User:Inthar/Bjeheondian music: Difference between revisions

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TODO: Replace Netagin terms with Anbirese/Dårle ones

'''Bjeheondian music''', called the ''~~ngorlarre~~'' (Anbirese [~~ˈŋuːɭare̞~~]~~) (plural of~~ Dårle ''ngorla'' 'place') tradition, is a monophonic tradition of the conworld Angai. The premise of the tradition is "What if Arabic maqam was pentatonic and neutralized 2L3s (the Western pentatonic scale), instead of being heptatonic and neutralizing 5L2s (the diatonic scale)?"

'''Bjeheondian music''', called the ''ngorla'' (Anbirese [ˈŋuːɭä]; from Dårle ''ngorla'' 'place') tradition, is a monophonic tradition of the conworld Angai. The premise of the tradition is "What if Arabic maqam was pentatonic and neutralized 2L3s (the Western pentatonic scale), instead of being heptatonic and neutralizing 5L2s (the diatonic scale)?"

Bjeheondians use 72edo as their theoretical gamut; however, most popular Bjeheondian music limits itself to 24edo.

== ''Byre''s ==

The ''byre'' (Anbirese [~~byːre̞~~]~~) (~~Dårle for 'sprint') is roughly equivalent to the ''jins'' in Arabic music. However, they usually span a fifth instead of a fourth.

The ''byre'' (Anbirese [pyːre̞], from Dårle for 'sprint') is roughly equivalent to the ''jins'' in Arabic music. However, they usually span a fifth instead of a fourth.

=== Tetrachords ===

* 0 200 400 700 = "Antikurd"

* 0 200 500 700 = "Antinahawand"

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* 0 233 467 700

* 0 267 500 700 (ascending), 700 433 200 0 (descending)

=== Trichords ===

== ''Ngartömpa''s ==

The ''ngartömpa'' (Anbirese [~~ˈŋähʈø̞mpä~~], from Dårle ''ngarte'' 'between, interval' + ''ympa'' 'five') is the closest equivalent of the Western scale, named because they consist of roughly five notes per octave.

The ''ngartömpa'' (Anbirese [ˈŋähʈø̞mpʰä], from Dårle ''ngarte'' 'between, interval' + ''ympa'' 'five') is the closest equivalent of the Western scale, named because they consist of roughly five notes per octave.

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 TODO: Replace Netagin terms with Anbirese/Dårle ones
-'''Bjeheondian music''', called the ''ngorlarre'' (Anbirese [ˈŋuːɭare̞]) (plural of Dårle ''ngorla'' 'place') tradition, is a monophonic tradition of the conworld Angai. The premise of the tradition is "What if Arabic maqam was pentatonic and neutralized 2L3s (the Western pentatonic scale), instead of being heptatonic and neutralizing 5L2s (the diatonic scale)?"
+'''Bjeheondian music''', called the ''ngorla'' (Anbirese [ˈŋuːɭä]; from Dårle ''ngorla'' 'place') tradition, is a monophonic tradition of the conworld Angai. The premise of the tradition is "What if Arabic maqam was pentatonic and neutralized 2L3s (the Western pentatonic scale), instead of being heptatonic and neutralizing 5L2s (the diatonic scale)?"
 Bjeheondians use 72edo as their theoretical gamut; however, most popular Bjeheondian music limits itself to 24edo.
 == ''Byre''s ==
-The ''byre'' (Anbirese [byːre̞]) (Dårle for 'sprint') is roughly equivalent to the ''jins'' in Arabic music. However, they usually span a fifth instead of a fourth.
+The ''byre'' (Anbirese [pyːre̞], from Dårle for 'sprint') is roughly equivalent to the ''jins'' in Arabic music. However, they usually span a fifth instead of a fourth.
+=== Tetrachords ===
 * 0 200 400 700 = "Antikurd"
 * 0 200 500 700 = "Antinahawand"
@@ Line 23: / Line 24: @@
 * 0 233 467 700
 * 0 267 500 700 (ascending), 700 433 200 0 (descending)
+=== Trichords ===
 == ''Ngartömpa''s ==
-The ''ngartömpa'' (Anbirese [ˈŋähʈø̞mpä], from Dårle ''ngarte'' 'between, interval' + ''ympa'' 'five') is the closest equivalent of the Western scale, named because they consist of roughly five notes per octave.
+The ''ngartömpa'' (Anbirese [ˈŋähʈø̞mpʰä], from Dårle ''ngarte'' 'between, interval' + ''ympa'' 'five') is the closest equivalent of the Western scale, named because they consist of roughly five notes per octave.