Bozuji tuning: Difference between revisions
Added scales and some more language around definitions |
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[[19edo|19-EDO]] is also representative of Bozuji with the limitation of adjacent diminished and augmented imperfect tones being enharmonically equivalent to one another. Since scales with combinations of those are discouraged by the limitations of step sizes, though, that may not be a significant concern. With that in mind, 19-EDO is basically analogous to this tuning as much as 12-EDO is to Zarlino's system. | [[19edo|19-EDO]] is also representative of Bozuji with the limitation of adjacent diminished and augmented imperfect tones being enharmonically equivalent to one another. Since scales with combinations of those are discouraged by the limitations of step sizes, though, that may not be a significant concern. With that in mind, 19-EDO is basically analogous to this tuning as much as 12-EDO is to Zarlino's system. | ||
[[31edo|31-EDO]] is an excellent representative of every interval in Bozuji. 31-EDO also has some additional intervals to represent neutral seconds, thirds, sixths, and sevenths, and a few additional intervals. | |||
== Limitations and into the Future == | == Limitations and into the Future == | ||