2L 5s: Difference between revisions

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== Name ==

[[TAMNAMS]] suggests the temperament-agnostic name '''antidiatonic''' for this scale, adopted from the common use of the term to refer to diatonic ([[5L 2s]]) but with the large and small steps switched.

The scale is also often called peletonic or '''peltonic''', based on its prefix.

== Intervals ==

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== Notation ==

The most common way of notating this scale, particularly when working with mavila, is to use the same note names and accidentals as that of diatonic (CDEFGAB, #, and b), but read as antidiatonic instead. ~~There are, however, two ways of notating accidentals:~~

The most common way of notating this scale, particularly when working with mavila, is to use the same note names and accidentals as that of diatonic (CDEFGAB, #, and b), but read as antidiatonic instead.

* Harmonic antidiatonic notation, where the sharps and flats of diatonic switch roles: sharps flatten and flats sharpen.

* Melodic antidiatonic notation, where the meaning of sharps and flats is preserved: sharps sharpen and flats flatten.

Under harmonic antidiatonic notation, the basic gamut (for D anti-dorian) is the following: {{MOS gamut|Notation=DEFGABC; b; #|Step Ratio=2/1}}.

@@ Line 8: / Line 8: @@
 == Name ==
 [[TAMNAMS]] suggests the temperament-agnostic name '''antidiatonic''' for this scale, adopted from the common use of the term to refer to diatonic ([[5L 2s]]) but with the large and small steps switched.
+The scale is also often called peletonic or '''peltonic''', based on its prefix.
 == Intervals ==
@@ Line 14: / Line 16: @@
 == Notation ==
-The most common way of notating this scale, particularly when working with mavila, is to use the same note names and accidentals as that of diatonic (CDEFGAB, #, and b), but read as antidiatonic instead. There are, however, two ways of notating accidentals:
+The most common way of notating this scale, particularly when working with mavila, is to use the same note names and accidentals as that of diatonic (CDEFGAB, #, and b), but read as antidiatonic instead.
-* Harmonic antidiatonic notation, where the sharps and flats of diatonic switch roles: sharps flatten and flats sharpen.
-* Melodic antidiatonic notation, where the meaning of sharps and flats is preserved: sharps sharpen and flats flatten.
+{{Mavila|Tuning=2L 5s}}
 Under harmonic antidiatonic notation, the basic gamut (for D anti-dorian) is the following: {{MOS gamut|Notation=DEFGABC; b; #|Step Ratio=2/1}}.