vocale |
2 2 4 2 2 3 3 3 1 3 3 3
|
Genus enharmonicum instrumentale |
3 2 3 2 3 2 3 3 2 3 2 3
|
Genus diatonico-chromaticum |
5 2 1 2 5 3 2 1 4 1 2 3
|
Genus bichromaticum |
3 1 2 4 2 4 2 4 2 1 3 3
|
Genus [3577] (Joel Mandelbaum Andante cantabile) |
Strictly proper modes
See Strictly proper 7-tone 31edo scales
Greek/tetrachord modes
4 4 5 4 4 5 5
|
Neutral Diatonic Mixolydian |
4 5 4 4 5 5 4
|
Neutral Diatonic Lydian |
5 4 4 5 5 4 4
|
Neutral Diatonic Phrygian |
4 4 5 5 4 4 5
|
Neutral Diatonic Dorian |
4 5 5 4 4 5 4
|
Neutral Diatonic Hypolydian |
5 5 4 4 5 4 4
|
Neutral Diatonic Hypophrygian |
5 4 4 5 4 4 5
|
Neutral Diatonic Hypodorian |
4 5 4 4 5 4 5
|
Neutral Mixolydian |
5 4 4 5 4 5 4
|
Neutral Lydian |
4 4 5 4 5 4 5
|
Neutral Phrygian |
4 5 4 5 4 5 4
|
Neutral Dorian |
5 4 5 4 5 4 4
|
Neutral Hypolydian |
4 5 4 5 4 4 5
|
Neutral Hypophrygian |
5 4 5 4 4 5 4
|
Neutral Hypodorian |
2 2 9 2 2 9 5
|
Hemiolic Chromatic Mixolydian |
2 9 2 2 9 5 2
|
Hemiolic Chromatic Lydian |
9 2 2 9 5 2 2
|
Hemiolic Chromatic Phrygian |
2 2 9 5 2 2 9
|
Hemiolic Chromatic Dorian |
2 9 5 2 2 9 2
|
Hemiolic Chromatic Hypolydian |
9 5 2 2 9 2 2
|
Hemiolic Chromatic Hypophrygian |
5 2 2 9 2 2 9
|
Hemiolic Chromatic Hypodorian |
2 3 8 2 3 8 5
|
Ratio 2:3 Chromatic Mixolydian |
3 8 2 3 8 5 2
|
Ratio 2:3 Chromatic Lydian |
8 2 3 8 5 2 3
|
Ratio 2:3 Chromatic Phrygian |
2 3 8 5 2 3 8
|
Ratio 2:3 Chromatic Dorian |
3 8 5 2 3 8 2
|
Ratio 2:3 Chromatic Hypolydian |
8 5 2 3 8 2 3
|
Ratio 2:3 Chromatic Hypophrygian |
5 2 3 8 2 3 8
|
Ratio 2:3 Chromatic Hypodorian |
3 5 5 3 5 5 5
|
Intense Diatonic Mixolydian, M.Locrian |
5 3 5 5 5 3 5
|
Intense Diatonic Phrygian, M.Dorian |
3 5 5 5 3 5 5
|
Intense Diatonic Dorian, M.Phrygian |
5 5 5 3 5 5 3
|
Intense Diatonic Hypolydian, M.Lydian |
5 5 3 5 5 3 5
|
Intense Diatonic Hypophrygian, M.Mixolydian |
2 5 6 2 5 6 5
|
Soft Diatonic Mixolydian |
5 6 2 5 6 5 2
|
Soft Diatonic Lydian |
6 2 5 6 5 2 5
|
Soft Diatonic Phrygian |
2 5 6 5 2 5 6
|
Soft Diatonic Dorian |
5 6 5 2 5 6 2
|
Soft Diatonic Hypolydian |
6 5 2 5 6 2 5
|
Soft Diatonic Hypophrygian |
5 2 5 6 2 5 6
|
Soft Diatonic Hypodorian |
1 2 10 1 2 10 5
|
Enharmonic Mixolydian |
2 10 1 2 10 5 1
|
Enharmonic Lydian |
10 1 2 10 5 1 2
|
Enharmonic Phrygian |
1 2 10 5 1 2 10
|
Enharmonic Dorian |
2 10 5 1 2 10 1
|
Enharmonic Hypolydian |
10 5 1 2 10 1 2
|
Enharmonic Hypophrygian |
5 1 2 10 1 2 10
|
Enharmonic Hypodorian |
Of particular interscalar interest
6 6 7 6 6
|
Quasi-equal Pentatonic |
3 3 2 3 3 3 3 3 2 3 3
|
near 11edo |
Dimension scales
Miscellaneous
4 1 4 1 3 4 1 4 1 4 1 3
|
Iceface |
1 4 2 3 3 1 4 2 3 2 3 3
|
Centaurus |
3 2 2 3 3 2 3 3 2 2 3 3
|
Fokker 12-tone |
5 3 5 3 5 2 5 3
|
Modus conjunctus |
2 5 3 5 3 5 2 6
|
Subminor Diminished |
2 5 3 5 5 5 6
|
Subminor Altered |
2 8 3 5 2 5 6
|
Phrygian Harmonic |
5 5 3 5 5 2 3 3
|
Bebop Harmonic |
5 7 1 5 7 5 1
|
Tropical Major |
3 3 4 3 5 3 4 3 3
|
Hahn symmetric pentachordal |
3 4 3 3 5 3 4 3 3
|
Hahn pentachordal |
4 4 2 5 3 3 4 3 3
|
Hahn Nonatonic |
8 5 2 3 6 2 5
|
Hyperblue Dorian (this is the original/default tuning) |
8 5 2 3 2 9 2
|
Hyperblue harmonic (this is the original/default tuning) |
5 5 4 8 3 6
|
Harmonic Prometheus |
3 2 3 2 2 2 2 2 2 3 2 3 3
|
Major Miniscale (Mode 16 x Mode 15-over) |
7 3 4 4 7 6
|
Graham Hexatonic |
5 7 3 3 4 4 5
|
Superlydian b7 d6 |
3 7 8 8 5
|
Magnetosphere |
5 4 1 3 5 2 3 6 2
|
Oclock |
Nonoctave
4 2 4 2 4 2 4 2 4 2
|
Blackwood |
4 4 6 4 4 4 6
|
Mavila |
8 2 8 2 8 2
|
Suboctave Augmented |
2 6 2 6 2 6 2 6
|
Superoctave Diminished |
4 4 3 7 3 5 3 (7)
|
Saba |
5 5 5 3 5 5 5
|
Superlydian |
See main article
|
The Erose-McClain double modes |
9-tone
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| Scales in EDOs | in 10edo • 11 • 13 • 14 • 15 • 16 • 17 • 18 • 19 • 20 • 21 • 22 • 23 • 24 • 25 • 26 • 27 • 28 • 29 • 30 • 31 • 33 • 34 • 35 • 36 • 37 • 38 • 40 • 41 • 42 • 43 • 46 • 49 • 53 • 72 • 80 |
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