64/63: Difference between revisions
Wikispaces>jdfreivald **Imported revision 371174932 - Original comment: ** |
Wikispaces>jdfreivald **Imported revision 371179634 - Original comment: ** |
||
| Line 1: | Line 1: | ||
<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:jdfreivald|jdfreivald]] and made on <tt>2012-10-08 13: | : This revision was by author [[User:jdfreivald|jdfreivald]] and made on <tt>2012-10-08 13:53:44 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>371179634</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
| Line 10: | Line 10: | ||
The Archytas comma is a 7-limit comma with monzo | 6 -2 0 -1 >. | The Archytas comma is a 7-limit comma with monzo | 6 -2 0 -1 >. | ||
It is similar to the Didymus or syntonic comma, 81/80, in that when it is tempered out it makes a stack of four fifths equal a major third (octave equivalent). In the case of 81/80, however, the major third is 5/4, while with the Archytas comma, the major third is 9/7. (Note that [[Porcupine]], which tempers out 64/63, uses a minor tone as a generator and generally is considered to have 5/4 major thirds, so it doesn't depend on this equivalency.) | It is similar to the Didymus or syntonic comma, 81/80, in that when it is tempered out it makes a stack of four fifths equal a major third (octave equivalent). In the case of 81/80, however, the major third is 5/4, while with the Archytas comma, the major third is 9/7. (Note that [[Porcupine family|Porcupine]], which tempers out 64/63, uses a minor tone as a generator and generally is considered to have 5/4 major thirds, so it doesn't depend on this equivalency.) | ||
If you are using 9/7 major thirds, this also implies that the major third is split into two equal steps that represent both 9/8 and 8/7: If a stack of four fifths gets you to (octave-equivalent) 9/7, and a stack of two fifths gets you to 9/8, then the difference must be (9/7)/(9/8) = 8/7. The 8/7 and 9/8 intervals are equal, however, as a result of the generation process. | If you are using 9/7 major thirds, this also implies that the major third is split into two equal steps that represent both 9/8 and 8/7: If a stack of four fifths gets you to (octave-equivalent) 9/7, and a stack of two fifths gets you to 9/8, then the difference must be (9/7)/(9/8) = 8/7. The 8/7 and 9/8 intervals are equal, however, as a result of the generation process. | ||
| Line 21: | Line 21: | ||
The Archytas comma is a 7-limit comma with monzo | 6 -2 0 -1 &gt;.<br /> | The Archytas comma is a 7-limit comma with monzo | 6 -2 0 -1 &gt;.<br /> | ||
<br /> | <br /> | ||
It is similar to the Didymus or syntonic comma, 81/80, in that when it is tempered out it makes a stack of four fifths equal a major third (octave equivalent). In the case of 81/80, however, the major third is 5/4, while with the Archytas comma, the major third is 9/7. (Note that <a class="wiki_link" href="/Porcupine">Porcupine</a>, which tempers out 64/63, uses a minor tone as a generator and generally is considered to have 5/4 major thirds, so it doesn't depend on this equivalency.)<br /> | It is similar to the Didymus or syntonic comma, 81/80, in that when it is tempered out it makes a stack of four fifths equal a major third (octave equivalent). In the case of 81/80, however, the major third is 5/4, while with the Archytas comma, the major third is 9/7. (Note that <a class="wiki_link" href="/Porcupine%20family">Porcupine</a>, which tempers out 64/63, uses a minor tone as a generator and generally is considered to have 5/4 major thirds, so it doesn't depend on this equivalency.)<br /> | ||
<br /> | <br /> | ||
If you are using 9/7 major thirds, this also implies that the major third is split into two equal steps that represent both 9/8 and 8/7: If a stack of four fifths gets you to (octave-equivalent) 9/7, and a stack of two fifths gets you to 9/8, then the difference must be (9/7)/(9/8) = 8/7. The 8/7 and 9/8 intervals are equal, however, as a result of the generation process.<br /> | If you are using 9/7 major thirds, this also implies that the major third is split into two equal steps that represent both 9/8 and 8/7: If a stack of four fifths gets you to (octave-equivalent) 9/7, and a stack of two fifths gets you to 9/8, then the difference must be (9/7)/(9/8) = 8/7. The 8/7 and 9/8 intervals are equal, however, as a result of the generation process.<br /> | ||