User:Rperlner: Difference between revisions

Line 1:

My name is Ray Perlner (the only one as far as I know.) I have a longstanding hobby of writing music for a standard acoustic piano and playing it for friends and family. I also enjoy writing and studying microtonal music, which is by definition, music which cannot be played on my chosen instrument. Why would I do this to myself? Of course, this wiki has a general page on why a person might opt for microtonalism, but I would like to give it a more personal spin using my compositions as examples.

My name is Ray Perlner (the only one as far as I know.) I have a longstanding hobby of writing music for a standard acoustic piano and playing it for friends and family. I also enjoy writing and studying microtonal music, which is by definition, music which cannot be played on my chosen instrument. Why would I do this to myself? Of course, this wiki has a general page on [[Why use alternative tunings?|why]] a person might opt for microtonalism, but I would like to give it a more personal spin using my compositions as examples.

First of all, sometimes music I ''can'' play on the piano may sound better in a different tuning. A well known example is that music based on the diatonic scale can be rendered in any [[meantone]] temperament, and not just 12-EDO. Baroque and Renaissance music in particular generally will sound better in tunings ranging from about sixth comma meantone (~55EDO) to quarter-comma meantone (~31edo). Indeed this was what was used when these styles were the hot new thing in Europe. I have tried my hand at this style, and I find my compositions to sound better in these tunings as well.

Revision as of 02:52, 11 December 2020 view source Rperlner (talk \| contribs) autopatrolled, emailconfirmed 139 edits added link Tag: Visual edit ← Older edit		Revision as of 02:54, 11 December 2020 view source Rperlner (talk \| contribs) autopatrolled, emailconfirmed 139 edits Added link Tag: Visual edit Newer edit →
Line 1:		Line 1:
	My name is Ray Perlner (the only one as far as I know.) I have a longstanding hobby of writing music for a standard acoustic piano and playing it for friends and family. I also enjoy writing and studying microtonal music, which is by definition, music which cannot be played on my chosen instrument. Why would I do this to myself? Of course, this wiki has a general page on why a person might opt for microtonalism, but I would like to give it a more personal spin using my compositions as examples.		My name is Ray Perlner (the only one as far as I know.) I have a longstanding hobby of writing music for a standard acoustic piano and playing it for friends and family. I also enjoy writing and studying microtonal music, which is by definition, music which cannot be played on my chosen instrument. Why would I do this to myself? Of course, this wiki has a general page on [[Why use alternative tunings?\|why]] a person might opt for microtonalism, but I would like to give it a more personal spin using my compositions as examples.

	First of all, sometimes music I ''can'' play on the piano may sound better in a different tuning. A well known example is that music based on the diatonic scale can be rendered in any [[meantone]] temperament, and not just 12-EDO. Baroque and Renaissance music in particular generally will sound better in tunings ranging from about sixth comma meantone (~55EDO) to quarter-comma meantone (~31edo). Indeed this was what was used when these styles were the hot new thing in Europe. I have tried my hand at this style, and I find my compositions to sound better in these tunings as well.		First of all, sometimes music I ''can'' play on the piano may sound better in a different tuning. A well known example is that music based on the diatonic scale can be rendered in any [[meantone]] temperament, and not just 12-EDO. Baroque and Renaissance music in particular generally will sound better in tunings ranging from about sixth comma meantone (~55EDO) to quarter-comma meantone (~31edo). Indeed this was what was used when these styles were the hot new thing in Europe. I have tried my hand at this style, and I find my compositions to sound better in these tunings as well.