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{{Infobox ET}}
{{Infobox ET}}
26edt divides the tritave ([[3/1]]) into 26 equal parts of 73.152 cents each, corresponding to 16.404[[edo]]. It is [[contorted]] in the 7-limit, tempering out the same commas, [[245/243]] and [[3125/3087]], as [[13edt]]. In the 11-limit it tempers out 125/121 and 3087/3025, in the 13-limit 175/169, 147/143, and 847/845, and in the 17-limit 119/117. It is the seventh [[The_Riemann_Zeta_Function_and_Tuning#Removing prime|zeta peak tritave division]].
{{ED intro}}


A reason to double 13edt to 26edt is to approximate the 8th, 13th, 17th, 20th, and 22nd harmonics particularly well {{Citation needed}}. Moreover, it has an exaggerated diatonic scale with 11:16:21 supermajor triads, though only the 16:11 is particularly just due to its best 16 still being 28.04 cents sharp, or just about as bad as the 25 of 12edo (which is 27.373 cents sharp, an essentially just 100:63).
== Theory ==
26edt corresponds to 16.404…[[edo]]. It is [[contorted]] in the 7-limit, tempering out the same commas, [[245/243]] and [[3125/3087]], as [[13edt]]. In the 11-limit it tempers out 125/121 and 3087/3025, in the 13-limit 175/169, 147/143, and 847/845, and in the 17-limit 119/117. It is the seventh [[The Riemann zeta function and tuning#Removing primes|zeta peak tritave division]].


== Theory ==
A reason to double 13edt to 26edt is to approximate the [[8/1|8th]], [[13/1|13th]], [[17/1|17th]], [[20/1|20th]], and [[22/1|22nd]] [[harmonic]]s particularly well{{dubious}}. Moreover, it has an exaggerated [[5L 2s (3/1-equivalent)|triatonic]] scale with 11:16:21 supermajor triads, though only the 16:11 is particularly just due to its best 16 still being 28.04 cents sharp, or just about as bad as the 25 of 12edo (which is 27.373 cents sharp, an essentially just 100:63).
While retaining 13edt's mapping of primes 3, 5, and 7, 26edt adds an accurate prime 17 to the mix, tempering out [[2025/2023]] to split the BPS generator of [[9/7]] into two intervals of [[17/15]]. This 17/15 generates [[Dubhe]] temperament and a [[8L 1s (3/1-equivalent)|8L 1s]] MOS scale that can be used as a simple traversal of 26edt.
 
While retaining 13edt's mapping of primes 3, 5, and 7, 26edt adds an accurate prime 17 to the mix, tempering out [[2025/2023]] to split the [[BPS]] generator of [[9/7]] into two intervals of [[17/15]]. This 17/15 generates [[Dubhe]] temperament and mos scales of {{mos scalesig|8L 1s<3/1>|link=1}} and {{mos scalesig|9L 8s<3/1>|link=1}} that can be used as a simple traversal of 26edt. Among the 3.5.7.17-[[subgroup]] intervals, the accuracy of [[21/17]] should be highlighted, forming a 21-strong [[consistent circle]] that traverses the edt.
 
Additionally, while still far from perfect, 26edt does slightly improve upon 13edt's approximation of harmonics 11 and 13, which turns out to be sufficient to allow 26edt to be [[consistent]] to the no-twos [[21-odd-limit]], and is in fact the first edt to achieve this.


{{Harmonics in equal|26|3|1|intervals=prime}}
=== Harmonics ===
{{Harmonics in equal|26|3|1}}
{{Harmonics in equal|26|3|1|columns=12|start=12|collapsed=true|title=Approximation of harmonics in 26edt (continued)}}


== Intervals ==
== Intervals ==
 
{| class="wikitable center-all right-2 right-3"
{| class="wikitable center-1 right-2 right-3"
|-
|-
! Steps
! Steps
! [[Cent]]s
! [[Cent]]s
! [[Hekt]]s
! [[Hekt]]s
! BP enneatonic degree
! [[4L 5s (3/1-equivalent)|Enneatonic]] degree
! Corresponding 3.5.7.17 subgroup intervals
! Corresponding<br>3.5.7.17 subgroup intervals
! [[Lambda ups and downs notation]] (sLsLsLsLs, E = 1/1)
! Dubhe<br>(LLLLLLLLs,<br />J = 1/1)
! Dubhe enneatonic notation (LLLLLLLLs, J = 1/1)
! [[Lambda ups and downs notation|Lambda]]<br>(sLsLsLsLs,<br />E = 1/1)
|-
| 0
| 0
| 0
| P1
| 1/1
| J
| E
|-
|-
| 1
| 1
Line 25: Line 38:
| 50
| 50
| Sa1/sd2
| Sa1/sd2
| A1/dd2
| [[51/49]] (+3.9¢); [[85/81]] (−10.3¢)
| 25/24
| J#
|  
| ^E, vF
|  
|-
|-
| 2
| 2
Line 34: Line 46:
| 100
| 100
| A1/m2
| A1/m2
| [[27/25]], [[49/45]]
| [[49/45]] (−1.1¢); [[27/25]] (+13.1¢)
| BP "semitone"
| Kb
| [[Procyon]]
| F
| K
|-
|-
| 3
| 3
Line 43: Line 54:
| 150
| 150
| N2
| N2
| m2
| [[135/119]] (+1.1¢); [[17/15]] (+2.8¢)
| 9/8~312/275
| K
|  
| ^F, vF#, vGb
|  
|-
|-
| 4
| 4
Line 52: Line 62:
| 200
| 200
| M2/d3
| M2/d3
| [[25/21]]
| [[25/21]] (−9.2¢)
| BP "wholetone"
| K#
| [[Sirius]]
| F#, Gb
| K#, Lb
|-
|-
| 5
| 5
Line 61: Line 70:
| 250
| 250
| Sa2/sd3
| Sa2/sd3
| SM2/dd3
| [[21/17]] (−0.06¢)
| 5/4~243/196
| Lb
| False 11/9
| vG, ^F#, ^Gb
|  
|-
|-
| 6
| 6
Line 70: Line 78:
| 300
| 300
| A2/P3/d4
| A2/P3/d4
| [[9/7]]
| [[9/7]] (+3.8¢)
|
| [[Bohlen-Pierce-Stearns|Linear BP]]
| L
| L
| G
|-
|-
| 7
| 7
Line 79: Line 86:
| 350
| 350
| Sa3/sd4
| Sa3/sd4
| m3
| [[85/63]] (−6.5¢)
| 27/20
| L#
| False 21/16
| ^G, vH
|  
|-
|-
| 8
| 8
Line 88: Line 94:
| 400
| 400
| A3/m4/d5
| A3/m4/d5
| [[7/5]]
| [[7/5]] (+2.7¢)
|
| Mb
| [[Canopus]]
| H
| M
|-
|-
| 9
| 9
Line 97: Line 102:
| 450
| 450
| N4/sd5
| N4/sd5
| SM3/dd4
| [[51/35]] (+6.6¢); [[119/81]] (−7.6¢); [[25/17]] (−9.3¢)
| 16/11
| M
| False 13/9
| ^H, vH#, vJb
|  
|-
|-
| 10
| 10
Line 106: Line 110:
| 500
| 500
| M4/m5
| M4/m5
| [[75/49]]
| [[75/49]] (−5.4¢)
| false 3/2
| M#
| false Father
| H#, Jb
| M#, Nb
|-
|-
| 11
| 11
Line 115: Line 118:
| 550
| 550
| Sa4/N5
| Sa4/N5
| P4
| [[119/75]] (+5.5¢); [[27/17]] (+3.8¢)
| 8/5
| Nb
| False 11/7
| vJ, ^H#, ^Jb
|  
|-
|-
| 12
| 12
Line 124: Line 126:
| 600
| 600
| A4/M5
| A4/M5
| [[5/3]]
| [[5/3]] (−6.5¢)
|
| [[Arcturus]]
| N
| N
| J
|-
|-
| 13
| 13
Line 133: Line 134:
| 650
| 650
| Sa5/sd6
| Sa5/sd6
| AA4/dd5
| [[85/49]] (−2.6¢), [[147/85]] (+2.6¢)
| 125/72
| N#
|  
| ^J, vA
|  
|-
|-
| 14
| 14
Line 142: Line 142:
| 700
| 700
| A5/m6/d7
| A5/m6/d7
| [[9/5]]
| [[9/5]] (+6.5¢)
|
| Ob
| Arcturus
| A
| O
|-
|-
| 15
| 15
Line 151: Line 150:
| 750
| 750
| N6/sd7
| N6/sd7
| P5
| [[225/119]] (−5.5¢); [[17/9]] (−3.8¢)
| 15/8
| O
| False 21/11
| ^A, vA#, vBb
|  
|-
|-
| 16
| 16
Line 160: Line 158:
| 800
| 800
| M6/m7
| M6/m7
| [[49/25]]
| [[49/25]] (+5.4¢)
| false 2/1
| O#
| false Father
| A#, Bb
| O#, Pb
|-
|-
| 17
| 17
Line 169: Line 166:
| 850
| 850
| Sa6/N7
| Sa6/N7
| AA5/sm6
| [[35/17]] (−6.6¢); [[243/119]] (+7.6¢); [[51/25]] (+9.3¢)
| 33/16
| Pb
| False 27/13
| vB, ^A#, ^Bb
|  
|-
|-
| 18
| 18
Line 178: Line 174:
| 900
| 900
| A6/M7/d8
| A6/M7/d8
| [[15/7]]
| [[15/7]] (−2.7¢)
|
| Canopus
| P
| P
| B
|-
|-
| 19
| 19
Line 187: Line 182:
| 950
| 950
| Sa7/sd8
| Sa7/sd8
| M6
| [[189/85]] (+6.5¢)
| 20/9
| P#
| False 16/7
| ^B, vC
|  
|-
|-
| 20
| 20
Line 196: Line 190:
| 1000
| 1000
| P8/d9
| P8/d9
| [[7/3]]
| [[7/3]] (−3.8¢)
|
| Qb
| Linear BP
| C
| Q
|-
|-
| 21
| 21
Line 205: Line 198:
| 1050
| 1050
| Sa8/sd9
| Sa8/sd9
| AA6/sm7
| [[17/7]] (+0.06¢)
| 12/5~196/81
| Q
| False 27/11
| ^C, vC#, vDb
|  
|-
|-
| 22
| 22
Line 214: Line 206:
| 1100
| 1100
| A8/m9
| A8/m9
| [[63/25]]
| [[63/25]] (+9.2¢)
|
| Q#
| Sirius
| C#, Db
| Q#, Rb
|-
|-
| 23
| 23
Line 223: Line 214:
| 1150
| 1150
| N9
| N9
| M7
| [[119/45]] (−1.1¢); [[45/17]] (−2.8¢)
| 8/3~275/104
| Rb
|  
| vD, ^C#, ^Db
|  
|-
|-
| 24
| 24
Line 232: Line 222:
| 1200
| 1200
| M9/d10
| M9/d10
| [[25/9]], [[135/49]]
| [[135/49]] (+1.1¢); [[25/9]] (−13.1¢)
|
| Procyon
| R
| R
| D
|-
|-
| 25
| 25
Line 241: Line 230:
| 1250
| 1250
| Sa9/sd10
| Sa9/sd10
| A7/d8
| [[49/17]] (−3.9¢); [[243/85]] (+10.3¢)
| 72/25
| R#, Jb
|  
| ^D, vE
|  
|-
|-
| 26
| 26
Line 251: Line 239:
| A9/P10
| A9/P10
| [[3/1]]
| [[3/1]]
| Tritave
|
| J
| J
| E
|}
|}


=== Connection to 26edo ===
=== Connection to 26edo ===
 
It is a weird coincidence{{dubious}} how 26edt intones many [[26edo]] intervals within ±6.5{{c}} when it is supposed to have nothing to do with this other tuning:
It is a weird coincidence how 26edt intones many [[26edo]] intervals within plus or minus 6.5 cents when it is supposed to have nothing to do with this other tuning:


{| class="wikitable right-all"
{| class="wikitable right-all"
Line 268: Line 254:
| 365.761
| 365.761
| 369.231
| 369.231
| -3.470
| −3.470
|-
|-
| 512.065
| 512.065
Line 280: Line 266:
| 1243.586
| 1243.586
| 1246.154
| 1246.154
| -2.168
| −2.168
|-
|-
| 1389.890
| 1389.890
Line 292: Line 278:
| 2121.411
| 2121.411
| 2123.077
| 2123.077
| -1.666
| −1.666
|-
|-
| 2633.476
| 2633.476
Line 301: Line 287:


== Music ==
== Music ==
 
; [[Omega9]]
*''The Eel And Loach To Attack In Lasciviousness Are Insane'': [https://www.youtube.com/watch?v=AhWJ2yJsODs video] | [http://micro.soonlabel.com/gene_ward_smith/Others/Omega9/Omega9%20-%20The%20Eel%20And%20Loach%20To%20Attack%20In%20Lasciviousness%20Are%20Insane.mp3 MP3] by Omega9
* ''The Eel And Loach To Attack In Lasciviousness Are Insane'' – [https://www.youtube.com/watch?v=AhWJ2yJsODs video] | [https://web.archive.org/web/20201127012842/http://micro.soonlabel.com/gene_ward_smith/Others/Omega9/Omega9%20-%20The%20Eel%20And%20Loach%20To%20Attack%20In%20Lasciviousness%20Are%20Insane.mp3 play]
 
[[Category:edt]]
[[Category:tritave]]
[[category:nonoctave]]
Retrieved from "https://en.xen.wiki/w/26edt"