User talk:SAKryukov: Difference between revisions

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::::::::::: In that case, the only things that might possibly be anything close to original about the design of the set is the use of 77/64 as the minor third above the Tonic in place of 6/5 in order to foster better connectivity between the Tonic and the Minor Third scale degree, and, the deliberate usage of the 40/27 interval between the Major Sixth and the Major Third scale degree above it in order to create a subtle bit of tension in the music and bring out the Contramediant function of the Major Sixth scale degree. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 21:49, 25 November 2020 (UTC)

:::::::::::: Okay, this is fine by me. This is why I was asking: when I start to develop another instrument application, would it be more appropriate to call it something like "Aura Microtonal Diatonic Keyboard" (or based on your real name), or it has to be something else? Please advise. Note that this is open-source development, so, for example, the file names appear to all the public at a very early stage of development.

:::::::::::: Okay, this is fine by me. This is why I was asking: when I start to develop another instrument application, would it be more appropriate to call it something like "Aura Microtonal Diatonic Keyboard" (or based on your real name), or it has to be something else? Please advise. Note that this is open-source development, so, for example, the file names appear to all the public at a very early stage of the development. — [[User:SAKryukov|SA]], 22:23, 25 November 2020 (UTC)

:::::::::: But first of all, I am interested to know if you agree with my statement that you can mix fragments with different scales in one music piece? Sorry in this concern looks either too trivial to you, or not clear.

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 ::::::::::: In that case, the only things that might possibly be anything close to original about the design of the set is the use of 77/64 as the minor third above the Tonic in place of 6/5 in order to foster better connectivity between the Tonic and the Minor Third scale degree, and, the deliberate usage of the 40/27 interval between the Major Sixth and the Major Third scale degree above it in order to create a subtle bit of tension in the music and bring out the Contramediant function of the Major Sixth scale degree. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 21:49, 25 November 2020 (UTC)
-:::::::::::: Okay, this is fine by me. This is why I was asking: when I start to develop another instrument application, would it be more appropriate to call it something like "Aura Microtonal Diatonic Keyboard" (or based on your real name), or it has to be something else? Please advise. Note that this is open-source development, so, for example, the file names appear to all the public at a very early stage of development.
+:::::::::::: Okay, this is fine by me. This is why I was asking: when I start to develop another instrument application, would it be more appropriate to call it something like "Aura Microtonal Diatonic Keyboard" (or based on your real name), or it has to be something else? Please advise. Note that this is open-source development, so, for example, the file names appear to all the public at a very early stage of the development. &mdash; [[User:SAKryukov|SA]], 22:23, 25 November 2020 (UTC)
 :::::::::: But first of all, I am interested to know if you agree with my statement that you can mix fragments with different scales in one music piece? Sorry in this concern looks either too trivial to you, or not clear.