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| :''For the tritave-equivalent MOS structure with the same step pattern, see [[5L 3s (tritave-equivalent)]].''
| | {{Interwiki |
| | | | en = 5L 3s |
| | | de = |
| | | es = |
| | | ja = |
| | | ko = 5L3s (Korean) |
| | }} |
| {{Infobox MOS | | {{Infobox MOS |
| | Name = oneirotonic | | | Neutral = 2L 6s |
| | Periods = 1
| |
| | nLargeSteps = 5
| |
| | nSmallSteps = 3
| |
| | Equalized = 3
| |
| | Paucitonic = 2
| |
| | Pattern = LLsLLsLs
| |
| }} | | }} |
| | : ''For the tritave-equivalent MOS structure with the same step pattern, see [[5L 3s (3/1-equivalent)]].'' |
| | {{MOS intro}} |
| | 5L 3s can be seen as a [[Warped diatonic|warped diatonic scale]], because it has one extra small step compared to diatonic ([[5L 2s]]). |
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| '''5L 3s''' or '''oneirotonic''' (/oʊnaɪrəˈtɒnɪk/ ''oh-ny-rə-TON-ik'' or /ənaɪrə-/ ''ə-ny-rə-'') refers to the structure of octave-equivalent [[MOS]] scales with generators ranging from 2\5 (two degrees of [[5edo]] = 480¢) to 3\8 (three degrees of [[8edo]] = 450¢). In the case of 8edo, L and s are the same size; in the case of 5edo, s becomes so small it disappears (and all that remains are the five equal L's). The name ''oneirotonic'' (from Greek ''oneiros'' 'dream') was coined by [[Cryptic Ruse]] after the Dreamlands in H.P. Lovecraft's Dream Cycle mythos.
| | == Name == |
| | {{TAMNAMS name}} 'Oneiro' is sometimes used as a shortened form. |
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| |
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| Oneirotonic is a distorted diatonic, because it has one extra small step compared to diatonic ([[5L 2s]]): for example, the Ionian diatonic mode LLsLLLs can be distorted to the Dylathian oneirotonic mode LLsLLsLs.
| | 'Father' is sometimes also used to denote 5L 3s, but it's a misnomer, as [[father]] is technically an abstract [[regular temperament]] (although a very inaccurate one), not a generator range. There are father tunings which generate 3L 5s. A more correct but still not quite correct name would be 'father[8]' or 'father octatonic'. "Father" is also vague regarding the number of notes, because optimal generators for it also generate [[3L 2s]]. |
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| Any edo with an interval between 450¢ and 480¢ has an oneirotonic scale. [[13edo]] is the smallest edo with a (non-degenerate) 5L3s oneirotonic scale and thus is the most commonly used oneirotonic tuning.
| | == Scale properties == |
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| |
|
| 5L 3s has a pentatonic MOS subset [[3L 2s]] (SLSLL), and in this context we call this the ''oneiro-pentatonic''. When viewed as a chord (with undetermined voicing) we call it the Oneiro Core Pentad. (Note: [[3L 5s]] scales also have 3L 2s subsets.)
| | === Intervals === |
| | {{MOS intervals}} |
|
| |
|
| In terms of [[Tour of Regular Temperaments|regular temperament]]s, there are at least two melodically viable ways to interpret oneirotonic (see also [[5L 3s#Tuning_ranges|Tuning ranges]]):
| | === Generator chain === |
| # When the generator is between 457.14¢ (8\21) and 461.54¢ (5\13): [[Petrtri]] (13&21, a 2.5.9.11.13.17 temperament that mainly approximates the harmonic series chord 5:9:11:13)
| | {{MOS genchain}} |
| # When the generator is between 461.54¢ (5\13) and 466.67¢ (7\18): [[A-Team]] (13&18, a 2.9.5.21 temperament where two major mosseconds or "whole tones" approximate a [[5/4]] classical major third)
| |
| In a sense, these two temperaments represent the middle of the oneirotonic spectrum (with the [[step ratio]] (L/s) ranging from 3/2 to 3/1); [[13edo]] represents both temperaments, with a step ratio of 2/1. This is analogous to how in the diatonic spectrum, the [[19edo]]-to-[[17edo]]-range has the least extreme ratio of large to small step sizes, with [[12edo]] representing both [[meantone]] (19edo to 12edo) and [[pythagorean]]/[[neogothic]] (12edo to 17edo).
| |
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| |
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| More extreme oneirotonic temperaments include:
| | === Modes === |
| * [[Chromatic pairs#Tridec|Tridec]] (a 2.3.7/5.11/5.13/5 subgroup temperament that approximates 5:7:11:13:15), when the generator is between 453.33¢ (17\45) and 457.14¢ (8\21). These have near-equal step ratios of 6/5 to 3/2.
| | {{MOS mode degrees}} |
| * [[Hemifamity_temperaments#Buzzard|Buzzard]], when the generator is between 471.42¢ (11\28) and 480¢ (2\5). While this is a harmonically accurate temperament, with 4 generators reaching [[3/2]] and -3 generators [[7/4]], it is relatively weak melodically, as the optimum size of the small steps is around 20-25 cents, making it difficult to distinguish from equal pentatonic.
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| In the past, 5L 3s has been viewed as a MOS of the low-accuracy 5-limit temperament [[father]]. This viewpoint is increasingly considered obsolete, but "father" is still sometimes used for both the 5L 3s oneirotonic and the 3L 2s oneiro-pentatonic.
| | ==== Proposed mode names ==== |
| | The following names have been proposed for the modes of 5L 3s, and are named after cities in the Dreamlands. |
| | {{MOS modes |
| | | Mode Names= |
| | Dylathian $ |
| | Ilarnekian $ |
| | Celephaïsian $ |
| | Ultharian $ |
| | Mnarian $ |
| | Kadathian $ |
| | Hlanithian $ |
| | Sarnathian $ |
| | | Collapsed=1 |
| | }} |
|
| |
|
| == Notation== | | == Tunings== |
| The notation used in this article is J Ultharian (LsLLsLsL) = JKLMNOPQJ, with reference pitch N = 261.6255653 Hz, unless specified otherwise. We denote raising and lowering by a chroma (L − s) by & "amp" and @ "at". (Mnemonics: & "and" means additional pitch. @ "at" rhymes with "flat".) Ultharian has been chosen as the default mode because we want to carry over the diatonic idea of sharpening the second-to-last degree to get the leading tone for minor keys and the sharpened "Vmaj", and we also have the "sharp V" for the oneiromajor tonality by default.
| | === Simple tunings === |
| | The simplest tuning for 5L 3s correspond to 13edo, 18edo, and 21edo, with step ratios 2:1, 3:1, and 3:2, respectively. |
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| |
|
| The chain of oneirofourths becomes: ... P@ K@ N@ Q L O J M P K N Q& L& O& ...
| | {{MOS tunings|JI Ratios=Int Limit: 30; Prime Limit: 19; Tenney Height: 7.7}} |
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| |
|
| Thus the [[13edo]] gamut is as follows:
| | === Hypohard tunings === |
| | [[Hypohard]] oneirotonic tunings have step ratios between 2:1 and 3:1 and can be considered "meantone oneirotonic", sharing the following features with [[meantone]] diatonic tunings: |
| | * The large step is a "meantone", around the range of [[10/9]] to [[9/8]]. |
| | * The major 2-mosstep is a [[meantone]]- to [[flattone]]-sized major third, thus is a stand-in for the classical diatonic major third. |
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|
| '''J/Q&''' J&/K@ '''K/L@''' '''L/K&''' L&/M@ '''M''' M&/N@ '''N/O@''' '''O/N&''' O&/P@ '''P''' '''Q''' Q&/J@ '''J'''
| | With step ratios between 5:2 and 2:1, the minor 2-mosstep is close to [[7/6]]. |
|
| |
|
| The [[18edo]] gamut is notated as follows:
| | EDOs that are in the hypohard range include [[13edo]], [[18edo]], and [[31edo]], and are associated with [[5L 3s/Temperaments#A-Team|A-Team]] temperament. |
| | * 13edo has characteristically small 1-mossteps of about 185{{c}}. It is uniformly compressed 12edo, so it has distorted versions of non-diatonic 12edo scales. It essentially has the best [[11/8]] out of all hypohard tunings. |
| | * 18edo can be used for a large step ratio of 3, (thus 18edo oneirotonic is distorted 17edo diatonic, or for its nearly pure 9/8 and 7/6. It also makes rising fifths (733.3{{c}}, a perfect 5-mosstep) and falling fifths (666.7{{c}}, a major 4-mosstep) almost equally off from a just perfect fifth. 18edo is also more suited for conventionally jazz styles due to its 6-fold symmetry. |
| | * 31edo can be used to make the major 2-mosstep a near-just 5/4. |
| | * [[44edo]] (generator {{nowrap|17\44 {{=}} 463.64{{c}}}}), [[57edo]] (generator {{nowrap|22\57 {{=}} 463.16{{c}}}}), and [[70edo]] (generator 27\70 {{=}} 462.857{{c}}}}) offer a compromise between 31edo's major third and 13edo's 11/8 and 13/8. In particular, 70edo has an essentially pure 13/8. |
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| '''J''' Q&/K@ J&/L@ '''K''' '''L''' K&/M@ L& '''M''' N@ M&/O@ '''N''' '''O''' P@ O& '''P''' '''Q''' P&/J@ Q@ '''J'''
| | {{MOS tunings|Step Ratios=Hypohard|JI Ratios=Subgroup: 2.5.9.21; Int Limit:40; Complements Only: 1|Tolerance=15}} |
|
| |
|
| The [[21edo]] gamut: | | === Hyposoft tunings === |
| | [[Hyposoft]] oneirotonic tunings have step ratios between 3:2 and 2:1, which remains relatively unexplored. In these tunings, |
| | * The large step of oneirotonic tends to be intermediate in size between [[10/9]] and [[11/10]]; the small step size is a semitone close to [[17/16]], about 92{{c}} to 114{{c}}. |
| | * The major 2-mosstep (made of two large steps) in these tunings tends to be more of a neutral third, ranging from 6\21 (342{{c}}) to 4\13 (369{{c}}). |
|
| |
|
| '''J''' J& K@ '''K''' K&/L@ '''L''' L& M@ '''M''' M& N@ '''N''' N&/O@ '''O''' O& P@ '''P''' P&/Q@ '''Q''' Q& J@ '''J''' | | * [[21edo]]'s P1-L1ms-L2ms-L4ms approximates 9:10:11:13 better than the corresponding 13edo chord does. 21edo will serve those who like the combination of neogothic minor thirds (285.71{{c}}) and Baroque diatonic semitones (114.29{{c}}, close to quarter-comma meantone's 117.11{{c}}). |
| | * [[34edo]]'s 9:10:11:13 is even better. |
|
| |
|
| == Scale tree ==
| | This set of JI identifications is associated with [[5L 3s/Temperaments#Petrtri|petrtri]] temperament. (P1-M1ms-P3ms could be said to approximate 5:11:13 in all soft-of-basic tunings, which is what "basic" [[petrtri]] temperament is.) |
| {| class="wikitable" style="text-align:center;"
| |
| |-
| |
| ! colspan="5" | generator
| |
| ! | tetrachord
| |
| ! | g in cents
| |
| ! | 2g
| |
| ! | 3g
| |
| ! | 4g
| |
| ! | Comments
| |
| |-
| |
| | | 2\5
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | | 1 0 1
| |
| | | 480.000
| |
| | | 960.000
| |
| | | 240.00
| |
| | | 720.000
| |
| | |
| |
| |-
| |
| | | 21\53
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | | 10 1 10
| |
| | | 475.472
| |
| | | 950.943
| |
| | | 226.415
| |
| | | 701.887
| |
| | | Vulture/Buzzard is around here
| |
| |-
| |
| | | 19\48
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | | 9 1 9
| |
| | | 475
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| | | 950
| |
| | | 225
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| | | 700
| |
| | |
| |
| |-
| |
| | | 17\43
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | | 8 1 8
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| | | 474.419
| |
| | | 948.837
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| | | 223.256
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| | | 697.674
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| | |
| |
| |-
| |
| | | 15\38
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| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | | 7 1 7
| |
| | | 473.684
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| | | 947.368
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| | | 221.053
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| | | 694.737
| |
| | |
| |
| |-
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| | | 13\33
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| | |
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| | |
| |
| | |
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| | |
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| | | 6 1 6
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| | | 472.727
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| | | 945.455
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| | | 218.181
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| | | 690.909
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| | |
| |
| |-
| |
| | | 11\28
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| | |
| |
| | |
| |
| | |
| |
| | |
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| | | 5 1 5
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| | | 471.429
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| | | 942.857
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| | | 214.286
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| | | 685.714
| |
| | |
| |
| |-
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| | | 9\23
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| | |
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| | |
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| | |
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| | |
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| | | 4 1 4
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| | | 469.565
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| | | 939.130
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| | | 208.696
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| | | 678.261
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| | | L/s = 4
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| |-
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| |
| |
| |16\41
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| |
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| |
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| |7 2 7
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| |468.293
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| |936.585
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| |204.878
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| |673.171
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| |Barbad is around here
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| |-
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| | | 7\18
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| | |
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| | |
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| | |
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| | |
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| | | 3 1 3
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| | | 466.667
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| | | 933.333
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| | | 200.000
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| | | 666.667
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| | | L/s = 3<br/>[[A-Team]] starts around here...
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| |-
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| | |
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| | | 19\49
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| | |
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| | |
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| | |
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| | | 8 3 8
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| | | 465.306
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| | | 930.612
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| | | 195.918
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| | | 661.2245
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| | |
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| |-
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| | |
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| | | 50\129
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| | |
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| | | 21 8 21
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| | | 465.116
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| | | 930.233
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| | | 195.349
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| | | 660.465
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| | |
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| |-
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| | |
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| | |
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| | |
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| | | 131\338
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| | |
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| | | 55 21 55
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| | | 465.089
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| | | 930.1775
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| | | 195.266
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| | | 660.335
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| | |
| |
| |-
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| | |
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| | | 212\547
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| | | 89 34 89
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| | | 465.082
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| | | 930.1645
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| | | 195.247
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| | | 660.329
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| | |
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| |-
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| | |
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| | |
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| | |
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| | | 81\209
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| | | 34 13 34
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| | | 465.072
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| | | 930.1435
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| | | 195.215
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| | | 660.287
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| | |
| |
| |-
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| | |
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| | |
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| | | 31\80
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| | |
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| | | 13 5 13
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| | | 465
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| | | 930
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| | | 195
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| | | 660
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| | |
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| |-
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| | |
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| | | 12\31
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| | |
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| | |
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| | |
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| | | 5 2 5
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| | | 464.516
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| | | 929.032
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| | | 193.549
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| | | 658.065
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| | |
| |
| |-
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| | | 5\13
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| | |
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| | |
| |
| | |
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| | |
| |
| | | 2 1 2
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| | | 461.538
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| | | 923.077
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| | | 184.615
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| | | 646.154
| |
| | | ...and ends here<br/>Boundary of propriety (generators smaller than this are proper)<br/>[[Petrtri]] starts here...
| |
| |-
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| | |
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| | | 13\34
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| | |
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| | |
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| | |
| |
| | | 5 3 5
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| | | 458.824
| |
| | | 917.647
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| | | 176.471
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| | | 635.294
| |
| | |
| |
| |-
| |
| | |
| |
| | |
| |
| | | 34\89
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| | |
| |
| | |
| |
| | | 13 8 13
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| | | 458.427
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| | | 916.854
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| | | 175.281
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| | | 633.708
| |
| | |
| |
| |-
| |
| | |
| |
| | |
| |
| | |
| |
| | | 89\233
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| | |
| |
| | | 34 21 34
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| | | 458.369
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| | | 916.738
| |
| | | 175.107
| |
| | | 633.473
| |
| | |
| |
| |-
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | | 233\610
| |
| | | 89 55 89
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| | | 458.361
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| | | 916.721
| |
| | | 175.082
| |
| | | 633.443
| |
| | | Golden oneirotonic; generator is 2 octaves minus logarithmic [[phi]]
| |
| |-
| |
| | |
| |
| | |
| |
| | |
| |
| | | 144\377
| |
| | |
| |
| | | 55 34 55
| |
| | | 458.355
| |
| | | 916.711
| |
| | | 175.066
| |
| | | 633.422
| |
| | |
| |
| |-
| |
| | |
| |
| | |
| |
| | | 55\144
| |
| | |
| |
| | |
| |
| | | 21 13 21
| |
| | | 458.333
| |
| | | 916.666
| |
| | | 175
| |
| | | 633.333
| |
| | |
| |
| |-
| |
| | |
| |
| | | 21\55
| |
| | |
| |
| | |
| |
| | |
| |
| | | 8 5 8
| |
| | | 458.182
| |
| | | 916.364
| |
| | | 174.545
| |
| | | 632.727
| |
| | |
| |
| |-
| |
| | | 8\21
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | | 3 2 3
| |
| | | 457.143
| |
| | | 914.286
| |
| | | 171.429
| |
| | | 628.571
| |
| | | ...and ends here<br/> Optimum rank range (L/s=3/2) oneirotonic
| |
| |-
| |
| | | 11\29
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | | 4 3 4
| |
| | | 455.172
| |
| | | 910.345
| |
| | | 165.517
| |
| | | 620.690
| |
| | | [[Tridec]] is around here
| |
| |-
| |
| | | 14\37
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | | 5 4 5
| |
| | | 454.054
| |
| | | 908.108
| |
| | | 162.162
| |
| | | 616.216
| |
| | |
| |
| |-
| |
| | | 17\45
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | | 6 5 6
| |
| | | 453.333
| |
| | | 906.667
| |
| | | 160
| |
| | | 613.333
| |
| | |
| |
| |-
| |
| | | 20\53
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | | 7 6 7
| |
| | | 452.83
| |
| | | 905.66
| |
| | | 158.491
| |
| | | 611.321
| |
| | |
| |
| |-
| |
| | | 23\61
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | | 8 7 8
| |
| | | 452.459
| |
| | | 904.918
| |
| | | 157.377
| |
| | | 609.836
| |
| | |
| |
| |-
| |
| | | 26\69
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | | 9 8 9
| |
| | | 452.174
| |
| | | 904.348
| |
| | | 156.522
| |
| | | 608.696
| |
| | |
| |
| |-
| |
| | | 29\77
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | | 10 9 10
| |
| | | 451.948
| |
| | | 903.896
| |
| | | 155.844
| |
| | | 607.792
| |
| | |
| |
| |-
| |
| | | 3\8
| |
| | |
| |
| | |
| |
| | |
| |
| | |
| |
| | | 1 1 1
| |
| | | 450.000
| |
| | | 900.000
| |
| | | 150.000
| |
| | | 600.000
| |
| | |
| |
| |}
| |
|
| |
|
| == Tuning ranges == | | {{MOS tunings |
| === A-Team (13&18) ===
| | | Step Ratios = Hyposoft |
| :''Main article: [[A-Team]]''
| | | JI Ratios = |
| | 1/1; |
| | 16/15; |
| | 10/9; 11/10; |
| | 13/11; 20/17; |
| | 11/9; |
| | 5/4; |
| | 13/10; |
| | 18/13; 32/23; |
| | 13/9; 23/16; |
| | 20/13; |
| | 8/5; |
| | 18/11; |
| | 22/13; 17/10; |
| | 9/5; |
| | 15/8; |
| | 2/1 |
| | }} |
|
| |
|
| === Petrtri (13&21) === | | === Parasoft and ultrasoft tunings === |
| :''Main article: [[Petrtri]]'' | | The range of oneirotonic tunings of step ratio between 6:5 and 3:2 is closely related to [[porcupine]] temperament; these tunings equate three oneirotonic large steps to a diatonic perfect fourth, i.e. they equate the oneirotonic large step to a [[porcupine]] generator. The chord 10:11:13 is very well approximated in 29edo. |
| === Tridec (29&37) ===
| |
| In the broad sense, Tridec can be viewed as any oneirotonic tuning that equates three oneirotonic large steps to a [[4/3]] perfect fourth, i.e. equates the oneirotonic large step to a [[porcupine]] generator. [This identification may come in handy since many altered oneirotonic modes have three consecutive large steps.] Based on the JI interpretations of the [[29edo]] and [[37edo]] tunings, it can in fact be viewed as a 2.3.7/5.11/5.13/5 temperament, i.e. a [[Non-over-1 temperament|non-over-1 temperament]] that approximates the chord 5:7:11:13:15. Since it is the same as Petrtri when you only care about the 9:10:11:13 (R-M2-M3-M5), it can be regarded as a flatter variant of Petrtri (analogous to how septimal meantone and flattone are the same when you only consider how it maps 8:9:10:12).
| |
|
| |
|
| The optimal generator is 455.2178¢, which is very close to 29edo's 11\29 (455.17¢), but we could accept any generator between 17\45 (453.33¢) and 8\21 (457.14¢), if we stipulate that the 3/2 has to be between [[7edo]]'s fifth and [[5edo]]'s fifth.
| | {{MOS tunings |
| | | Step Ratios = 6/5; 3/2; 4/3 |
| | | JI Ratios = |
| | 1/1; |
| | 14/13; |
| | 11/10; |
| | 9/8; |
| | 15/13; |
| | 13/11; |
| | 14/11; |
| | 13/10; |
| | 4/3; |
| | 15/11; |
| | 7/5; |
| | 10/7; |
| | 22/15; |
| | 3/2; |
| | 20/13; |
| | 11/7; |
| | 22/13; |
| | 26/15; |
| | 16/9; |
| | 20/11; |
| | 13/7; |
| | 2/1 |
| | }} |
|
| |
|
| Based on the EDOs that support it, Tridec is essentially the same as 13-limit [[Ammonite]].
| | === Parahard tunings === |
| | 23edo oneiro combines the sound of neogothic tunings like [[46edo]] and the sounds of "superpyth" and "semaphore" scales. This is because 23edo oneirotonic has a large step of 208.7¢, same as [[46edo]]'s neogothic major second, and is both a warped [[22edo]] [[superpyth]] [[diatonic]] and a warped [[24edo]] [[semaphore]] [[semiquartal]] (and both nearby scales are [[superhard]] MOSes). |
|
| |
|
| The sizes of the generator, large step and small step of oneirotonic are as follows in various tridec tunings.
| | {{MOS tunings |
| {| class="wikitable right-2 right-3 right-4 right-5"
| | | JI Ratios = |
| |-
| | 1/1; |
| !
| | 21/17; |
| ! [[21edo]]
| | 17/16; |
| ! [[29edo]]
| | 14/11; |
| ! [[37edo]]
| | 6/5; |
| ! Optimal ([[POTE]]) tuning
| | 21/16; |
| ! JI intervals represented (2.3.7/5.11/5.13/5 subgroup)
| | 21/17; |
| |-
| | 34/21; |
| | generator (g)
| | 32/21; |
| | 8\21, 457.14
| | 5/3; |
| | 11\29, 455.17
| | 11/7; |
| | 14\37, 454.05
| | 32/17; |
| | 455.22
| | 34/21; |
| | 13/10
| | 2/1 |
| |-
| | | Step Ratios = 4/1 |
| | L (3g - octave)
| | }} |
| | 3\21, 171.43
| |
| | 4\29, 165.52
| |
| | 5\37, 162.16
| |
| | 165.65
| |
| | 11/10
| |
| |-
| |
| | s (-5g + 2 octaves)
| |
| | 2\21, 114.29
| |
| | 3\29, 124.14
| |
| | 4\37, 129.73 | |
| | 123.91
| |
| | 14/13, 15/14
| |
| |}
| |
|
| |
|
| === Buzzard (48&53) === | | === Ultrahard tunings === |
| In the broad sense, Buzzard can be viewed as any tuning that divides the 3rd harmonic into 4 equal parts. [[23edo]], [[28edo]] and [[33edo]] can nominally be viewed as supporting it, but are still very flat and in an ambiguous zone between A-Team and true Buzzard in terms of harmonies. [[38edo]] & [[43edo]] are good compromises between melodic utility and harmonic accuracy, as the small step is still large enough to be obvious to the untrained ear, but [[48edo]] is where it really comes into it's own in terms of harmonies, providing not only an excellent [[3/2]], but also [[7/4]] and [[The_Archipelago|archipelago]] harmonies, as by dividing the 5th in 4 it obviously also divides it in two as well.
| | {{Main|5L 3s/Temperaments#Buzzard}} |
|
| |
|
| Beyond that, it's a question of which intervals you want to favor. [[53edo]] has an essentially perfect [[3/2]], [[58edo]] gives the lowest overall error for the Barbados triads 10:13:15 and 26:30:39, while [[63edo]] does the same for the basic 4:6:7 triad. You could in theory go up to [[83edo]] if you want to favor the [[7/4]] above everything else, but beyond that, general accuracy drops off rapidly and you might as well be playing equal pentatonic.
| | [[Buzzard]] is a rank-2 temperament in the [[Step ratio|pseudocollapsed]] range. It represents the only [[harmonic entropy]] minimum of the oneirotonic spectrum. |
|
| |
|
| The sizes of the generator, large step and small step of oneirotonic are as follows in various buzzard tunings.
| | In the broad sense, Buzzard can be viewed as any tuning that divides the 3rd harmonic into 4 equal parts. [[23edo]], [[28edo]] and [[33edo]] can nominally be viewed as supporting it, but are still very flat and in an ambiguous zone between 18edo and true Buzzard in terms of harmonies. [[38edo]] & [[43edo]] are good compromises between melodic utility and harmonic accuracy, as the small step is still large enough to be obvious to the untrained ear, but [[48edo]] is where it really comes into its own in terms of harmonies, providing not only an excellent [[3/2]], but also [[7/4]] and [[The_Archipelago|archipelago]] harmonies, as by dividing the 5th in 4 it obviously also divides it in two as well. |
| {| class="wikitable right-2 right-3 right-4 right-5"
| |
| |-
| |
| !
| |
| ! [[38edo]]
| |
| ! [[53edo]]
| |
| ! [[63edo]]
| |
| ! Optimal ([[POTE]]) tuning
| |
| ! JI intervals represented (2.3.5.7.13 subgroup)
| |
| |-
| |
| | generator (g)
| |
| | 15\38, 473.68
| |
| | 21\53, 475.47
| |
| | 25\63, 476.19
| |
| | 475.69
| |
| | 3/2 21/16
| |
| |-
| |
| | L (3g - octave)
| |
| | 7/38, 221.04
| |
| | 10/53, 226.41 | |
| | 12/63, 228.57
| |
| | 227.07
| |
| | 8/7
| |
| |-
| |
| | s (-5g + 2 octaves)
| |
| | 1/38 31.57
| |
| | 1/53 22.64
| |
| | 1/63 19.05
| |
| | 21.55
| |
| | 55/54 81/80 91/90
| |
| |}
| |
|
| |
|
| == Intervals ==
| | Beyond that, it's a question of which intervals you want to favor. [[53edo]] has an essentially perfect [[3/2]], [[58edo]] gives the lowest overall error for the Barbados triads 10:13:15 and 26:30:39, while [[63edo]] does the same for the basic 4:6:7 triad. You could in theory go up to [[83edo]] if you want to favor the [[7/4]] above everything else, but beyond that, general accuracy drops off rapidly and you might as well be playing equal pentatonic. |
| {| class="wikitable center-all"
| |
| |-
| |
| ! Generators
| |
| ! Notation (1/1 = J)
| |
| ! Octatonic interval category name
| |
| ! Generators
| |
| ! Notation of 2/1 inverse
| |
| ! Octatonic interval category name
| |
| |-
| |
| | colspan="6" style="text-align:left" | The 8-note MOS has the following intervals (from some root):
| |
| |-
| |
| | 0
| |
| | J
| |
| | perfect unison
| |
| | 0
| |
| | J
| |
| | octave
| |
| |-
| |
| | 1
| |
| | M
| |
| | perfect oneirofourth (aka minor fourth, falling fourth)
| |
| | -1
| |
| | O
| |
| | perfect oneirosixth (aka major fifth, rising fifth)
| |
| |-
| |
| | 2
| |
| | P
| |
| | major oneiroseventh
| |
| | -2
| |
| | L
| |
| | minor oneirothird
| |
| |-
| |
| | 3
| |
| | K
| |
| | major oneirosecond
| |
| | -3
| |
| | Q
| |
| | minor oneiroeighth
| |
| |-
| |
| | 4
| |
| | N
| |
| | major oneirofifth (aka minor fifth, falling fifth)
| |
| | -4
| |
| | N@
| |
| | minor oneirofifth (aka major fourth, rising fourth)
| |
| |-
| |
| | 5
| |
| | Q&
| |
| | major oneiroeighth
| |
| | -5
| |
| | K@
| |
| | minor oneirosecond
| |
| |-
| |
| | 6
| |
| | L&
| |
| | major oneirothird
| |
| | -6
| |
| | P@
| |
| | minor oneiroseventh
| |
| |-
| |
| | 7
| |
| | O&
| |
| | augmented oneirosixth
| |
| | -7
| |
| | M@
| |
| | diminished oneirofourth
| |
| |-
| |
| | colspan="6" style="text-align:left" | The chromatic 13-note MOS (either [[5L 8s]] or [[8L 5s]]) also has the following intervals (from some root):
| |
| |-
| |
| | 8
| |
| | J&
| |
| | augmented unison
| |
| | -8
| |
| | J@
| |
| | diminished octave
| |
| |-
| |
| | 9
| |
| | M&
| |
| | augmented oneirofourth
| |
| | -9
| |
| | O@
| |
| | diminished oneirosixth
| |
| |-
| |
| | 10
| |
| | P&
| |
| | augmented oneiroseventh
| |
| | -10
| |
| | L@
| |
| | diminished oneirothird
| |
| |-
| |
| | 11
| |
| | K&
| |
| | augmented oneirosecond
| |
| | -11
| |
| | Q@
| |
| | diminished oneiroeighth
| |
| |-
| |
| | 12
| |
| | N&
| |
| | augmented oneirofifth
| |
| | -12
| |
| | N@@
| |
| | diminished oneirofifth
| |
| |}
| |
|
| |
|
| == Key signatures ==
| | {{MOS tunings |
| Flat keys:
| | | JI Ratios = |
| * J@ Oneirominor, L@ Oneiromajor = N@, K@, P@, M@, J@, O@, L@, Q@
| | 1/1; |
| * M@ Oneirominor, O@ Oneiromajor = N@, K@, P@, M@, J@, O@, L@
| | 8/7; |
| * P@ Oneirominor, J@ Oneiromajor = N@, K@, P@, M@, J@, O@
| | 13/10; |
| * K@ Oneirominor, M@ Oneiromajor = N@, K@, P@, M@, J@
| | 21/16; |
| * N@ Oneirominor, P@ Oneiromajor = N@, K@, P@, M@
| | 3/2; |
| * Q Oneirominor, K@ Oneiromajor = N@, K@, P@
| | 12/7, 22/13; |
| * L Oneirominor, N@ Oneiromajor = N@, K@
| | 26/15; |
| * O Oneirominor, Q Oneiromajor = N@
| | 49/25, 160/81; |
| All-natural key signature:
| | 2/1 |
| * J Oneirominor, L Oneiromajor = no sharps or flats
| | | Step Ratios = 7/1; 10/1; 12/1 |
| Sharp keys:
| | | Tolerance = 30 |
| * M Oneirominor, O Oneiromajor = Q&
| | }} |
| * P Oneirominor, J Oneiromajor = Q&, L&
| |
| * K Oneirominor, M Oneiromajor = Q&, L&, O&
| |
| * N Oneirominor, P Oneiromajor = Q&, L&, O&, J&
| |
| * Q& Oneirominor, K Oneiromajor = Q&, L&, O&, J&, M&
| |
| ** Enharmonic with J@ Oneirominor, L@ Oneiromajor in [[13edo]]
| |
| * L& Oneirominor, N Oneiromajor = Q&, L&, O&, J&, M&, P&
| |
| ** Enharmonic with M@ Oneirominor, O@ Oneiromajor in 13edo
| |
| * O& Oneirominor, Q& Oneiromajor = Q&, L&, O&, J&, M&, P&, K&
| |
| ** Enharmonic with P@ Oneirominor, J@ Oneiromajor in 13edo
| |
| * J& Oneirominor, L& Oneiromajor = Q&, L&, O&, J&, M&, P&, K&, N&
| |
| ** Enharmonic with K@ Oneirominor, M@ Oneiromajor in 13edo
| |
|
| |
|
| == Modes == | | == Approaches == |
| Oneirotonic modes are named after cities in the Dreamlands. (The names are by Cryptic Ruse.)
| | * [[5L 3s/Temperaments]] |
|
| |
|
| # Dylathian (də-LA(H)TH-iən): LLSLLSLS
| | == Samples == |
| # Illarnekian (ill-ar-NEK-iən): LLSLSLLS
| | [[File:The Angels' Library edo.mp3]] [[:File:The Angels' Library edo.mp3|The Angels' Library]] by [[Inthar]] in the Sarnathian (23233233) mode of 21edo oneirotonic ([[:File:The Angels' Library Score.pdf|score]]) |
| # Celephaïsian (kel-ə-FAY-zhən): LSLLSLLS
| |
| # Ultharian (ul-THA(I)R-iən): LSLLSLSL
| |
| # Mnarian (mə-NA(I)R-iən): LSLSLLSL
| |
| # Kadathian (kə-DA(H)TH-iən): SLLSLLSL
| |
| # Hlanithian (lə-NITH-iən): SLLSLSLL
| |
| # Sarnathian (sar-NA(H)TH-iən): SLSLLSLL
| |
|
| |
|
| The modes on the white keys JKLMNOPQJ are:
| |
| * J Ultharian
| |
| * K Hlanithian
| |
| * L Illarnekian
| |
| * M Mnarian
| |
| * N Sarnathian
| |
| * O Celephaïsian
| |
| * P Kadathian
| |
| * Q Dylathian
| |
|
| |
| {| class="wikitable"
| |
| |-
| |
| |+ Table of modes (based on J, from brightest to darkest)
| |
| |-
| |
| ! Mode
| |
| ! 1
| |
| ! 2
| |
| ! 3
| |
| ! 4
| |
| ! 5
| |
| ! 6
| |
| ! 7
| |
| ! 8
| |
| ! (9)
| |
| |-
| |
| | Dylathian
| |
| | J
| |
| | K
| |
| | L&
| |
| | M
| |
| | N
| |
| | O&
| |
| | P
| |
| | Q&
| |
| | (J)
| |
| |-
| |
| | Illarnekian
| |
| | J
| |
| | K
| |
| | L&
| |
| | M
| |
| | N
| |
| | O
| |
| | P
| |
| | Q&
| |
| | (J)
| |
| |-
| |
| | Celephaïsian
| |
| | J
| |
| | K
| |
| | L
| |
| | M
| |
| | N
| |
| | O
| |
| | P
| |
| | Q&
| |
| | (J)
| |
| |-
| |
| | Ultharian
| |
| | J
| |
| | K
| |
| | L
| |
| | M
| |
| | N
| |
| | O
| |
| | P
| |
| | Q
| |
| | (J)
| |
| |-
| |
| | Mnarian
| |
| | J
| |
| | K
| |
| | L
| |
| | M
| |
| | N@
| |
| | O
| |
| | P
| |
| | Q
| |
| | (J)
| |
| |-
| |
| | Kadathian
| |
| | J
| |
| | K@
| |
| | L
| |
| | M
| |
| | N@
| |
| | O
| |
| | P
| |
| | Q
| |
| | (J)
| |
| |-
| |
| | Hlanithian
| |
| | J
| |
| | K@
| |
| | L
| |
| | M
| |
| | N@
| |
| | O
| |
| | P@
| |
| | Q
| |
| | (J)
| |
| |-
| |
| | Sarnathian
| |
| | J
| |
| | K@
| |
| | L
| |
| | M@
| |
| | N@
| |
| | O
| |
| | P@
| |
| | Q
| |
| | (J)
| |
| |}
| |
|
| |
|
| |
| === Ana modes ===
| |
| We call modes (see [[5L 3s#Modes|oneirotonic modes]]) with a major mos5th ''ana modes'' (from Greek for 'up'), because the sharper 5th degree functions as a flattened melodic fifth when moving from the tonic up. The ana modes of the MOS are the 4 brightest modes, namely Dylathian, Illarnekian, Celephaïsian and Ultharian.
| |
|
| |
| === Kata modes ===
| |
| We call modes with a minor mos5th ''kata modes'' (from Greek for 'down'). The kata modes of the MOS are the 4 darkest modes, namely Mnarian, Kadathian, Hlanithian and Sarnathian. In kata modes, the melodically squashed fifth from the tonic downwards is the flatter 5th degree. Kata modes could be used to distort diatonic tropes that start from the tonic and work downwards or work upwards towards the tonic from below it.
| |
|
| |
| === Functional tonalities ===
| |
| For classical-inspired functional harmony, we propose the terms ''(Functional) Oneiromajor'' and ''(Functional) Oneirominor'': Oneiromajor for Illarnekian where the 6th degree (the rising fifth) can be sharpened, and Oneirominor for Ultharian where the 8th degree (the leading tone) can be sharpened. The respective purposes of these alterations are:
| |
| # in Oneiromajor, to have both major (requiring a sharpened 6th degree) on the flat fourth "subdominant" and the sharp fifth as "dominant"
| |
| # in Oneirominor, to have both the flat 8th degree as the dominant of the "mediant" (relative major) and the sharp 8th degree as leading tone
| |
|
| |
| In key signatures, Oneirominor should be treated as Ultharian and Oneiromajor should be treated as Illarnekian. Note that Oneiromajor and Oneirominor still have the relative major-minor relationship; they are related by a major mosthird, just like diatonic major/minor.
| |
| === Alterations ===
| |
| ==== Archeodim ====
| |
| We call the LSLLLSLS pattern (independently of modal rotation) '''archeodim''', because the "LLL" resembles the [[archeotonic]] scale in 13edo and the "LSLSLS" resembles the diminished scale. Archeodim is the most important oneirotonic [[MODMOS]] pattern (a MODMOS is a MOS with one or more alterations), because it allows one to evoke certain ana or kata diatonic modes where three whole steps in a row are important (Dorian, Phrygian, Lydian or Mixo) in an octatonic context. The MOS would not always be able to do this because it has at most two consecutive large steps. Archeodim modes exist in all oneirotonic tunings, since they use the same large and small steps as the oneirotonic scale itself.
| |
|
| |
| As with the MOS, archeodim has four ana and four kata rotations:
| |
| * Ana:
| |
| ** LLLSLSLS: Dylathian &4, Dylydian
| |
| ** LLSLSLSL: Illarnekian @8, Illarmixian
| |
| ** LSLLLSLS: Celephaïsian &6, Celdorian
| |
| ** SLLLSLSL: Ultharian @2, Ulphrygian
| |
| * Kata:
| |
| ** LSLSLLLS: Mnarian &8, Mnionian
| |
| ** SLSLLLSL: Sarnathian &7, Sardorian
| |
| ** LSLSLSLL: Mnarian @7, Mnaeolian
| |
| ** SLSLSLLL: Sarnathian @6, Sarlocrian
| |
|
| |
| {| class="wikitable"
| |
| |-
| |
| |+ Table of archeodim modes (based on J)
| |
| |-
| |
| ! Mode
| |
| ! 1
| |
| ! 2
| |
| ! 3
| |
| ! 4
| |
| ! 5
| |
| ! 6
| |
| ! 7
| |
| ! 8
| |
| ! (9)
| |
| |-
| |
| | Dylydian
| |
| | J
| |
| | K
| |
| | L&
| |
| | M&
| |
| | N
| |
| | O&
| |
| | P
| |
| | Q&
| |
| | (J)
| |
| |-
| |
| | Illarmixian
| |
| | J
| |
| | K
| |
| | L&
| |
| | M
| |
| | N
| |
| | O
| |
| | P
| |
| | Q
| |
| | (J)
| |
| |-
| |
| | Celdorian
| |
| | J
| |
| | K
| |
| | L
| |
| | M
| |
| | N
| |
| | O&
| |
| | P
| |
| | Q&
| |
| | (J)
| |
| |-
| |
| | Ulphrygian
| |
| | J
| |
| | K@
| |
| | L
| |
| | M
| |
| | N
| |
| | O
| |
| | P
| |
| | Q
| |
| | (J)
| |
| |-
| |
| | Mnionian
| |
| | J
| |
| | K
| |
| | L
| |
| | M
| |
| | N@
| |
| | O
| |
| | P
| |
| | Q&
| |
| | (J)
| |
| |-
| |
| | Sardorian
| |
| | J
| |
| | K@
| |
| | L
| |
| | M@
| |
| | N@
| |
| | O
| |
| | P
| |
| | Q
| |
| | (J)
| |
| |-
| |
| | Mnaeolian
| |
| | J
| |
| | K
| |
| | L
| |
| | M
| |
| | N@
| |
| | O
| |
| | P@
| |
| | Q
| |
| | (J)
| |
| |-
| |
| | Sarlocrian
| |
| | J
| |
| | K@
| |
| | L
| |
| | M@
| |
| | N@
| |
| | O@
| |
| | P@
| |
| | Q
| |
| | (J)
| |
| |}
| |
|
| |
| ==== Other MODMOSes ====
| |
| Other potentially interesting oneirotonic MODMOSes (that do not use half-sharps or half-flats) are:
| |
| * the distorted harmonic minor LSLLSALS (A = aug 2nd = L + chroma)
| |
| * the distorted Freygish SASLSLLS
| |
| * Celephaïsian &4 &6 LsAsLsLs
| |
| === Pentatonic subsets ===
| |
| Modes of the oneiro-pentatonic [[3L 2s]] MOS:
| |
| # P1-M2-P4-M5-M7 Oneiro Falling Suspended Pentatonic
| |
| # P1-M2-P4-P6-M7 Oneiro Rising Suspended Pentatonic
| |
| # P1-m3-P4-P6-M7 Oneiro Symmetrical Pentatonic
| |
| # P1-m3-P4-P6-m8 Oneiro Expanding Quartal Pentatonic
| |
| # P1-m3-m5-P6-m8 Oneiro Diminished Pentatonic
| |
|
| |
| == Rank-2 temperaments ==
| |
| Oneirotonic temperaments have a sort of analogy to diatonic temperaments superpyth and meantone in how they treat the large step. In diatonic the large step approximates 9/8 (a very good 9/8 in 12edo), but superpyth has 9/8 ~ 8/7, and meantone has 9/8 ~ 10/9. In oneirotonic the large step tends to approximate 10/9 (and is a very good 10/9 in 13edo which is the oneirotonic analogue to 12edo), but different oneiro temperaments do different things with it. In A-Team (13&18), 10/9 is equated with 9/8, making the major oneirothird a 5/4 (thus is "meantone" in that sense). In both Petrtri (13&21) and Tridec (21&29), 10/9 is equated with 11/10, making the major oneirothird a 11/9; and the perfect oneirofourth is equated to 13/10. So the compressed major triad add2 (R-M2-M3-M5, M5 = major oneirofifth = minor fifth in 13edo) is interpreted as 9:10:11:13 in petrtri, analogous to meantone's 8:9:10:12. Thus Petrtri and Tridec are the same temperament when you only care about the 9:10:11:13, or equivalently the 2.9/5.11/5.13/5 subgroup. This is one reason why Tridec can be viewed as the oneirotonic analogue of [[flattone]]: it's a flatter variant of the flat-of-13edo oneiro temperament on the 2.9/5.11/5.13/5 subgroup.
| |
|
| |
| Vulture/[[Hemifamity_temperaments|Buzzard]], in which four generators make a 3/1 (and three generators approximate an octave plus 8/7), is the only [[harmonic entropy]] minimum in the oneirotonic range. However, the rest of this region is still rich in notable subgroup temperaments.
| |
| === Tridec ===
| |
| Subgroup: 2.3.7/5.11/5.13/5
| |
|
| |
| Period: 1\1
| |
|
| |
| Optimal ([[POTE]]) generator: 455.2178
| |
|
| |
| EDO generators: [[21edo|8\21]], [[29edo|11\29]], [[37edo|14\37]]
| |
|
| |
| <div class="toccolours mw-collapsible mw-collapsed" style="width:600px; overflow:auto;">
| |
| <div style="line-height:1.6;">Technical data</div>
| |
| <div class="mw-collapsible-content">
| |
|
| |
| [[Comma]] list: 196/195, 847/845, 1001/1000
| |
|
| |
| [[Mapping]] (for 2, 3, 7/5, 11/5, 13/5): [{{val|1 5 2 0 1}}, {{val|0 -9 -4 3 1}}]
| |
|
| |
| Mapping generators: ~2, ~13/10
| |
|
| |
| {{Vals|legend=1| 21, 29, 37 }}
| |
|
| |
| </div></div>
| |
|
| |
| ==== Intervals ====
| |
| Sortable table of intervals in the Dylathian mode and their Tridec interpretations:
| |
|
| |
| {| class="wikitable right-2 right-3 right-4 sortable"
| |
| |-
| |
| ! Degree
| |
| ! Size in 21edo
| |
| ! Size in 29edo
| |
| ! Size in 37edo
| |
| ! Size in POTE tuning
| |
| ! Note name on Q
| |
| ! class="unsortable"| Approximate ratios
| |
| ! #Gens up
| |
| |-
| |
| | 1
| |
| | 0\21, 0.00
| |
| | 0\29, 0.00
| |
| | 0\37, 0.00
| |
| | 0.00
| |
| | Q
| |
| | 1/1
| |
| | 0
| |
| |-
| |
| | 2
| |
| | 3\21, 171.43
| |
| | 4\29, 165.52
| |
| | 5\37, 163.16
| |
| | 165.65
| |
| | J
| |
| | 11/10, 10/9
| |
| | +3
| |
| |-
| |
| | 3
| |
| | 6\21, 342.86
| |
| | 8\29, 331.03
| |
| | 10\37, 324.32
| |
| | 331.31
| |
| | K
| |
| | 11/9, 6/5
| |
| | +6
| |
| |-
| |
| | 4
| |
| | 8\21, 457.14
| |
| | 11\29, 455.17
| |
| | 14\37, 454.05
| |
| | 455.17
| |
| | L
| |
| | 13/10, 9/7
| |
| | +1
| |
| |-
| |
| | 5
| |
| | 11\21, 628.57
| |
| | 15\29, 620.69
| |
| | 19\37, 616.22
| |
| | 620.87
| |
| | M
| |
| | 13/9, 10/7
| |
| | +4
| |
| |-
| |
| | 6
| |
| | 14\21, 800.00
| |
| | 19\29, 786.21
| |
| | 23\37, 778.38
| |
| | 786.52
| |
| | N
| |
| | 11/7
| |
| | +7
| |
| |-
| |
| | 7
| |
| | 16\21, 914.29
| |
| | 22\29, 910.34
| |
| | 28\37, 908.11
| |
| | 910.44
| |
| | O
| |
| | 22/13
| |
| | +2
| |
| |-
| |
| | 8
| |
| | 19\21, 1085.71
| |
| | 26\29, 1075.86
| |
| | 33\37, 1070.27
| |
| | 1076.09
| |
| | P
| |
| | 13/7, 28/15
| |
| | +5
| |
| |}
| |
|
| |
| === Petrtri ===
| |
| Subgroup: 2.5.9.11.13.17
| |
|
| |
| Period: 1\1
| |
|
| |
| Optimal ([[POTE]]) generator: 459.1502
| |
|
| |
| EDO generators: [[13edo|5\13]], [[21edo|8\21]], [[34edo|13\34]]
| |
|
| |
| <div class="toccolours mw-collapsible mw-collapsed" style="width:600px; overflow:auto;">
| |
| <div style="line-height:1.6;">Technical data</div>
| |
| <div class="mw-collapsible-content">
| |
|
| |
| [[Comma]] list: 100/99, 144/143, 170/169, 221/220
| |
|
| |
| [[Mapping]] (for 2, 5, 9, 11, 13, 17): [{{val|1 5 7 5 6 6}}, {{val|0 -7 -10 -4 -6 -5}}]
| |
|
| |
| Mapping generators: ~2, ~13/10
| |
|
| |
| {{Vals|legend=1| 13, 21, 34 }}
| |
|
| |
| </div></div>
| |
| ==== Intervals ====
| |
| Sortable table of intervals in the Dylathian mode and their Petrtri interpretations:
| |
| {| class="wikitable right-2 right-3 right-4 right-5 sortable"
| |
| |-
| |
| ! Degree
| |
| ! Size in 13edo
| |
| ! Size in 21edo
| |
| ! Size in 34edo
| |
| ! Size in POTE tuning
| |
| ! Note name on Q
| |
| ! class="unsortable"| Approximate ratios
| |
| ! #Gens up
| |
| |-
| |
| | 1
| |
| | 0\13, 0.00
| |
| | 0\21, 0.00
| |
| | 0\34, 0.00
| |
| | 0.00
| |
| | Q
| |
| | 1/1
| |
| | 0
| |
| |-
| |
| | 2
| |
| | 2\13, 184.62
| |
| | 3\21, 171.43
| |
| | 5\34, 176.47
| |
| | 177.45
| |
| | J
| |
| | 10/9, 11/10
| |
| | +3
| |
| |-
| |
| | 3
| |
| | 4\13, 369.23
| |
| | 6\21, 342.86
| |
| | 10\34, 352.94
| |
| | 354.90
| |
| | K
| |
| | 11/9, 16/13
| |
| | +6
| |
| |-
| |
| | 4
| |
| | 5\13, 461.54
| |
| | 8\21, 457.14
| |
| | 13\34, 458.82
| |
| | 459.15
| |
| | L
| |
| | 13/10, 17/13, 22/17
| |
| | +1
| |
| |-
| |
| | 5
| |
| | 7\13, 646.15
| |
| | 11\21, 628.57
| |
| | 18\34, 635.294
| |
| | 636.60
| |
| | M
| |
| | 13/9, 16/11, 23/16 (esp. 21edo)
| |
| | +4
| |
| |-
| |
| | 6
| |
| | 9\13, 830.77
| |
| | 14\21, 800.00
| |
| | 23\34, 811.77
| |
| | 814.05
| |
| | N
| |
| | 8/5
| |
| | +7
| |
| |-
| |
| | 7
| |
| | 10\13, 923.08
| |
| | 16\21, 914.29
| |
| | 26\34, 917.65
| |
| | 918.30
| |
| | O
| |
| | 17/10
| |
| | +2
| |
| |-
| |
| | 8
| |
| | 12\13, 1107.69
| |
| | 19\21, 1085.71
| |
| | 31\34, 1094.12
| |
| | 1095.75
| |
| | P
| |
| | 17/9, 32/17, 15/8
| |
| | +5
| |
| |}
| |
|
| |
| === A-Team ===
| |
| Subgroup: 2.5.9.21
| |
|
| |
| Period: 1\1
| |
|
| |
| Optimal ([[POTE]]) generator: 464.3865
| |
|
| |
| EDO generators: [[13edo|5\13]], [[18edo|7\18]], [[31edo|12\31]], [[44edo|17\44]]
| |
|
| |
| <div class="toccolours mw-collapsible mw-collapsed" style="width:600px; overflow:auto;">
| |
| <div style="line-height:1.6;">Technical data</div>
| |
| <div class="mw-collapsible-content">
| |
|
| |
| [[Comma]] list: 81/80, 1029/1024
| |
|
| |
| [[Mapping]] (for 2, 5, 9, 21): [{{val|1 0 2 4}}, {{val|0 6 3 1}}]
| |
|
| |
| Mapping generators: ~2, ~21/16
| |
|
| |
| {{Vals|legend=1| 13, 18, 31, 44 }}
| |
|
| |
| </div></div>
| |
| ==== Intervals ====
| |
| Sortable table of intervals in the Dylathian mode and their A-Team interpretations:
| |
|
| |
| {| class="wikitable right-2 right-3 right-4 sortable"
| |
| |-
| |
| ! Degree
| |
| ! Size in 13edo
| |
| ! Size in 18edo
| |
| ! Size in 31edo
| |
| ! Note name on Q
| |
| ! class="unsortable"| Approximate ratios<ref>The ratio interpretations that are not valid for 18edo are italicized.</ref>
| |
| ! #Gens up
| |
| |-
| |
| | 1
| |
| | 0\13, 0.00
| |
| | 0\18, 0.00
| |
| | 0\31, 0.00
| |
| | Q
| |
| | 1/1
| |
| | 0
| |
| |-
| |
| | 2
| |
| | 2\13, 184.62
| |
| | 3\18, 200.00
| |
| | 5\31, 193.55
| |
| | J
| |
| | 9/8, 10/9
| |
| | +3
| |
| |-
| |
| | 3
| |
| | 4\13, 369.23
| |
| | 6\18, 400.00
| |
| | 10\31, 387.10
| |
| | K
| |
| | 5/4
| |
| | +6
| |
| |-
| |
| | 4
| |
| | 5\13, 461.54
| |
| | 7\18, 466.67
| |
| | 12\31, 464.52
| |
| | L
| |
| | 21/16, ''13/10''
| |
| | +1
| |
| |-
| |
| | 5
| |
| | 7\13, 646.15
| |
| | 10\18, 666.66
| |
| | 17\31, 658.06
| |
| | M
| |
| | ''13/9'', ''16/11''
| |
| | +4
| |
| |-
| |
| | 6
| |
| | 9\13, 830.77
| |
| | 13\18, 866.66
| |
| | 22\31, 851.61
| |
| | N
| |
| | ''13/8'', ''18/11''
| |
| | +7
| |
| |-
| |
| | 7
| |
| | 10\13, 923.08
| |
| | 14\18, 933.33
| |
| | 24\31, 929.03
| |
| | O
| |
| | 12/7
| |
| | +2
| |
| |-
| |
| | 8
| |
| | 12\13, 1107.69
| |
| | 17\18, 1133.33
| |
| | 29\31, 1122.58
| |
| | P
| |
| |
| |
| | +5
| |
| |}
| |
| <references/>
| |
|
| |
| === Buzzard ===
| |
| Subgroup: 2.3.5.7
| |
|
| |
| Period: 1\1
| |
|
| |
| Optimal ([[POTE]]) generator: ~21/16 = 475.636
| |
|
| |
| EDO generators: [[38edo|15\38]], [[43edo|17\43]], [[48edo|19\48]], [[53edo|21\53]], [[58edo|23\58]], [[63edo|25\63]]
| |
|
| |
| <div class="toccolours mw-collapsible mw-collapsed" style="width:600px; overflow:auto;">
| |
| <div style="line-height:1.6;">Technical data</div>
| |
| <div class="mw-collapsible-content">
| |
|
| |
| Commas: 1728/1715, 5120/5103
| |
|
| |
| Map: [<1 0 -6 4|, <0 4 21 -3|]
| |
|
| |
| Mapping generators: ~2, ~21/16
| |
|
| |
| Wedgie: <<4 21 -3 24 -16 -66||
| |
|
| |
| {{Vals| 48, 53, 111, 164d, 275d}}
| |
|
| |
| Badness: 0.0480
| |
| </div></div>
| |
|
| |
| ==== Intervals ====
| |
| Sortable table of intervals in the Dylathian mode and their Buzzard interpretations:
| |
|
| |
| {| class="wikitable right-2 right-3 right-4 right-5 sortable"
| |
| |-
| |
| ! Degree
| |
| ! Size in 38edo
| |
| ! Size in 53edo
| |
| ! Size in 63edo
| |
| ! Size in POTE tuning
| |
| ! Note name on Q
| |
| ! class="unsortable"| Approximate ratios
| |
| ! #Gens up
| |
| |-
| |
| | 1
| |
| | 0\38, 0.00
| |
| | 0\53, 0.00
| |
| | 0\63, 0.00
| |
| | 0.00
| |
| | Q
| |
| | 1/1
| |
| | 0
| |
| |-
| |
| | 2
| |
| | 7\38, 221.05
| |
| | 10\53, 226.42
| |
| | 12\63, 228.57
| |
| | 227.07
| |
| | J
| |
| | 8/7
| |
| | +3
| |
| |-
| |
| | 3
| |
| | 14\38, 442.10
| |
| | 20\53, 452.83
| |
| | 24\63, 457.14
| |
| | 453.81
| |
| | K
| |
| | 13/10, 9/7
| |
| | +6
| |
| |-
| |
| | 4
| |
| | 15\38, 473.68
| |
| | 21\53, 475.47
| |
| | 25\63, 476.19
| |
| | 475.63
| |
| | L
| |
| | 21/16
| |
| | +1
| |
| |-
| |
| | 5
| |
| | 22\38, 694.73
| |
| | 31\53, 701.89
| |
| | 37\63, 704.76
| |
| | 702.54
| |
| | M
| |
| | 3/2
| |
| | +4
| |
| |-
| |
| | 6
| |
| | 29\38, 915.78
| |
| | 41\53, 928.30
| |
| | 49\63, 933.33
| |
| | 929.45
| |
| | N
| |
| | 12/7, 22/13
| |
| | +7
| |
| |-
| |
| | 7
| |
| | 30\38, 947.36
| |
| | 42\53, 950.94
| |
| | 50\63, 952.38
| |
| | 951.27
| |
| | O
| |
| | 26/15
| |
| | +2
| |
| |-
| |
| | 8
| |
| | 37\38, 1168.42
| |
| | 52\53, 1177.36
| |
| | 62\63, 1180.95
| |
| | 1178.18
| |
| | P
| |
| | 108/55, 160/81
| |
| | +5
| |
| |}
| |
|
| |
| == Samples ==
| |
| [[File:13edo Prelude in J Oneirominor.mp3]] | | [[File:13edo Prelude in J Oneirominor.mp3]] |
|
| |
|
Line 1,400: |
Line 188: |
| [[File:A Moment of Respite.mp3]] | | [[File:A Moment of Respite.mp3]] |
|
| |
|
| (13edo, L Illarnekian) | | (13edo, L Ilarnekian) |
|
| |
|
| [[File:Lunar Approach.mp3]] | | [[File:Lunar Approach.mp3]] |
Line 1,406: |
Line 194: |
| (by [[Igliashon Jones]], 13edo, J Celephaïsian) | | (by [[Igliashon Jones]], 13edo, J Celephaïsian) |
|
| |
|
| == See also == | | === 13edo Oneirotonic Modal Studies === |
| * [[Well-Tempered 13-Tone Clavier]] (collab project to create 13edo oneirotonic keyboard pieces in a variety of keys and modes) | | * [[File:Inthar-13edo Oneirotonic Studies 1 Dylathian.mp3]]: Tonal Study in Dylathian |
| | * [[File:Inthar-13edo Oneirotonic Studies 2 Ultharian.mp3]]: Tonal Study in Ultharian |
| | * [[File:Inthar-13edo Oneirotonic Studies 3 Hlanithian.mp3]]: Tonal Study in Hlanithian |
| | * [[File:Inthar-13edo Oneirotonic Studies 4 Illarnekian.mp3]]: Tonal Study in Ilarnekian |
| | * [[File:Inthar-13edo Oneirotonic Studies 5 Mnarian.mp3]]: Tonal Study in Mnarian |
| | * [[File:Inthar-13edo Oneirotonic Studies 6 Sarnathian.mp3]]: Tonal Study in Sarnathian |
| | * [[File:Inthar-13edo Oneirotonic Studies 7 Celephaisian.mp3]]: Tonal Study in Celephaïsian |
| | * [[File:Inthar-13edo Oneirotonic Studies 8 Kadathian.mp3]]: Tonal Study in Kadathian |
| | |
| | == Scale tree == |
| | {{MOS tuning spectrum |
| | | 13/8 = Golden oneirotonic (458.3592{{c}}) |
| | | 13/5 = Golden A-Team (465.0841{{c}}) |
| | }} |
|
| |
|
| [[Category:Scales]]
| |
| [[Category:Oneirotonic| ]] <!-- sort order in category: this page shows above A --> | | [[Category:Oneirotonic| ]] <!-- sort order in category: this page shows above A --> |
| [[Category:Mos]] | | [[Category:Pages with internal sound examples]] |
| [[Category:MOS scales]]
| |
| | |
| [[Category:Abstract MOS patterns]][[Category:Oneirotonic|*]]
| |