Kite's ups and downs notation: Difference between revisions

Wikispaces>TallKite
**Imported revision 588442698 - Original comment: **
Wikispaces>TallKite
**Imported revision 588443188 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:TallKite|TallKite]] and made on <tt>2016-07-31 17:42:31 UTC</tt>.<br>
: This revision was by author [[User:TallKite|TallKite]] and made on <tt>2016-07-31 17:54:20 UTC</tt>.<br>
: The original revision id was <tt>588442698</tt>.<br>
: The original revision id was <tt>588443188</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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==__Chord names in other EDOs__==  
==__Chord names in other EDOs__==  


When applied to notes, the mid symbol "~"means "neither up nor down". But in chord names it means something different. In perfect EDOs like 14edo, where the sharp equals 0 keys, it means "perfect". For EDOs where the sharp equals an even number of keys, it means "exactly midway between major and minor". The period is used as before to clarify whether the mid applies to the chord root or the chord name.
When applied to notes, the mid symbol "~"means "neither up nor down". But in chord names it means "exactly midway between major and minor". This obviously only applies to EDOs where the sharp equals an even number of keys, such as 17edo, 24edo or 31edo. The period is used as before to clarify whether the mid applies to the chord root or the chord name.


14edo: D * E * F * G * A * B * C * D, zero keys per #/b.
14edo: D * E * F * G * A * B * C * D, zero keys per #/b.
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chord roots: I v#I/bII #I/vII II bIII vIII III IV ^IV/bV #IV/vV V #V/bVI vVI VI bVII vVII VII
chord roots: I v#I/bII #I/vII II bIII vIII III IV ^IV/bV #IV/vV V #V/bVI vVI VI bVII vVII VII
0-4-10 = D F A = Dm
0-4-10 = D F A = Dm
0-5-10 = D F^ A = D.~
0-5-10 = D F^ A = D.~ ("D dot mid")
0-6-10 = D F# A = D (or D major)
0-6-10 = D F# A = D (or D major)
0-7-10 = D G A = Dsus4
0-7-10 = D G A = Dsus4
0-4-10-14 = D F A C = Dm7
0-4-10-14 = D F A C = Dm7
0-5-10-14 = D F^ A C = Dm7(~3), or D F#v A C = D7(~3)
0-4-10-15 = D F A C^ = Dm(~7)
0-5-10-15 = D F^ A C^ = D.~7
0-5-10-15 = D F^ A C^ = D.~7
0-6-10-15 = D F# A C^ = D(~7)
0-6-10-16 = D F# A C# = DM7
0-6-10-16 = D F# A C# = DM7


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0-5-14 = D Fv A = D.vm
0-5-14 = D Fv A = D.vm
0-6-14 = D F A = Dm
0-6-14 = D F A = Dm
0-7-14 = D F^ A = D.~
0-7-14 = D F^ A = D~
0-8-14 = D F# A = D (major)
0-8-14 = D F# A = D (major)
0-9-14 = D F#^ A = D.^
0-9-14 = D F#^ A = D.^
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  &lt;!-- ws:start:WikiTextHeadingRule:14:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc7"&gt;&lt;a name="Naming Chords-Chord names in other EDOs"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:14 --&gt;&lt;u&gt;Chord names in other EDOs&lt;/u&gt;&lt;/h2&gt;
  &lt;!-- ws:start:WikiTextHeadingRule:14:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc7"&gt;&lt;a name="Naming Chords-Chord names in other EDOs"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:14 --&gt;&lt;u&gt;Chord names in other EDOs&lt;/u&gt;&lt;/h2&gt;
  &lt;br /&gt;
  &lt;br /&gt;
When applied to notes, the mid symbol &amp;quot;~&amp;quot;means &amp;quot;neither up nor down&amp;quot;. But in chord names it means something different. In perfect EDOs like 14edo, where the sharp equals 0 keys, it means &amp;quot;perfect&amp;quot;. For EDOs where the sharp equals an even number of keys, it means &amp;quot;exactly midway between major and minor&amp;quot;. The period is used as before to clarify whether the mid applies to the chord root or the chord name.&lt;br /&gt;
When applied to notes, the mid symbol &amp;quot;~&amp;quot;means &amp;quot;neither up nor down&amp;quot;. But in chord names it means &amp;quot;exactly midway between major and minor&amp;quot;. This obviously only applies to EDOs where the sharp equals an even number of keys, such as 17edo, 24edo or 31edo. The period is used as before to clarify whether the mid applies to the chord root or the chord name.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
14edo: D * E * F * G * A * B * C * D, zero keys per #/b.&lt;br /&gt;
14edo: D * E * F * G * A * B * C * D, zero keys per #/b.&lt;br /&gt;
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chord roots: I v#I/bII #I/vII II bIII vIII III IV ^IV/bV #IV/vV V #V/bVI vVI VI bVII vVII VII&lt;br /&gt;
chord roots: I v#I/bII #I/vII II bIII vIII III IV ^IV/bV #IV/vV V #V/bVI vVI VI bVII vVII VII&lt;br /&gt;
0-4-10 = D F A = Dm&lt;br /&gt;
0-4-10 = D F A = Dm&lt;br /&gt;
0-5-10 = D F^ A = D.~&lt;br /&gt;
0-5-10 = D F^ A = D.~ (&amp;quot;D dot mid&amp;quot;)&lt;br /&gt;
0-6-10 = D F# A = D (or D major)&lt;br /&gt;
0-6-10 = D F# A = D (or D major)&lt;br /&gt;
0-7-10 = D G A = Dsus4&lt;br /&gt;
0-7-10 = D G A = Dsus4&lt;br /&gt;
&lt;br /&gt;
0-4-10-14 = D F A C = Dm7&lt;br /&gt;
0-4-10-14 = D F A C = Dm7&lt;br /&gt;
0-5-10-14 = D F^ A C = Dm7(~3), or D F#v A C = D7(~3)&lt;br /&gt;
0-4-10-15 = D F A C^ = Dm(~7)&lt;br /&gt;
0-5-10-15 = D F^ A C^ = D.~7&lt;br /&gt;
0-5-10-15 = D F^ A C^ = D.~7&lt;br /&gt;
0-6-10-15 = D F# A C^ = D(~7)&lt;br /&gt;
0-6-10-16 = D F# A C# = DM7&lt;br /&gt;
0-6-10-16 = D F# A C# = DM7&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
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0-5-14 = D Fv A = D.vm&lt;br /&gt;
0-5-14 = D Fv A = D.vm&lt;br /&gt;
0-6-14 = D F A = Dm&lt;br /&gt;
0-6-14 = D F A = Dm&lt;br /&gt;
0-7-14 = D F^ A = D.~&lt;br /&gt;
0-7-14 = D F^ A = D~&lt;br /&gt;
0-8-14 = D F# A = D (major)&lt;br /&gt;
0-8-14 = D F# A = D (major)&lt;br /&gt;
0-9-14 = D F#^ A = D.^&lt;br /&gt;
0-9-14 = D F#^ A = D.^&lt;br /&gt;