Scores: Difference between revisions
m formatting, category |
mNo edit summary |
||
| Line 1: | Line 1: | ||
When a piece of music is to be performed repeatedly the same way, or performed by people who weren't the originators of the piece, it helps to have a score. In the history of objectifying music, scores were the currency until they were displaced by recordings. There are many types of microtonal notation, such as [[Sagittal_notation#Scores in Sagittal notation|Sagittal notation]], [[Staff_notation|color notation]] and [[Ups_and_Downs_Notation|ups and downs notation]]. | When a piece of music is to be performed repeatedly the same way, or performed by people who weren't the originators of the piece, it helps to have a score. In the history of objectifying music, scores were the currency until they were displaced by recordings. There are many types of microtonal notation, such as [[Sagittal_notation#Scores in Sagittal notation|Sagittal notation]], [[Staff_notation|color notation]] and [[Ups_and_Downs_Notation|ups and downs notation]]. | ||
__FORCETOC__ | __FORCETOC__ | ||
| Line 23: | Line 24: | ||
*''[[Eighty-one ninth chords]]'' for 2 pianos, [[17edo]] | *''[[Eighty-one ninth chords]]'' for 2 pianos, [[17edo]] | ||
*''[[Land urchin]]'' for string band in 11-limit just intonation | *''[[Land urchin]]'' for string band in 11-limit just intonation | ||
==Stephen Weigel== | |||
*[https://xenharmonicgod.bandcamp.com/album/six-macrotonal-etudes-for-electronic-music-media Six Macrotonal Etudes for Electronic Music Media (compared to Easley Blackwood's - Half the Tunings, Double the Fun!)] | |||
==David Canright== | ==David Canright== | ||