Andrew Heathwaite's MOS Investigations: Difference between revisions
Wikispaces>Andrew_Heathwaite **Imported revision 287845824 - Original comment: ** |
Wikispaces>Andrew_Heathwaite **Imported revision 287855032 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:Andrew_Heathwaite|Andrew_Heathwaite]] and made on <tt>2011-12-21 | : This revision was by author [[User:Andrew_Heathwaite|Andrew_Heathwaite]] and made on <tt>2011-12-21 03:40:23 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>287855032</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
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This diagram is an experiment in combining the two ways I tend to visualize MOS scales -- as a chain of generators (x-axis) and as particular steps in pitch-space (y-axis). | This diagram is an experiment in combining the two ways I tend to visualize MOS scales -- as a chain of generators (x-axis) and as particular steps in pitch-space (y-axis). | ||
[[image:map_of_sensi[8].png]] | [[image:map_of_sensi[8].png]][[image:map_of_sensi[11]_correction.png]] | ||
==An Approach to Chromatic/Enharmonic MODMOS Scales== | ==An Approach to Chromatic/Enharmonic MODMOS Scales== | ||
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This diagram is an experiment in combining the two ways I tend to visualize MOS scales -- as a chain of generators (x-axis) and as particular steps in pitch-space (y-axis).<br /> | This diagram is an experiment in combining the two ways I tend to visualize MOS scales -- as a chain of generators (x-axis) and as particular steps in pitch-space (y-axis).<br /> | ||
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<!-- ws:start:WikiTextLocalImageRule:878:&lt;img src=&quot;/file/view/map_of_sensi%5B8%5D.png/287845258/map_of_sensi%5B8%5D.png&quot; alt=&quot;&quot; title=&quot;&quot; /&gt; --><img src="/file/view/map_of_sensi%5B8%5D.png/287845258/map_of_sensi%5B8%5D.png" alt="map_of_sensi[8].png" title="map_of_sensi[8].png" /><!-- ws:end:WikiTextLocalImageRule:878 --><br /> | <!-- ws:start:WikiTextLocalImageRule:878:&lt;img src=&quot;/file/view/map_of_sensi%5B8%5D.png/287845258/map_of_sensi%5B8%5D.png&quot; alt=&quot;&quot; title=&quot;&quot; /&gt; --><img src="/file/view/map_of_sensi%5B8%5D.png/287845258/map_of_sensi%5B8%5D.png" alt="map_of_sensi[8].png" title="map_of_sensi[8].png" /><!-- ws:end:WikiTextLocalImageRule:878 --><!-- ws:start:WikiTextLocalImageRule:879:&lt;img src=&quot;/file/view/map_of_sensi%5B11%5D_correction.png/287855018/map_of_sensi%5B11%5D_correction.png&quot; alt=&quot;&quot; title=&quot;&quot; /&gt; --><img src="/file/view/map_of_sensi%5B11%5D_correction.png/287855018/map_of_sensi%5B11%5D_correction.png" alt="map_of_sensi[11]_correction.png" title="map_of_sensi[11]_correction.png" /><!-- ws:end:WikiTextLocalImageRule:879 --><br /> | ||
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<!-- ws:start:WikiTextHeadingRule:2:&lt;h2&gt; --><h2 id="toc1"><a name="x-An Approach to Chromatic/Enharmonic MODMOS Scales"></a><!-- ws:end:WikiTextHeadingRule:2 -->An Approach to Chromatic/Enharmonic MODMOS Scales</h2> | <!-- ws:start:WikiTextHeadingRule:2:&lt;h2&gt; --><h2 id="toc1"><a name="x-An Approach to Chromatic/Enharmonic MODMOS Scales"></a><!-- ws:end:WikiTextHeadingRule:2 -->An Approach to Chromatic/Enharmonic MODMOS Scales</h2> | ||
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I'm wanting to do a study on the MOS generator spectrum with diagrams. I made two sample diagrams using 31\137edo and 32\137edo. Here they are right next to each other so I can compare and contrast.<br /> | I'm wanting to do a study on the MOS generator spectrum with diagrams. I made two sample diagrams using 31\137edo and 32\137edo. Here they are right next to each other so I can compare and contrast.<br /> | ||
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Update: I decided to go with <a class="wiki_link" href="/127edo">127edo</a> and have completed the visual study. See <a class="wiki_link" href="/MOS%20Scales%20of%20127edo">MOS Scales of 127edo</a>.<br /> | Update: I decided to go with <a class="wiki_link" href="/127edo">127edo</a> and have completed the visual study. See <a class="wiki_link" href="/MOS%20Scales%20of%20127edo">MOS Scales of 127edo</a>.<br /> | ||
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Mike Battaglia has brought up this idea of Porcupine Chromaticism and given <a class="wiki_link" href="/MODMOS%20Scales">MODMOS Scales</a> of Porcupine as specific examples. So to start that exploration, I've made a diagram of all the MOS scales that Porcupine makes possible, starting at Porcupine[7], and terminating at <a class="wiki_link" href="/140edo">140edo</a>, which is arguably an optimal tuning for Porcupine. Take a look:<br /> | Mike Battaglia has brought up this idea of Porcupine Chromaticism and given <a class="wiki_link" href="/MODMOS%20Scales">MODMOS Scales</a> of Porcupine as specific examples. So to start that exploration, I've made a diagram of all the MOS scales that Porcupine makes possible, starting at Porcupine[7], and terminating at <a class="wiki_link" href="/140edo">140edo</a>, which is arguably an optimal tuning for Porcupine. Take a look:<br /> | ||
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<!-- ws:start:WikiTextLocalImageRule: | <!-- ws:start:WikiTextLocalImageRule:882:&lt;img src=&quot;/file/view/porcupine_mos_overview_140edo.jpg/271210382/porcupine_mos_overview_140edo.jpg&quot; alt=&quot;&quot; title=&quot;&quot; /&gt; --><img src="/file/view/porcupine_mos_overview_140edo.jpg/271210382/porcupine_mos_overview_140edo.jpg" alt="porcupine_mos_overview_140edo.jpg" title="porcupine_mos_overview_140edo.jpg" /><!-- ws:end:WikiTextLocalImageRule:882 --><br /> | ||
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On the XA Facebook page, Paul Erlich showed me some horograms in which the two intervals I call Q and q (for greater and lesser quartertone) switch places, leading me to conclude that <em>there is no standard form for Porcupine[22]</em>. This means that, after a certain point, we have to <em>pick a tuning</em> (pick a side of 22edo for the generator to land on) if we want to explore Porcupine chromaticism that deeply into it, i.e. that far down the generator chain.<br /> | On the XA Facebook page, Paul Erlich showed me some horograms in which the two intervals I call Q and q (for greater and lesser quartertone) switch places, leading me to conclude that <em>there is no standard form for Porcupine[22]</em>. This means that, after a certain point, we have to <em>pick a tuning</em> (pick a side of 22edo for the generator to land on) if we want to explore Porcupine chromaticism that deeply into it, i.e. that far down the generator chain.<br /> |