User talk:SAKryukov: Difference between revisions

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:::::::::: Did I mention that there's such a thing as [[The Kite Guitar]], invented by [[Kite Giedraitis]], who goes by [[User:TallKite|TallKite]] on this Wiki? --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 16:39, 25 November 2020 (UTC)

::::::::::: No, you did not mention, and I did not know this work, but I was familiar with a number of other microtonal guitars, unfortunately, did not have a change to play on it (I tried to play on a number of different exotic instruments, Indian, Brazilian, Chinese, the oud, even the theremin built by Termen (Leon Theremin) himself.)

::::::: Nice reference material on diatonic scales! Interestingly how EDO simplify things: for any 7-element diatonic system rendered as any EDO, it would be enough to describe only one mode, and then say: all other modes are derived by starting from the next element and then cycling through the remaining 6 sequential elements, and then shift by one until you get all 7 modern "natural" diatonic modes. It's remarkable that many musicians don't capture this simple idea from a school where they are taught each natural mode separately.

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 :::::::::: Did I mention that there's such a thing as [[The Kite Guitar]], invented by [[Kite Giedraitis]], who goes by [[User:TallKite|TallKite]] on this Wiki? --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 16:39, 25 November 2020 (UTC)
+::::::::::: No, you did not mention, and I did not know this work, but I was familiar with a number of other microtonal guitars, unfortunately, did not have a change to play on it (I tried to play on a number of different exotic instruments, Indian, Brazilian, Chinese, the oud, even the theremin built by Termen (Leon Theremin) himself.)
 ::::::: Nice reference material on diatonic scales! Interestingly how EDO simplify things: for any 7-element diatonic system rendered as any EDO, it would be enough to describe only one mode, and then say: all other modes are derived by starting from the next element and then cycling through the remaining 6 sequential elements, and then shift by one until you get all 7 modern "natural" diatonic modes. It's remarkable that many musicians don't capture this simple idea from a school where they are taught each natural mode separately.