View source for 41edo chord names

Various [[41edo]] triads, 6th and 7th chords, named via [[ups and downs notation]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming.

Highly implausible chords are named as a more plausible [[Chord homonym|homonym]], e.g. {{nowrap|0–17–28 = C4(♯5)}} becomes {{nowrap|17–28–41 {{=}} F^m}}, where "a" stands for augmented and "d" stands for diminished.

{| class="wikitable"
|-
! colspan="2" | Thirds &rarr;
! vm3
! m3
! ^m3
! ~3
! vM3
! M3
! ^M3
! v4
! P4
! ^4
! ~4
|-
! colspan="2" | Triads with P5
| Cvm
| Cm
| C^m
| C~
| Cv
| C
| C^
| Cv4
| C4
| C^4
| C~4
|-
! rowspan="6" | Other<br />triads
! vv5
| Cvm(vv5)
| Cm(vv5)
| C^m(vv5)
| C~(vv5)
| Cv(vv5)
| C(vv5)
| C^(vv5)
| Cv4(vv5)
| C4(vv5)
| C^4(vv5)
| C~4(vv5)
|-
! ^b5
| Cvd(^5)
| Cd(^5)
| C^d(^5)
| C~d(^5)
| Cv(^b5)
| C(^b5)
| C^(^b5)
| Cv4(^b5)
| C4(^b5)
| C^4(^b5)
| C~4(^b5)
|-
! b5
| Cvd
| Cd
| C^d
| C~d
| Cv(b5)
| C(b5)
| C^(b5)
| Cv4(b5)
| C4(b5)
| C^4(b5)
| C~4(b5)
|-
! ^^5
| ''(vAb^)''
| Cm(^^5)
| C^m(^^5)
| C~(^^5)
| Cv(^^5)
| C(^^5)
| C^(^^5)
| Cv4(^^5)
| ''(Fvm)''
| C^4(^^5)
| C~4(^^5)
|-
! va5
| Cvm(v#5)
| ''(Ab)''
| C^m(v#5)
| C~a(v5)
| ''(vEa)''
| Ca(v5)
| C^a(v5)
| Cv4(v#5)
| ''(Fm)''
| C^4(v#5)
| C~4(v#5)
|-
! a5
| Cvm(#5)
| Cm(#5)
| ''(^Abv)''
| C~a
| Cva
| Ca
| C^a
| Cv4(#5)
| ''(F^m)''
| C^4(#5)
| C~4(#5)
|-
! rowspan="11" | Tetrads<br />with P5
! ~6
| Cvm~6
| Cm~6
| C^m~6
| C~6
| Cv,~6
| C,~6
| C^,~6
| Cv4~6
| C4~6
| C^4~6
| C~4~6
|-
! vM6
| Cvm6
| Cmv6
| C^mv6
| C~v6
| Cv6
| C,v6
| C^v6
| Cv4v6
| C4v6
| C^4v6
| C~4v6
|-
! M6
| Cvm,6
| Cm6
| C^m,6
| C~,6
| Cv,6
| C6
| C^,6
| Cv4,6
| C4,6
| C^4,6
| C~4,6
|-
! ^M6
| Cvm^6
| Cm^6
| C^m6
| C~^6
| Cv^6
| C,^6
| C^6
| Cv4^6
| C4^6
| C^4^6
| C~4^6
|-
! vm7
| Cvm7
| Cmv7
| C^mv7
| C~v7
| Cv7
| C,v7
| C^v7
| Cv4v7
| C4v7
| C^4v7
| C~4v7
|-
! m7
| Cvm,7
| Cm7
| C^m,7
| C~,7
| Cv,7
| C7
| C^,7
| Cv4,7
| C4,7
| C^4,7
| C~4,7
|-
! ^m7
| Cvm^7
| Cm^7
| C^m7
| C~^7
| Cv^7
| C,^7
| C^7
| Cv4^7
| C4^7
| C^4^7
| C~4^7
|-
! ~7
| Cvm~7
| Cm~7
| C^m~7
| C~7
| Cv,~7
| C,~7
| C^,~7
| Cv4~7
| C4~7
| C^4~7
| C~4~7
|-
! vM7
| CvmM7
| CmvM7
| C^mvM7
| C~vM7
| CvM7
| C,vM7
| C^vM7
| Cv4vM7
| C4vM7
| C^4vM7
| C~4vM7
|-
! M7
| Cvm,M7
| CmM7
| C^m,M7
| C~M7
| Cv,M7
| CM7
| C^,M7
| Cv4M7
| C4M7
| C^4M7
| C~4M7
|-
! ^M7
| Cvm^M7
| Cm^M7
| C^mM7
| C~^M7
| Cv^M7
| C,^M7
| C^M7
| Cv4^M7
| C4^M7
| C^4^M7
| C~4^M7
|}

A punctuation comma (",") is spoken as "add", thus Cv,7 is "C-down add-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord.

P1-vm3-P5-M7 is named vm,M7 = downminor add major 7. One might think that the "add" could be omitted, and it could be named vmM7. But there's a rule that in a 7th chord, an initial arrow affects both the 3rd and the 7th. So vmM7 is a minor-major chord with both the 3rd and 7th downed, i.e. P1-vm3-P5-vM7.

== See also ==
* [[15edo chord names]]
* [[19edo chords#Ups and downs notation|19edo chord names]]
* [[22edo chord names]]
* [[24edo chord names]]
* [[31edo chord names]]
* [[Kite Guitar chord shapes (downmajor tuning)]]

The last link is fairly exhaustive, and covers augmented and diminished chords.

[[Category:Kite Guitar]]
[[Category:41edo]]
[[Category:Chords]]
[[Category:Ups and downs notation]]
[[Category:Notation]]