User:Aura/Aura's introduction to 159edo: Difference between revisions
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Fixed notation error in chart |
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! rowspan="2" | Step | ! rowspan="2" | Step | ||
! rowspan="2" | Cents | ! rowspan="2" | Cents | ||
! | ! colspan="3" | Interval and Note names | ||
! colspan="2" | Compatibility rating | ! colspan="2" | Compatibility rating | ||
|- | |- | ||
! [[SKULO interval names|SKULO]]-based interval names | |||
! [[2.3-equivalent class and Pythagorean-commatic interval naming system|Pythagorean-commatic]]-based interval names | |||
! [[Syntonic-rastmic subchroma notation|SRS notation]] | |||
! Harmonic | ! Harmonic | ||
! Melodic | ! Melodic | ||
| Line 524: | Line 527: | ||
| k4 | | k4 | ||
| Greater Grave Fourth | | Greater Grave Fourth | ||
| G↓ | | G↓, Abb | ||
| -6 | | -6 | ||
| -5 | | -5 | ||
| Line 620: | Line 623: | ||
| kkA4, RuA4, kd5 | | kkA4, RuA4, kd5 | ||
| Diptolemaic Augmented Fourth, Retroptolemaic Diminished Fifth | | Diptolemaic Augmented Fourth, Retroptolemaic Diminished Fifth | ||
| G#↓↓, Ab↓ | | Gt>/, G#↓↓, Ab↓ | ||
| -3 | | -3 | ||
| 4 | | 4 | ||
| Line 692: | Line 695: | ||
| KKd5, rUDd5, KA4 | | KKd5, rUDd5, KA4 | ||
| Diptolemaic Diminished Fifth, Retroptolemaic Augmented Fourth | | Diptolemaic Diminished Fifth, Retroptolemaic Augmented Fourth | ||
| Ab↑↑, G#↑ | | Ad<\, Ab↑↑, G#↑ | ||
| -3 | | -3 | ||
| 4 | | 4 | ||
| Line 716: | Line 719: | ||
| Rm5, rUA4 | | Rm5, rUA4 | ||
| Wide Paraminor Fifth, Retrodiptolemaic Augmented Fourth | | Wide Paraminor Fifth, Retrodiptolemaic Augmented Fourth | ||
| Ad | | Ad>/, G#↑, Ab↑↑ | ||
| -1 | | -1 | ||
| 6 | | 6 | ||
| Line 788: | Line 791: | ||
| K5 | | K5 | ||
| Lesser Acute Fifth | | Lesser Acute Fifth | ||
| A↑ | | A↑, Gx | ||
| -6 | | -6 | ||
| -5 | | -5 | ||
| Line 1,004: | Line 1,007: | ||
| KM6 | | KM6 | ||
| Lesser Supermajor Sixth | | Lesser Supermajor Sixth | ||
| B↑, Cd<\, Cb↑↑, | | B↑, Cd<\, Cb↑↑, Ax | ||
| -1 | | -1 | ||
| 7 | | 7 | ||
| Line 1,012: | Line 1,015: | ||
| SM6, kUM6 | | SM6, kUM6 | ||
| Greater Supermajor Second, Narrow Inframinor Seventh | | Greater Supermajor Second, Narrow Inframinor Seventh | ||
| | | Cd<, Bt<↓, B↑/ | ||
| 0 | | 0 | ||
| 7 | | 7 | ||
| Line 1,435: | Line 1,438: | ||
| D, F↑, A | | D, F↑, A | ||
| 0, 42, 93 | | 0, 42, 93 | ||
| | | ↓III | ||
| 1/(4:5:6) | | 1/(4:5:6) | ||
| This is the second of two triads that can be considered fully-resolved in Western Classical Harmony | | This is the second of two triads that can be considered fully-resolved in Western Classical Harmony | ||
| Line 1,463: | Line 1,466: | ||
| D, F↑, Ab↑ | | D, F↑, Ab↑ | ||
| 0, 42, 81 | | 0, 42, 81 | ||
| | | ↓VII | ||
| 45:54:64 | | 45:54:64 | ||
| This dissonant triad is one of two possible diatonic diminished triads in the 5-limit | | This dissonant triad is one of two possible diatonic diminished triads in the 5-limit | ||
| Line 1,821: | Line 1,824: | ||
| 8:10:12:15 | | 8:10:12:15 | ||
| This tetrad is likely to decompose into a voicing variation on the corresponding triad if the same scale degree is used as a chord root multiple times in a row | | This tetrad is likely to decompose into a voicing variation on the corresponding triad if the same scale degree is used as a chord root multiple times in a row | ||
- | |- | ||
| Supradusthumic Ptolemaic Dominant Seventh | | Supradusthumic Ptolemaic Dominant Seventh | ||
| D, F#↓, A↓, C | | D, F#↓, A↓, C | ||