User:BudjarnLambeth/Sandbox2
7edo
Octave stretch or compression
What follows is a comparison of stretched- and compressed-octave EDONAME tunings.
- Step size: NNN ¢, octave size: NNN ¢
_ing the octave of EDONAME by around NNN ¢ results in improved primes NNN, but worse primes NNN. This approximates all harmonics up to 16 within NNN ¢. The tuning ZPINAME does this.
Harmonic | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | +0.0 | -2.0 | +0.0 | +13.7 | -2.0 | +31.2 | +0.0 | -3.9 | +13.7 | +48.7 | -2.0 |
Relative (%) | +0.0 | -2.0 | +0.0 | +13.7 | -2.0 | +31.2 | +0.0 | -3.9 | +13.7 | +48.7 | -2.0 | |
Step | 12 | 19 | 24 | 28 | 31 | 34 | 36 | 38 | 40 | 42 | 43 |
Harmonic | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | -40.5 | +31.2 | +11.7 | +0.0 | -5.0 | -3.9 | +2.5 | +13.7 | +29.2 | +48.7 | -28.3 | -2.0 |
Relative (%) | -40.5 | +31.2 | +11.7 | +0.0 | -5.0 | -3.9 | +2.5 | +13.7 | +29.2 | +48.7 | -28.3 | -2.0 | |
Step | 44 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 54 | 55 |
- Step size: NNN ¢, octave size: NNN ¢
_ing the octave of EDONAME by around NNN ¢ results in improved primes NNN, but worse primes NNN. This approximates all harmonics up to 16 within NNN ¢. The tuning EDONOI does this.
Harmonic | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | +0.0 | -2.0 | +0.0 | +13.7 | -2.0 | +31.2 | +0.0 | -3.9 | +13.7 | +48.7 | -2.0 |
Relative (%) | +0.0 | -2.0 | +0.0 | +13.7 | -2.0 | +31.2 | +0.0 | -3.9 | +13.7 | +48.7 | -2.0 | |
Steps (reduced) |
12 (0) |
19 (7) |
24 (0) |
28 (4) |
31 (7) |
34 (10) |
36 (0) |
38 (2) |
40 (4) |
42 (6) |
43 (7) |
Harmonic | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | -40.5 | +31.2 | +11.7 | +0.0 | -5.0 | -3.9 | +2.5 | +13.7 | +29.2 | +48.7 | -28.3 | -2.0 |
Relative (%) | -40.5 | +31.2 | +11.7 | +0.0 | -5.0 | -3.9 | +2.5 | +13.7 | +29.2 | +48.7 | -28.3 | -2.0 | |
Steps (reduced) |
44 (8) |
46 (10) |
47 (11) |
48 (0) |
49 (1) |
50 (2) |
51 (3) |
52 (4) |
53 (5) |
54 (6) |
54 (6) |
55 (7) |
- Step size: NNN ¢, octave size: NNN ¢
_ing the octave of EDONAME by around NNN ¢ results in improved primes NNN, but worse primes NNN. This approximates all harmonics up to 16 within NNN ¢. The tuning TETUNING does this.
Harmonic | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | +0.0 | -2.0 | +0.0 | +13.7 | -2.0 | +31.2 | +0.0 | -3.9 | +13.7 | +48.7 | -2.0 |
Relative (%) | +0.0 | -2.0 | +0.0 | +13.7 | -2.0 | +31.2 | +0.0 | -3.9 | +13.7 | +48.7 | -2.0 | |
Step | 12 | 19 | 24 | 28 | 31 | 34 | 36 | 38 | 40 | 42 | 43 |
Harmonic | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | -40.5 | +31.2 | +11.7 | +0.0 | -5.0 | -3.9 | +2.5 | +13.7 | +29.2 | +48.7 | -28.3 | -2.0 |
Relative (%) | -40.5 | +31.2 | +11.7 | +0.0 | -5.0 | -3.9 | +2.5 | +13.7 | +29.2 | +48.7 | -28.3 | -2.0 | |
Step | 44 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 54 | 55 |
- EDONAME
- Step size: NNN ¢, octave size: NNN ¢
Pure-octaves EDONAME approximates all harmonics up to 16 within NNN ¢.
Harmonic | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | +0.0 | -2.0 | +0.0 | +13.7 | -2.0 | +31.2 | +0.0 | -3.9 | +13.7 | +48.7 | -2.0 |
Relative (%) | +0.0 | -2.0 | +0.0 | +13.7 | -2.0 | +31.2 | +0.0 | -3.9 | +13.7 | +48.7 | -2.0 | |
Steps (reduced) |
12 (0) |
19 (7) |
24 (0) |
28 (4) |
31 (7) |
34 (10) |
36 (0) |
38 (2) |
40 (4) |
42 (6) |
43 (7) |
Harmonic | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | -40.5 | +31.2 | +11.7 | +0.0 | -5.0 | -3.9 | +2.5 | +13.7 | +29.2 | +48.7 | -28.3 | -2.0 |
Relative (%) | -40.5 | +31.2 | +11.7 | +0.0 | -5.0 | -3.9 | +2.5 | +13.7 | +29.2 | +48.7 | -28.3 | -2.0 | |
Steps (reduced) |
44 (8) |
46 (10) |
47 (11) |
48 (0) |
49 (1) |
50 (2) |
51 (3) |
52 (4) |
53 (5) |
54 (6) |
54 (6) |
55 (7) |
- Step size: NNN ¢, octave size: NNN ¢
_ing the octave of EDONAME by around NNN ¢ results in improved primes NNN, but worse primes NNN. This approximates all harmonics up to 16 within NNN ¢. The tuning TETUNING does this.
Harmonic | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | +0.0 | -2.0 | +0.0 | +13.7 | -2.0 | +31.2 | +0.0 | -3.9 | +13.7 | +48.7 | -2.0 |
Relative (%) | +0.0 | -2.0 | +0.0 | +13.7 | -2.0 | +31.2 | +0.0 | -3.9 | +13.7 | +48.7 | -2.0 | |
Step | 12 | 19 | 24 | 28 | 31 | 34 | 36 | 38 | 40 | 42 | 43 |
Harmonic | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | -40.5 | +31.2 | +11.7 | +0.0 | -5.0 | -3.9 | +2.5 | +13.7 | +29.2 | +48.7 | -28.3 | -2.0 |
Relative (%) | -40.5 | +31.2 | +11.7 | +0.0 | -5.0 | -3.9 | +2.5 | +13.7 | +29.2 | +48.7 | -28.3 | -2.0 | |
Step | 44 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 54 | 55 |
- Step size: NNN ¢, octave size: NNN ¢
_ing the octave of EDONAME by around NNN ¢ results in improved primes NNN, but worse primes NNN. This approximates all harmonics up to 16 within NNN ¢. The tuning EDONOI does this.
Harmonic | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | +0.0 | -2.0 | +0.0 | +13.7 | -2.0 | +31.2 | +0.0 | -3.9 | +13.7 | +48.7 | -2.0 |
Relative (%) | +0.0 | -2.0 | +0.0 | +13.7 | -2.0 | +31.2 | +0.0 | -3.9 | +13.7 | +48.7 | -2.0 | |
Steps (reduced) |
12 (0) |
19 (7) |
24 (0) |
28 (4) |
31 (7) |
34 (10) |
36 (0) |
38 (2) |
40 (4) |
42 (6) |
43 (7) |
Harmonic | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | -40.5 | +31.2 | +11.7 | +0.0 | -5.0 | -3.9 | +2.5 | +13.7 | +29.2 | +48.7 | -28.3 | -2.0 |
Relative (%) | -40.5 | +31.2 | +11.7 | +0.0 | -5.0 | -3.9 | +2.5 | +13.7 | +29.2 | +48.7 | -28.3 | -2.0 | |
Steps (reduced) |
44 (8) |
46 (10) |
47 (11) |
48 (0) |
49 (1) |
50 (2) |
51 (3) |
52 (4) |
53 (5) |
54 (6) |
54 (6) |
55 (7) |
- Step size: NNN ¢, octave size: NNN ¢
_ing the octave of EDONAME by around NNN ¢ results in improved primes NNN, but worse primes NNN. This approximates all harmonics up to 16 within NNN ¢. The tuning ZPINAME does this.
Harmonic | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | +0.0 | -2.0 | +0.0 | +13.7 | -2.0 | +31.2 | +0.0 | -3.9 | +13.7 | +48.7 | -2.0 |
Relative (%) | +0.0 | -2.0 | +0.0 | +13.7 | -2.0 | +31.2 | +0.0 | -3.9 | +13.7 | +48.7 | -2.0 | |
Step | 12 | 19 | 24 | 28 | 31 | 34 | 36 | 38 | 40 | 42 | 43 |
Harmonic | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | -40.5 | +31.2 | +11.7 | +0.0 | -5.0 | -3.9 | +2.5 | +13.7 | +29.2 | +48.7 | -28.3 | -2.0 |
Relative (%) | -40.5 | +31.2 | +11.7 | +0.0 | -5.0 | -3.9 | +2.5 | +13.7 | +29.2 | +48.7 | -28.3 | -2.0 | |
Step | 44 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 54 | 55 |