3L 2s (8/5-equivalent): Difference between revisions
CompactStar (talk | contribs) No edit summary |
CompactStar (talk | contribs) Why is there a 14/9-repeating temperament?? |
||
(One intermediate revision by the same user not shown) | |||
Line 9: | Line 9: | ||
[[Basic]] 3L 2s<8/5> is in [[8ed8/5]], which is a very good minor sixth-based equal tuning similar to [[12edo]]. | [[Basic]] 3L 2s<8/5> is in [[8ed8/5]], which is a very good minor sixth-based equal tuning similar to [[12edo]]. | ||
==Notation== | ==Notation== | ||
There are 2 main ways to notate | There are 2 main ways to notate this scale. One method uses a simple sixth repeating notation consisting of 5 naturals (La, Si, Do, Re, Mi). Given that 1-7/6-3/2 is minor sixth-equivalent to a tone cluster of 1-16/15-7/6, it may be more convenient to notate these diatonic scales as repeating at the double sixth (diminished eleventh~tenth), however it does make navigating the [[Generator|genchain]] harder. This way, 3/2 is its own pitch class, distinct from 16\15. Notating this way produces a tenth which is the Dorian mode of Annapolis[6L 4s] or Oriole[6L 4s]. Since there are exactly 10 naturals in double sixth notation, Greek numerals 1-10 may be used. | ||
{| class="wikitable" | {| class="wikitable" | ||
|+ | |+ | ||
Line 1,188: | Line 1,188: | ||
[[Optimal ET sequence]]: 5ed8/5, 8ed8/5, 13ed8/5 | [[Optimal ET sequence]]: 5ed8/5, 8ed8/5, 13ed8/5 | ||
==Scale tree== | ==Scale tree== |