Talk:64/63: Difference between revisions
re (added section) |
|||
| Line 4: | Line 4: | ||
: For German people "Leipziger Komma" would be the easiest name to remember and pronounce. But in a mathematical of functional sense all the names are just noise. 😉 --[[User:Xenwolf|Xenwolf]] ([[User talk:Xenwolf|talk]]) 16:17, 27 November 2020 (UTC) | : For German people "Leipziger Komma" would be the easiest name to remember and pronounce. But in a mathematical of functional sense all the names are just noise. 😉 --[[User:Xenwolf|Xenwolf]] ([[User talk:Xenwolf|talk]]) 16:17, 27 November 2020 (UTC) | ||
== Organization, and the Archytas comma as a musical interval in its own right == | |||
Instead of saying "On the other hand, if one should be so bold as to treat the Archytas' comma as a musical interval in its own right", it would be better to reorganize this article after the example of the [[128/125|Diesis]], which has an Approximations section, and following that a Temperaments section which has sub-sections for "As a comma" and "As an interval" (and while we're at it, can we get it a non-comma name?). After all, NOT tempering out the Archytas comma is a requirement for many septimal temperaments to work properly, where tempering it out results in a d (or even dd) val, although in equal divisions of the octave smaller than 44EDO, it will unavoidably be inflated. | |||
[[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 19:06, 30 July 2024 (UTC) | |||