47edo: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>

This is an imported revision from Wikispaces. The revision metadata is included below for reference:

: This revision was by author [[User:TallKite|TallKite]] and made on <tt>2017-09-05 15:22:27 UTC</tt>.

: This revision was by author [[User:TallKite|TallKite]] and made on <tt>2017-09-05 15:27:02 UTC</tt>.

: The original revision id was <tt>~~617220635~~</tt>.

: The original revision id was <tt>617220889</tt>.

: The revision comment was: <tt></tt>

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.

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A notation using the best 5th has major and minor 2nds of 7 and 6 edosteps respectively, with the naturals creating a roughly 7edo-ish scale:

D * * * * * * E * * * * * F * * * * * * G * * * * * * A * * * * * * B * * * * * C * * * * * * D

D# is next to D. This notation requires triple, quadruple and in some keys, quintuple sharps and flats. For example, a 0-15-27-38 chord (an approximate 4:5:6:7) on the note three edosteps above D would be spelled either as D#3 - F#5 - A#3 - C# or as Eb4 - Gbb - Ab4 - Db6.

D# is next to D. This notation requires triple, quadruple and in some keys, quintuple sharps and flats. For example, a 0-15-27-38 chord (an approximate 4:5:6:7) on the note three edosteps above D would be spelled either as D#3 - F#5 - A#3 - C# or as Eb4 - Gbb - Ab4 - Db6. This would be an aug-three double-dim-seven chord, written D#3(A3)dd7 or Eb4(A3)dd7.

Using the 2nd best 5th is even more awkward. The major 2nd is 9 edosteps and the minor is only one. The naturals create a roughly 5edo-ish scale, with two of the notes inflected by a comma-sized edostep:

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A notation using the best 5th has major and minor 2nds of 7 and 6 edosteps respectively, with the naturals creating a roughly 7edo-ish scale:

D * * * * * * E * * * * * F * * * * * * G * * * * * * A * * * * * * B * * * * * C * * * * * * D

D# is next to D. This notation requires triple, quadruple and in some keys, quintuple sharps and flats. For example, a 0-15-27-38 chord (an approximate 4:5:6:7) on the note three edosteps above D would be spelled either as D#3 - F#5 - A#3 - C# or as Eb4 - Gbb - Ab4 - Db6.

D# is next to D. This notation requires triple, quadruple and in some keys, quintuple sharps and flats. For example, a 0-15-27-38 chord (an approximate 4:5:6:7) on the note three edosteps above D would be spelled either as D#3 - F#5 - A#3 - C# or as Eb4 - Gbb - Ab4 - Db6. This would be an aug-three double-dim-seven chord, written D#3(A3)dd7 or Eb4(A3)dd7.

Using the 2nd best 5th is even more awkward. The major 2nd is 9 edosteps and the minor is only one. The naturals create a roughly 5edo-ish scale, with two of the notes inflected by a comma-sized edostep:

@@ Line 1: / Line 1: @@
 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:TallKite|TallKite]] and made on <tt>2017-09-05 15:22:27 UTC</tt>.<br>
+: This revision was by author [[User:TallKite|TallKite]] and made on <tt>2017-09-05 15:27:02 UTC</tt>.<br>
-: The original revision id was <tt>617220635</tt>.<br>
+: The original revision id was <tt>617220889</tt>.<br>
 : The revision comment was: <tt></tt><br>
 The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
@@ Line 16: / Line 16: @@
 A notation using the best 5th has major and minor 2nds of 7 and 6 edosteps respectively, with the naturals creating a roughly 7edo-ish scale:
 D * * * * * * E * * * * * F * * * * * * G * * * * * * A * * * * * * B * * * * * C * * * * * * D
-D# is next to D. This notation requires triple, quadruple and in some keys, quintuple sharps and flats. For example, a 0-15-27-38 chord (an approximate 4:5:6:7) on the note three edosteps above D would be spelled either as D#&lt;span style="font-size: 90%; vertical-align: super;"&gt;3&lt;/span&gt; - F#&lt;span style="font-size: 90%; vertical-align: super;"&gt;5&lt;/span&gt; - A#&lt;span style="font-size: 90%; vertical-align: super;"&gt;3&lt;/span&gt; - C# or as Eb&lt;span style="font-size: 90%; vertical-align: super;"&gt;4&lt;/span&gt; - Gbb - Ab&lt;span style="font-size: 90%; vertical-align: super;"&gt;4&lt;/span&gt; - Db&lt;span style="font-size: 90%; vertical-align: super;"&gt;6&lt;/span&gt;.
+D# is next to D. This notation requires triple, quadruple and in some keys, quintuple sharps and flats. For example, a 0-15-27-38 chord (an approximate 4:5:6:7) on the note three edosteps above D would be spelled either as D#&lt;span style="font-size: 90%; vertical-align: super;"&gt;3&lt;/span&gt; - F#&lt;span style="font-size: 90%; vertical-align: super;"&gt;5&lt;/span&gt; - A#&lt;span style="font-size: 90%; vertical-align: super;"&gt;3&lt;/span&gt; - C# or as Eb&lt;span style="font-size: 90%; vertical-align: super;"&gt;4&lt;/span&gt; - Gbb - Ab&lt;span style="font-size: 90%; vertical-align: super;"&gt;4&lt;/span&gt; - Db&lt;span style="font-size: 90%; vertical-align: super;"&gt;6&lt;/span&gt;. This would be an aug-three double-dim-seven chord, written D#&lt;span style="font-size: 90%; vertical-align: super;"&gt;3&lt;/span&gt;(A3)dd7 or Eb&lt;span style="font-size: 90%; vertical-align: super;"&gt;4&lt;/span&gt;(A3)dd7.
 Using the 2nd best 5th is even more awkward. The major 2nd is 9 edosteps and the minor is only one. The naturals create a roughly 5edo-ish scale, with two of the notes inflected by a comma-sized edostep:
@@ Line 84: / Line 84: @@
 A notation using the best 5th has major and minor 2nds of 7 and 6 edosteps respectively, with the naturals creating a roughly 7edo-ish scale:&lt;br /&gt;
 D * * * * * * E * * * * * F * * * * * * G * * * * * * A * * * * * * B * * * * * C * * * * * * D&lt;br /&gt;
-D# is next to D. This notation requires triple, quadruple and in some keys, quintuple sharps and flats. For example, a 0-15-27-38 chord (an approximate 4:5:6:7) on the note three edosteps above D would be spelled either as D#&lt;span style="font-size: 90%; vertical-align: super;"&gt;3&lt;/span&gt; - F#&lt;span style="font-size: 90%; vertical-align: super;"&gt;5&lt;/span&gt; - A#&lt;span style="font-size: 90%; vertical-align: super;"&gt;3&lt;/span&gt; - C# or as Eb&lt;span style="font-size: 90%; vertical-align: super;"&gt;4&lt;/span&gt; - Gbb - Ab&lt;span style="font-size: 90%; vertical-align: super;"&gt;4&lt;/span&gt; - Db&lt;span style="font-size: 90%; vertical-align: super;"&gt;6&lt;/span&gt;.&lt;br /&gt;
+D# is next to D. This notation requires triple, quadruple and in some keys, quintuple sharps and flats. For example, a 0-15-27-38 chord (an approximate 4:5:6:7) on the note three edosteps above D would be spelled either as D#&lt;span style="font-size: 90%; vertical-align: super;"&gt;3&lt;/span&gt; - F#&lt;span style="font-size: 90%; vertical-align: super;"&gt;5&lt;/span&gt; - A#&lt;span style="font-size: 90%; vertical-align: super;"&gt;3&lt;/span&gt; - C# or as Eb&lt;span style="font-size: 90%; vertical-align: super;"&gt;4&lt;/span&gt; - Gbb - Ab&lt;span style="font-size: 90%; vertical-align: super;"&gt;4&lt;/span&gt; - Db&lt;span style="font-size: 90%; vertical-align: super;"&gt;6&lt;/span&gt;. This would be an aug-three double-dim-seven chord, written D#&lt;span style="font-size: 90%; vertical-align: super;"&gt;3&lt;/span&gt;(A3)dd7 or Eb&lt;span style="font-size: 90%; vertical-align: super;"&gt;4&lt;/span&gt;(A3)dd7.&lt;br /&gt;
 &lt;br /&gt;
 Using the 2nd best 5th is even more awkward. The major 2nd is 9 edosteps and the minor is only one. The naturals create a roughly 5edo-ish scale, with two of the notes inflected by a comma-sized edostep:&lt;br /&gt;