User:Moremajorthanmajor/7L 3s (perfect eleventh-equivalent): Difference between revisions
No edit summary |
|||
| Line 471: | Line 471: | ||
[[Mapping]]: [{{val|1 0 -3}}, {{val|0 1 6}}] | [[Mapping]]: [{{val|1 0 -3}}, {{val|0 1 6}}] | ||
[[Optimal ET sequence]]: 17ed8/3, 27ed8/3, 44ed8/3 | [[Optimal ET sequence]]: [[17ed8/3]], [[27ed8/3]], [[44ed8/3]] | ||
==='''Bolivar-Superpyth'''=== | ==='''Bolivar-Superpyth'''=== | ||
[[Subgroup]]: 8/3.2.7/6 | [[Subgroup]]: 8/3.2.7/6 | ||
| Line 481: | Line 481: | ||
[[Mapping]]: [{{val|1 0 2}}, {{val|0 1 -4}}] | [[Mapping]]: [{{val|1 0 2}}, {{val|0 1 -4}}] | ||
[[Optimal ET sequence]]: 17ed8/3, 24ed8/3, 31ed8/3, 38ed8/3 | [[Optimal ET sequence]]: [[17ed8/3]], [[24ed8/3]], [[31ed8/3]], [[38ed8/3]] | ||
==7-note subsets== | ==7-note subsets== | ||
If you stop the chain at 7 tones, you have a heptatonic scale of the form [[3L 4s (eleventh equivalent)|3L 4s]]: | If you stop the chain at 7 tones, you have a heptatonic scale of the form [[3L 4s (eleventh equivalent)|3L 4s]]: | ||
| Line 492: | Line 492: | ||
== See also == | == See also == | ||
[[7L 3s (8/3-equivalent)]]<references /> | [[7L 3s (8/3-equivalent)]] - idealized tuning | ||
[[14L 6s (7/1-equivalent)]] - Guidotonic dominant Archytas tuning | |||
[[14L 6s (78/11-equivalent)]] - Guidotonic dominant Neogothic tuning | |||
[[14L 6s (36/5-equivalent)]] - Guidotonic dominant Meantone tuning<references /> | |||