56/45: Difference between revisions

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Wikispaces>spt3125
**Imported revision 513254864 - Original comment: **
Wikispaces>genewardsmith
**Imported revision 515167234 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:spt3125|spt3125]] and made on <tt>2014-06-08 15:24:41 UTC</tt>.<br>
: This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2014-06-28 12:55:32 UTC</tt>.<br>
: The original revision id was <tt>513254864</tt>.<br>
: The original revision id was <tt>515167234</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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[[media type="file" key="jid_56_45_pluck_adu_dr220.mp3"]] [[file:xenharmonic/jid_56_45_pluck_adu_dr220.mp3|sound sample]]
[[media type="file" key="jid_56_45_pluck_adu_dr220.mp3"]] [[file:xenharmonic/jid_56_45_pluck_adu_dr220.mp3|sound sample]]


According to Ozan Yarman, the perde segah of Turkish maqam music should range from **56/45**, which is flatter than [[5_4|5/4]] by the [[septimal kleisma]] of [[225_224|225/224]], to 5/4. 56/45 is the interval between various 9-limit consonances: 5/4 and 14/9, 9/7 and 8/5, 9/8 and 7/5, and 10/7 and 16/9. [[Marvel]] tempering makes all of these intervals into major thirds like any other, and turns chords like
According to [[Ozan Yarman]], the perde segah of Turkish maqam music should range from **56/45**, which is flatter than [[5_4|5/4]] by the [[septimal kleisma]] of [[225_224|225/224]], to 5/4. 56/45 is the interval between various 9-limit consonances: 5/4 and 14/9, 9/7 and 8/5, 9/8 and 7/5, and 10/7 and 16/9. [[Marvel]] tempering makes all of these intervals into major thirds like any other, and turns chords like 1-5/4-8/5 or 1-5/4-14/9 into [[Dyadic chord|essentially tempered dyadic chords]]. The 56/45 third is [[6_5|6/5]] away from the marvelous fifth, [[112_75|112/75]], and may also be called the marvelous major third. It is a third of a cent flatter than the 6\19 major third of 19et.</pre></div>
1-5/4-8/5 or 1-5/4-14/9 into [[Dyadic chord|essentially tempered dyadic chords]].</pre></div>
<h4>Original HTML content:</h4>
<h4>Original HTML content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;56_45&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;strong&gt;56/45&lt;/strong&gt;&lt;br /&gt;
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;56_45&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;strong&gt;56/45&lt;/strong&gt;&lt;br /&gt;
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&lt;!-- ws:start:WikiTextMediaRule:0:&amp;lt;img src=&amp;quot;http://www.wikispaces.com/site/embedthumbnail/file-audio/jid_56_45_pluck_adu_dr220.mp3?h=20&amp;amp;w=240&amp;quot; class=&amp;quot;WikiMedia WikiMediaFile&amp;quot; id=&amp;quot;wikitext@@media@@type=&amp;amp;quot;file&amp;amp;quot; key=&amp;amp;quot;jid_56_45_pluck_adu_dr220.mp3&amp;amp;quot;&amp;quot; title=&amp;quot;Local Media File&amp;quot;height=&amp;quot;20&amp;quot; width=&amp;quot;240&amp;quot;/&amp;gt; --&gt;&lt;embed src="/s/mediaplayer.swf" pluginspage="http://www.macromedia.com/go/getflashplayer" type="application/x-shockwave-flash" quality="high" width="240" height="20" wmode="transparent" flashvars="file=http%253A%252F%252Fxenharmonic.wikispaces.com%252Ffile%252Fview%252Fjid_56_45_pluck_adu_dr220.mp3?file_extension=mp3&amp;autostart=false&amp;repeat=false&amp;showdigits=true&amp;showfsbutton=false&amp;width=240&amp;height=20"&gt;&lt;/embed&gt;&lt;!-- ws:end:WikiTextMediaRule:0 --&gt; &lt;a href="http://xenharmonic.wikispaces.com/file/view/jid_56_45_pluck_adu_dr220.mp3/513250356/jid_56_45_pluck_adu_dr220.mp3" onclick="ws.common.trackFileLink('http://xenharmonic.wikispaces.com/file/view/jid_56_45_pluck_adu_dr220.mp3/513250356/jid_56_45_pluck_adu_dr220.mp3');"&gt;sound sample&lt;/a&gt;&lt;br /&gt;
&lt;!-- ws:start:WikiTextMediaRule:0:&amp;lt;img src=&amp;quot;http://www.wikispaces.com/site/embedthumbnail/file-audio/jid_56_45_pluck_adu_dr220.mp3?h=20&amp;amp;w=240&amp;quot; class=&amp;quot;WikiMedia WikiMediaFile&amp;quot; id=&amp;quot;wikitext@@media@@type=&amp;amp;quot;file&amp;amp;quot; key=&amp;amp;quot;jid_56_45_pluck_adu_dr220.mp3&amp;amp;quot;&amp;quot; title=&amp;quot;Local Media File&amp;quot;height=&amp;quot;20&amp;quot; width=&amp;quot;240&amp;quot;/&amp;gt; --&gt;&lt;embed src="/s/mediaplayer.swf" pluginspage="http://www.macromedia.com/go/getflashplayer" type="application/x-shockwave-flash" quality="high" width="240" height="20" wmode="transparent" flashvars="file=http%253A%252F%252Fxenharmonic.wikispaces.com%252Ffile%252Fview%252Fjid_56_45_pluck_adu_dr220.mp3?file_extension=mp3&amp;autostart=false&amp;repeat=false&amp;showdigits=true&amp;showfsbutton=false&amp;width=240&amp;height=20"&gt;&lt;/embed&gt;&lt;!-- ws:end:WikiTextMediaRule:0 --&gt; &lt;a href="http://xenharmonic.wikispaces.com/file/view/jid_56_45_pluck_adu_dr220.mp3/513250356/jid_56_45_pluck_adu_dr220.mp3" onclick="ws.common.trackFileLink('http://xenharmonic.wikispaces.com/file/view/jid_56_45_pluck_adu_dr220.mp3/513250356/jid_56_45_pluck_adu_dr220.mp3');"&gt;sound sample&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
According to Ozan Yarman, the perde segah of Turkish maqam music should range from &lt;strong&gt;56/45&lt;/strong&gt;, which is flatter than &lt;a class="wiki_link" href="/5_4"&gt;5/4&lt;/a&gt; by the &lt;a class="wiki_link" href="/septimal%20kleisma"&gt;septimal kleisma&lt;/a&gt; of &lt;a class="wiki_link" href="/225_224"&gt;225/224&lt;/a&gt;, to 5/4. 56/45 is the interval between various 9-limit consonances: 5/4 and 14/9, 9/7 and 8/5, 9/8 and 7/5, and 10/7 and 16/9. &lt;a class="wiki_link" href="/Marvel"&gt;Marvel&lt;/a&gt; tempering makes all of these intervals into major thirds like any other, and turns chords like&lt;br /&gt;
According to &lt;a class="wiki_link" href="/Ozan%20Yarman"&gt;Ozan Yarman&lt;/a&gt;, the perde segah of Turkish maqam music should range from &lt;strong&gt;56/45&lt;/strong&gt;, which is flatter than &lt;a class="wiki_link" href="/5_4"&gt;5/4&lt;/a&gt; by the &lt;a class="wiki_link" href="/septimal%20kleisma"&gt;septimal kleisma&lt;/a&gt; of &lt;a class="wiki_link" href="/225_224"&gt;225/224&lt;/a&gt;, to 5/4. 56/45 is the interval between various 9-limit consonances: 5/4 and 14/9, 9/7 and 8/5, 9/8 and 7/5, and 10/7 and 16/9. &lt;a class="wiki_link" href="/Marvel"&gt;Marvel&lt;/a&gt; tempering makes all of these intervals into major thirds like any other, and turns chords like 1-5/4-8/5 or 1-5/4-14/9 into &lt;a class="wiki_link" href="/Dyadic%20chord"&gt;essentially tempered dyadic chords&lt;/a&gt;. The 56/45 third is &lt;a class="wiki_link" href="/6_5"&gt;6/5&lt;/a&gt; away from the marvelous fifth, &lt;a class="wiki_link" href="/112_75"&gt;112/75&lt;/a&gt;, and may also be called the marvelous major third. It is a third of a cent flatter than the 6\19 major third of 19et.&lt;/body&gt;&lt;/html&gt;</pre></div>
1-5/4-8/5 or 1-5/4-14/9 into &lt;a class="wiki_link" href="/Dyadic%20chord"&gt;essentially tempered dyadic chords&lt;/a&gt;.&lt;/body&gt;&lt;/html&gt;</pre></div>

Revision as of 12:55, 28 June 2014

IMPORTED REVISION FROM WIKISPACES

This is an imported revision from Wikispaces. The revision metadata is included below for reference:

This revision was by author genewardsmith and made on 2014-06-28 12:55:32 UTC.
The original revision id was 515167234.
The revision comment was:

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.

Original Wikitext content:

**56/45**
|3 -2 -1 1>
378.6022 cents
[[media type="file" key="jid_56_45_pluck_adu_dr220.mp3"]] [[file:xenharmonic/jid_56_45_pluck_adu_dr220.mp3|sound sample]]

According to [[Ozan Yarman]], the perde segah of Turkish maqam music should range from **56/45**, which is flatter than [[5_4|5/4]] by the [[septimal kleisma]] of [[225_224|225/224]], to 5/4. 56/45 is the interval between various 9-limit consonances: 5/4 and 14/9, 9/7 and 8/5, 9/8 and 7/5, and 10/7 and 16/9. [[Marvel]] tempering makes all of these intervals into major thirds like any other, and turns chords like 1-5/4-8/5 or 1-5/4-14/9 into [[Dyadic chord|essentially tempered dyadic chords]]. The 56/45 third is [[6_5|6/5]] away from the marvelous fifth, [[112_75|112/75]], and may also be called the marvelous major third. It is a third of a cent flatter than the 6\19 major third of 19et.

Original HTML content:

<html><head><title>56_45</title></head><body><strong>56/45</strong><br />
|3 -2 -1 1&gt;<br />
378.6022 cents<br />
<!-- ws:start:WikiTextMediaRule:0:&lt;img src=&quot;http://www.wikispaces.com/site/embedthumbnail/file-audio/jid_56_45_pluck_adu_dr220.mp3?h=20&amp;w=240&quot; class=&quot;WikiMedia WikiMediaFile&quot; id=&quot;wikitext@@media@@type=&amp;quot;file&amp;quot; key=&amp;quot;jid_56_45_pluck_adu_dr220.mp3&amp;quot;&quot; title=&quot;Local Media File&quot;height=&quot;20&quot; width=&quot;240&quot;/&gt; --><embed src="/s/mediaplayer.swf" pluginspage="http://www.macromedia.com/go/getflashplayer" type="application/x-shockwave-flash" quality="high" width="240" height="20" wmode="transparent" flashvars="file=http%253A%252F%252Fxenharmonic.wikispaces.com%252Ffile%252Fview%252Fjid_56_45_pluck_adu_dr220.mp3?file_extension=mp3&autostart=false&repeat=false&showdigits=true&showfsbutton=false&width=240&height=20"></embed><!-- ws:end:WikiTextMediaRule:0 --> <a href="http://xenharmonic.wikispaces.com/file/view/jid_56_45_pluck_adu_dr220.mp3/513250356/jid_56_45_pluck_adu_dr220.mp3" onclick="ws.common.trackFileLink('http://xenharmonic.wikispaces.com/file/view/jid_56_45_pluck_adu_dr220.mp3/513250356/jid_56_45_pluck_adu_dr220.mp3');">sound sample</a><br />
<br />
According to <a class="wiki_link" href="/Ozan%20Yarman">Ozan Yarman</a>, the perde segah of Turkish maqam music should range from <strong>56/45</strong>, which is flatter than <a class="wiki_link" href="/5_4">5/4</a> by the <a class="wiki_link" href="/septimal%20kleisma">septimal kleisma</a> of <a class="wiki_link" href="/225_224">225/224</a>, to 5/4. 56/45 is the interval between various 9-limit consonances: 5/4 and 14/9, 9/7 and 8/5, 9/8 and 7/5, and 10/7 and 16/9. <a class="wiki_link" href="/Marvel">Marvel</a> tempering makes all of these intervals into major thirds like any other, and turns chords like 1-5/4-8/5 or 1-5/4-14/9 into <a class="wiki_link" href="/Dyadic%20chord">essentially tempered dyadic chords</a>. The 56/45 third is <a class="wiki_link" href="/6_5">6/5</a> away from the marvelous fifth, <a class="wiki_link" href="/112_75">112/75</a>, and may also be called the marvelous major third. It is a third of a cent flatter than the 6\19 major third of 19et.</body></html>