Harmonic

Revision as of 03:49, 11 September 2012 by Wikispaces>guest (**Imported revision 363693274 - Original comment: highlighted lemma**)

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This revision was by author guest and made on 2012-09-11 03:49:32 UTC.
The original revision id was 363693274.
The revision comment was: highlighted lemma

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Original Wikitext content:

**Harmonics** are the basic building blocks of periodic sounds. They may also be referred to as partials or overtones, but these words can have different meanings in the same context. //Harmonic// usually refers to the sine wave components which make up a sound, which are whole-number multiples of the fundamental frequency (lowest tone). //Overtones// consist of all harmonics except for the fundamental; thus the 1st overtone is actually the 2nd harmonic, and so on. Unlike harmonics, //Partials// do not need to be related by whole-number multiples, but may instead be completely inharmonic.

Harmonic oscillators such as a bowed violin or the human voice contains a nearly-infinite amount of harmonics, starting with 1f, 2f, 3f, 4f... where f is the fundamental frequency. Each of these harmonics has a distinct amplitude, generally decreasing as the 'height' of the harmonic increases. The span between any two of these harmonics is called a [[Gallery of Just Intervals|just interval]].

The ancient Greeks called these harmonics "multiples," and considered them to be a unique interval class separate from [[superparticular]] and [[Superpartient|superpartient]] intervals.


http://en.wikipedia.org/wiki/Harmonic

Original HTML content:

<html><head><title>Harmonic</title></head><body><strong>Harmonics</strong> are the basic building blocks of periodic sounds. They may also be referred to as partials or overtones, but these words can have different meanings in the same context. <em>Harmonic</em> usually refers to the sine wave components which make up a sound, which are whole-number multiples of the fundamental frequency (lowest tone). <em>Overtones</em> consist of all harmonics except for the fundamental; thus the 1st overtone is actually the 2nd harmonic, and so on. Unlike harmonics, <em>Partials</em> do not need to be related by whole-number multiples, but may instead be completely inharmonic.<br />
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Harmonic oscillators such as a bowed violin or the human voice contains a nearly-infinite amount of harmonics, starting with 1f, 2f, 3f, 4f... where f is the fundamental frequency. Each of these harmonics has a distinct amplitude, generally decreasing as the 'height' of the harmonic increases. The span between any two of these harmonics is called a <a class="wiki_link" href="/Gallery%20of%20Just%20Intervals">just interval</a>.<br />
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The ancient Greeks called these harmonics &quot;multiples,&quot; and considered them to be a unique interval class separate from <a class="wiki_link" href="/superparticular">superparticular</a> and <a class="wiki_link" href="/Superpartient">superpartient</a> intervals.<br />
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