Kite's ups and downs notation: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>

This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>

: This revision was by author [[User:TallKite|TallKite]] and made on <tt>2016-08-01 03:53:08 UTC</tt>.<br>

: This revision was by author [[User:TallKite|TallKite]] and made on <tt>2016-08-01 03:59:29 UTC</tt>.<br>

: The original revision id was <tt>~~588457358~~</tt>.<br>

: The original revision id was <tt>588457424</tt>.<br>

: The revision comment was: <tt></tt><br>

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>

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==__Chord names in other EDOs__==

When applied to notes, the mid symbol "~"means "neither up nor down". But in chord names it means "exactly midway between major and minor", hence neutral. This only applies to certain "neutral EDOs" in which the sharp equals an even number of EDOsteps. For example, in 10edo, 17edo, 24edo, 31edo, etc., a sharp is two EDOsteps, upminor equals downmajor, and "mid" replaces both terms. In 20edo, 27edo, 34edo, 41edo, etc., a sharp is four EDOsteps, and mid replaces both double-upminor and double-downmajor~~. The period is used as before to clarify whether the mid applies to the chord root or the chord name~~.

When applied to notes, the mid symbol "~"means "neither up nor down". But in chord names it means "exactly midway between major and minor", hence neutral. This only applies to certain "neutral EDOs" in which the sharp equals an even number of EDOsteps. For example, in 10edo, 17edo, 24edo, 31edo, etc., a sharp is two EDOsteps, upminor equals downmajor, and "mid" replaces both terms. In 20edo, 27edo, 34edo, 41edo, etc., a sharp is four EDOsteps, and mid replaces both double-upminor and double-downmajor.

In perfect EDOs (7, 14, 21, 28 and 35), every interval is perfect, and there is no major or minor. In the following list, omit major, minor, dim and aug. Substitute up for upmajor and upminor, and down for downmajor and downminor. The C-E-G chord is called "C perfect" or simply "C". The D-F-A chord is "D perfect" or "D".

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C Ebv G = C.vm = "C downminor" or "C dot downminor" (in perfect EDOs, C.v = "C dot down")

C Ebvv G = C.vvm = "C double-downminor" or "C dot double-downminor"

C Eb^ G = C.^m = "C upminor" or "C dot upminor" (in EDOs 10, 17, 24, 31, etc., C.~ = "C ~~mid" or "C dot~~ mid")

C Eb^ G = C.^m = "C upminor" or "C dot upminor" (in EDOs 10, 17, 24, 31, etc., C~ = "C mid")

C Eb^^ G = C.^^m = "C double-upminor" or "C dot double-upminor" (in EDOs 20, 27, 34, 41, etc., C.~ = "C ~~dot~~ mid")

C Eb^^ G = C.^^m = "C double-upminor" or "C dot double-upminor" (in EDOs 20, 27, 34, 41, etc., C~ = "C mid")

C E G = C = "C" or "C major" (in perfect EDOs, "C" or "C perfect")

C Ev G = C.v = "C dot down" or "C downmajor" (in EDOs 10, 17, 24, 31, etc., C.~ = "C dot mid")

C Ev G = C.v = "C dot down" or "C downmajor" (in EDOs 10, 17, 24, 31, etc., C~ = "C dot mid")

C Evv G = C.vv = "C dot double-down" or "C double-downmajor" (in EDOs 20, 27, 34, 41, etc., C.~ = "C dot mid")

C E^ G = C.^ = "C dot up" (not "C up", which would be C^ major = C^ E^ G^), or "C upmajor"

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0-2-6-8 = D F# A C# = DM7, or D F# A B^ = D(~6) = "D mid-six"

0-3-6-8 = D F#^ A C# = DM7(^3), or D F#^ A B^ = D.^6 = "D dot up-six"

0-3-6-9 = D Fv A Cv = D.~7, or D Fv A Bb = D.~(b6) = "D mid flat-six"

0-3-6-9 = D Fv A Cv = D.~7 = "D dot mid seven", or D Fv A Bb = D.~(b6) = "D mid flat-six"

==**__Cross-EDO considerations__**==

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<h2 id="toc7"><a name="Naming Chords-Chord names in other EDOs"></a><u>Chord names in other EDOs</u></h2>

<br />

When applied to notes, the mid symbol &quot;~&quot;means &quot;neither up nor down&quot;. But in chord names it means &quot;exactly midway between major and minor&quot;, hence neutral. This only applies to certain &quot;neutral EDOs&quot; in which the sharp equals an even number of EDOsteps. For example, in 10edo, 17edo, 24edo, 31edo, etc., a sharp is two EDOsteps, upminor equals downmajor, and &quot;mid&quot; replaces both terms. In 20edo, 27edo, 34edo, 41edo, etc., a sharp is four EDOsteps, and mid replaces both double-upminor and double-downmajor~~. The period is used as before to clarify whether the mid applies to the chord root or the chord name~~.<br />

When applied to notes, the mid symbol &quot;~&quot;means &quot;neither up nor down&quot;. But in chord names it means &quot;exactly midway between major and minor&quot;, hence neutral. This only applies to certain &quot;neutral EDOs&quot; in which the sharp equals an even number of EDOsteps. For example, in 10edo, 17edo, 24edo, 31edo, etc., a sharp is two EDOsteps, upminor equals downmajor, and &quot;mid&quot; replaces both terms. In 20edo, 27edo, 34edo, 41edo, etc., a sharp is four EDOsteps, and mid replaces both double-upminor and double-downmajor.<br />

<br />

In perfect EDOs (7, 14, 21, 28 and 35), every interval is perfect, and there is no major or minor. In the following list, omit major, minor, dim and aug. Substitute up for upmajor and upminor, and down for downmajor and downminor. The C-E-G chord is called &quot;C perfect&quot; or simply &quot;C&quot;. The D-F-A chord is &quot;D perfect&quot; or &quot;D&quot;.<br />

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C Ebv G = C.vm = &quot;C downminor&quot; or &quot;C dot downminor&quot; (in perfect EDOs, C.v = &quot;C dot down&quot;)<br />

C Ebvv G = C.vvm = &quot;C double-downminor&quot; or &quot;C dot double-downminor&quot;<br />

C Eb^ G = C.^m = &quot;C upminor&quot; or &quot;C dot upminor&quot; (in EDOs 10, 17, 24, 31, etc., C.~ = &quot;C ~~mid&quot; or &quot;C dot~~ mid&quot;)<br />

C Eb^ G = C.^m = &quot;C upminor&quot; or &quot;C dot upminor&quot; (in EDOs 10, 17, 24, 31, etc., C~ = &quot;C mid&quot;)<br />

C Eb^^ G = C.^^m = &quot;C double-upminor&quot; or &quot;C dot double-upminor&quot; (in EDOs 20, 27, 34, 41, etc., C.~ = &quot;C ~~dot~~ mid&quot;)<br />

C Eb^^ G = C.^^m = &quot;C double-upminor&quot; or &quot;C dot double-upminor&quot; (in EDOs 20, 27, 34, 41, etc., C~ = &quot;C mid&quot;)<br />

<br />

C E G = C = &quot;C&quot; or &quot;C major&quot; (in perfect EDOs, &quot;C&quot; or &quot;C perfect&quot;)<br />

C Ev G = C.v = &quot;C dot down&quot; or &quot;C downmajor&quot; (in EDOs 10, 17, 24, 31, etc., C.~ = &quot;C dot mid&quot;)<br />

C Ev G = C.v = &quot;C dot down&quot; or &quot;C downmajor&quot; (in EDOs 10, 17, 24, 31, etc., C~ = &quot;C dot mid&quot;)<br />

C Evv G = C.vv = &quot;C dot double-down&quot; or &quot;C double-downmajor&quot; (in EDOs 20, 27, 34, 41, etc., C.~ = &quot;C dot mid&quot;)<br />

C E^ G = C.^ = &quot;C dot up&quot; (not &quot;C up&quot;, which would be C^ major = C^ E^ G^), or &quot;C upmajor&quot;<br />

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0-3-6-8 = D F#^ A C# <h1 id="toc18"><a name="DM7(^3), or D F#^ A B^"></a> DM7(^3), or D F#^ A B^ </h1>

D.^6 = &quot;D dot up-six&quot;<br />

0-3-6-9 = D Fv A Cv = D.~7, or D Fv A Bb = D.~(b6) = &quot;D mid flat-six&quot;<br />

0-3-6-9 = D Fv A Cv = D.~7 = &quot;D dot mid seven&quot;, or D Fv A Bb = D.~(b6) = &quot;D mid flat-six&quot;<br />

<br />

<h2 id="toc19"><a name="DM7(^3), or D F#^ A B^-Cross-EDO considerations"></a><strong><u>Cross-EDO considerations</u></strong></h2>

@@ Line 1: / Line 1: @@
 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:TallKite|TallKite]] and made on <tt>2016-08-01 03:53:08 UTC</tt>.<br>
+: This revision was by author [[User:TallKite|TallKite]] and made on <tt>2016-08-01 03:59:29 UTC</tt>.<br>
-: The original revision id was <tt>588457358</tt>.<br>
+: The original revision id was <tt>588457424</tt>.<br>
 : The revision comment was: <tt></tt><br>
 The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
@@ Line 320: / Line 320: @@
 ==__Chord names in other EDOs__==
-When applied to notes, the mid symbol "~"means "neither up nor down". But in chord names it means "exactly midway between major and minor", hence neutral. This only applies to certain "neutral EDOs" in which the sharp equals an even number of EDOsteps. For example, in 10edo, 17edo, 24edo, 31edo, etc., a sharp is two EDOsteps, upminor equals downmajor, and "mid" replaces both terms. In 20edo, 27edo, 34edo, 41edo, etc., a sharp is four EDOsteps, and mid replaces both double-upminor and double-downmajor. The period is used as before to clarify whether the mid applies to the chord root or the chord name.
+When applied to notes, the mid symbol "~"means "neither up nor down". But in chord names it means "exactly midway between major and minor", hence neutral. This only applies to certain "neutral EDOs" in which the sharp equals an even number of EDOsteps. For example, in 10edo, 17edo, 24edo, 31edo, etc., a sharp is two EDOsteps, upminor equals downmajor, and "mid" replaces both terms. In 20edo, 27edo, 34edo, 41edo, etc., a sharp is four EDOsteps, and mid replaces both double-upminor and double-downmajor.
 In perfect EDOs (7, 14, 21, 28 and 35), every interval is perfect, and there is no major or minor. In the following list, omit major, minor, dim and aug. Substitute up for upmajor and upminor, and down for downmajor and downminor. The C-E-G chord is called "C perfect" or simply "C". The D-F-A chord is "D perfect" or "D".
@@ Line 336: / Line 336: @@
 C Ebv G = C.vm = "C downminor" or "C dot downminor" (in perfect EDOs, C.v = "C dot down")
 C Ebvv G = C.vvm = "C double-downminor" or "C dot double-downminor"
-C Eb^ G = C.^m = "C upminor" or "C dot upminor" (in EDOs 10, 17, 24, 31, etc., C.~ = "C mid" or "C dot mid")
+C Eb^ G = C.^m = "C upminor" or "C dot upminor" (in EDOs 10, 17, 24, 31, etc., C~ = "C mid")
-C Eb^^ G = C.^^m = "C double-upminor" or "C dot double-upminor" (in EDOs 20, 27, 34, 41, etc., C.~ = "C dot mid")
+C Eb^^ G = C.^^m = "C double-upminor" or "C dot double-upminor" (in EDOs 20, 27, 34, 41, etc., C~ = "C mid")
 C E G = C = "C" or "C major" (in perfect EDOs, "C" or "C perfect")
-C Ev G = C.v = "C dot down" or "C downmajor" (in EDOs 10, 17, 24, 31, etc., C.~ = "C dot mid")
+C Ev G = C.v = "C dot down" or "C downmajor" (in EDOs 10, 17, 24, 31, etc., C~ = "C dot mid")
 C Evv G = C.vv = "C dot double-down" or "C double-downmajor" (in EDOs 20, 27, 34, 41, etc., C.~ = "C dot mid")
 C E^ G = C.^ = "C dot up" (not "C up", which would be C^ major = C^ E^ G^), or "C upmajor"
@@ Line 617: / Line 617: @@
 -2-6-8 = D F# A C# = DM7, or D F# A B^ = D(~6) = "D mid-six"
 -3-6-8 = D F#^ A C# = DM7(^3), or D F#^ A B^ = D.^6 = "D dot up-six"
--3-6-9 = D Fv A Cv = D.~7, or D Fv A Bb = D.~(b6) = "D mid flat-six"
+-3-6-9 = D Fv A Cv = D.~7 = "D dot mid seven", or D Fv A Bb = D.~(b6) = "D mid flat-six"
 ==**__Cross-EDO considerations__**==
@@ Line 1,632: / Line 1,632: @@
   &lt;!-- ws:start:WikiTextHeadingRule:14:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc7"&gt;&lt;a name="Naming Chords-Chord names in other EDOs"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:14 --&gt;&lt;u&gt;Chord names in other EDOs&lt;/u&gt;&lt;/h2&gt;
   &lt;br /&gt;
-When applied to notes, the mid symbol &amp;quot;~&amp;quot;means &amp;quot;neither up nor down&amp;quot;. But in chord names it means &amp;quot;exactly midway between major and minor&amp;quot;, hence neutral. This only applies to certain &amp;quot;neutral EDOs&amp;quot; in which the sharp equals an even number of EDOsteps. For example, in 10edo, 17edo, 24edo, 31edo, etc., a sharp is two EDOsteps, upminor equals downmajor, and &amp;quot;mid&amp;quot; replaces both terms. In 20edo, 27edo, 34edo, 41edo, etc., a sharp is four EDOsteps, and mid replaces both double-upminor and double-downmajor. The period is used as before to clarify whether the mid applies to the chord root or the chord name.&lt;br /&gt;
+When applied to notes, the mid symbol &amp;quot;~&amp;quot;means &amp;quot;neither up nor down&amp;quot;. But in chord names it means &amp;quot;exactly midway between major and minor&amp;quot;, hence neutral. This only applies to certain &amp;quot;neutral EDOs&amp;quot; in which the sharp equals an even number of EDOsteps. For example, in 10edo, 17edo, 24edo, 31edo, etc., a sharp is two EDOsteps, upminor equals downmajor, and &amp;quot;mid&amp;quot; replaces both terms. In 20edo, 27edo, 34edo, 41edo, etc., a sharp is four EDOsteps, and mid replaces both double-upminor and double-downmajor.&lt;br /&gt;
 &lt;br /&gt;
 In perfect EDOs (7, 14, 21, 28 and 35), every interval is perfect, and there is no major or minor. In the following list, omit major, minor, dim and aug. Substitute up for upmajor and upminor, and down for downmajor and downminor. The C-E-G chord is called &amp;quot;C perfect&amp;quot; or simply &amp;quot;C&amp;quot;. The D-F-A chord is &amp;quot;D perfect&amp;quot; or &amp;quot;D&amp;quot;.&lt;br /&gt;
@@ Line 1,648: / Line 1,648: @@
 C Ebv G = C.vm = &amp;quot;C downminor&amp;quot; or &amp;quot;C dot downminor&amp;quot; (in perfect EDOs, C.v = &amp;quot;C dot down&amp;quot;)&lt;br /&gt;
 C Ebvv G = C.vvm = &amp;quot;C double-downminor&amp;quot; or &amp;quot;C dot double-downminor&amp;quot;&lt;br /&gt;
-C Eb^ G = C.^m = &amp;quot;C upminor&amp;quot; or &amp;quot;C dot upminor&amp;quot; (in EDOs 10, 17, 24, 31, etc., C.~ = &amp;quot;C mid&amp;quot; or &amp;quot;C dot mid&amp;quot;)&lt;br /&gt;
+C Eb^ G = C.^m = &amp;quot;C upminor&amp;quot; or &amp;quot;C dot upminor&amp;quot; (in EDOs 10, 17, 24, 31, etc., C~ = &amp;quot;C mid&amp;quot;)&lt;br /&gt;
-C Eb^^ G = C.^^m = &amp;quot;C double-upminor&amp;quot; or &amp;quot;C dot double-upminor&amp;quot; (in EDOs 20, 27, 34, 41, etc., C.~ = &amp;quot;C dot mid&amp;quot;)&lt;br /&gt;
+C Eb^^ G = C.^^m = &amp;quot;C double-upminor&amp;quot; or &amp;quot;C dot double-upminor&amp;quot; (in EDOs 20, 27, 34, 41, etc., C~ = &amp;quot;C mid&amp;quot;)&lt;br /&gt;
 &lt;br /&gt;
 C E G = C = &amp;quot;C&amp;quot; or &amp;quot;C major&amp;quot; (in perfect EDOs, &amp;quot;C&amp;quot; or &amp;quot;C perfect&amp;quot;)&lt;br /&gt;
-C Ev G = C.v = &amp;quot;C dot down&amp;quot; or &amp;quot;C downmajor&amp;quot; (in EDOs 10, 17, 24, 31, etc., C.~ = &amp;quot;C dot mid&amp;quot;)&lt;br /&gt;
+C Ev G = C.v = &amp;quot;C dot down&amp;quot; or &amp;quot;C downmajor&amp;quot; (in EDOs 10, 17, 24, 31, etc., C~ = &amp;quot;C dot mid&amp;quot;)&lt;br /&gt;
 C Evv G = C.vv = &amp;quot;C dot double-down&amp;quot; or &amp;quot;C double-downmajor&amp;quot; (in EDOs 20, 27, 34, 41, etc., C.~ = &amp;quot;C dot mid&amp;quot;)&lt;br /&gt;
 C E^ G = C.^ = &amp;quot;C dot up&amp;quot; (not &amp;quot;C up&amp;quot;, which would be C^ major = C^ E^ G^), or &amp;quot;C upmajor&amp;quot;&lt;br /&gt;
@@ Line 1,939: / Line 1,939: @@
 -3-6-8 = D F#^ A C#  &lt;!-- ws:start:WikiTextHeadingRule:36:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc18"&gt;&lt;a name="DM7(^3), or D F#^ A B^"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:36 --&gt; DM7(^3), or D F#^ A B^ &lt;/h1&gt;
   D.^6 = &amp;quot;D dot up-six&amp;quot;&lt;br /&gt;
--3-6-9 = D Fv A Cv = D.~7, or D Fv A Bb = D.~(b6) = &amp;quot;D mid flat-six&amp;quot;&lt;br /&gt;
+-3-6-9 = D Fv A Cv = D.~7 = &amp;quot;D dot mid seven&amp;quot;, or D Fv A Bb = D.~(b6) = &amp;quot;D mid flat-six&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
 &lt;!-- ws:start:WikiTextHeadingRule:38:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc19"&gt;&lt;a name="DM7(^3), or D F#^ A B^-Cross-EDO considerations"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:38 --&gt;&lt;strong&gt;&lt;u&gt;Cross-EDO considerations&lt;/u&gt;&lt;/strong&gt;&lt;/h2&gt;