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| <h2>IMPORTED REVISION FROM WIKISPACES</h2> | | <ul><li>In 12EDO, virtually all the catchy/easy chord progressions have been taken. Want some possibilities for new ones? You can't have beautiful/pure 6:7:8, 5:7:9, 7:9:11, 10:11:12...7 and 11-limit chords on your 12EDO keyboard because such chords don't exist in 12EDO. In 12EDO you are stuck with run-of-the-mill 5-limit chords such as major (4:5:6) and minor (10:12:15)...get unstuck with new temperaments in Xenharmony.</li><li>At least with JI, there are ways you can go about it where the math or theory doesn't have to be any harder than 12EDO -> [[Mike_Sheiman's_Very_Easy_Scale_Building_From_The_Harmonic_Series_Page|http://xenharmonic.wikispaces.com/Mike+Sheiman%27s+Very+Easy+Scale+Building+From+The+Harmonic+Series+Page]]</li><li>If you are into deep mathematical theory...the possibilities for optimization of scales for variety are virtually endless.</li><li>If you use electronic instruments that support SCALA files, such as cheap to free VSTi's, you can start composing Xenharmonic music often without spending a dime (list needed).</li><li>You know how musicians (cluelessly) warn you about Xenharmony being necessarily dissonant? It's a load of bull ->[http://www.cdbaby.com/cd/marcussatellite2 http://www.cdbaby.com/cd/marcussatellite2] (done in a CPS scale: Hexanies) |
| This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
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| : This revision was by author [[User:guest|guest]] and made on <tt>2012-12-20 12:40:44 UTC</tt>.<br>
| | [http://www.youtube.com/watch?v=BhZpvGSPx6w http://www.youtube.com/watch?v=BhZpvGSPx6w] (done in Just Intonation) |
| : The original revision id was <tt>393892120</tt>.<br>
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| : The revision comment was: <tt></tt><br>
| | </li></ul> |
| The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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| <h4>Original Wikitext content:</h4>
| | [[Category:Why microtonality?]] |
| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">* In 12EDO, virtually all the catchy/easy chord progressions have been taken. Want some possibilities for new ones? You can't have beautiful/pure 6:7:8, 5:7:9, 7:9:11, 10:11:12...7 and 11-limit chords on your 12EDO keyboard because such chords don't exist in 12EDO. In 12EDO you are stuck with run-of-the-mill 5-limit chords such as major (4:5:6) and minor (10:12:15)...get unstuck with new temperaments in Xenharmony.
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| * At least with JI, there are ways you can go about it where the math or theory doesn't have to be any harder than 12EDO -> http://xenharmonic.wikispaces.com/Mike+Sheiman%27s+Very+Easy+Scale+Building+From+The+Harmonic+Series+Page
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| * If you are into deep mathematical theory...the possibilities for optimization of scales for variety are virtually endless.
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| * If you use electronic instruments that support SCALA files, such as cheap to free VSTi's, you can start composing Xenharmonic music often without spending a dime (list needed).
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| * You know how musicians (cluelessly) warn you about Xenharmony being necessarily dissonant? It's a load of bull ->http://www.cdbaby.com/cd/marcussatellite2 (done in a CPS scale: Hexanies)
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| > http://www.youtube.com/watch?v=BhZpvGSPx6w (done in Just Intonation)
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| > </pre></div>
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| <h4>Original HTML content:</h4>
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| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Why micotonality</title></head><body><ul><li>In 12EDO, virtually all the catchy/easy chord progressions have been taken. Want some possibilities for new ones? You can't have beautiful/pure 6:7:8, 5:7:9, 7:9:11, 10:11:12...7 and 11-limit chords on your 12EDO keyboard because such chords don't exist in 12EDO. In 12EDO you are stuck with run-of-the-mill 5-limit chords such as major (4:5:6) and minor (10:12:15)...get unstuck with new temperaments in Xenharmony.</li><li>At least with JI, there are ways you can go about it where the math or theory doesn't have to be any harder than 12EDO -&gt; <!-- ws:start:WikiTextUrlRule:15:http://xenharmonic.wikispaces.com/Mike+Sheiman%27s+Very+Easy+Scale+Building+From+The+Harmonic+Series+Page --><a href="http://xenharmonic.wikispaces.com/Mike+Sheiman%27s+Very+Easy+Scale+Building+From+The+Harmonic+Series+Page">http://xenharmonic.wikispaces.com/Mike+Sheiman%27s+Very+Easy+Scale+Building+From+The+Harmonic+Series+Page</a><!-- ws:end:WikiTextUrlRule:15 --></li><li>If you are into deep mathematical theory...the possibilities for optimization of scales for variety are virtually endless.</li><li>If you use electronic instruments that support SCALA files, such as cheap to free VSTi's, you can start composing Xenharmonic music often without spending a dime (list needed).</li><li>You know how musicians (cluelessly) warn you about Xenharmony being necessarily dissonant? It's a load of bull -&gt;<!-- ws:start:WikiTextUrlRule:16:http://www.cdbaby.com/cd/marcussatellite2 --><a class="wiki_link_ext" href="http://www.cdbaby.com/cd/marcussatellite2" rel="nofollow">http://www.cdbaby.com/cd/marcussatellite2</a><!-- ws:end:WikiTextUrlRule:16 --> (done in a CPS scale: Hexanies)<br />
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| <!-- ws:start:WikiTextUrlRule:17:http://www.youtube.com/watch?v=BhZpvGSPx6w --><a class="wiki_link_ext" href="http://www.youtube.com/watch?v=BhZpvGSPx6w" rel="nofollow">http://www.youtube.com/watch?v=BhZpvGSPx6w</a><!-- ws:end:WikiTextUrlRule:17 --> (done in Just Intonation)<br />
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| </li></ul></body></html></pre></div>
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