24edo: Difference between revisions

Wikispaces>hstraub
**Imported revision 562558335 - Original comment: **
Wikispaces>hstraub
**Imported revision 562681865 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2015-10-15 05:52:31 UTC</tt>.<br>
: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2015-10-16 02:41:22 UTC</tt>.<br>
: The original revision id was <tt>562558335</tt>.<br>
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The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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=Notation=  
=Notation=  
There have been disputes about disadvantages of various systems for notating quarter tones. Here are some of the few systems along with pros and cons.


There have been disputes about disadvantages of various systems for notating quarter tones. Here are some of the few systems along with pros and cons.
**Mainstream Quartertone Notation**
**Mainstream Quartertone Notation**
[[image:http://www.wfg.woodwind.org/n/s14_blue.gif]] or ^ = quarter-tone sharp or "Jump"
[[image:http://www.wfg.woodwind.org/n/s14_blue.gif]] or ^ = quarter-tone sharp or "Jump"
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==Sagittal Notation==  
==Sagittal Notation==  
 
[[Sagittal notation]] works extremely well for 24 Edo notation as well as other systems
Sagittal notation works extremely well for 24 Edo notation as well as other systems
It's easy on the eyes, easy to recognize the various symbols and keeps a score looking tidy and neat.
It's easy on the eyes, easy to recognize the various symbols and keeps a score looking tidy and neat.
A possibility for the best approach would be to not use traditional sharps and flats altogether and replace them
A possibility for the best approach would be to not use traditional sharps and flats altogether and replace them
with Sagittal signs for sharp and flat.
with Sagittal signs for sharp and flat.
[[image:sagittal 24.PNG]]
[[image:sagittal 24.PNG]]
=Interval Alterations=  
=Interval Alterations=  
The special alterations of the intervals and chords of 12 equal can be notated like this:
The special alterations of the intervals and chords of 12 equal can be notated like this:


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=Naming Chords in 24edo=  
=Naming Chords in 24edo=  
Naming chords in 24edo can be achieved by adding a few things to the already [[#|existing]] set of terms that are used to name 12edo chords.
Naming chords in 24edo can be achieved by adding a few things to the already [[#|existing]] set of terms that are used to name 12edo chords.
They are:
They are:
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|| 8 || 1\24 ||  ||
|| 8 || 1\24 ||  ||
|| 12 || 1\24 || [[Catler]] ||
|| 12 || 1\24 || [[Catler]] ||
=Scales / Modes=  
=Scales / Modes=  


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|| {{**1 2 2 2 2 2 2 1 2 2 2 2 2**}} || de Vries 13-tone - [[MOSScales|MOS]] of type [[11L 2s]] ||
|| {{**1 2 2 2 2 2 2 1 2 2 2 2 2**}} || de Vries 13-tone - [[MOSScales|MOS]] of type [[11L 2s]] ||
|| {{**2 2 2 2 2 1 2 2 2 2 2 2 1**}} || Agmon Diatonic DS5, Ivan Wyschnegradsky's diatonicized chromatic scale - [[MOSScales|MOS]] of type [[11L 2s]] ||
|| {{**2 2 2 2 2 1 2 2 2 2 2 2 1**}} || Agmon Diatonic DS5, Ivan Wyschnegradsky's diatonicized chromatic scale - [[MOSScales|MOS]] of type [[11L 2s]] ||


=Instruments[[#instruments]]=  
=Instruments[[#instruments]]=  
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&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:11:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc4"&gt;&lt;a name="Notation"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:11 --&gt;Notation&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:11:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc4"&gt;&lt;a name="Notation"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:11 --&gt;Notation&lt;/h1&gt;
  &lt;br /&gt;
  There have been disputes about disadvantages of various systems for notating quarter tones. Here are some of the few systems along with pros and cons.&lt;br /&gt;
There have been disputes about disadvantages of various systems for notating quarter tones. Here are some of the few systems along with pros and cons.&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;Mainstream Quartertone Notation&lt;/strong&gt;&lt;br /&gt;
&lt;strong&gt;Mainstream Quartertone Notation&lt;/strong&gt;&lt;br /&gt;
&lt;!-- ws:start:WikiTextRemoteImageRule:1534:&amp;lt;img src=&amp;quot;http://www.wfg.woodwind.org/n/s14_blue.gif&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://www.wfg.woodwind.org/n/s14_blue.gif" alt="external image s14_blue.gif" title="external image s14_blue.gif" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:1534 --&gt; or ^ = quarter-tone sharp or &amp;quot;Jump&amp;quot;&lt;br /&gt;
&lt;!-- ws:start:WikiTextRemoteImageRule:1534:&amp;lt;img src=&amp;quot;http://www.wfg.woodwind.org/n/s14_blue.gif&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://www.wfg.woodwind.org/n/s14_blue.gif" alt="external image s14_blue.gif" title="external image s14_blue.gif" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:1534 --&gt; or ^ = quarter-tone sharp or &amp;quot;Jump&amp;quot;&lt;br /&gt;
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&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:13:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc5"&gt;&lt;a name="Notation-Sagittal Notation"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:13 --&gt;Sagittal Notation&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:13:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc5"&gt;&lt;a name="Notation-Sagittal Notation"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:13 --&gt;Sagittal Notation&lt;/h2&gt;
  &lt;br /&gt;
  &lt;a class="wiki_link" href="/Sagittal%20notation"&gt;Sagittal notation&lt;/a&gt; works extremely well for 24 Edo notation as well as other systems&lt;br /&gt;
Sagittal notation works extremely well for 24 Edo notation as well as other systems&lt;br /&gt;
It's easy on the eyes, easy to recognize the various symbols and keeps a score looking tidy and neat.&lt;br /&gt;
It's easy on the eyes, easy to recognize the various symbols and keeps a score looking tidy and neat.&lt;br /&gt;
A possibility for the best approach would be to not use traditional sharps and flats altogether and replace them&lt;br /&gt;
A possibility for the best approach would be to not use traditional sharps and flats altogether and replace them&lt;br /&gt;
with Sagittal signs for sharp and flat.&lt;br /&gt;
with Sagittal signs for sharp and flat.&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextLocalImageRule:1532:&amp;lt;img src=&amp;quot;/file/view/sagittal%2024.PNG/500168246/sagittal%2024.PNG&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt; --&gt;&lt;img src="/file/view/sagittal%2024.PNG/500168246/sagittal%2024.PNG" alt="sagittal 24.PNG" title="sagittal 24.PNG" /&gt;&lt;!-- ws:end:WikiTextLocalImageRule:1532 --&gt;&lt;br /&gt;
&lt;!-- ws:start:WikiTextLocalImageRule:1532:&amp;lt;img src=&amp;quot;/file/view/sagittal%2024.PNG/500168246/sagittal%2024.PNG&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt; --&gt;&lt;img src="/file/view/sagittal%2024.PNG/500168246/sagittal%2024.PNG" alt="sagittal 24.PNG" title="sagittal 24.PNG" /&gt;&lt;!-- ws:end:WikiTextLocalImageRule:1532 --&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:15:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc6"&gt;&lt;a name="Interval Alterations"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:15 --&gt;Interval Alterations&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:15:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc6"&gt;&lt;a name="Interval Alterations"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:15 --&gt;Interval Alterations&lt;/h1&gt;
  &lt;br /&gt;
  The special alterations of the intervals and chords of 12 equal can be notated like this:&lt;br /&gt;
The special alterations of the intervals and chords of 12 equal can be notated like this:&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Supermajor or &amp;quot;&lt;strong&gt;Tendo&lt;/strong&gt;&amp;quot; is a major interval raised a quarter tone&lt;br /&gt;
Supermajor or &amp;quot;&lt;strong&gt;Tendo&lt;/strong&gt;&amp;quot; is a major interval raised a quarter tone&lt;br /&gt;
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&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:19:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc8"&gt;&lt;a name="Naming Chords in 24edo"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:19 --&gt;Naming Chords in 24edo&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:19:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc8"&gt;&lt;a name="Naming Chords in 24edo"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:19 --&gt;Naming Chords in 24edo&lt;/h1&gt;
  &lt;br /&gt;
  Naming chords in 24edo can be achieved by adding a few things to the already [[#|existing]] set of terms that are used to name 12edo chords.&lt;br /&gt;
Naming chords in 24edo can be achieved by adding a few things to the already [[#|existing]] set of terms that are used to name 12edo chords.&lt;br /&gt;
They are:&lt;br /&gt;
They are:&lt;br /&gt;
Super + perfect interval such as &amp;quot;perfect fifth&amp;quot; means to raise it by a quarter tone&lt;br /&gt;
Super + perfect interval such as &amp;quot;perfect fifth&amp;quot; means to raise it by a quarter tone&lt;br /&gt;
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&lt;/table&gt;
&lt;/table&gt;


&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:23:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc10"&gt;&lt;a name="Scales / Modes"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:23 --&gt;Scales / Modes&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:23:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc10"&gt;&lt;a name="Scales / Modes"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:23 --&gt;Scales / Modes&lt;/h1&gt;
  &lt;br /&gt;
  &lt;br /&gt;
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&lt;/table&gt;
&lt;/table&gt;


&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
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