User:Holger Stoltenberg/embed: Difference between revisions

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...this page is used to check out embedding of videos.

...this page is used to check out embedding of videos.

__TOC__

{{#ev:youtube|Q8KX9jzVYMI|720x460|center|Overtone Scales on Stage|frame}}

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==== Audio only ====

[[File:Pedal steel played with reverb.ogg|thumb|A song played on an E9 pedal |steel guitar]]

[[File:Pedal steel played with reverb.ogg|thumb|center|A song played on an E9 pedal |steel guitar]]

==== Link to Wikipedia source ====

Link with single brackets: [https://en.wikipedia.org/wiki/File:Pedal_steel_played_with_reverb.ogv steelguitar]

==== 7 Levels of Jazz Harmony ====

{{#ev:youtube|lz3WR-F_pnM||~~center~~|

[[Adam Neely]]; The 7 Levels of Jazz Harmony - '''Intonalism''' [09:12], '''Xenharmonic''' [10:46]|frame|start=552}}

==Neely-intonalism==

{{#ev:youtube|lz3WR-F_pnM|372|right|

[[Adam Neely]]; The 7 Levels of Jazz Harmony, '''Intonalism''' [9:12], '''Xenharmonic''' [10:46]|frame|start=552&end=721}}

In 2020 music educator [[Adam Neely]] picked up the term ''intonalism'' and used it in his [[7th Level of Jazz Harmony|Seven Levels of Jazz Harmony]], with a somewhat different and rather ambiguous intent, where he seemed to describe the use of a tempered scale (often [[12edo]]) for the lead melody of a piece. The current melody note at any given point in time is then treated as a reference pitch, and the current backing chord uses pure just intonation, tuned relative to the current reference pitch. In a sense this is an inverse form of [[adaptive just intonation]] where the bass line adjusts to a tempered scale and the melody and harmony notes tune to it.

To distinguish this form of intonalism from the other, you could call it '''Neely-intonalism'''.{{idiosyncratic}}

@@ Line 1: / Line 1: @@
-...this page is used to check out embedding of videos.
+...this page is used to check out embedding of videos.<br>
+__TOC__
+<br>
 {{#ev:youtube|Q8KX9jzVYMI|720x460|center|Overtone Scales on Stage|frame}}
@@ Line 11: / Line 13: @@
 ==== Audio only ====
-[[File:Pedal steel played with reverb.ogg|thumb|A song played on an E9 pedal |steel guitar]]
+[[File:Pedal steel played with reverb.ogg|thumb|center|A song played on an E9 pedal |steel guitar]]
 ==== Link to Wikipedia source ====
 Link with single brackets: [https://en.wikipedia.org/wiki/File:Pedal_steel_played_with_reverb.ogv steelguitar]
+<br><br><br><br><br>
 ==== 7 Levels of Jazz Harmony ====
-{{#ev:youtube|lz3WR-F_pnM||center|
-[[Adam Neely]]; The 7 Levels of Jazz Harmony - '''Intonalism''' [09:12], '''Xenharmonic''' [10:46]|frame|start=552}}
+==Neely-intonalism==
+{{#ev:youtube|lz3WR-F_pnM|372|right|
+[[Adam Neely]]; The 7 Levels of Jazz Harmony, <br> '''Intonalism''' [9:12], '''Xenharmonic''' [10:46]|frame|start=552&end=721}}
+In 2020 music educator [[Adam Neely]] picked up the term ''intonalism'' and used it in his [[7th Level of Jazz Harmony|Seven Levels of Jazz Harmony]], with a somewhat different and rather ambiguous intent, where he seemed to describe the use of a tempered scale (often [[12edo]]) for the lead melody of a piece. The current melody note at any given point in time is then treated as a reference pitch, and the current backing chord uses pure just intonation, tuned relative to the current reference pitch. In a sense this is an inverse form of [[adaptive just intonation]] where the bass line adjusts to a tempered scale and the melody and harmony notes tune to it.
+To distinguish this form of intonalism from the other, you could call it '''Neely-intonalism'''.{{idiosyncratic}}
+<br><br>