Powharmonic series: Difference between revisions
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== | == Introduction == | ||
A powerharmonic series, like the [[wikipedia:Harmonic_series_(music)|harmonic series]], is an infinitely ascending set of pitches from which scales can be drawn. | A powerharmonic series, like the [[wikipedia:Harmonic_series_(music)|harmonic series]], is an infinitely ascending set of pitches from which scales can be drawn. | ||
A powharmonic series can be built on any number <span><math>p</math></span>, whether it is rational or irrational, positive or negative. The formula for a ''p-powharmonic series'' is simply: | == ''p''-Powharmonic series == | ||
A powharmonic series can be built on any number <span><math>p</math></span>, whether it is rational or irrational, positive or negative. The formula for a '''''p''-powharmonic series''' is simply: | |||
<math>\qquad f(n) = n^p | <math>\qquad f(n) = n^p | ||
| Line 8: | Line 9: | ||
For example, the 0.69314718056-powharmonic series looks like this: | For example, the 0.69314718056-powharmonic series looks like this: | ||
{{powharmonic series|12|expo=0.69314718056}} | |||
The harmonic series is technically a powharmonic series, but it is the trivial case, with the exponent equal to 1. <span><math>p</math><span> closer to 1 give series closer to the harmonic series, in case a series is desired which is close enough to the harmonic series to evoke it but has some finely alternately tuned characteristics. | |||
Multiplying the exponent of a powharmonic series by some constant c is equivalent to multiplying each of its pitches' cents by that constant ''c''. For example, the 1.5-powharmonic series would be like stretching each octave of the harmonic series from 1200¢ to 1800¢. If you were to instead manipulate a harmonic series by adding or subtracting frequency, rather than exponentiating it, you instead get an [[AFS|AFS (arithmetic frequency sequence)]]. | |||
Using a negative power for the exponent gives a similar, but inverted effect. <span><math>f(n) = n^{-1}</math></span> is simply the subharmonic series. Other negative powers give you the subharmonic equivalent of their (super) powharmonic counterpart. You could call these subpowharmonic series. | |||
| | |||
== log-base-b-of-a- | == log-base-''b''-of-''a''-Powharmonic series == | ||
[[File:Log-base-3-of-2-powharmonic series.png|thumb| | [[File:Log-base-3-of-2-powharmonic series.png|thumb| | ||
log-base-3-of-2-powharmonic series | log-base-3-of-2-powharmonic series | ||
]] | ]] | ||
When we choose a <span><math>p</math></span> of the form <span><math>\log_{b}a</math></span>, the resulting scale will include every integer power of <span><math>a</math></span>, and the count of steps between each power of <span><math>a</math></span> will | === Description === | ||
When we choose a <span><math>p</math></span> of the form <span><math>\log_{b}a</math></span>, the resulting scale will include every integer power of <span><math>a</math></span>, and the count of steps between each power of <span><math>a</math></span> will increase by a factor of <span><math>b</math></span>. | |||
Extending the naming scheme ''p-powharmonic series'', we call this a ''log-base-b-of-a-powharmonic series''. | Extending the naming scheme '''''p''-powharmonic series''', we call this a '''log-base-''b''-of-''a''-powharmonic series'''. | ||
For example, the log-base-3-of-2-powharmonic series, where <span><math>p = log_{3}2</math></span>, will | === Pitches per period === | ||
For example, the log-base-3-of-2-powharmonic series, where <span><math>p = log_{3}2</math></span>, will—like the harmonic series and by virtue of being "of 2"—include every octave (multiple of 2) of the fundamental. However, instead of the counts of pitches per octave increasing by a factor of 2: | |||
<math>2, 4, 8, 16… | <math>2, 4, 8, 16… | ||
</math> | </math> | ||
they will—by virtue of being "base-3"—increase by a factor of 3: | |||
<math>2, 6, 18, 54… | <math>2, 6, 18, 54… | ||
</math> | </math> | ||
=== Equality explanation === | |||
An equality involving exponents and logarithms helps us understand why: | An equality involving exponents and logarithms helps us understand why: | ||
<math>\qquad | <math>\qquad n^{\log_{b}a} = a^{log_{b}n} | ||
</math> | </math> | ||
Breaking this down step by step: | Breaking this down step by step: | ||
# <span><math>\log_{b} | # <span><math>\log_{b}n</math></span> gives the power to which <span><math>b</math></span> must be raised to give <span><math>n</math></span> | ||
# whenever <span><math> | # whenever <span><math>n</math></span> is an integer power (squared, cubed, etc.) of <span><math>b</math></span>, <span><math>\log_{b}n</math></span> will be an integer | ||
# whenever <span><math>\log_{b} | # whenever <span><math>\log_{b}n</math></span> is an integer, we raise <span><math>a</math></span> to an integer power | ||
# <span><math> | # <span><math>n</math></span>, being the pitch # or index, increments linearly by 1 | ||
# it takes longer and longer each time for <span><math> | # it takes longer and longer each time for <span><math>n</math></span> to reach the next power of <span><math>b</math></span> | ||
=== Initial count === | |||
The first period of the series, determined by <span><math>a</math></span>, will contain <span><math>b - 1</math></span> pitches. For example, the log-base-4-of-5-powharmonic series' first 5/1 interval will contain <span><math>4 - 1 = 3</math></span> pitches. | The first period of the series, determined by <span><math>a</math></span>, will contain <span><math>b - 1</math></span> pitches. For example, the log-base-4-of-5-powharmonic series' first 5/1 interval will contain <span><math>4 - 1 = 3</math></span> pitches. | ||
== | === Equivalences === | ||
The harmonic series features counts of pitches of increasing powers of 2 in each next octave, but it also contains counts of pitches of increasing powers of 3 in each next tritave, and counts of pitches in increasing powers of 5 in each next 5/1 interval, and so forth. This is because the harmonic series is equivalent to the log-base-2-of-2-powharmonic series, the log-base-3-of-3-powharmonic series, the log-base-5-of-5-powharmonic series, and so forth (the log-base-b-of-b-powharmonic series). This because any <span><math>\log_{b}b = 1</math></span>. | |||
Any powharmonic series has infinite equivalent ways of being expressed. We can visualize the equivalences with the following coloration of powharmonic space: | |||
[[File:Powharmonic space.png|378x378px]] | |||
== ''a''-Edharmonic series == | |||
=== Prerequisite: ln-of-''a''-powharmonic series === | |||
[[File:Ln-of-2-powharmonic series.png|thumb| | [[File:Ln-of-2-powharmonic series.png|thumb| | ||
ln-of-2-powharmonic series | ln-of-2-powharmonic series | ||
]] | ]] | ||
Irrational values can be used as <span><math>a</math></span> or <span><math>b</math></span>. | Irrational values can be used as <span><math>a</math></span> or <span><math>b</math></span>. | ||
In particular it may be of interest to use [[wikipedia:E_(mathematical_constant)|<span><math>e</math></span>]] as <span><math>b</math></span> | In particular it may be of interest to use [[wikipedia:E_(mathematical_constant)|<span><math>e</math></span>]] as <span><math>b</math></span>—in other words, to use a [[wikipedia:Natural_logarithm|natural logarithm]]. | ||
For example, the ''ln-of-2-powharmonic series'' fits <span><math>e</math></span> times as many many more pitches into each next octave as the previous octave. Because <span><math>e</math></span> is irrational, however, no integer multiples of the octave will ever be reached. | For example, the ''ln-of-2-powharmonic series'' fits <span><math>e</math></span> times as many many more pitches into each next octave as the previous octave. Because <span><math>e</math></span> is irrational, however, no integer multiples of the octave will ever be reached. | ||
In fact, this series is equivalent to the example given in the introduction, because <span><math>ln(2) ≈ 0.69314718056</math></span>. | In fact, this series is equivalent to the example given in the introduction, because <span><math>ln(2) ≈ 0.69314718056</math></span>, and if any powharmonic series were to qualify to be referred to for short as "the" powharmonic series, this would be the one. | ||
== | === Description === | ||
Perhaps even more interestingly, a ln-of-a-powharmonic series can be approximated by moving by steps of increasing equal divisions of <span><math>a</math></span>. | |||
== | |||
Perhaps even more interestingly, a ln-of-a-powharmonic series can be approximated by moving by steps of increasing equal divisions of <span><math>a</math></span>. | |||
For example, if we first move by a step of 1ed2 (1200¢), then by 2ed2 (600¢), then 3ed2 (400¢), etc. we will soon find that the deltas between steps of our series are very close to the deltas between steps of the ln-of-2-powharmonic series. We could call this series the 2-edharmonic series. | For example, if we first move by a step of 1ed2 (1200¢), then by 2ed2 (600¢), then 3ed2 (400¢), etc. we will soon find that the deltas between steps of our series are very close to the deltas between steps of the ln-of-2-powharmonic series. We could call this series the 2-edharmonic series. | ||
=== | === Relation to ln-of-''a''-powharmonic series === | ||
The ratio between pitches of the ln-of-2-powharmonic series and the 2-edharmonic series approaches <span><math>2^γ ≈ 1.49196704047</math><span>, where <span><math>γ</math></span> is the [[wikipedia:Euler–Mascheroni_constant|Euler-Mascheroni constant]], <span><math>≈ 0.5772156649</math></span>, which represents the difference between the natural logarithm and the [[wikipedia:Harmonic_series_(mathematics)|mathematical harmonic series]] (as opposed to the musical harmonic series). This is because moving by steps of increasing equal divisions of <span><math>a</math></span> is equivalent to a series of pitches <span><math>2^{H(n)}</math></span> where <span><math>H(n)</math></span> is the <span><math>n^{th}</math></span> [[wikipedia:Harmonic_number|harmonic number]]: | |||
The ratio between pitches of the ln-of-2-powharmonic series and the 2-edharmonic series approaches the [[wikipedia:Euler–Mascheroni_constant|Euler-Mascheroni constant]], which represents the difference between the natural logarithm and the [[wikipedia:Harmonic_series_(mathematics)|mathematical harmonic series]] (as opposed to the musical harmonic series). This is because moving by steps of increasing equal divisions of <span><math>a</math></span> is equivalent to a series of pitches <span><math>2^{H(n)}</math></span> where <span><math>H(n)</math></span> is the <span><math>n^{th}</math></span> [[wikipedia:Harmonic_number|harmonic number]]: | |||
<math> | <math> | ||
| Line 202: | Line 94: | ||
In other words, if we have gone by a step of 1ed2, we are at <span><math>2^1</math></span>. If we then go by a step of 2ed2, we have gone by <span><math>2^1 · 2^{\frac12} = 2^{\frac32}</math></span>. And a further step of 3ed2 gets us to <span><math>2^1 · 2^{\frac12} · 2^{\frac13} = 2^{\frac{11}{6}}</math></span>, etc. | In other words, if we have gone by a step of 1ed2, we are at <span><math>2^1</math></span>. If we then go by a step of 2ed2, we have gone by <span><math>2^1 · 2^{\frac12} = 2^{\frac32}</math></span>. And a further step of 3ed2 gets us to <span><math>2^1 · 2^{\frac12} · 2^{\frac13} = 2^{\frac{11}{6}}</math></span>, etc. | ||
{| class="wikitable center-all" | |||
|+ style="font-size: 105%;" | Comparison of ln-of-2-Powharmonic with 2-Edharmonic series+ | |||
! rowspan="3" | Pitch # | |||
! colspan="5" | ln-of-2-Powharmonic series | |||
! colspan="5" | 2-Edharmonic series | |||
! rowspan="3" | Ratio between frequency multipliers | |||
|- | |||
! colspan="2" | Frequency multiplier | |||
! colspan="3" | Pitch | |||
! colspan="2" | Frequency multiplier | |||
! colspan="3" | Pitch | |||
|- | |||
! Definition | |||
! Decimal | |||
! Cents | |||
! Change (cents) | |||
! Octave-reduced (cents) | |||
! Definition | |||
! Decimal | |||
! Cents | |||
! Change (cents) | |||
! Octave-reduced (cents) | |||
|- | |||
| 1 | |||
| 1<sup>ln(2)</sup> = 2<sup>ln(1)</sup> | |||
| 1 | |||
| 0.00 | |||
| — | |||
| 0.00 | |||
| 2<sup>H(1)</sup> = 2<sup>1</sup> | |||
| 2 | |||
| 1200.00 | |||
| — | |||
| 0.00 | |||
| 2 | |||
|- | |||
| 2 | |||
| 2<sup>ln(2)</sup> = 2<sup>ln(2)</sup> | |||
| 1.616806672 | |||
| 831.78 | |||
| 831.78 | |||
| 831.78 | |||
| 2<sup>H(2)</sup> = 2<sup>3/2</sup> | |||
| 2.828427125 | |||
| 1800.00 | |||
| 600.00 | |||
| 600.00 | |||
| 1.749391052 | |||
|- | |||
| 3 | |||
| 3<sup>ln(2)</sup> = 2<sup>ln(3)</sup> | |||
| 2.141486064 | |||
| 1318.33 | |||
| 486.56 | |||
| 118.33 | |||
| 2<sup>H(3)</sup> = 2<sup>11/6</sup> | |||
| 3.563594873 | |||
| 2200.00 | |||
| 400.00 | |||
| 1000.00 | |||
| 1.664075677 | |||
|- | |||
| 4 | |||
| 4<sup>ln(2)</sup> = 2<sup>ln(4)</sup> | |||
| 2.614063815 | |||
| 1663.55 | |||
| 345.22 | |||
| 463.55 | |||
| 2<sup>H(4)</sup> = 2<sup>25/12</sup> | |||
| 4.237852377 | |||
| 2500.00 | |||
| 300.00 | |||
| 100.00 | |||
| 1.621174033 | |||
|- | |||
| 5 | |||
| 5<sup>ln(2)</sup> = 2<sup>ln(5)</sup> | |||
| 3.05132936 | |||
| 1931.33 | |||
| 267.77 | |||
| 731.33 | |||
| 2<sup>H(5)</sup> = 2<sup>137/60</sup> | |||
| 4.868014055 | |||
| 2740.00 | |||
| 240.00 | |||
| 340.00 | |||
| 1.595374829 | |||
|- | |||
| 6 | |||
| 6<sup>ln(2)</sup> = 2<sup>ln(6)</sup> | |||
| 3.462368957 | |||
| 2150.11 | |||
| 218.79 | |||
| 950.11 | |||
| 2<sup>H(6)</sup> = 2<sup>49/20</sup> | |||
| 5.464161027 | |||
| 2940.00 | |||
| 200.00 | |||
| 540.00 | |||
| 1.578156775 | |||
|- | |||
| 7 | |||
| 7<sup>ln(2)</sup> = 2<sup>ln(7)</sup> | |||
| 3.852807616 | |||
| 2335.09 | |||
| 184.98 | |||
| 1135.09 | |||
| 2<sup>H(7)</sup> = 2<sup>363/140</sup> | |||
| 6.032922891 | |||
| 3111.43 | |||
| 171.43 | |||
| 711.43 | |||
| 1.56585106 | |||
|- | |||
| 8 | |||
| 8<sup>ln(2)</sup> = 2<sup>ln(8)</sup> | |||
| 4.226435818 | |||
| 2495.33 | |||
| 160.24 | |||
| 95.33 | |||
| 2<sup>H(8)</sup> = 2<sup>761/280</sup> | |||
| 6.578949063 | |||
| 3261.43 | |||
| 150.00 | |||
| 861.43 | |||
| 1.556618708 | |||
|- | |||
| 9 | |||
| 9<sup>ln(2)</sup> = 2<sup>ln(9)</sup> | |||
| 4.585962562 | |||
| 2636.67 | |||
| 141.34 | |||
| 236.67 | |||
| 2<sup>H(9)</sup> = 2<sup>7129/2520</sup> | |||
| 7.105658007 | |||
| 3394.76 | |||
| 133.33 | |||
| 994.76 | |||
| 1.549436549 | |||
|- | |||
| 10 | |||
| 10<sup>ln(2)</sup> = 2<sup>ln(10)</sup> | |||
| 4.933409668 | |||
| 2763.10 | |||
| 126.43 | |||
| 363.10 | |||
| 2<sup>H(10)</sup> | |||
| 7.615655686 | |||
| 3514.76 | |||
| 120.00 | |||
| 1114.76 | |||
| 1.543690105 | |||
|- | |||
| 11 | |||
| 11<sup>ln(2)</sup> = 2<sup>ln(11)</sup> | |||
| 5.270337212 | |||
| 2877.47 | |||
| 114.37 | |||
| 477.47 | |||
| 2<sup>H(11)</sup> | |||
| 8.110986229 | |||
| 3623.85 | |||
| 109.09 | |||
| 23.85 | |||
| 1.538988096 | |||
|- | |||
| 12 | |||
| 12<sup>ln(2)</sup> = 2<sup>ln(12)</sup> | |||
| 5.597981231 | |||
| 2981.89 | |||
| 104.41 | |||
| 581.89 | |||
| 2<sup>H(12)</sup> | |||
| 8.593290568 | |||
| 3723.85 | |||
| 100.00 | |||
| 123.85 | |||
| 1.535069557 | |||
|- | |||
| 13 | |||
| 13<sup>ln(2)</sup> = 2<sup>ln(13)</sup> | |||
| 5.917342318 | |||
| 3077.94 | |||
| 96.05 | |||
| 677.94 | |||
| 2<sup>H(13)</sup> | |||
| 9.063911377 | |||
| 3816.16 | |||
| 92.31 | |||
| 216.16 | |||
| 1.531753765 | |||
|- | |||
| 14 | |||
| 14<sup>ln(2)</sup> = 2<sup>ln(14)</sup> | |||
| 6.22924506 | |||
| 3166.87 | |||
| 88.93 | |||
| 766.87 | |||
| 2<sup>H(14)</sup> | |||
| 9.523965051 | |||
| 3901.87 | |||
| 85.71 | |||
| 301.87 | |||
| 1.528911603 | |||
|- | |||
| 15 | |||
| 15<sup>ln(2)</sup> = 2<sup>ln(15)</sup> | |||
| 6.5343793 | |||
| 3249.66 | |||
| 82.79 | |||
| 849.66 | |||
| 2<sup>H(15)</sup> | |||
| 9.974392624 | |||
| 3981.87 | |||
| 80.00 | |||
| 381.87 | |||
| 1.526448369 | |||
|- | |||
| 16 | |||
| 16<sup>ln(2)</sup> = 2<sup>ln(16)</sup> | |||
| 6.833329631 | |||
| 3327.11 | |||
| 77.45 | |||
| 927.11 | |||
| 2<sup>H(16)</sup> | |||
| 10.41599671 | |||
| 4056.87 | |||
| 75.00 | |||
| 456.87 | |||
| 1.524293028 ... → 2<sup>γ</sup> = 1.49196704047 | |||
|} | |||
In yet other words, the definition of an ''a''-edharmonic series is: | |||
= | <math> \qquad f(n) = a^{H(n)} | ||
</math> | |||
=== Naming details === | |||
We cross-pollinate the abbreviation for "[[wikipedia:Equal_temperament|equal division]]" with affiliation for the pronunciation of "[[wikipedia:Enharmonic|enharmonic]]" to get the name "edharmonic series". | We cross-pollinate the abbreviation for "[[wikipedia:Equal_temperament|equal division]]" with affiliation for the pronunciation of "[[wikipedia:Enharmonic|enharmonic]]" to get the name "edharmonic series". | ||
Due to the dominance of octave in music, we can actually refer to the 2-edharmonic series simply as ''the edharmonic series'' for short. | Due to the dominance of octave in music, we can actually refer to the 2-edharmonic series simply as ''the edharmonic series'' for short. | ||
=== other | === Other examples === | ||
As another example, the 3-edharmonic series would be moving first by a tritave (1ed3), then by 2ed3, 3ed3, 4ed3, etc. | |||
=== Analogy with matharmonic series === | |||
Edharmonic series are to powharmonic series as the matharmonic series is to the [[Logharmonic series|logharmonic series]]. | |||
=== Emulatory edharmonic series === | |||
The 0<sup>th</sup> harmonic number is not defined, however, if it were, it seems reasonable to assume it would be defined as 0; in other words, the first step of the harmonic series would be to add <span><math>\frac11</math></span> to 0. | |||
In accordance with this observation, it further seems reasonable that any a-edharmonic series could be prefixed with the frequency multiplier 1, rather than beginning straight away with the frequency multiplier <span><math>a</math></span>. | |||
In the case of the (2-)edharmonic series, doing so brings it closer in similarity to the (musical) harmonic series; the first step is exactly an octave, the second step a fifth (701.96¢ vs 600.00¢), the third step a fourth (498.04¢ vs 400.00¢), the fourth step a third, (386.31¢ vs 300¢), etc. This similarity could be useful when using the entire series as a scale rather than drawing scales from it. We therefore propose referring to this variation as the "emulatory edharmonic series", because it emulates the harmonic series. | |||
{| class="wikitable center-all" | |||
|+ style="font-size: 105%;" | Comparison of harmonic series and emulatory edharmonic series | |||
! rowspan="3" | Pitch # | |||
! colspan="4" | Harmonic series | |||
! colspan="5" | Emulatory edharmonic series | |||
|- | |||
! Frequency multiplier | |||
! colspan="3" | Pitch | |||
! colspan="2" | Frequency multiplier | |||
! colspan="3" | Pitch | |||
|- | |||
! Decimal | |||
! Cents | |||
! Change (cents) | |||
! Octave-reduced (cents) | |||
! Definition | |||
! Decimal | |||
! Cents | |||
! Change (cents) | |||
! Octave-reduced (cents) | |||
|- | |||
| 1 | |||
| 1.000000 | |||
| 0 | |||
| — | |||
| 0 | |||
| 2<sup>H(0)</sup> = 2<sup>0</sup> | |||
| 1.000000000 | |||
| 0 | |||
| — | |||
| 0 | |||
|- | |||
| 2 | |||
| 2.000000 | |||
| 1200 | |||
| 1200 | |||
| 0 | |||
| 2<sup>H(1)</sup> = 2<sup>1</sup> | |||
| 2.000000000 | |||
| 1200.00 | |||
| 1200.00 | |||
| 0.00 | |||
|- | |||
| 3 | |||
| 3.000000 | |||
| 1901.955001 | |||
| 701.955001 | |||
| 701.955001 | |||
| 2<sup>H(2)</sup> = 2<sup>3/2</sup> | |||
| 2.828427125 | |||
| 1800.00 | |||
| 600.00 | |||
| 600.00 | |||
|- | |||
| 4 | |||
| 4.000000 | |||
| 2400 | |||
| 498.044999 | |||
| 0 | |||
| 2<sup>H(3)</sup> = 2<sup>11/6</sup> | |||
| 3.563594873 | |||
| 2200.00 | |||
| 400.00 | |||
| 1000.00 | |||
|- | |||
| 5 | |||
| 5.000000 | |||
| 2786.313714 | |||
| 386.313714 | |||
| 386.313714 | |||
| 2<sup>H(4)</sup> = 2<sup>25/12</sup> | |||
| 4.237852377 | |||
| 2500.00 | |||
| 300.00 | |||
| 100.00 | |||
|- | |||
| 6 | |||
| 6.000000 | |||
| 3101.955001 | |||
| 315.6412870 | |||
| 701.955001 | |||
| 2<sup>H(5)</sup> = 2<sup>137/60</sup> | |||
| 4.868014055 | |||
| 2740.00 | |||
| 240.00 | |||
| 340.00 | |||
|- | |||
| 7 | |||
| 7.000000 | |||
| 3368.825906 | |||
| 266.8709056 | |||
| 968.825906 | |||
| 2<sup>H(6)</sup> = 2<sup>49/20</sup> | |||
| 5.464161027 | |||
| 2940.00 | |||
| 200.00 | |||
| 540.00 | |||
|- | |||
| 8 | |||
| 8.000000 | |||
| 3600 | |||
| 231.1740935 | |||
| 0 | |||
| 2<sup>H(7)</sup> = 2<sup>363/140</sup> | |||
| 6.032922891 | |||
| 3111.43 | |||
| 171.43 | |||
| 711.43 | |||
|- | |||
| 9 | |||
| 9.000000 | |||
| 3803.910002 | |||
| 203.9100017 | |||
| 203.910002 | |||
| 2<sup>H(8)</sup> = 2<sup>761/280</sup> | |||
| 6.578949063 | |||
| 3261.43 | |||
| 150.00 | |||
| 861.43 | |||
|- | |||
| 10 | |||
| 10.000000 | |||
| 3986.313714 | |||
| 182.4037121 | |||
| 386.313714 | |||
| 2<sup>H(9)</sup> = 2<sup>7129/2520</sup> | |||
| 7.105658007 | |||
| 3394.76 | |||
| 133.33 | |||
| 994.76 | |||
|- | |||
| 11 | |||
| 11.000000 | |||
| 4151.317942 | |||
| 165.0042285 | |||
| 551.317942 | |||
| 2<sup>H(10)</sup> | |||
| 7.615655686 | |||
| 3514.76 | |||
| 120.00 | |||
| 1114.76 | |||
|- | |||
| 12 | |||
| 12.000000 | |||
| 4301.955001 | |||
| 150.6370585 | |||
| 701.955001 | |||
| 2<sup>H(11)</sup> | |||
| 8.110986229 | |||
| 3623.85 | |||
| 109.09 | |||
| 23.85 | |||
|- | |||
| 13 | |||
| 13.000000 | |||
| 4440.527662 | |||
| 138.5726609 | |||
| 840.527662 | |||
| 2<sup>H(12)</sup> | |||
| 8.593290568 | |||
| 3723.85 | |||
| 100.00 | |||
| 123.85 | |||
|- | |||
| 14 | |||
| 14.000000 | |||
| 4568.825906 | |||
| 128.2982447 | |||
| 968.825906 | |||
| 2<sup>H(13)</sup> | |||
| 9.063911377 | |||
| 3816.16 | |||
| 92.31 | |||
| 216.16 | |||
|- | |||
| 15 | |||
| 15.000000 | |||
| 4688.268715 | |||
| 119.4428083 | |||
| 1088.268715 | |||
| 2<sup>H(14)</sup> | |||
| 9.523965051 | |||
| 3901.87 | |||
| 85.71 | |||
| 301.87 | |||
|- | |||
| 16 | |||
| 16.000000 | |||
| 4800 | |||
| 111.7312853 | |||
| 0 | |||
| 2<sup>H(15)</sup> | |||
| 9.974392624 | |||
| 3981.87 | |||
| 80.00 | |||
| 381.87 | |||
|} | |||
An analogous [https://en.xen.wiki/w/Logharmonic_series#Emulatory_matharmonic_series emulatory matharmonic series] exists. | |||
== | == See also == | ||
[[Harmonotonic tunings]]: powharmonic series are non-[[Arithmetic tunings|arithmetic]] harmonotonic tunings. | |||
[[Logharmonic series]]: another type of non-arithmetic harmonotonic tuning. | |||
[[Xenharmonic_series]] | |||
http://anaphoria.com/harm-subharm.pdf | |||
[[Category:Otonality and utonality]] | |||
[[Category:Otonality]] | |||
[[Category:Harmonic]] | |||
[[Category:Harmonic series]] | |||
[[Category:Utonality]] | |||
[[Category:Subharmonic]] | |||
[[Category:Subharmonic series]] | |||
[[Category:Equal-step tuning]] | |||
[[Category:Equal divisions of the octave]] | |||
[[Category:Xenharmonic series]] | |||