64/63: Difference between revisions

Wikispaces>jdfreivald
**Imported revision 371174932 - Original comment: **
Wikispaces>jdfreivald
**Imported revision 371179634 - Original comment: **
Line 1: Line 1:
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:jdfreivald|jdfreivald]] and made on <tt>2012-10-08 13:41:35 UTC</tt>.<br>
: This revision was by author [[User:jdfreivald|jdfreivald]] and made on <tt>2012-10-08 13:53:44 UTC</tt>.<br>
: The original revision id was <tt>371174932</tt>.<br>
: The original revision id was <tt>371179634</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
Line 10: Line 10:
The Archytas comma is a 7-limit comma with monzo | 6 -2 0 -1 &gt;.
The Archytas comma is a 7-limit comma with monzo | 6 -2 0 -1 &gt;.


It is similar to the Didymus or syntonic comma, 81/80, in that when it is tempered out it makes a stack of four fifths equal a major third (octave equivalent). In the case of 81/80, however, the major third is 5/4, while with the Archytas comma, the major third is 9/7. (Note that [[Porcupine]], which tempers out 64/63, uses a minor tone as a generator and generally is considered to have 5/4 major thirds, so it doesn't depend on this equivalency.)
It is similar to the Didymus or syntonic comma, 81/80, in that when it is tempered out it makes a stack of four fifths equal a major third (octave equivalent). In the case of 81/80, however, the major third is 5/4, while with the Archytas comma, the major third is 9/7. (Note that [[Porcupine family|Porcupine]], which tempers out 64/63, uses a minor tone as a generator and generally is considered to have 5/4 major thirds, so it doesn't depend on this equivalency.)


If you are using 9/7 major thirds, this also implies that the major third is split into two equal steps that represent both 9/8 and 8/7: If a stack of four fifths gets you to (octave-equivalent) 9/7, and a stack of two fifths gets you to 9/8, then the difference must be (9/7)/(9/8) = 8/7. The 8/7 and 9/8 intervals are equal, however, as a result of the generation process.
If you are using 9/7 major thirds, this also implies that the major third is split into two equal steps that represent both 9/8 and 8/7: If a stack of four fifths gets you to (octave-equivalent) 9/7, and a stack of two fifths gets you to 9/8, then the difference must be (9/7)/(9/8) = 8/7. The 8/7 and 9/8 intervals are equal, however, as a result of the generation process.
Line 21: Line 21:
The Archytas comma is a 7-limit comma with monzo | 6 -2 0 -1 &amp;gt;.&lt;br /&gt;
The Archytas comma is a 7-limit comma with monzo | 6 -2 0 -1 &amp;gt;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
It is similar to the Didymus or syntonic comma, 81/80, in that when it is tempered out it makes a stack of four fifths equal a major third (octave equivalent). In the case of 81/80, however, the major third is 5/4, while with the Archytas comma, the major third is 9/7. (Note that &lt;a class="wiki_link" href="/Porcupine"&gt;Porcupine&lt;/a&gt;, which tempers out 64/63, uses a minor tone as a generator and generally is considered to have 5/4 major thirds, so it doesn't depend on this equivalency.)&lt;br /&gt;
It is similar to the Didymus or syntonic comma, 81/80, in that when it is tempered out it makes a stack of four fifths equal a major third (octave equivalent). In the case of 81/80, however, the major third is 5/4, while with the Archytas comma, the major third is 9/7. (Note that &lt;a class="wiki_link" href="/Porcupine%20family"&gt;Porcupine&lt;/a&gt;, which tempers out 64/63, uses a minor tone as a generator and generally is considered to have 5/4 major thirds, so it doesn't depend on this equivalency.)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
If you are using 9/7 major thirds, this also implies that the major third is split into two equal steps that represent both 9/8 and 8/7: If a stack of four fifths gets you to (octave-equivalent) 9/7, and a stack of two fifths gets you to 9/8, then the difference must be (9/7)/(9/8) = 8/7. The 8/7 and 9/8 intervals are equal, however, as a result of the generation process.&lt;br /&gt;
If you are using 9/7 major thirds, this also implies that the major third is split into two equal steps that represent both 9/8 and 8/7: If a stack of four fifths gets you to (octave-equivalent) 9/7, and a stack of two fifths gets you to 9/8, then the difference must be (9/7)/(9/8) = 8/7. The 8/7 and 9/8 intervals are equal, however, as a result of the generation process.&lt;br /&gt;