240edo: Difference between revisions
Wikispaces>genewardsmith **Imported revision 145398845 - Original comment: ** |
Wikispaces>genewardsmith **Imported revision 145398915 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2010-05-28 03: | : This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2010-05-28 03:46:51 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>145398915</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
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<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">The 240edo divides the octave into 240 steps of exactly five cents each. Its primary purpose is in tuning marvel temperament and marvel's extension to spectacle temperament. | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">The 240edo divides the octave into 240 steps of exactly five cents each. Its primary purpose is in tuning marvel temperament and marvel's extension to spectacle temperament. | ||
If we round off to the nearest five cents, we end up with a [[Vals and Tuning Space|val]](mapping to primes) for 240edo of <240 380 557 674|. This tempers out the [[http://en.wikipedia.org/wiki/Septimal_kleisma|septimal kleisma]] of 225/224, with the resultant errors (two cents flat for the fifth, a little over a cent flat and sharp, respectively, for the major third and the 7/4) about as low as it is possible to achieve. Retuning 5-limit scales to 240edo is a simple and often very effective way to to make them function as 7-limit scales while retaining very accurate tuning. | If we round off to the nearest five cents, we end up with a [[Vals and Tuning Space|val]] (mapping to primes) for 240edo of <240 380 557 674|. This tempers out the [[http://en.wikipedia.org/wiki/Septimal_kleisma|septimal kleisma]] of 225/224, with the resultant errors (two cents flat for the fifth, a little over a cent flat and sharp, respectively, for the major third and the 7/4) about as low as it is possible to achieve. Retuning 5-limit scales to 240edo is a simple and often very effective way to to make them function as 7-limit scales while retaining very accurate tuning. | ||
For higher limits, 240edo tempers out 243/242 in the 11-limit, 351/350 in the 13-limit, and 375/374 in the 17-limit, and adding these to the mix converts marvel temperament into spectacle temperament. This is still a planar temperament, but more complex as two unidecimal neutral thirds of 11/9 make up a fifth (which is in fact the same fifth as that of 12edo, and the 11/9 the 350 cent interval often employed in 24edo versions of Arabic music.) Musical intervals are therefore generated by octaves, major thirds, and neutral thirds in spectacle. We have: | For higher limits, 240edo tempers out 243/242 in the 11-limit, 351/350 in the 13-limit, and 375/374 in the 17-limit, and adding these to the mix converts marvel temperament into spectacle temperament. This is still a planar temperament, but more complex as two unidecimal neutral thirds of 11/9 make up a fifth (which is in fact the same fifth as that of 12edo, and the 11/9 the 350 cent interval often employed in 24edo versions of Arabic music.) Musical intervals are therefore generated by octaves, major thirds, and neutral thirds in spectacle. We have: | ||
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<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>240edo</title></head><body>The 240edo divides the octave into 240 steps of exactly five cents each. Its primary purpose is in tuning marvel temperament and marvel's extension to spectacle temperament.<br /> | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>240edo</title></head><body>The 240edo divides the octave into 240 steps of exactly five cents each. Its primary purpose is in tuning marvel temperament and marvel's extension to spectacle temperament.<br /> | ||
<br /> | <br /> | ||
If we round off to the nearest five cents, we end up with a <a class="wiki_link" href="/Vals%20and%20Tuning%20Space">val</a>(mapping to primes) for 240edo of &lt;240 380 557 674|. This tempers out the <a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Septimal_kleisma" rel="nofollow">septimal kleisma</a> of 225/224, with the resultant errors (two cents flat for the fifth, a little over a cent flat and sharp, respectively, for the major third and the 7/4) about as low as it is possible to achieve. Retuning 5-limit scales to 240edo is a simple and often very effective way to to make them function as 7-limit scales while retaining very accurate tuning.<br /> | If we round off to the nearest five cents, we end up with a <a class="wiki_link" href="/Vals%20and%20Tuning%20Space">val</a> (mapping to primes) for 240edo of &lt;240 380 557 674|. This tempers out the <a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Septimal_kleisma" rel="nofollow">septimal kleisma</a> of 225/224, with the resultant errors (two cents flat for the fifth, a little over a cent flat and sharp, respectively, for the major third and the 7/4) about as low as it is possible to achieve. Retuning 5-limit scales to 240edo is a simple and often very effective way to to make them function as 7-limit scales while retaining very accurate tuning.<br /> | ||
<br /> | <br /> | ||
For higher limits, 240edo tempers out 243/242 in the 11-limit, 351/350 in the 13-limit, and 375/374 in the 17-limit, and adding these to the mix converts marvel temperament into spectacle temperament. This is still a planar temperament, but more complex as two unidecimal neutral thirds of 11/9 make up a fifth (which is in fact the same fifth as that of 12edo, and the 11/9 the 350 cent interval often employed in 24edo versions of Arabic music.) Musical intervals are therefore generated by octaves, major thirds, and neutral thirds in spectacle. We have:<br /> | For higher limits, 240edo tempers out 243/242 in the 11-limit, 351/350 in the 13-limit, and 375/374 in the 17-limit, and adding these to the mix converts marvel temperament into spectacle temperament. This is still a planar temperament, but more complex as two unidecimal neutral thirds of 11/9 make up a fifth (which is in fact the same fifth as that of 12edo, and the 11/9 the 350 cent interval often employed in 24edo versions of Arabic music.) Musical intervals are therefore generated by octaves, major thirds, and neutral thirds in spectacle. We have:<br /> | ||