Macrotonal edonois

Revision as of 18:34, 24 December 2009 by Wikispaces>seraph57 (**Imported revision 111024993 - Original comment: added link**)

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EDONOI is short for "equal divisions of a non-octave interval".

Examples include the equal-tempered [[BP|Bohlen-Pierce scale]] (a.k.a. the 13th root of 3), [[Carlos Alpha]], [[Carlos Beta]], [[Carlos Gamma]], the [[19ED3|19th root of 3]], the [[6edf|6th root of 3:2]] , [[88cET]] and the [[square root of 13 over 10|square root of 13:10]] .

Some EDONOI contain an interval close to a 2:1 that might function like a stretched or squashed octave. They can thus be considered variations on [[edo]]s.

Other EDONOI contain no approximation of an octave or a compound octave (at least, not for a while), and continue generating new tones as they continue upward or downward. Such scales lack a very familiar compositional [[redundancy]], that of octave equivalence, and thus require special attention.

==EDONOI Forum== 
[[http://xenharmonic.ning.com/group/equaldivisionofnonoctaveintervals|EDONOI Forum at Xenharmonic Alliance]]

Original HTML content:

<html><head><title>macrotonal edonois</title></head><body>EDONOI is short for &quot;equal divisions of a non-octave interval&quot;.<br />
<br />
Examples include the equal-tempered <a class="wiki_link" href="/BP">Bohlen-Pierce scale</a> (a.k.a. the 13th root of 3), <a class="wiki_link" href="/Carlos%20Alpha">Carlos Alpha</a>, <a class="wiki_link" href="/Carlos%20Beta">Carlos Beta</a>, <a class="wiki_link" href="/Carlos%20Gamma">Carlos Gamma</a>, the <a class="wiki_link" href="/19ED3">19th root of 3</a>, the <a class="wiki_link" href="/6edf">6th root of 3:2</a> , <a class="wiki_link" href="/88cET">88cET</a> and the <a class="wiki_link" href="/square%20root%20of%2013%20over%2010">square root of 13:10</a> .<br />
<br />
Some EDONOI contain an interval close to a 2:1 that might function like a stretched or squashed octave. They can thus be considered variations on <a class="wiki_link" href="/edo">edo</a>s.<br />
<br />
Other EDONOI contain no approximation of an octave or a compound octave (at least, not for a while), and continue generating new tones as they continue upward or downward. Such scales lack a very familiar compositional <a class="wiki_link" href="/redundancy">redundancy</a>, that of octave equivalence, and thus require special attention.<br />
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<!-- ws:start:WikiTextHeadingRule:0:&lt;h2&gt; --><h2 id="toc0"><a name="x-EDONOI Forum"></a><!-- ws:end:WikiTextHeadingRule:0 -->EDONOI Forum</h2>
 <a class="wiki_link_ext" href="http://xenharmonic.ning.com/group/equaldivisionofnonoctaveintervals" rel="nofollow">EDONOI Forum at Xenharmonic Alliance</a></body></html>