16edo: Difference between revisions
Wikispaces>guest **Imported revision 121703923 - Original comment: ** |
Wikispaces>guest **Imported revision 121704281 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:guest|guest]] and made on <tt>2010-02-20 01: | : This revision was by author [[User:guest|guest]] and made on <tt>2010-02-20 01:38:38 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>121704281</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
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In 16-tone, because of the 25 cent difference in the steps from 100 in 12-tone, a western "twelve tone ear" hears dissonance with more complexity and less familiarity than even 24-tone, yet within a more manageable number of tones. Hence, why 16-tone is a truly Xenharmonic system. | In 16-tone, because of the 25 cent difference in the steps from 100 in 12-tone, a western "twelve tone ear" hears dissonance with more complexity and less familiarity than even 24-tone, yet within a more manageable number of tones. Hence, why 16-tone is a truly Xenharmonic system. | ||
0. 1/1 C | |||
1. 75.000 cents C# Dbb | |||
2. 150.000 cents Cx Db | |||
3. 225.000 cents D | |||
4. 300.000 cents D# Ebb | |||
5. 375.000 cents Dx Eb | |||
6. 450.000 cents E Fb | |||
7. 525.000 cents F | |||
8. 600.000 cents F# Gbb | |||
9. 675.000 cents Fx Gb | |||
10. 750.000 cents G Abb | |||
11. 825.000 cents G# Ab | |||
12. 900.000 cents A | |||
13. 975.000 cents A# Bbb | |||
14. 1050.000 cents Ax Bb | |||
15. 1125.000 cents B Cb | |||
16. 2/1 C | |||
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In 16-tone, because of the 25 cent difference in the steps from 100 in 12-tone, a western &quot;twelve tone ear&quot; hears dissonance with more complexity and less familiarity than even 24-tone, yet within a more manageable number of tones. Hence, why 16-tone is a truly Xenharmonic system.<br /> | In 16-tone, because of the 25 cent difference in the steps from 100 in 12-tone, a western &quot;twelve tone ear&quot; hears dissonance with more complexity and less familiarity than even 24-tone, yet within a more manageable number of tones. Hence, why 16-tone is a truly Xenharmonic system.<br /> | ||
<br /> | <br /> | ||
0. 1/1 C<br /> | |||
1. 75.000 cents C# Dbb<br /> | |||
2. 150.000 cents Cx Db<br /> | |||
3. 225.000 cents D<br /> | |||
4. 300.000 cents D# Ebb<br /> | |||
5. 375.000 cents Dx Eb<br /> | |||
6. 450.000 cents E Fb<br /> | |||
7. 525.000 cents F<br /> | |||
8. 600.000 cents F# Gbb<br /> | |||
9. 675.000 cents Fx Gb<br /> | |||
10. 750.000 cents G Abb<br /> | |||
11. 825.000 cents G# Ab<br /> | |||
12. 900.000 cents A<br /> | |||
13. 975.000 cents A# Bbb<br /> | |||
14. 1050.000 cents Ax Bb<br /> | |||
15. 1125.000 cents B Cb<br /> | |||
16. 2/1 C<br /> | |||
<br /> | <br /> | ||
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