8L 3s (3/1-equivalent): Difference between revisions
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== Theory == | == Theory == | ||
By dividing the {{mos scalesig|5L 2s}} of LLsLLLs into A=LLs and B=LLLs, and combining them as ABBABB..., it becomes {{mos scalesig|8L 3s<3/1>}}. This scale has octaves that are too frequent for the listener to feel a tritave equivalence. The range of possible dark generators will likely feel sufficiently pseudo-octave. Similar to [[Angel]], it would be good to utilize a finite-length chain of octaves and make use of existing diatonic music theory. | By dividing the {{mos scalesig|5L 2s}} of LLsLLLs into A=LLs and B=LLLs, and combining them as ABBABB..., it becomes {{mos scalesig|8L 3s<3/1>}}. This scale has octaves that are too frequent for the listener to feel a tritave equivalence. The range of possible dark generators will likely feel sufficiently pseudo-octave. Similar to [[Angel]], it would be good to utilize a finite-length chain of octaves and make use of existing diatonic music theory. Markus Schmidmeier has written extensively on this in his paper [https://arxiv.org/abs/1709.00375 2:3:4-Harmony within the Tritave]. | ||
=== Low harmonic entropy scales === | === Low harmonic entropy scales === | ||
* Pythagorean tuning (period = 3/1, generator = 3/2): L/s = 2.260 | * Pythagorean tuning (period = 3/1, generator = 3/2): L/s = 2.260 | ||
* Tritave-equivalent meantone tunings: | * Tritave-equivalent meantone tunings: | ||
** 1/6-comma | ** 1/6-comma pure-tritave meantone tuning ([[unchanged-interval]]s: {3/1, 5/4}): L/s = 1.625 | ||
== Tuning ranges == | == Tuning ranges == | ||