Minor minthmic chords: Difference between revisions
Update the article including adding categories |
Update the article |
||
Line 1: | Line 1: | ||
'''Gentle chords''' are [[Dyadic chord|essentially tempered chords]] tempered by the gentle comma, [[364/363]]. | |||
There are 10 triads, 33 tetrads, 26 pentads and 6 hexads as 2.3.7.11.13 [[subgroup]] [[13-odd-limit]] essentially tempered chords. | |||
For triads, there are five pairs of chords in inverse relationship. | For triads, there are five pairs of chords in inverse relationship. | ||
The ''gentle | The ''supermajor gentle triad'' (or ''gentle major triad'') is a tempering of | ||
* 1-14/11-3/2 with steps of 14/11-13/11-4/3; | * 1-14/11-3/2 with steps of 14/11-13/11-4/3; | ||
and its inversion the ''gentle | and its inversion the ''subminor gentle triad'' (or ''gentle minor triad'') is a tempering of | ||
* 1-13/11-3/2 with steps of 13/11-14/11-4/3. | * 1-13/11-3/2 with steps of 13/11-14/11-4/3. | ||
The ''gothic gentle triads'' are temperings of | The ''gothic gentle triads'' are temperings of | ||
* 1- | * 1-13/11-11/8 with steps of 13/11-7/6-16/11, | ||
and its inversion, | and its inversion, | ||
* 1- | * 1-7/6-11/8 with steps of 7/6-13/11-16/11. | ||
The names refer to [[Margo Schulter]]'s [[Neo-gothic]] theory of harmony, which features a [[gentle region]] with a slightly sharpened fifth in which gentle triads and neogothic triads flourish. | The names refer to [[Margo Schulter]]'s [[Neo-gothic]] theory of harmony, which features a [[gentle region]] with a slightly sharpened fifth in which gentle triads and neogothic triads flourish. | ||
The rest three inversely related pairs of triads contain semitones: | The rest three inversely related pairs of triads contain semitones, such as 12/11 or 13/12: | ||
* 1-14/11-18/13 with steps 14/11-12/11-13/9 and its inverse 1-12/11-18/13 with steps 12/11-14/11-13/9; | * 1-14/11-18/13 with steps of 14/11-12/11-13/9, and its inverse | ||
* 1-14/11-11/8 with steps 14/11-13/12-16/11 and its inverse 1-13/12-11/8 with steps 13/12-14/11-16/11; | * 1-12/11-18/13 with steps of 12/11-14/11-13/9; | ||
* 1-13/11-9/7 with steps 13/11-12/11-14/9 and its inverse 1-12/11-9/7 with steps 12/11-13/11-14/9. | * 1-14/11-11/8 with steps of 14/11-13/12-16/11, and its inverse | ||
* 1-13/12-11/8 with steps of 13/12-14/11-16/11; | |||
* 1-13/11-9/7 with steps of 13/11-12/11-14/9, and its inverse | |||
* 1-12/11-9/7 with steps of 12/11-13/11-14/9. | |||
For tetrads, there are five palindromic chords and fourteen pairs of chords in inverse relationship. | For tetrads, there are five palindromic chords and fourteen pairs of chords in inverse relationship. | ||
The ''gentle major tetrad'' is a tempering of | The ''gentle major tetrad'' is a tempering of | ||
* 1-14/11-3/2-7/4 with steps of 14/11-13/11-7/6-8/7; | * 1-14/11-3/2-7/4 with steps of 14/11-13/11-7/6-8/7; | ||
and its inversion the ''gentle minor tetrad'' is a tempering of | and its inversion the ''gentle minor tetrad'' is a tempering of | ||
* 1-13/11-3/2-12/7 with steps of 13/11-14/11-8/7-7/6. | * 1-13/11-3/2-12/7 with steps of 13/11-14/11-8/7-7/6. | ||
The ''gothic gentle tetrad'' is palindromic, a tempering | The ''gothic gentle tetrad'' is palindromic, a tempering of | ||
* 1-13/11-11/8-13/8 with steps of 13/11-7/6-13/11-16/13. | * 1-13/11-11/8-13/8 with steps of 13/11-7/6-13/11-16/13. | ||
The rest four palindromic | The rest four palindromic tetrads contain semitones, such as 12/11, 13/12 or 14/13: | ||
* 1-13/11-14/11-3/2 with steps of 13/11-14/13-13/11-4/3; | |||
* 1-14/11-11/8-7/4 with steps of 14/11-13/12-14/11-8/7; | |||
* 1-12/11-14/11-18/13 with steps of 12/11-7/6-12/11-13/9; | |||
* 1-12/11-13/11-9/7 with steps of 12/11-13/12-12/11-14/9; | |||
as well as the rest thirteen inversely related pairs of tetrads: | |||
* 1-14/11-3/2-24/13 with steps of 14/11-13/11-16/13-13/12, and its inverse | |||
* 1-13/11-3/2-13/8 with steps of 13/11-14/11-13/12-16/13; | |||
* 1-14/11-3/2-11/6 with steps of 14/11-13/11-11/9-12/11, and its inverse | |||
* 1-13/11-3/2-18/11 with steps of 13/11-14/11-12/11-11/9; | |||
* 1-14/11-3/2-18/11 with steps of 14/11-13/11-12/11-11/9, and its inverse | |||
* 1-13/11-3/2-11/6 with steps of 13/11-14/11-11/9-12/11; | |||
* 1-7/6-14/11-3/2 with steps of 7/6-12/11-13/11-4/3, and its inverse | |||
* 1-13/11-9/7-3/2 with steps of 13/11-12/11-7/6-4/3; | |||
* 1-7/6-11/8-3/2 with steps of 7/6-13/11-12/11-4/3, and its inverse | |||
* 1-12/11-9/7-3/2 with steps of 12/11-13/11-7/6-4/3; | |||
* 1-14/11-11/8-3/2 with steps of 14/11-13/12-12/11-4/3, and its inverse | |||
* 1-12/11-13/11-3/2 with steps of 12/11-13/12-14/11-4/3; | |||
* 1-14/11-18/13-3/2 with steps of 14/11-12/11-13/12-4/3, and its inverse | |||
* 1-13/12-13/11-3/2 with steps of 13/12-12/11-14/11-4/3; | |||
* 1-13/11-11/8-3/2 with steps of 13/11-7/6-12/11-4/3, and its inverse | |||
* 1-12/11-14/11-3/2 with steps of 12/11-7/6-13/11-4/3; | |||
* 1-12/11-18/13-3/2 with steps of 12/11-14/11-13/12-4/3, and its inverse | |||
* 1-13/12-11/8-3/2 with steps of 13/12-14/11-12/11-4/3; | |||
* 1-11/9-13/9-11/7 with steps of 11/9-13/11-12/11-14/11, and its inverse | |||
* 1-12/11-9/7-11/7 with steps of 12/11-13/11-11/9-14/11; | |||
* 1-12/11-9/7-18/13 with steps of 12/11-13/11-14/13-13/9, and its inverse | |||
* 1-14/13-14/11-18/13 with steps of 14/13-13/11-12/11-13/9; | |||
* 1-13/11-14/11-11/8 with steps of 13/11-14/13-13/12-16/11, and its inverse | |||
* 1-13/12-7/6-11/8 with steps of 13/12-14/13-13/11-16/11; | |||
* 1-7/6-14/11-11/8 with steps of 7/6-12/11-13/12-16/11, and its inverse | |||
* 1-13/12-13/11-11/8 with steps of 13/12-12/11-7/6-16/11. | |||
For pentads, there are thirteen pairs of chords in inverse relationship, all of them involve semitones and the perfect fifth: | |||
* 1-14/11-11/8-3/2-7/4 with steps of 14/11-13/12-12/11-7/6-8/7, and its inverse | |||
* 1-12/11-13/11-3/2-12/7 with steps of 12/11-13/12-14/11-8/7-7/6; | |||
* 1-13/11-9/7-3/2-12/7 with steps of 13/11-12/11-7/6-8/7-7/6, and its inverse | |||
* 1-7/6-14/11-3/2-7/4 with steps of 7/6-12/11-13/11-7/6-8/7; | |||
* 1-14/11-11/8-3/2-11/6 with steps of 14/11-13/12-12/11-11/9-12/11, and its inverse | |||
* 1-12/11-13/11-3/2-18/11 with steps of 12/11-13/12-14/11-12/11-11/9; | |||
* 1-14/11-18/13-3/2-18/11 with steps of 14/11-12/11-13/12-12/11-11/9, and its inverse | |||
* 1-13/12-13/11-3/2-11/6 with steps of 13/12-12/11-14/11-11/9-12/11; | |||
* 1-13/11-14/11-3/2-11/6 with steps of 13/11-14/13-13/11-11/9-12/11, and its inverse | |||
* 1-13/11-14/11-3/2-18/11 with steps of 13/11-14/13-13/11-12/11-11/9; | |||
* 1-13/11-9/7-3/2-18/11 with steps of 13/11-12/11-7/6-12/11-11/9, and its inverse | |||
* 1-7/6-14/11-3/2-11/6 with steps of 7/6-12/11-13/11-11/9-12/11; | |||
* 1-13/11-11/8-3/2-11/6 with steps of 13/11-7/6-12/11-11/9-12/11, and its inverse | |||
* 1-12/11-14/11-3/2-18/11 with steps of 12/11-7/6-13/11-12/11-11/9; | |||
* 1-14/11-18/13-3/2-24/13 with steps of 14/11-12/11-13/12-16/13-13/12, and its inverse | |||
* 1-13/12-13/11-3/2-13/8 with steps of 13/12-12/11-14/11-13/12-16/13; | |||
* 1-13/11-11/8-3/2-13/8 with steps of 13/11-7/6-12/11-13/12-16/13, and its inverse | |||
* 1-12/11-14/11-3/2-24/13 with steps of 12/11-7/6-13/11-16/13-13/12; | |||
* 1-13/11-14/11-11/8-3/2 with steps of 13/11-14/13-13/12-12/11-4/3, and its inverse | |||
* 1-12/11-13/11-14/11-3/2 with steps of 12/11-13/12-14/13-13/11-4/3; | |||
* 1-7/6-14/11-11/8-3/2 with steps of 7/6-12/11-13/12-12/11-4/3, and its inverse | |||
* 1-12/11-13/11-9/7-3/2 with steps of 12/11-13/12-12/11-7/6-4/3; | |||
* 1-12/11-9/7-18/13-3/2 with steps of 12/11-13/11-14/13-13/12-4/3, and its inverse | |||
* 1-13/12-7/6-11/8-3/2 with steps of 13/12-14/13-13/11-12/11-4/3; | |||
* 1-12/11-14/11-18/13-3/2 with steps of 12/11-7/6-12/11-13/12-4/3, and its inverse | |||
* 1-13/12-13/11-11/8-3/2 with steps of 13/12-12/11-7/6-12/11-4/3. | |||
For hexads, there are two palindromic chords and two pairs of chords in inverse relationship. The palindromic chords are | |||
* 1-7/6-14/11-11/8-3/2-7/4 with steps of 7/6-12/11-13/12-12/11-7/6-8/7; | |||
* 1-12/11-14/11-18/13-3/2-24/13 with steps of 12/11-7/6-12/11-13/12-16/13-13/12. | |||
The inversely related pairs of chords are | |||
* 1-7/6-14/11-11/8-3/2-11/6 with steps of 7/6-12/11-13/12-12/11-11/9-12/11, and its inverse | |||
* 1-12/11-13/11-9/7-3/2-18/11 with steps of 12/11-13/12-12/11-7/6-12/11-11/9; | |||
* 1-13/11-14/11-11/8-3/2-11/6 with steps of 13/11-14/13-13/12-12/11-11/9-12/11, and its inverse | |||
* 1-12/11-13/11-14/11-3/2-18/11 with steps of 12/11-13/12-14/13-13/11-12/11-11/9. | |||
Equal temperaments with gentle chords include {{Optimal ET sequence| 17, 22, 29, 41, 46, 58, 72, 87, 104, 121, 130, 217, 232, 234, 289 and 456 }}. | Equal temperaments with gentle chords include {{Optimal ET sequence| 17, 22, 29, 41, 46, 58, 72, 87, 104, 121, 130, 217, 232, 234, 289 and 456 }}. | ||
Line 45: | Line 116: | ||
[[Category:Triads]] | [[Category:Triads]] | ||
[[Category:Tetrads]] | [[Category:Tetrads]] | ||
[[Category:Pentads]] | |||
[[Category:Hexads]] | |||
[[Category:Gentle]] | [[Category:Gentle]] | ||
[[Category:Neo-gothic]] | [[Category:Neo-gothic]] |