Kite's ups and downs notation: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>

This is an imported revision from Wikispaces. The revision metadata is included below for reference:

: This revision was by author [[User:TallKite|TallKite]] and made on <tt>2016-08-01 00:20:45 UTC</tt>.

: This revision was by author [[User:TallKite|TallKite]] and made on <tt>2016-08-01 00:53:14 UTC</tt>.

: The original revision id was <tt>~~588453312~~</tt>.

: The original revision id was <tt>588454440</tt>.

: The revision comment was: <tt></tt>

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.

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When applied to notes, the mid symbol "~"means "neither up nor down". But in chord names it means "exactly midway between major and minor", hence neutral. This only applies to certain "neutral EDOs" in which the sharp equals an even number of EDOsteps. For example, in 10edo, 17edo, 24edo, 31edo, etc., a sharp is two EDOsteps, upminor equals downmajor, and "mid" replaces both terms. In 20edo, 27edo, 34edo, 41edo, etc., a sharp is four EDOsteps, and mid replaces both double-upminor and double-downmajor. The period is used as before to clarify whether the mid applies to the chord root or the chord name.

In perfect EDOs (7, 14, 21, 28 and 35), there is no major or minor. ~~Every interval is perfect~~, and ~~the quality can be omitted~~. The C-E-G chord is called "C perfect" or simply "C". The D-F-A chord is "D perfect" or "D"~~. When applying the chart below to perfect EDOs, simply omit all qualities from the chord name~~.

In perfect EDOs (7, 14, 21, 28 and 35), every interval is perfect, and there is no major or minor. In the following list, omit major, minor, dim and aug. Substitute up for upmajor and upminor, and down for downmajor and downminor. The C-E-G chord is called "C perfect" or simply "C". The D-F-A chord is "D perfect" or "D".

In general, the period is pronounced as "dot". For example, C.v is "C dot down", because "C down" means Cv major = Cv Ev Gv. However sometimes a slight pause suffices, e.g. C.vm = "C downminor" and Cv.m = "C-down minor". This is analogous to saying "A-flat nine" for Ab C Eb Gb Bb and "A flat-nine" for A C# E G Bb. However C.v7 must be "C dot down-seven" because "C down-seven" is C(v7) = C E G Bbv. Even if the period doesn't need to be pronounced, it's always acceptable to do so.

Applying "dot down" to a chord lowers only two chord components: the 3rd, and either the 6th or the 7th, whichever is present. Thus "C dot down nine" = C.v9 = C Ev G Bbv D. The rationale for this rule is that a chord often has a note a perfect fourth or fifth above the 3rd (e.g. the maj6, min7, maj7, 6/9, min9 and maj9 chords). Furthermore, in many EDOs, upfifths, downfifths, upfourths and downfourths will be quite dissonant and rarely used in chords. Thus if the 3rd is upped or downed, the 6th or 7th likely would be too.

Applying "dot up" or "dot down" to a chord raises or lowers only two chord components: the 3rd, and either the 6th or the 7th, whichever is present. Thus "C dot down nine" = C.v9 = C Ev G Bbv D. The rationale for this rule is that a chord often has a note a perfect fourth or fifth above the 3rd (e.g. the maj6, min7, maj7, 6/9, min9 and maj9 chords). Furthermore, in many EDOs, upfifths, downfifths, upfourths and downfourths will all be quite dissonant and rarely used in chords. Thus if the 3rd is upped or downed, the 6th or 7th likely would be too. However the 9th likely wouldn't, because that would create an upfifth or a downfifth with the fifth.

__**Various triads:**__

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C D^^ G = Csus^^2 = "C sus double-up two"

C Eb G = Cm = "C minor" (C = "C" or "C perfect" ~~in perfect EDOs~~)

C Eb G = Cm = "C minor" (in perfect EDOs, C = "C" or "C perfect")

C Ebv G = C.vm = "C downminor" or "C dot downminor" (C.v = "C dot down" ~~in perfect EDOs~~)

C Ebv G = C.vm = "C downminor" or "C dot downminor" (in perfect EDOs, C.v = "C dot down")

C Ebvv G = C.vvm = "C double-downminor" or "C dot double-downminor"

C Eb^ G = C.^m = "C upminor" or "C dot upminor' (in EDOs 10, 17, 24, 31, etc., C.~ = "C dot mid")

C Eb^^ G = C.^^m = "C double-upminor" or "C dot double-upminor" (in EDOs 20, 27, 34, 41, etc., C.~ = "C dot mid")

C E G = C = "C" or "C major" ("C" or "C perfect" ~~in perfect EDOs~~)

C E G = C = "C" or "C major" (in perfect EDOs, "C" or "C perfect")

C Ev G = C.v = "C dot down" or "C downmajor" (in EDOs 10, 17, 24, 31, etc., C.~ = "C dot mid")

C Evv G = C.vv = "C dot double-down" or "C double-downmajor" (in EDOs 20, 27, 34, 41, etc., C.~ = "C dot mid")

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C F G = Csus4 = "C sus four"

C Fv G = Csusv4 = "C sus down-four"

C Fvv G = Csusvv4 = "C sus double-down four"

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__**Altered fifths:**__

C Eb Gb = Cdim = "C dim"

C Eb Gb = Cdim = "C dim" (in perfect EDOs, C = "C" or "C perfect")

C Eb Gbv = Cdim(v5) = "C dim down-five"

C Eb Gb^ = Cdim(^5) = "C dim up-five"

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C Ev Gv = C.v(v5) = "C dot down, down-five" (in certain EDOs, C.~(v5) = "C dot mid, down five")

C E G# = Caug = "C aug"

C E G# = Caug = "C aug" (in perfect EDOs, C = "C" or "C perfect")

C E G#v = Caug(v5) = "C aug down-five"

C E G#^ = Caug(^5) = "C aug up-five"

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C Ev G Bb^ = C.v(^7) = "C dot down up-seven" (in certain EDOs, C.~7 = "C dot mid-seven")

C Eb G Bb = Cm7 = "C minor seven"

C Eb G Bb = Cm7 = "C minor seven" (in perfect EDOs, C7 = "C seven")

C Eb^ G Bb = Cm7(^3) = "C minor seven up-three" (in certain EDOs, C7(~3) = "C seven mid-three")

C Eb G Bb^ = Cm(^7) = "C minor up-seven" (in certain EDOs, Cm(~7) = "C minor mid-seven")

C Eb^ G Bb^ = C.^m7 = "C (dot) upminor seven" (in certain EDOs, C.~7 = "C dot mid-seven")

C E G B = CM7 = "C major seven"

C E G B = CM7 = "C major seven" (in perfect EDOs, C7 = "C seven")

C Ev G B = CM7(v3) = "C major seven down-three"

C E G Bv = C(vM7) = "C downmajor-seven"

C Ev G Bv = C.vM7 = "C dot downmajor-seven"

C Eb Gb Bbb = Cdim7 = "C dim seven"

C Eb Gb Bbb = Cdim7 = "C dim seven" (in perfect EDOs, C7 = "C seven")

C Eb^ Gb Bbb = Cdim7(^3) = "C dim seven up-three" (in certain EDOs, Cdim7(~3) = "C dim seven mid-three")

C Eb Gb^ Bbb = Cdim7(v5) = "C dim seven up-five"

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C Eb^ Gb^ Bbb^ = C.^dim7(^5) = "C dot updim seven up-five"

C Eb Gb Bb = Cm7(b5) = "C minor seven flat-five" or "C half-dim" (~~why not Cdim(m7)~~ = "C ~~dim minor~~ seven"?)

C Eb Gb Bb = Cm7(b5) = "C minor seven flat-five" or "C half-dim" (in perfect EDOs, C7 = "C seven")

C Eb^ Gb Bb = Cm7(b5,^3) = "C minor seven flat-five up-three" or "C half-dim up-three"

C Eb Gb^ Bb = Cm7(^b5) = "C minor seven upflat-five" or "C half-dim up-five"

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C E G Ab^ = C(^m6) = "C upminor-six" (in certain EDOs, C(~6) = "C mid-six")

C Eb G A = Cm6 = "C minor six"

C Eb G A = Cm6 = "C minor six" (in perfect EDOs, C6 = "C six")

C Eb^ G A = Cm6(^3) = "C minor six up-three" (in certain EDOs, C6(~3) = "C six mid three")

C Eb G Av = Cm(v6) = "C minor down-six" (in certain EDOs, Cm(~6) = "C minor mid-six")

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C D Ev G = C.v(9) = "C dot down add nine" or "C downmajor add nine"

C D^ E G = C(^9) = "C add up-nine"

C D^ E^ G = C.^(^9) = "C dot up up-nine" or "C upmajor up-nine"

C D^ E^ G = C.^(^9) = "C dot up add up-nine" or "C upmajor add up-nine"

C D E G Bb = C9 = "C nine"

C D Ev G Bb = C9(v3) = "C nine down-three"

C D E G Bbv = C9(v7) = "C nine down-seven"

C Dv E G Bb = C7(v9) = "C seven down-nine"

C Dv E G Bb = C7(v9) = "C seven down-nine" or C9(v9) = "C nine down-nine"

C D Ev G Bbv = C.v9 = "C dot down-nine"

C Dv Ev G Bb = C7(v3,v9) = "C seven down-three down-nine"

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chord roots: I ^I/vII II ^II/vIII III vIII/vIV IV ^IV/vV V ^V/vVI VI ^VI/vVII VII ^VII/vI

~~0-2-8 = D E A = Dsus2~~

0-3-8 = D Fv A = D.v ("D dot down")

0-4-8 = D F A = D ("D" or "D perfect")

0-5-8 = D F^ A = D.^ ("D dot up")

~~0-6-8 = D G A = Dsus4~~

0-3-7 = D Fv Av = D.v(v5) ("D dot down, down five")

0-3-7 = D Fv Av = D.v(v5) ("D dot down, down-five")

0-4-7 = D F Av = D(v5) ("D, down five")

0-4-7 = D F Av = D(v5) ("D down-five")

0-4-9 = D F A^ = D(^5) ("D, up five")

0-4-9 = D F A^ = D(^5) ("D up-five")

0-5-9 = D F^ A^ = D.^(^5) ("D dot up, up five")

0-5-9 = D F^ A^ = D.^(^5) ("D dot up, up-five")

0-4-8-12 = D F A C = D7 ("D seven")

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0-5-8-13 = D F^ A C^ = D.^7 ("D dot up seven")

0-3-8-12 = D Fv A C = D7(v3) ("D seven, down three")

0-4-8-11 = D F A Cv = D(v7) ("D, down seven"), or D F A B^ = D(^6)

0-4-8-11 = D F A Cv = D(v7) ("D, down seven"), or D F A B^ = D(^6) = "D up-six"

0-3-8-11 = D Fv A Cv = D.v7 ("D dot down seven"), or possibly D Fv A B^ = D.v(^6)

0-3-8-13 = D Fv A C^ = D.v(^7) ("D dot down, up seven")

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When applied to notes, the mid symbol &quot;~&quot;means &quot;neither up nor down&quot;. But in chord names it means &quot;exactly midway between major and minor&quot;, hence neutral. This only applies to certain &quot;neutral EDOs&quot; in which the sharp equals an even number of EDOsteps. For example, in 10edo, 17edo, 24edo, 31edo, etc., a sharp is two EDOsteps, upminor equals downmajor, and &quot;mid&quot; replaces both terms. In 20edo, 27edo, 34edo, 41edo, etc., a sharp is four EDOsteps, and mid replaces both double-upminor and double-downmajor. The period is used as before to clarify whether the mid applies to the chord root or the chord name.

In perfect EDOs (7, 14, 21, 28 and 35), there is no major or minor. ~~Every interval is perfect~~, and ~~the quality can be omitted~~. The C-E-G chord is called &quot;C perfect&quot; or simply &quot;C&quot;. The D-F-A chord is &quot;D perfect&quot; or &quot;D&quot;~~. When applying the chart below to perfect EDOs, simply omit all qualities from the chord name~~.

In perfect EDOs (7, 14, 21, 28 and 35), every interval is perfect, and there is no major or minor. In the following list, omit major, minor, dim and aug. Substitute up for upmajor and upminor, and down for downmajor and downminor. The C-E-G chord is called &quot;C perfect&quot; or simply &quot;C&quot;. The D-F-A chord is &quot;D perfect&quot; or &quot;D&quot;.

In general, the period is pronounced as &quot;dot&quot;. For example, C.v is &quot;C dot down&quot;, because &quot;C down&quot; means Cv major = Cv Ev Gv. However sometimes a slight pause suffices, e.g. C.vm = &quot;C downminor&quot; and Cv.m = &quot;C-down minor&quot;. This is analogous to saying &quot;A-flat nine&quot; for Ab C Eb Gb Bb and &quot;A flat-nine&quot; for A C# E G Bb. However C.v7 must be &quot;C dot down-seven&quot; because &quot;C down-seven&quot; is C(v7) = C E G Bbv. Even if the period doesn't need to be pronounced, it's always acceptable to do so.

Applying &quot;dot down&quot; to a chord lowers only two chord components: the 3rd, and either the 6th or the 7th, whichever is present. Thus &quot;C dot down nine&quot; = C.v9 = C Ev G Bbv D. The rationale for this rule is that a chord often has a note a perfect fourth or fifth above the 3rd (e.g. the maj6, min7, maj7, 6/9, min9 and maj9 chords). Furthermore, in many EDOs, upfifths, downfifths, upfourths and downfourths will be quite dissonant and rarely used in chords. Thus if the 3rd is upped or downed, the 6th or 7th likely would be too.

Applying &quot;dot up&quot; or &quot;dot down&quot; to a chord raises or lowers only two chord components: the 3rd, and either the 6th or the 7th, whichever is present. Thus &quot;C dot down nine&quot; = C.v9 = C Ev G Bbv D. The rationale for this rule is that a chord often has a note a perfect fourth or fifth above the 3rd (e.g. the maj6, min7, maj7, 6/9, min9 and maj9 chords). Furthermore, in many EDOs, upfifths, downfifths, upfourths and downfourths will all be quite dissonant and rarely used in chords. Thus if the 3rd is upped or downed, the 6th or 7th likely would be too. However the 9th likely wouldn't, because that would create an upfifth or a downfifth with the fifth.

Various triads:

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C D^^ G = Csus^^2 = &quot;C sus double-up two&quot;

C Eb G = Cm = &quot;C minor&quot; (C = &quot;C&quot; or &quot;C perfect&quot; ~~in perfect EDOs~~)

C Eb G = Cm = &quot;C minor&quot; (in perfect EDOs, C = &quot;C&quot; or &quot;C perfect&quot;)

C Ebv G = C.vm = &quot;C downminor&quot; or &quot;C dot downminor&quot; (C.v = &quot;C dot down&quot; ~~in perfect EDOs~~)

C Ebv G = C.vm = &quot;C downminor&quot; or &quot;C dot downminor&quot; (in perfect EDOs, C.v = &quot;C dot down&quot;)

C Ebvv G = C.vvm = &quot;C double-downminor&quot; or &quot;C dot double-downminor&quot;

C Eb^ G = C.^m = &quot;C upminor&quot; or &quot;C dot upminor' (in EDOs 10, 17, 24, 31, etc., C.~ = &quot;C dot mid&quot;)

C Eb^^ G = C.^^m = &quot;C double-upminor&quot; or &quot;C dot double-upminor&quot; (in EDOs 20, 27, 34, 41, etc., C.~ = &quot;C dot mid&quot;)

C E G = C = &quot;C&quot; or &quot;C major&quot; (&quot;C&quot; or &quot;C perfect&quot; ~~in perfect EDOs~~)

C E G = C = &quot;C&quot; or &quot;C major&quot; (in perfect EDOs, &quot;C&quot; or &quot;C perfect&quot;)

C Ev G = C.v = &quot;C dot down&quot; or &quot;C downmajor&quot; (in EDOs 10, 17, 24, 31, etc., C.~ = &quot;C dot mid&quot;)

C Evv G = C.vv = &quot;C dot double-down&quot; or &quot;C double-downmajor&quot; (in EDOs 20, 27, 34, 41, etc., C.~ = &quot;C dot mid&quot;)

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C F G = Csus4 = &quot;C sus four&quot;

~~ ~~

C Fv G = Csusv4 = &quot;C sus down-four&quot;

C Fvv G = Csusvv4 = &quot;C sus double-down four&quot;

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Altered fifths:

C Eb Gb = Cdim = &quot;C dim&quot;

C Eb Gb = Cdim = &quot;C dim&quot; (in perfect EDOs, C = &quot;C&quot; or &quot;C perfect&quot;)

C Eb Gbv = Cdim(v5) = &quot;C dim down-five&quot;

C Eb Gb^ = Cdim(^5) = &quot;C dim up-five&quot;

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C E G# <h1 id="toc8"><a name="Caug"></a> Caug </h1>

&quot;C aug&quot;

&quot;C aug&quot; (in perfect EDOs, C = &quot;C&quot; or &quot;C perfect&quot;)

C E G#v = Caug(v5) = &quot;C aug down-five&quot;

C E G#^ = Caug(^5) = &quot;C aug up-five&quot;

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C Ev G Bb^ = C.v(^7) = &quot;C dot down up-seven&quot; (in certain EDOs, C.~7 = &quot;C dot mid-seven&quot;)

C Eb G Bb = Cm7 = &quot;C minor seven&quot;

C Eb G Bb = Cm7 = &quot;C minor seven&quot; (in perfect EDOs, C7 = &quot;C seven&quot;)

C Eb^ G Bb = Cm7(^3) = &quot;C minor seven up-three&quot; (in certain EDOs, C7(~3) = &quot;C seven mid-three&quot;)

C Eb G Bb^ = Cm(^7) = &quot;C minor up-seven&quot; (in certain EDOs, Cm(~7) = &quot;C minor mid-seven&quot;)

C Eb^ G Bb^ = C.^m7 = &quot;C (dot) upminor seven&quot; (in certain EDOs, C.~7 = &quot;C dot mid-seven&quot;)

C E G B = CM7 = &quot;C major seven&quot;

C E G B = CM7 = &quot;C major seven&quot; (in perfect EDOs, C7 = &quot;C seven&quot;)

C Ev G B = CM7(v3) = &quot;C major seven down-three&quot;

C E G Bv = C(vM7) = &quot;C downmajor-seven&quot;

C Ev G Bv = C.vM7 = &quot;C dot downmajor-seven&quot;

C Eb Gb Bbb = Cdim7 = &quot;C dim seven&quot;

C Eb Gb Bbb = Cdim7 = &quot;C dim seven&quot; (in perfect EDOs, C7 = &quot;C seven&quot;)

C Eb^ Gb Bbb = Cdim7(^3) = &quot;C dim seven up-three&quot; (in certain EDOs, Cdim7(~3) = &quot;C dim seven mid-three&quot;)

C Eb Gb^ Bbb = Cdim7(v5) = &quot;C dim seven up-five&quot;

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C Eb^ Gb^ Bbb^ = C.^dim7(^5) = &quot;C dot updim seven up-five&quot;

C Eb Gb Bb = Cm7(b5) = &quot;C minor seven flat-five&quot; or &quot;C half-dim&quot; (~~why not Cdim(m7)~~ = &quot;C ~~dim minor~~ seven&quot;?)

C Eb Gb Bb = Cm7(b5) = &quot;C minor seven flat-five&quot; or &quot;C half-dim&quot; (in perfect EDOs, C7 = &quot;C seven&quot;)

C Eb^ Gb Bb = Cm7(b5,^3) = &quot;C minor seven flat-five up-three&quot; or &quot;C half-dim up-three&quot;

C Eb Gb^ Bb = Cm7(^b5) = &quot;C minor seven upflat-five&quot; or &quot;C half-dim up-five&quot;

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C E G Ab^ = C(^m6) = &quot;C upminor-six&quot; (in certain EDOs, C(~6) = &quot;C mid-six&quot;)

C Eb G A = Cm6 = &quot;C minor six&quot;

C Eb G A = Cm6 = &quot;C minor six&quot; (in perfect EDOs, C6 = &quot;C six&quot;)

C Eb^ G A = Cm6(^3) = &quot;C minor six up-three&quot; (in certain EDOs, C6(~3) = &quot;C six mid three&quot;)

C Eb G Av = Cm(v6) = &quot;C minor down-six&quot; (in certain EDOs, Cm(~6) = &quot;C minor mid-six&quot;)

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C D Ev G = C.v(9) = &quot;C dot down add nine&quot; or &quot;C downmajor add nine&quot;

C D^ E G = C(^9) = &quot;C add up-nine&quot;

C D^ E^ G = C.^(^9) = &quot;C dot up up-nine&quot; or &quot;C upmajor up-nine&quot;

C D^ E^ G = C.^(^9) = &quot;C dot up add up-nine&quot; or &quot;C upmajor add up-nine&quot;

C D E G Bb = C9 = &quot;C nine&quot;

C D Ev G Bb = C9(v3) = &quot;C nine down-three&quot;

C D E G Bbv = C9(v7) = &quot;C nine down-seven&quot;

C Dv E G Bb = C7(v9) = &quot;C seven down-nine&quot;

C Dv E G Bb = C7(v9) = &quot;C seven down-nine&quot; or C9(v9) = &quot;C nine down-nine&quot;

C D Ev G Bbv = C.v9 = &quot;C dot down-nine&quot;

C Dv Ev G Bb = C7(v3,v9) = &quot;C seven down-three down-nine&quot;

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chord roots: I ^I/vII II ^II/vIII III vIII/vIV IV ^IV/vV V ^V/vVI VI ^VI/vVII VII ^VII/vI

~~0-2-8 = D E A = Dsus2 ~~

0-3-8 = D Fv A = D.v (&quot;D dot down&quot;)

0-4-8 = D F A = D (&quot;D&quot; or &quot;D perfect&quot;)

0-5-8 = D F^ A = D.^ (&quot;D dot up&quot;)

~~0-6-8 = D G A = Dsus4 ~~

0-3-7 = D Fv Av = D.v(v5) (&quot;D dot down, down five&quot;)

0-3-7 = D Fv Av = D.v(v5) (&quot;D dot down, down-five&quot;)

0-4-7 = D F Av = D(v5) (&quot;D, down five&quot;)

0-4-7 = D F Av = D(v5) (&quot;D down-five&quot;)

0-4-9 = D F A^ = D(^5) (&quot;D, up five&quot;)

0-4-9 = D F A^ = D(^5) (&quot;D up-five&quot;)

0-5-9 = D F^ A^ = D.^(^5) (&quot;D dot up, up five&quot;)

0-5-9 = D F^ A^ = D.^(^5) (&quot;D dot up, up-five&quot;)

0-4-8-12 = D F A C = D7 (&quot;D seven&quot;)

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0-5-8-13 = D F^ A C^ = D.^7 (&quot;D dot up seven&quot;)

0-3-8-12 = D Fv A C = D7(v3) (&quot;D seven, down three&quot;)

0-4-8-11 = D F A Cv = D(v7) (&quot;D, down seven&quot;), or D F A B^ = D(^6)

0-4-8-11 = D F A Cv = D(v7) (&quot;D, down seven&quot;), or D F A B^ = D(^6) = &quot;D up-six&quot;

0-3-8-11 = D Fv A Cv = D.v7 (&quot;D dot down seven&quot;), or possibly D Fv A B^ = D.v(^6)

0-3-8-13 = D Fv A C^ = D.v(^7) (&quot;D dot down, up seven&quot;)

@@ Line 1: / Line 1: @@
 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:TallKite|TallKite]] and made on <tt>2016-08-01 00:20:45 UTC</tt>.<br>
+: This revision was by author [[User:TallKite|TallKite]] and made on <tt>2016-08-01 00:53:14 UTC</tt>.<br>
-: The original revision id was <tt>588453312</tt>.<br>
+: The original revision id was <tt>588454440</tt>.<br>
 : The revision comment was: <tt></tt><br>
 The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
@@ Line 322: / Line 322: @@
 When applied to notes, the mid symbol "~"means "neither up nor down". But in chord names it means "exactly midway between major and minor", hence neutral. This only applies to certain "neutral EDOs" in which the sharp equals an even number of EDOsteps. For example, in 10edo, 17edo, 24edo, 31edo, etc., a sharp is two EDOsteps, upminor equals downmajor, and "mid" replaces both terms. In 20edo, 27edo, 34edo, 41edo, etc., a sharp is four EDOsteps, and mid replaces both double-upminor and double-downmajor. The period is used as before to clarify whether the mid applies to the chord root or the chord name.
-In perfect EDOs (7, 14, 21, 28 and 35), there is no major or minor. Every interval is perfect, and the quality can be omitted. The C-E-G chord is called "C perfect" or simply "C". The D-F-A chord is "D perfect" or "D". When applying the chart below to perfect EDOs, simply omit all qualities from the chord name.
+In perfect EDOs (7, 14, 21, 28 and 35), every interval is perfect, and there is no major or minor. In the following list, omit major, minor, dim and aug. Substitute up for upmajor and upminor, and down for downmajor and downminor. The C-E-G chord is called "C perfect" or simply "C". The D-F-A chord is "D perfect" or "D".
 In general, the period is pronounced as "dot". For example, C.v is "C dot down", because "C down" means Cv major = Cv Ev Gv. However sometimes a slight pause suffices, e.g. C.vm = "C downminor" and Cv.m = "C-down minor". This is analogous to saying "A-flat nine" for Ab C Eb Gb Bb and "A flat-nine" for A C# E G Bb. However C.v7 must be "C dot down-seven" because "C down-seven" is C(v7) = C E G Bbv. Even if the period doesn't need to be pronounced, it's always acceptable to do so.
-Applying "dot down" to a chord lowers only two chord components: the 3rd, and either the 6th or the 7th, whichever is present. Thus "C dot down nine" = C.v9 = C Ev G Bbv D. The rationale for this rule is that a chord often has a note a perfect fourth or fifth above the 3rd (e.g. the maj6, min7, maj7, 6/9, min9 and maj9 chords). Furthermore, in many EDOs, upfifths, downfifths, upfourths and downfourths will be quite dissonant and rarely used in chords. Thus if the 3rd is upped or downed, the 6th or 7th likely would be too.
+Applying "dot up" or "dot down" to a chord raises or lowers only two chord components: the 3rd, and either the 6th or the 7th, whichever is present. Thus "C dot down nine" = C.v9 = C Ev G Bbv D. The rationale for this rule is that a chord often has a note a perfect fourth or fifth above the 3rd (e.g. the maj6, min7, maj7, 6/9, min9 and maj9 chords). Furthermore, in many EDOs, upfifths, downfifths, upfourths and downfourths will all be quite dissonant and rarely used in chords. Thus if the 3rd is upped or downed, the 6th or 7th likely would be too. However the 9th likely wouldn't, because that would create an upfifth or a downfifth with the fifth.
 __**Various triads:**__
@@ Line 334: / Line 334: @@
 C D^^ G = Csus^^2 = "C sus double-up two"
-C Eb G = Cm = "C minor" (C = "C" or "C perfect" in perfect EDOs)
+C Eb G = Cm = "C minor" (in perfect EDOs, C = "C" or "C perfect")
-C Ebv G = C.vm = "C downminor" or "C dot downminor" (C.v = "C dot down" in perfect EDOs)
+C Ebv G = C.vm = "C downminor" or "C dot downminor" (in perfect EDOs, C.v = "C dot down")
 C Ebvv G = C.vvm = "C double-downminor" or "C dot double-downminor"
 C Eb^ G = C.^m = "C upminor" or "C dot upminor' (in EDOs 10, 17, 24, 31, etc., C.~ = "C dot mid")
 C Eb^^ G = C.^^m = "C double-upminor" or "C dot double-upminor" (in EDOs 20, 27, 34, 41, etc., C.~ = "C dot mid")
-C E G = C = "C" or "C major" ("C" or "C perfect" in perfect EDOs)
+C E G = C = "C" or "C major" (in perfect EDOs, "C" or "C perfect")
 C Ev G = C.v = "C dot down" or "C downmajor" (in EDOs 10, 17, 24, 31, etc., C.~ = "C dot mid")
 C Evv G = C.vv = "C dot double-down" or "C double-downmajor" (in EDOs 20, 27, 34, 41, etc., C.~ = "C dot mid")
@@ Line 347: / Line 347: @@
 C F G = Csus4 = "C sus four"
 C Fv G = Csusv4 = "C sus down-four"
 C Fvv G = Csusvv4 = "C sus double-down four"
@@ Line 353: / Line 352: @@
 __**Altered fifths:**__
-C Eb Gb = Cdim = "C dim"
+C Eb Gb = Cdim = "C dim" (in perfect EDOs, C = "C" or "C perfect")
 C Eb Gbv = Cdim(v5) = "C dim down-five"
 C Eb Gb^ = Cdim(^5) = "C dim up-five"
@@ Line 367: / Line 366: @@
 C Ev Gv = C.v(v5) = "C dot down, down-five" (in certain EDOs, C.~(v5) = "C dot mid, down five")
-C E G# = Caug = "C aug"
+C E G# = Caug = "C aug" (in perfect EDOs, C = "C" or "C perfect")
 C E G#v = Caug(v5) = "C aug down-five"
 C E G#^ = Caug(^5) = "C aug up-five"
@@ Line 384: / Line 383: @@
 C Ev G Bb^ = C.v(^7) = "C dot down up-seven" (in certain EDOs, C.~7 = "C dot mid-seven")
-C Eb G Bb = Cm7 = "C minor seven"
+C Eb G Bb = Cm7 = "C minor seven" (in perfect EDOs, C7 = "C seven")
 C Eb^ G Bb = Cm7(^3) = "C minor seven up-three" (in certain EDOs, C7(~3) = "C seven mid-three")
 C Eb G Bb^ = Cm(^7) = "C minor up-seven" (in certain EDOs, Cm(~7) = "C minor mid-seven")
 C Eb^ G Bb^ = C.^m7 = "C (dot) upminor seven" (in certain EDOs, C.~7 = "C dot mid-seven")
-C E G B = CM7 = "C major seven"
+C E G B = CM7 = "C major seven" (in perfect EDOs, C7 = "C seven")
 C Ev G B = CM7(v3) = "C major seven down-three"
 C E G Bv = C(vM7) = "C downmajor-seven"
 C Ev G Bv = C.vM7 = "C dot downmajor-seven"
-C Eb Gb Bbb = Cdim7 = "C dim seven"
+C Eb Gb Bbb = Cdim7 = "C dim seven" (in perfect EDOs, C7 = "C seven")
 C Eb^ Gb Bbb = Cdim7(^3) = "C dim seven up-three" (in certain EDOs, Cdim7(~3) = "C dim seven mid-three")
 C Eb Gb^ Bbb = Cdim7(v5) = "C dim seven up-five"
@@ Line 401: / Line 400: @@
 C Eb^ Gb^ Bbb^ = C.^dim7(^5) = "C dot updim seven up-five"
-C Eb Gb Bb = Cm7(b5) = "C minor seven flat-five" or "C half-dim" (why not Cdim(m7) = "C dim minor seven"?)
+C Eb Gb Bb = Cm7(b5) = "C minor seven flat-five" or "C half-dim" (in perfect EDOs, C7 = "C seven")
 C Eb^ Gb Bb = Cm7(b5,^3) = "C minor seven flat-five up-three" or "C half-dim up-three"
 C Eb Gb^ Bb = Cm7(^b5) = "C minor seven upflat-five" or "C half-dim up-five"
@@ Line 417: / Line 416: @@
 C E G Ab^ = C(^m6) = "C upminor-six" (in certain EDOs, C(~6) = "C mid-six")
-C Eb G A = Cm6 = "C minor six"
+C Eb G A = Cm6 = "C minor six" (in perfect EDOs, C6 = "C six")
 C Eb^ G A = Cm6(^3) = "C minor six up-three" (in certain EDOs, C6(~3) = "C six mid three")
 C Eb G Av = Cm(v6) = "C minor down-six" (in certain EDOs, Cm(~6) = "C minor mid-six")
@@ Line 427: / Line 426: @@
 C D Ev G = C.v(9) = "C dot down add nine" or "C downmajor add nine"
 C D^ E G = C(^9) = "C add up-nine"
-C D^ E^ G = C.^(^9) = "C dot up up-nine" or "C upmajor up-nine"
+C D^ E^ G = C.^(^9) = "C dot up add up-nine" or "C upmajor add up-nine"
 C D E G Bb = C9 = "C nine"
 C D Ev G Bb = C9(v3) = "C nine down-three"
 C D E G Bbv = C9(v7) = "C nine down-seven"
-C Dv E G Bb = C7(v9) = "C seven down-nine"
+C Dv E G Bb = C7(v9) = "C seven down-nine" or C9(v9) = "C nine down-nine"
 C D Ev G Bbv = C.v9 = "C dot down-nine"
 C Dv Ev G Bb = C7(v3,v9) = "C seven down-three down-nine"
@@ Line 466: / Line 465: @@
 chord roots: I ^I/vII II ^II/vIII III vIII/vIV IV ^IV/vV V ^V/vVI VI ^VI/vVII VII ^VII/vI
--2-8 = D E A = Dsus2
 -3-8 = D Fv A = D.v ("D dot down")
 -4-8 = D F A = D ("D" or "D perfect")
 -5-8 = D F^ A = D.^ ("D dot up")
--6-8 = D G A = Dsus4
--3-7 = D Fv Av = D.v(v5) ("D dot down, down five")
+-3-7 = D Fv Av = D.v(v5) ("D dot down, down-five")
--4-7 = D F Av = D(v5) ("D, down five")
+-4-7 = D F Av = D(v5) ("D down-five")
--4-9 = D F A^ = D(^5) ("D, up five")
+-4-9 = D F A^ = D(^5) ("D up-five")
--5-9 = D F^ A^ = D.^(^5) ("D dot up, up five")
+-5-9 = D F^ A^ = D.^(^5) ("D dot up, up-five")
 -4-8-12 = D F A C = D7 ("D seven")
@@ Line 482: / Line 479: @@
 -5-8-13 = D F^ A C^ = D.^7 ("D dot up seven")
 -3-8-12 = D Fv A C = D7(v3) ("D seven, down three")
--4-8-11 = D F A Cv = D(v7) ("D, down seven"), or D F A B^ = D(^6)
+-4-8-11 = D F A Cv = D(v7) ("D, down seven"), or D F A B^ = D(^6) = "D up-six"
 -3-8-11 = D Fv A Cv = D.v7 ("D dot down seven"), or possibly D Fv A B^ = D.v(^6)
 -3-8-13 = D Fv A C^ = D.v(^7) ("D dot down, up seven")
@@ Line 1,660: / Line 1,657: @@
 When applied to notes, the mid symbol &amp;quot;~&amp;quot;means &amp;quot;neither up nor down&amp;quot;. But in chord names it means &amp;quot;exactly midway between major and minor&amp;quot;, hence neutral. This only applies to certain &amp;quot;neutral EDOs&amp;quot; in which the sharp equals an even number of EDOsteps. For example, in 10edo, 17edo, 24edo, 31edo, etc., a sharp is two EDOsteps, upminor equals downmajor, and &amp;quot;mid&amp;quot; replaces both terms. In 20edo, 27edo, 34edo, 41edo, etc., a sharp is four EDOsteps, and mid replaces both double-upminor and double-downmajor. The period is used as before to clarify whether the mid applies to the chord root or the chord name.&lt;br /&gt;
 &lt;br /&gt;
-In perfect EDOs (7, 14, 21, 28 and 35), there is no major or minor. Every interval is perfect, and the quality can be omitted. The C-E-G chord is called &amp;quot;C perfect&amp;quot; or simply &amp;quot;C&amp;quot;. The D-F-A chord is &amp;quot;D perfect&amp;quot; or &amp;quot;D&amp;quot;. When applying the chart below to perfect EDOs, simply omit all qualities from the chord name.&lt;br /&gt;
+In perfect EDOs (7, 14, 21, 28 and 35), every interval is perfect, and there is no major or minor. In the following list, omit major, minor, dim and aug. Substitute up for upmajor and upminor, and down for downmajor and downminor. The C-E-G chord is called &amp;quot;C perfect&amp;quot; or simply &amp;quot;C&amp;quot;. The D-F-A chord is &amp;quot;D perfect&amp;quot; or &amp;quot;D&amp;quot;.&lt;br /&gt;
 &lt;br /&gt;
 In general, the period is pronounced as &amp;quot;dot&amp;quot;. For example, C.v is &amp;quot;C dot down&amp;quot;, because &amp;quot;C down&amp;quot; means Cv major = Cv Ev Gv. However sometimes a slight pause suffices, e.g. C.vm = &amp;quot;C downminor&amp;quot; and Cv.m = &amp;quot;C-down minor&amp;quot;. This is analogous to saying &amp;quot;A-flat nine&amp;quot; for Ab C Eb Gb Bb and &amp;quot;A flat-nine&amp;quot; for A C# E G Bb. However C.v7 must be &amp;quot;C dot down-seven&amp;quot; because &amp;quot;C down-seven&amp;quot; is C(v7) = C E G Bbv. Even if the period doesn't need to be pronounced, it's always acceptable to do so.&lt;br /&gt;
 &lt;br /&gt;
-Applying &amp;quot;dot down&amp;quot; to a chord lowers only two chord components: the 3rd, and either the 6th or the 7th, whichever is present. Thus &amp;quot;C dot down nine&amp;quot; = C.v9 = C Ev G Bbv D. The rationale for this rule is that a chord often has a note a perfect fourth or fifth above the 3rd (e.g. the maj6, min7, maj7, 6/9, min9 and maj9 chords). Furthermore, in many EDOs, upfifths, downfifths, upfourths and downfourths will be quite dissonant and rarely used in chords. Thus if the 3rd is upped or downed, the 6th or 7th likely would be too.&lt;br /&gt;
+Applying &amp;quot;dot up&amp;quot; or &amp;quot;dot down&amp;quot; to a chord raises or lowers only two chord components: the 3rd, and either the 6th or the 7th, whichever is present. Thus &amp;quot;C dot down nine&amp;quot; = C.v9 = C Ev G Bbv D. The rationale for this rule is that a chord often has a note a perfect fourth or fifth above the 3rd (e.g. the maj6, min7, maj7, 6/9, min9 and maj9 chords). Furthermore, in many EDOs, upfifths, downfifths, upfourths and downfourths will all be quite dissonant and rarely used in chords. Thus if the 3rd is upped or downed, the 6th or 7th likely would be too. However the 9th likely wouldn't, because that would create an upfifth or a downfifth with the fifth.&lt;br /&gt;
 &lt;br /&gt;
 &lt;u&gt;&lt;strong&gt;Various triads:&lt;/strong&gt;&lt;/u&gt;&lt;br /&gt;
@@ Line 1,672: / Line 1,669: @@
 C D^^ G = Csus^^2 = &amp;quot;C sus double-up two&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
-C Eb G = Cm = &amp;quot;C minor&amp;quot; (C = &amp;quot;C&amp;quot; or &amp;quot;C perfect&amp;quot; in perfect EDOs)&lt;br /&gt;
+C Eb G = Cm = &amp;quot;C minor&amp;quot; (in perfect EDOs, C = &amp;quot;C&amp;quot; or &amp;quot;C perfect&amp;quot;)&lt;br /&gt;
-C Ebv G = C.vm = &amp;quot;C downminor&amp;quot; or &amp;quot;C dot downminor&amp;quot; (C.v = &amp;quot;C dot down&amp;quot; in perfect EDOs)&lt;br /&gt;
+C Ebv G = C.vm = &amp;quot;C downminor&amp;quot; or &amp;quot;C dot downminor&amp;quot; (in perfect EDOs, C.v = &amp;quot;C dot down&amp;quot;)&lt;br /&gt;
 C Ebvv G = C.vvm = &amp;quot;C double-downminor&amp;quot; or &amp;quot;C dot double-downminor&amp;quot;&lt;br /&gt;
 C Eb^ G = C.^m = &amp;quot;C upminor&amp;quot; or &amp;quot;C dot upminor' (in EDOs 10, 17, 24, 31, etc., C.~ = &amp;quot;C dot mid&amp;quot;)&lt;br /&gt;
 C Eb^^ G = C.^^m = &amp;quot;C double-upminor&amp;quot; or &amp;quot;C dot double-upminor&amp;quot; (in EDOs 20, 27, 34, 41, etc., C.~ = &amp;quot;C dot mid&amp;quot;)&lt;br /&gt;
 &lt;br /&gt;
-C E G = C = &amp;quot;C&amp;quot; or &amp;quot;C major&amp;quot; (&amp;quot;C&amp;quot; or &amp;quot;C perfect&amp;quot; in perfect EDOs)&lt;br /&gt;
+C E G = C = &amp;quot;C&amp;quot; or &amp;quot;C major&amp;quot; (in perfect EDOs, &amp;quot;C&amp;quot; or &amp;quot;C perfect&amp;quot;)&lt;br /&gt;
 C Ev G = C.v = &amp;quot;C dot down&amp;quot; or &amp;quot;C downmajor&amp;quot; (in EDOs 10, 17, 24, 31, etc., C.~ = &amp;quot;C dot mid&amp;quot;)&lt;br /&gt;
 C Evv G = C.vv = &amp;quot;C dot double-down&amp;quot; or &amp;quot;C double-downmajor&amp;quot; (in EDOs 20, 27, 34, 41, etc., C.~ = &amp;quot;C dot mid&amp;quot;)&lt;br /&gt;
@@ Line 1,685: / Line 1,682: @@
 &lt;br /&gt;
 C F G = Csus4 = &amp;quot;C sus four&amp;quot;&lt;br /&gt;
-&lt;br /&gt;
 C Fv G = Csusv4 = &amp;quot;C sus down-four&amp;quot;&lt;br /&gt;
 C Fvv G = Csusvv4 = &amp;quot;C sus double-down four&amp;quot;&lt;br /&gt;
@@ Line 1,691: / Line 1,687: @@
 &lt;u&gt;&lt;strong&gt;Altered fifths:&lt;/strong&gt;&lt;/u&gt;&lt;br /&gt;
 &lt;br /&gt;
-C Eb Gb = Cdim = &amp;quot;C dim&amp;quot;&lt;br /&gt;
+C Eb Gb = Cdim = &amp;quot;C dim&amp;quot; (in perfect EDOs, C = &amp;quot;C&amp;quot; or &amp;quot;C perfect&amp;quot;)&lt;br /&gt;
 C Eb Gbv = Cdim(v5) = &amp;quot;C dim down-five&amp;quot;&lt;br /&gt;
 C Eb Gb^ = Cdim(^5) = &amp;quot;C dim up-five&amp;quot;&lt;br /&gt;
@@ Line 1,706: / Line 1,702: @@
 &lt;br /&gt;
 C E G#  &lt;!-- ws:start:WikiTextHeadingRule:16:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc8"&gt;&lt;a name="Caug"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:16 --&gt; Caug &lt;/h1&gt;
-  &amp;quot;C aug&amp;quot;&lt;br /&gt;
+  &amp;quot;C aug&amp;quot; (in perfect EDOs, C = &amp;quot;C&amp;quot; or &amp;quot;C perfect&amp;quot;)&lt;br /&gt;
 C E G#v = Caug(v5) = &amp;quot;C aug down-five&amp;quot;&lt;br /&gt;
 C E G#^ = Caug(^5) = &amp;quot;C aug up-five&amp;quot;&lt;br /&gt;
@@ Line 1,724: / Line 1,720: @@
 C Ev G Bb^ = C.v(^7) = &amp;quot;C dot down up-seven&amp;quot; (in certain EDOs, C.~7 = &amp;quot;C dot mid-seven&amp;quot;)&lt;br /&gt;
 &lt;br /&gt;
-C Eb G Bb = Cm7 = &amp;quot;C minor seven&amp;quot;&lt;br /&gt;
+C Eb G Bb = Cm7 = &amp;quot;C minor seven&amp;quot; (in perfect EDOs, C7 = &amp;quot;C seven&amp;quot;)&lt;br /&gt;
 C Eb^ G Bb = Cm7(^3) = &amp;quot;C minor seven up-three&amp;quot; (in certain EDOs, C7(~3) = &amp;quot;C seven mid-three&amp;quot;)&lt;br /&gt;
 C Eb G Bb^ = Cm(^7) = &amp;quot;C minor up-seven&amp;quot; (in certain EDOs, Cm(~7) = &amp;quot;C minor mid-seven&amp;quot;)&lt;br /&gt;
 C Eb^ G Bb^ = C.^m7 = &amp;quot;C (dot) upminor seven&amp;quot; (in certain EDOs, C.~7 = &amp;quot;C dot mid-seven&amp;quot;)&lt;br /&gt;
 &lt;br /&gt;
-C E G B = CM7 = &amp;quot;C major seven&amp;quot;&lt;br /&gt;
+C E G B = CM7 = &amp;quot;C major seven&amp;quot; (in perfect EDOs, C7 = &amp;quot;C seven&amp;quot;)&lt;br /&gt;
 C Ev G B = CM7(v3) = &amp;quot;C major seven down-three&amp;quot;&lt;br /&gt;
 C E G Bv = C(vM7) = &amp;quot;C downmajor-seven&amp;quot;&lt;br /&gt;
 C Ev G Bv = C.vM7 = &amp;quot;C dot downmajor-seven&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
-C Eb Gb Bbb = Cdim7 = &amp;quot;C dim seven&amp;quot;&lt;br /&gt;
+C Eb Gb Bbb = Cdim7 = &amp;quot;C dim seven&amp;quot; (in perfect EDOs, C7 = &amp;quot;C seven&amp;quot;)&lt;br /&gt;
 C Eb^ Gb Bbb = Cdim7(^3) = &amp;quot;C dim seven up-three&amp;quot; (in certain EDOs, Cdim7(~3) = &amp;quot;C dim seven mid-three&amp;quot;)&lt;br /&gt;
 C Eb Gb^ Bbb = Cdim7(v5) = &amp;quot;C dim seven up-five&amp;quot;&lt;br /&gt;
@@ Line 1,741: / Line 1,737: @@
 C Eb^ Gb^ Bbb^ = C.^dim7(^5) = &amp;quot;C dot updim seven up-five&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
-C Eb Gb Bb = Cm7(b5) = &amp;quot;C minor seven flat-five&amp;quot; or &amp;quot;C half-dim&amp;quot; (why not Cdim(m7) = &amp;quot;C dim minor seven&amp;quot;?)&lt;br /&gt;
+C Eb Gb Bb = Cm7(b5) = &amp;quot;C minor seven flat-five&amp;quot; or &amp;quot;C half-dim&amp;quot; (in perfect EDOs, C7 = &amp;quot;C seven&amp;quot;)&lt;br /&gt;
 C Eb^ Gb Bb = Cm7(b5,^3) = &amp;quot;C minor seven flat-five up-three&amp;quot; or &amp;quot;C half-dim up-three&amp;quot;&lt;br /&gt;
 C Eb Gb^ Bb = Cm7(^b5) = &amp;quot;C minor seven upflat-five&amp;quot; or &amp;quot;C half-dim up-five&amp;quot;&lt;br /&gt;
@@ Line 1,757: / Line 1,753: @@
 C E G Ab^ = C(^m6) = &amp;quot;C upminor-six&amp;quot; (in certain EDOs, C(~6) = &amp;quot;C mid-six&amp;quot;)&lt;br /&gt;
 &lt;br /&gt;
-C Eb G A = Cm6 = &amp;quot;C minor six&amp;quot;&lt;br /&gt;
+C Eb G A = Cm6 = &amp;quot;C minor six&amp;quot; (in perfect EDOs, C6 = &amp;quot;C six&amp;quot;)&lt;br /&gt;
 C Eb^ G A = Cm6(^3) = &amp;quot;C minor six up-three&amp;quot; (in certain EDOs, C6(~3) = &amp;quot;C six mid three&amp;quot;)&lt;br /&gt;
 C Eb G Av = Cm(v6) = &amp;quot;C minor down-six&amp;quot; (in certain EDOs, Cm(~6) = &amp;quot;C minor mid-six&amp;quot;)&lt;br /&gt;
@@ Line 1,767: / Line 1,763: @@
 C D Ev G = C.v(9) = &amp;quot;C dot down add nine&amp;quot; or &amp;quot;C downmajor add nine&amp;quot;&lt;br /&gt;
 C D^ E G = C(^9) = &amp;quot;C add up-nine&amp;quot;&lt;br /&gt;
-C D^ E^ G = C.^(^9) = &amp;quot;C dot up up-nine&amp;quot; or &amp;quot;C upmajor up-nine&amp;quot;&lt;br /&gt;
+C D^ E^ G = C.^(^9) = &amp;quot;C dot up add up-nine&amp;quot; or &amp;quot;C upmajor add up-nine&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
 C D E G Bb = C9 = &amp;quot;C nine&amp;quot;&lt;br /&gt;
 C D Ev G Bb = C9(v3) = &amp;quot;C nine down-three&amp;quot;&lt;br /&gt;
 C D E G Bbv = C9(v7) = &amp;quot;C nine down-seven&amp;quot;&lt;br /&gt;
-C Dv E G Bb = C7(v9) = &amp;quot;C seven down-nine&amp;quot;&lt;br /&gt;
+C Dv E G Bb = C7(v9) = &amp;quot;C seven down-nine&amp;quot; or C9(v9) = &amp;quot;C nine down-nine&amp;quot;&lt;br /&gt;
 C D Ev G Bbv = C.v9 = &amp;quot;C dot down-nine&amp;quot;&lt;br /&gt;
 C Dv Ev G Bb = C7(v3,v9) = &amp;quot;C seven down-three down-nine&amp;quot;&lt;br /&gt;
@@ Line 1,806: / Line 1,802: @@
 chord roots: I ^I/vII II ^II/vIII III vIII/vIV IV ^IV/vV V ^V/vVI VI ^VI/vVII VII ^VII/vI&lt;br /&gt;
 &lt;br /&gt;
--2-8 = D E A = Dsus2&lt;br /&gt;
 -3-8 = D Fv A = D.v (&amp;quot;D dot down&amp;quot;)&lt;br /&gt;
 -4-8 = D F A = D (&amp;quot;D&amp;quot; or &amp;quot;D perfect&amp;quot;)&lt;br /&gt;
 -5-8 = D F^ A = D.^ (&amp;quot;D dot up&amp;quot;)&lt;br /&gt;
--6-8 = D G A = Dsus4&lt;br /&gt;
 &lt;br /&gt;
--3-7 = D Fv Av = D.v(v5) (&amp;quot;D dot down, down five&amp;quot;)&lt;br /&gt;
+-3-7 = D Fv Av = D.v(v5) (&amp;quot;D dot down, down-five&amp;quot;)&lt;br /&gt;
--4-7 = D F Av = D(v5) (&amp;quot;D, down five&amp;quot;)&lt;br /&gt;
+-4-7 = D F Av = D(v5) (&amp;quot;D down-five&amp;quot;)&lt;br /&gt;
--4-9 = D F A^ = D(^5) (&amp;quot;D, up five&amp;quot;)&lt;br /&gt;
+-4-9 = D F A^ = D(^5) (&amp;quot;D up-five&amp;quot;)&lt;br /&gt;
--5-9 = D F^ A^ = D.^(^5) (&amp;quot;D dot up, up five&amp;quot;)&lt;br /&gt;
+-5-9 = D F^ A^ = D.^(^5) (&amp;quot;D dot up, up-five&amp;quot;)&lt;br /&gt;
 &lt;br /&gt;
 -4-8-12 = D F A C = D7 (&amp;quot;D seven&amp;quot;)&lt;br /&gt;
@@ Line 1,822: / Line 1,816: @@
 -5-8-13 = D F^ A C^ = D.^7 (&amp;quot;D dot up seven&amp;quot;)&lt;br /&gt;
 -3-8-12 = D Fv A C = D7(v3) (&amp;quot;D seven, down three&amp;quot;)&lt;br /&gt;
--4-8-11 = D F A Cv = D(v7) (&amp;quot;D, down seven&amp;quot;), or D F A B^ = D(^6)&lt;br /&gt;
+-4-8-11 = D F A Cv = D(v7) (&amp;quot;D, down seven&amp;quot;), or D F A B^ = D(^6) = &amp;quot;D up-six&amp;quot;&lt;br /&gt;
 -3-8-11 = D Fv A Cv = D.v7 (&amp;quot;D dot down seven&amp;quot;), or possibly D Fv A B^ = D.v(^6)&lt;br /&gt;
 -3-8-13 = D Fv A C^ = D.v(^7) (&amp;quot;D dot down, up seven&amp;quot;)&lt;br /&gt;