5/4: Difference between revisions

Wikispaces>genewardsmith
**Imported revision 448027852 - Original comment: **
Wikispaces>spt3125
**Imported revision 513182682 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2013-09-02 06:44:24 UTC</tt>.<br>
: This revision was by author [[User:spt3125|spt3125]] and made on <tt>2014-06-07 11:52:08 UTC</tt>.<br>
: The original revision id was <tt>448027852</tt>.<br>
: The original revision id was <tt>513182682</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
<h4>Original Wikitext content:</h4>
<h4>Original Wikitext content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">In [[Just Intonation]], **5/4** is the frequency ratio between the 5th and 4th harmonics. Measuring about 386.3[[Cent|¢]], it is about 13.7¢ away from [[12edo]]'s major third of 400¢. It has a distinctive "sweet" sound, and has been described as more "laid back" than its 12edo counterpart. Providing a novel consonance after 3, it is the basis for [[5-limit]] harmony. It is distinguished from the [[Pythagorean]] major third of [[81_64|81/64]] by the syntonic comma of [[81_80|81/80]], which measures about 21.5¢. 81/64 and 5/4 are both just intonation "major thirds," 81/64 having a more active and discordant quality, 5/4 sounding more "restful".
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">**5/4**
|-2 0 1&gt;
386.31371 cents
[[media type="file" key="jid_5_4_pluck_adu_dr220.mp3"]]


In the context of the harmonic series, 5/4 can be heard between the 4th and 5th member of the series, demonstrated here melodically in singing into a resonant udderbot (from the fundamental up to 5 and then noodling between 5 and 4). [[file:5-4.mp3]] Hear it?
In [[Just Intonation]], **5/4** is the frequency ratio between the 5th and 4th harmonics. Measuring about 386.3[[Cent|¢]], it is about 13.7¢ away from [[12edo]]'s major third of 400¢. It has a distinctive "sweet" sound, and has been described as more "laid back" than its 12edo counterpart. Providing a novel consonance after 3, it is the basis for [[5-limit]] harmony. It is distinguished from the [[Pythagorean]] major third of [[81_64|81/64]] by the syntonic comma of [[81_80|81/80]], which measures about 21.5¢. 81/64 and 5/4 are both just intonation "major thirds," 81/64 having a more active and discordant quality, 5/4 sounding more "restful".
 
In the context of the harmonic series, 5/4 can be heard between the 4th and 5th member of the series, demonstrated here melodically in singing into a resonant [[@udderbot/home|udderbot]] (from the fundamental up to 5 and then noodling between 5 and 4).
[[media type="file" key="5-4.mp3"]]
[[file:5-4.mp3]]


5/4 converted to cents (¢): 1200 * log (5/4) / log (2) = 386.314...
5/4 converted to cents (¢): 1200 * log (5/4) / log (2) = 386.314...
When two notes sound a 5/4 together,


5/4 the interval, like all //intervals//, refers to a //relation// between two pitches. It has been called the //just major third// to distinguish it from the other intervals in that neighborhood.
5/4 the interval, like all //intervals//, refers to a //relation// between two pitches. It has been called the //just major third// to distinguish it from the other intervals in that neighborhood.
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See: [[Gallery of Just Intervals]]</pre></div>
See: [[Gallery of Just Intervals]]</pre></div>
<h4>Original HTML content:</h4>
<h4>Original HTML content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;5_4&lt;/title&gt;&lt;/head&gt;&lt;body&gt;In &lt;a class="wiki_link" href="/Just%20Intonation"&gt;Just Intonation&lt;/a&gt;, &lt;strong&gt;5/4&lt;/strong&gt; is the frequency ratio between the 5th and 4th harmonics. Measuring about 386.3&lt;a class="wiki_link" href="/Cent"&gt;¢&lt;/a&gt;, it is about 13.7¢ away from &lt;a class="wiki_link" href="/12edo"&gt;12edo&lt;/a&gt;'s major third of 400¢. It has a distinctive &amp;quot;sweet&amp;quot; sound, and has been described as more &amp;quot;laid back&amp;quot; than its 12edo counterpart. Providing a novel consonance after 3, it is the basis for &lt;a class="wiki_link" href="/5-limit"&gt;5-limit&lt;/a&gt; harmony. It is distinguished from the &lt;a class="wiki_link" href="/Pythagorean"&gt;Pythagorean&lt;/a&gt; major third of &lt;a class="wiki_link" href="/81_64"&gt;81/64&lt;/a&gt; by the syntonic comma of &lt;a class="wiki_link" href="/81_80"&gt;81/80&lt;/a&gt;, which measures about 21.5¢. 81/64 and 5/4 are both just intonation &amp;quot;major thirds,&amp;quot; 81/64 having a more active and discordant quality, 5/4 sounding more &amp;quot;restful&amp;quot;.&lt;br /&gt;
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;5_4&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;strong&gt;5/4&lt;/strong&gt;&lt;br /&gt;
|-2 0 1&amp;gt;&lt;br /&gt;
386.31371 cents&lt;br /&gt;
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&lt;br /&gt;
In &lt;a class="wiki_link" href="/Just%20Intonation"&gt;Just Intonation&lt;/a&gt;, &lt;strong&gt;5/4&lt;/strong&gt; is the frequency ratio between the 5th and 4th harmonics. Measuring about 386.3&lt;a class="wiki_link" href="/Cent"&gt;¢&lt;/a&gt;, it is about 13.7¢ away from &lt;a class="wiki_link" href="/12edo"&gt;12edo&lt;/a&gt;'s major third of 400¢. It has a distinctive &amp;quot;sweet&amp;quot; sound, and has been described as more &amp;quot;laid back&amp;quot; than its 12edo counterpart. Providing a novel consonance after 3, it is the basis for &lt;a class="wiki_link" href="/5-limit"&gt;5-limit&lt;/a&gt; harmony. It is distinguished from the &lt;a class="wiki_link" href="/Pythagorean"&gt;Pythagorean&lt;/a&gt; major third of &lt;a class="wiki_link" href="/81_64"&gt;81/64&lt;/a&gt; by the syntonic comma of &lt;a class="wiki_link" href="/81_80"&gt;81/80&lt;/a&gt;, which measures about 21.5¢. 81/64 and 5/4 are both just intonation &amp;quot;major thirds,&amp;quot; 81/64 having a more active and discordant quality, 5/4 sounding more &amp;quot;restful&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
In the context of the harmonic series, 5/4 can be heard between the 4th and 5th member of the series, demonstrated here melodically in singing into a resonant udderbot (from the fundamental up to 5 and then noodling between 5 and 4). &lt;!-- ws:start:WikiTextFileRule:2:&amp;lt;img src=&amp;quot;http://www.wikispaces.com/site/embedthumbnail/file/5-4.mp3?h=52&amp;amp;w=320&amp;quot; class=&amp;quot;WikiFile&amp;quot; id=&amp;quot;wikitext@@file@@5-4.mp3&amp;quot; title=&amp;quot;File: 5-4.mp3&amp;quot; width=&amp;quot;320&amp;quot; height=&amp;quot;52&amp;quot; /&amp;gt; --&gt;&lt;div class="objectEmbed"&gt;&lt;a href="/file/view/5-4.mp3/30382423/5-4.mp3" onclick="ws.common.trackFileLink('/file/view/5-4.mp3/30382423/5-4.mp3');"&gt;&lt;img src="http://www.wikispaces.com/i/mime/32/audio/mpeg.png" height="32" width="32" alt="5-4.mp3" /&gt;&lt;/a&gt;&lt;div&gt;&lt;a href="/file/view/5-4.mp3/30382423/5-4.mp3" onclick="ws.common.trackFileLink('/file/view/5-4.mp3/30382423/5-4.mp3');" class="filename" title="5-4.mp3"&gt;5-4.mp3&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="/file/detail/5-4.mp3"&gt;Details&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="/file/view/5-4.mp3/30382423/5-4.mp3"&gt;Download&lt;/a&gt;&lt;/li&gt;&lt;li style="color: #666"&gt;402 KB&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/div&gt;&lt;!-- ws:end:WikiTextFileRule:2 --&gt; Hear it?&lt;br /&gt;
In the context of the harmonic series, 5/4 can be heard between the 4th and 5th member of the series, demonstrated here melodically in singing into a resonant &lt;a class="wiki_link" href="http://udderbot.wikispaces.com/home" target="_blank"&gt;udderbot&lt;/a&gt; (from the fundamental up to 5 and then noodling between 5 and 4).&lt;br /&gt;
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&lt;br /&gt;
&lt;br /&gt;
5/4 converted to cents (¢): 1200 * log (5/4) / log (2) = 386.314...&lt;br /&gt;
5/4 converted to cents (¢): 1200 * log (5/4) / log (2) = 386.314...&lt;br /&gt;
&lt;br /&gt;
When two notes sound a 5/4 together,&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
5/4 the interval, like all &lt;em&gt;intervals&lt;/em&gt;, refers to a &lt;em&gt;relation&lt;/em&gt; between two pitches. It has been called the &lt;em&gt;just major third&lt;/em&gt; to distinguish it from the other intervals in that neighborhood.&lt;br /&gt;
5/4 the interval, like all &lt;em&gt;intervals&lt;/em&gt;, refers to a &lt;em&gt;relation&lt;/em&gt; between two pitches. It has been called the &lt;em&gt;just major third&lt;/em&gt; to distinguish it from the other intervals in that neighborhood.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:0:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc0"&gt;&lt;a name="x-5/4 quotes"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:0 --&gt;5/4 quotes&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:2:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc0"&gt;&lt;a name="x-5/4 quotes"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:2 --&gt;5/4 quotes&lt;/h2&gt;
  got any?&lt;br /&gt;
  got any?&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
See: &lt;a class="wiki_link" href="/Gallery%20of%20Just%20Intervals"&gt;Gallery of Just Intervals&lt;/a&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>
See: &lt;a class="wiki_link" href="/Gallery%20of%20Just%20Intervals"&gt;Gallery of Just Intervals&lt;/a&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>
Retrieved from "https://en.xen.wiki/w/5/4"