Otones12-24
IMPORTED REVISION FROM WIKISPACES
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- This revision was by author Andrew_Heathwaite and made on 2009-04-19 14:57:21 UTC.
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Original Wikitext content:
A dedecatonic (12-note) scale borrowed from the overtone series: 12/12, 13/12, 14/12, 15/12, 16/12, 17/12, 18/12, 19/12, 20/12, 21/12, 22/12, 23/12, 24/12 which reduces to: 1/1, 13/12, 7/6, 5/4, 4/3, 17/12, 3/2, 19/12, 5/3, 7/4, 11/6, 23/12, 2/1 in cents: 0, 139, 267, 386, 498, 603, 702, 796, 884, 969, 1049, 1126, 1200 intervals between adjacent steps gradually get smaller, as is usual for overtone chunks like this: 13:12, 14:13, 15:14, 16:15, 17:16, 18:17, 19:18, 21:20, 22:21, 23:22, 24:23 = in cents: 139, 128, 119, 112, 105, 99, 94, 89, 84, 81, 77, 74 ==modes== For your tuning pleasure, all 12 modes. Note that the names "C", "C#", refer to a keyboard mapping that begins the scale on C. Such a mapping & naming system are, I admit, quite arbitrary. || || C-12 || C#-13 || D-14 || D#-15 || E-16 || F-17 || F#-18 || G-19 || G#-20 || A-21 || A#-22 || B-23 || || C-12 || || || || || || || || || || || || || || C#-13 || || || || || || || || || || || || || || D-14 || || || || || || || || || || || || || || D#-15 || || || || || || || || || || || || || || E-16 || || || || || || || || || || || || || || F-17 || || || || || || || || || || || || || || F#-18 || || || || || || || || || || || || || || G-19 || || || || || || || || || || || || || || G#-20 || || || || || || || || || || || || || || A-21 || || || || || || || || || || || || || || A#-22 || || || || || || || || || || || || || || B-23 || || || || || || || || || || || || ||
Original HTML content:
<html><head><title>otones12-24</title></head><body>A dedecatonic (12-note) scale borrowed from the overtone series:<br />
<br />
12/12, 13/12, 14/12, 15/12, 16/12, 17/12, 18/12, 19/12, 20/12, 21/12, 22/12, 23/12, 24/12<br />
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which reduces to:<br />
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1/1, 13/12, 7/6, 5/4, 4/3, 17/12, 3/2, 19/12, 5/3, 7/4, 11/6, 23/12, 2/1<br />
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in cents:<br />
<br />
0, 139, 267, 386, 498, 603, 702, 796, 884, 969, 1049, 1126, 1200<br />
<br />
intervals between adjacent steps gradually get smaller, as is usual for overtone chunks like this:<br />
<br />
13:12, 14:13, 15:14, 16:15, 17:16, 18:17, 19:18, 21:20, 22:21, 23:22, 24:23<br />
= in cents:<br />
139, 128, 119, 112, 105, 99, 94, 89, 84, 81, 77, 74<br />
<br />
<!-- ws:start:WikiTextHeadingRule:0:<h2> --><h2 id="toc0"><a name="x-modes"></a><!-- ws:end:WikiTextHeadingRule:0 -->modes</h2>
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For your tuning pleasure, all 12 modes. Note that the names "C", "C#", refer to a keyboard mapping that begins the scale on C. Such a mapping & naming system are, I admit, quite arbitrary.<br />
<br />
<table class="wiki_table">
<tr>
<td><br />
</td>
<td>C-12<br />
</td>
<td>C#-13<br />
</td>
<td>D-14<br />
</td>
<td>D#-15<br />
</td>
<td>E-16<br />
</td>
<td>F-17<br />
</td>
<td>F#-18<br />
</td>
<td>G-19<br />
</td>
<td>G#-20<br />
</td>
<td>A-21<br />
</td>
<td>A#-22<br />
</td>
<td>B-23<br />
</td>
</tr>
<tr>
<td>C-12<br />
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<tr>
<td>C#-13<br />
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<td>D-14<br />
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<td>D#-15<br />
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<td>E-16<br />
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<td>F-17<br />
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<td>F#-18<br />
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<td>G-19<br />
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<td>G#-20<br />
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<td>A-21<br />
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<td>A#-22<br />
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<td>B-23<br />
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</table>
</body></html>