Imogene Newland
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<span style="text-decoration: none;"><span style="display: block; text-align: JUSTIFY;">**Imogene Newland** <span style="font-family: Arial,sans-serif;"><span style="font-size: 14.6667px;">is a researcher and practitioner whose work intersects gesture-based study within the fields of music performance and choreography. Originally trained as a pianist specialising in contemporary repertoire, Imogene became interested in the overlap between postmodern dance practices and gestural analysis and classification in music performance in 2003. She has subsequently formed a series of practice-led works that address the intimate and intensely physical relation between the body and the piano. She has recently completed her practice-led PhD “The Piano and the Female Body: the Erotic, the Seductive and the Transgressive” at the Sonic Arts Research Centre, Queen's University Belfast.</span></span></span></span>
Original HTML content:
<html><head><title>Imogene Newland</title></head><body><span style="text-decoration: none;"><span style="display: block; text-align: JUSTIFY;"><strong>Imogene Newland</strong> <span style="font-family: Arial,sans-serif;"><span style="font-size: 14.6667px;">is a researcher and practitioner whose work intersects gesture-based study within the fields of music performance and choreography. Originally trained as a pianist specialising in contemporary repertoire, Imogene became interested in the overlap between postmodern dance practices and gestural analysis and classification in music performance in 2003. She has subsequently formed a series of practice-led works that address the intimate and intensely physical relation between the body and the piano. She has recently completed her practice-led PhD “The Piano and the Female Body: the Erotic, the Seductive and the Transgressive” at the Sonic Arts Research Centre, Queen's University Belfast.</span></span></span></span></body></html>