16edo: Difference between revisions
Wikispaces>TallKite **Imported revision 599359354 - Original comment: ** |
Wikispaces>TallKite **Imported revision 599360112 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:TallKite|TallKite]] and made on <tt>2016-11-14 | : This revision was by author [[User:TallKite|TallKite]] and made on <tt>2016-11-14 03:16:40 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>599360112</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
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=Intervals= | =Intervals= | ||
|| Degree || Cents (coarse, | || Degree || Cents (coarse, | ||
fine) DMS ||= Approximate | fine) DMS ||= Approximate | ||
Ratios* || Interval Names | Ratios* || Interval Names | ||
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16edo can be notated with conventional notation, including the staff, note names, chord names, relative notation, etc. in two ways. The first preserves the __melodic__ meaning of sharp/flat, major/minor and aug/dim, in that the former is always higher pitched than the latter: | 16edo can be notated with conventional notation, including the staff, note names, chord names, relative notation, etc. in two ways. The first preserves the __melodic__ meaning of sharp/flat, major/minor and aug/dim, in that the former is always higher pitched than the latter: | ||
||= ---D--- ||= | ||= ---D--- ||= | ||
---- ||= ---E--- ||= | |||
---- ||= | |||
---- ||= ---F--- ||= | |||
---- ||= ---G--- ||= | |||
---- ||= ---A--- ||= | |||
---- ||= ---B--- ||= | |||
---- ||= | |||
---- ||= ---C--- ||= | |||
---- ||= ---D--- || | |||
||= D ||= D#/Eb ||= E ||= E# ||= Fb ||= F ||= F#/Gb ||= G ||= G#/Ab ||= A ||= A#/Bb ||= B ||= B# ||= Cb ||= C ||= C#/Db ||= D || | ||= D ||= D#/Eb ||= E ||= E# ||= Fb ||= F ||= F#/Gb ||= G ||= G#/Ab ||= A ||= A#/Bb ||= B ||= B# ||= Cb ||= C ||= C#/Db ||= D || | ||
||= P1 ||= A1/d2 ||= m2 ||= M2 ||= m3 ||= M3 ||= A3/d4 ||= P4 ||= A4/d5 ||= P5 ||= A5/d6 ||= m6 ||= M6 ||= m7 ||= M7 ||= A7/d8 ||= P8 || | ||= P1 ||= A1/d2 ||= m2 ||= M2 ||= m3 ||= M3 ||= A3/d4 ||= P4 ||= A4/d5 ||= P5 ||= A5/d6 ||= m6 ||= M6 ||= m7 ||= M7 ||= A7/d8 ||= P8 || | ||
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The second approach is to preserve the __harmonic__ meaning of sharp/flat, major/minor and aug/dim, in that the former is always further fifthwards on the chain of fifths than the latter: | The second approach is to preserve the __harmonic__ meaning of sharp/flat, major/minor and aug/dim, in that the former is always further fifthwards on the chain of fifths than the latter: | ||
||= ---D--- ||= | ||= ---D--- ||= | ||
---- ||= ---E--- ||= | |||
---- ||= | |||
---- ||= ---F--- ||= | |||
---- ||= ---G--- ||= | |||
---- ||= ---A--- ||= | |||
---- ||= ---B--- ||= | |||
---- ||= | |||
---- ||= ---C--- ||= | |||
---- ||= ---D--- || | |||
|| D || Db/E# || E || Eb || F# || F || Fb/G# || G || Gb/A# || A || Ab/B# || B || Bb || C# || C || Cb/D# || D || | || D || Db/E# || E || Eb || F# || F || Fb/G# || G || Gb/A# || A || Ab/B# || B || Bb || C# || C || Cb/D# || D || | ||
||= P1 ||= d1/A2 ||= M2 ||= m2 ||= M3 ||= m3 ||= d3/A4 ||= P4 ||= d4/A5 ||= P5 ||= d5/A6 ||= M6 ||= m6 ||= M7 ||= m7 ||= d7/A8 ||= P8 || | ||= P1 ||= d1/A2 ||= M2 ||= m2 ||= M3 ||= m3 ||= d3/A4 ||= P4 ||= d4/A5 ||= P5 ||= d5/A6 ||= M6 ||= m6 ||= M7 ||= m7 ||= d7/A8 ||= P8 || | ||
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<td>Degree<br /> | <td>Degree<br /> | ||
</td> | </td> | ||
<td>Cents (coarse, <br /> | <td>Cents (coarse,<br /> | ||
fine) DMS<br /> | fine) DMS<br /> | ||
</td> | </td> |