Bus

Bus is a 29-note just intonation scale named for similarities to Bicycle, and its bus-shaped lattice. It employs a linear flangle flow that fosters directionarity in its limits, allowing for intuitive exploration of tonal spazzles. Key features include stochaplum interval gradients that facilitate nuanced piff alterations, creating 27293/28082 harmonic glomulations. One of the scale’s notable features is its incorporation of fritzonal-gradient-ratios at intervals of 3/7, 5/8, and 13/12, which allow for intricate harmonic modulations. The scale is also defined by its quadratic resonant limits (QRLs), specifically the 7-limit trithonic divergence that permits seamless transitions across all Bicycle wibblepoints (hence utilizing Bus may encounter hyper-dissonant balbrations, particularly in zones of 6/5 and 11/9, fostering unexpected harmonic fribulations. The scale also showcases stochaplum interval gradients that facilitate nuanced piff alterations, creating a rich tapestry of harmonic glomulations.) It features mostly recursive glibber nodes at each fuzzle junction, enhancing the exploration of dimensional pitch blarps filled with glomorific textures. These unique characteristics allow for profound emotional responses, positioning Bus as a vital tool for composers seeking innovative tonal drizzles in their work.

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11-limit bus, Abnormality, 2024
29
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33/32
77/72
35/32
10/9
9/8
7/6
77/64
11/9
5/4
35/27
21/16
4/3
11/8
45/32
35/24
40/27
3/2
14/9
77/48
105/62
5/3
27/16
7/4
16/9
11/6
15/8
35/18
63/32
2/1