Intro
Hi! I'm an amateur composer from Toronto, Canada. I discovered microtonality when I was 16 in 2006/7 when my composition instructor showed me the harmonic series justification for common practice harmony ala Rameau, which led me to discover Harry Partch and the old Yahoo mail lists (mostly MMM and Tuning) which I occasionally lurked until they ended. The main tunings I focus on are the Harmonic Series, 24-EDO, 16-EDO, and world scales, and my main inspirations and influences are the standard Western repertoire (especially Palestrina, Buxtehude, Bach, Mozart, and Chopin), Harry Partch, and First Nations drumming (especially Cree and Ojibwe). Though I was trained in violin and piano, I've also spent time studying the erhu and making instruments for the purposes of microtonal composition. Currently I exclusively play retuned electronic keyboards.
Music
Here's a selection of music I've written, mostly in the past year. Though I have written many works over my life, I haven't kept track of many. Even collecting these pieces from the last 6 months required some sleuthing (lol).
Harmonic Series
My most commonly used system is Mode 32 of the Harmonic Series, as it provides a good approximation of 12-EDO as well as being a conceptually simple and powerful overtone scale. As such it has been the most common tuning of my keyboard for many years.
Trio for 12-EDO Bass, Guitar, and Harmonic Series Keyboard
This is the earliest music file I can currently find and it dates from 2016. It was written as a mock up for two of my friends with the intention that we would play it together (them on guitar and bass and me on keyboard tuned to Mode 32). However due to conflicting personal obligations (mostly from me) it was never played live.
Works in my favourite scale
My favourite scale is something that I've come to call the 4567 Cross-Set Scale (this name was suggested to me by members of the Xenharmonic Alliance Discord, and the term Cross-Set as applied to scales is apparently the invention of Praveen Venkataramana). It's essentially a 4:5:6:7 chord built on each note of a 4:5:6:7 chord. Here are some pieces in this scale: