User:Aura/Aura's Melodic Scales: Difference between revisions
All but the last of these modes is done for now... |
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* Auxolydic Myxaeolian | * Auxolydic Myxaeolian | ||
* Auxolydic Aeolocrian | * Auxolydic Aeolocrian | ||
* Auxolydic Meiolocrian | * Auxolydic Meiolocrian (only ever distinct from Meiolocrian proper if the Keenanisma is not tempered out) | ||
* Auxolydic Dorionian | * Auxolydic Dorionian | ||
* Auxolydic Phrygidorian | * Auxolydic Phrygidorian | ||
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=== Meiolocrian === | === Meiolocrian === | ||
Commonly thought of as being an enharmonic variation of the Altered scale from jazz, this scale is actually distinct from the Altered scale in non-Meantone settings owing to the [[syntonic comma]] not being tempered, and thus, different scale degrees having markedly different tunings between the two scales. Do note that for the Diatonic-derived apposite name, I've coined a prefix "meio-" from Ancient Greek [[Wiktionary: μειόω #Ancient Greek|''meióō'']] (to lessen or diminish) and tacked it onto Locrian to make the name given here, and it is from this name that I've decided derive the names of the other modes of this scale. Much like with Locrian mode and Lydian mode in the Diatonic scale, this mode and Lydian Augmented share a scale if the Keenanisma is not temepred out. This scale consists of notes related to the Tonic by the following ratios: | |||
* [[1/1]] | * [[1/1]] | ||
* [[16/15]] | * [[16/15]] | ||
* [[77/64]] | * [[77/64]] | ||
* [[ | * [[32/25]] | ||
* [[64/45]] | * [[64/45]] | ||
* [[8/5]] | * [[8/5]] | ||
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As for the other modes of this scale, I give them the following names: | As for the other modes of this scale, I give them the following names: | ||
* | * Meiolocric Dorionian | ||
* | * Meiolocric Phrygidorian | ||
* | * Meiolocric Auxolydian (only ever distinct from Auxolydian proper if the Keenanisma is not tempered out) | ||
* Meiolocric Lydomyxian | |||
* | * Meiolocric Myxaeolian | ||
* | * Meiolocric Aeolocrian |