User:Moremajorthanmajor/5L 2s (5/3-equivalent): Difference between revisions

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|3\5||

|}If we carry this freshman-summing out a little further, new, larger ED5/3s pop up in our continuum.

{{Scale ~~tree|~~5L 2s<5/3>}}Tunings above 7\12 on this chart are called "positive tunings" (as they greaten the size of the fifth) and include 3/4 meantone systems such as 1/3-comma (close to 11\19) and 1/4-comma (close to 18\31). As these tunings approach 4\7, the majors become flatter and the minors become sharper.

{{MOS tuning spectrum|Scale Signature=5L 2s<5/3>}}Tunings above 7\12 on this chart are called "positive tunings" (as they greaten the size of the fifth) and include 3/4 meantone systems such as 1/3-comma (close to 11\19) and 1/4-comma (close to 18\31). As these tunings approach 4\7, the majors become flatter and the minors become sharper.

Tunings below 7\12 on this chart are called "negative tunings" and they include 3/4 Pythagorean tuning itself (well approximated by 31\53) as well as 3/4 superpyth tunings such as 10\17 and 13\22. As these tunings approach 3\5, the majors become sharper and the minors become flatter. Around 10\17 through 13\22, the thirds fall closer to 5-limit than 7-limit intervals: 6:5 as opposed to 7:6.

@@ Line 93: / Line 93: @@
 |3\5||
 |}If we carry this freshman-summing out a little further, new, larger ED5/3s pop up in our continuum.
-{{Scale tree|5L 2s<5/3>}}Tunings above 7\12 on this chart are called "positive tunings" (as they greaten the size of the fifth) and include 3/4 meantone systems such as 1/3-comma (close to 11\19) and 1/4-comma (close to 18\31). As these tunings approach 4\7, the majors become flatter and the minors become sharper.
+{{MOS tuning spectrum|Scale Signature=5L 2s<5/3>}}Tunings above 7\12 on this chart are called "positive tunings" (as they greaten the size of the fifth) and include 3/4 meantone systems such as 1/3-comma (close to 11\19) and 1/4-comma (close to 18\31). As these tunings approach 4\7, the majors become flatter and the minors become sharper.
 Tunings below 7\12 on this chart are called "negative tunings" and they include 3/4 Pythagorean tuning itself (well approximated by 31\53) as well as 3/4 superpyth tunings such as 10\17 and 13\22. As these tunings approach 3\5, the majors become sharper and the minors become flatter. Around 10\17 through 13\22, the thirds fall closer to 5-limit than 7-limit intervals: 6:5 as opposed to 7:6.