5/3

Revision as of 16:30, 7 June 2014 by Wikispaces>spt3125 (**Imported revision 513196896 - Original comment: **)

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This revision was by author spt3125 and made on 2014-06-07 16:30:02 UTC.
The original revision id was 513196896.
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Original Wikitext content:

**5/3**
|0 -1 1>
884.35871 cents
[[media type="file" key="jid_5_3_pluck_adu_dr220.mp3" width="240" height="20"]] [[file:xenharmonic/jid_5_3_pluck_adu_dr220.mp3|sound sample]]

In [[5-limit]] [[Just Intonation]], 5/3 is a major sixth of about 884.4¢. It represents the difference between the 5th and 3rd overtones of the [[OverToneSeries|harmonic series]], and appears in just chords such as 3:4:5 (a 2nd inversion major triad). Its inversion is [[6_5|6/5]], the 5-limit minor third. It differs from the Pythagorean major sixth of [[27_16|27/16]] (about 905.9¢) by the syntonic comma of [[81_80|81/80]] (about 21.5¢). This means that in systems which temper out the syntonic comma, such as [[12edo]] and [[meantone]] systems, 5/3 and 27/16 are conflated.

5/3 has a more mellow sound than 27/16, owing to its relative smallness.

See: [[Gallery of Just Intervals]]

Original HTML content:

<html><head><title>5_3</title></head><body><strong>5/3</strong><br />
|0 -1 1&gt;<br />
884.35871 cents<br />
<!-- ws:start:WikiTextMediaRule:0:&lt;img src=&quot;http://www.wikispaces.com/site/embedthumbnail/file-audio/jid_5_3_pluck_adu_dr220.mp3?h=20&amp;w=240&quot; class=&quot;WikiMedia WikiMediaFile&quot; id=&quot;wikitext@@media@@type=&amp;quot;file&amp;quot; key=&amp;quot;jid_5_3_pluck_adu_dr220.mp3&amp;quot; width=&amp;quot;240&amp;quot; height=&amp;quot;20&amp;quot;&quot; title=&quot;Local Media File&quot;height=&quot;20&quot; width=&quot;240&quot;/&gt; --><embed src="/s/mediaplayer.swf" pluginspage="http://www.macromedia.com/go/getflashplayer" type="application/x-shockwave-flash" quality="high" width="240" height="20" wmode="transparent" flashvars="file=http%253A%252F%252Fxenharmonic.wikispaces.com%252Ffile%252Fview%252Fjid_5_3_pluck_adu_dr220.mp3?file_extension=mp3&autostart=false&repeat=false&showdigits=true&showfsbutton=false&width=240&height=20"></embed><!-- ws:end:WikiTextMediaRule:0 --> <a href="http://xenharmonic.wikispaces.com/file/view/jid_5_3_pluck_adu_dr220.mp3/513182352/jid_5_3_pluck_adu_dr220.mp3" onclick="ws.common.trackFileLink('http://xenharmonic.wikispaces.com/file/view/jid_5_3_pluck_adu_dr220.mp3/513182352/jid_5_3_pluck_adu_dr220.mp3');">sound sample</a><br />
<br />
In <a class="wiki_link" href="/5-limit">5-limit</a> <a class="wiki_link" href="/Just%20Intonation">Just Intonation</a>, 5/3 is a major sixth of about 884.4¢. It represents the difference between the 5th and 3rd overtones of the <a class="wiki_link" href="/OverToneSeries">harmonic series</a>, and appears in just chords such as 3:4:5 (a 2nd inversion major triad). Its inversion is <a class="wiki_link" href="/6_5">6/5</a>, the 5-limit minor third. It differs from the Pythagorean major sixth of <a class="wiki_link" href="/27_16">27/16</a> (about 905.9¢) by the syntonic comma of <a class="wiki_link" href="/81_80">81/80</a> (about 21.5¢). This means that in systems which temper out the syntonic comma, such as <a class="wiki_link" href="/12edo">12edo</a> and <a class="wiki_link" href="/meantone">meantone</a> systems, 5/3 and 27/16 are conflated.<br />
<br />
5/3 has a more mellow sound than 27/16, owing to its relative smallness.<br />
<br />
See: <a class="wiki_link" href="/Gallery%20of%20Just%20Intervals">Gallery of Just Intervals</a></body></html>