Kite's ups and downs notation: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>

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==__Chord names in other EDOs__==

When applied to notes, the mid symbol "~"means "neither up nor down". But in chord names it means "exactly midway between major and minor", hence neutral. This only applies to certain "neutral EDOs" in which the sharp equals an even number of EDOsteps. For example, in 10edo, 17edo, 24edo, 31edo, etc., a sharp is two EDOsteps, upminor equals downmajor, and "mid" replaces both terms. In 20edo, 27edo, 34edo, 41edo, etc., a sharp is four EDOsteps, and mid replaces both double-upminor and double-downmajor.

When applied to notes, the mid symbol "~"means "neither up nor down". But in chord names it means "exactly midway between major and minor", hence neutral. This only applies to certain "neutral EDOs" in which the sharp equals an even number of EDOsteps. For example, in every seventh EDO (10edo, 17edo, 24edo, 31edo, etc.), a sharp is two EDOsteps, upminor equals downmajor, and "mid" replaces both terms. In 20edo, 27edo, 34edo, 41edo, etc., a sharp is four EDOsteps, and mid replaces both double-upminor and double-downmajor.

In perfect EDOs (7, 14, 21, 28 and 35), every interval is perfect, and there is no major or minor. In the following list, omit major, minor, dim and aug. Substitute up for upmajor and upminor, and down for downmajor and downminor. The C-E-G chord is called "C perfect" or simply "C". The D-F-A chord is "D perfect" or "D".

In perfect EDOs (7, 14, 21, 28 and 35), every interval is perfect, and there is no major or minor. In the following list of chord names, omit major, minor, dim and aug. Substitute up for upmajor and upminor, and down for downmajor and downminor. The C-E-G chord is called "C perfect" or simply "C". The D-F-A chord is "D perfect" or "D".

~~In general, the~~ period is pronounced as "dot". For example, C.v is "C dot down", because "C down" means Cv major = Cv Ev Gv. ~~However sometimes~~ a slight pause suffices, e.g. C.vm = "C downminor" and Cv.m = "C-down minor". This is analogous to saying "A-flat nine" for Ab C Eb Gb Bb ~~and~~ "A flat-nine" for A C# E G Bb. However C.v7 must be "C dot down-seven" because "C down-seven" is C(v7) = C E G Bbv~~. Even if the period doesn't need to be pronounced, it's always acceptable to do so~~.

A period in a chord name is pronounced as "dot". For example, C.v = C Ev G is "C dot down", because "C down" means Cv major = Cv Ev Gv. If there are any words after the up/down, a slight pause suffices, e.g. C.vm = "C downminor" and Cv.m = "C-down minor". This is analogous to saying "A-flat nine" for Ab C Eb Gb Bb vs. "A flat-nine" for A C# E G Bb. Even if the period doesn't need to be pronounced, it's always acceptable to do so. However C.v7 must be "C dot down-seven" because "C down-seven" is C(v7) = C E G Bbv.

Applying "dot up" or "dot down" to a chord raises or lowers the 3rd, and also the 6th or the 7th, if present. Thus "C dot down nine" = C.v9 = C Ev G Bbv D. The rationale for this rule is that a chord often has a note a perfect fourth or fifth above the 3rd ~~(e.g. the maj6, min7, maj7, 6/9, min9 and maj9 chords)~~. Furthermore, in many EDOs, upfifths, downfifths, upfourths and downfourths will all be quite dissonant and rarely used in chords. Thus if the 3rd is upped or downed, the 6th or 7th likely would be too. However the 9th likely wouldn't, because that would create an upfifth or a downfifth with the ~~fifth~~.

Applying "dot up" or "dot down" to a chord raises or lowers the 3rd, and also the 6th or the 7th, if present. Thus "C dot down nine" is the usual C9 chord with the 3rd and 7th lowered: C.v9 = C Ev G Bbv D. A "dot mid" chord has a neutral 3rd and a neutral 6th/7th. The rationale for this rule is that a chord often has a note a perfect fourth or fifth above the 3rd. Furthermore, in many EDOs, upfifths, downfifths, upfourths and downfourths will all be quite dissonant and rarely used in chords. Thus if the 3rd is upped or downed, the 6th or 7th likely would be too. However the 9th likely wouldn't, because that would create an upfifth or a downfifth with the 5th.

__**Various triads:**__

C D G = Csus2 = "C sus two"

C D G = Csus2 or C2 = "C sus two" or "C two"

C D^ G = Csus^2 = "C sus up-two"

C D^ G = Csus^2 or C.^2 = "C sus up-two" or "C up-two" (not "C-up two", which would be C^.2 = C^ D^ G^)

C D^^ G = Csus^^2 = "C sus double-up two"

C D^^ G = Csus^^2 or C.^^2 = "C sus double-up two" or "C double-up-two"

C Eb G = Cm = "C minor" (in perfect EDOs, C = "C" or "C perfect")

C Ebv G = C.vm = "C downminor" (in perfect EDOs, C.v = "C dot down") ("C-down minor" ~~would be~~ Cv.m = Cv Ebv Gv)

C Ebv G = C.vm = "C downminor" (in perfect EDOs, C.v = "C dot down") (not "C-down minor" = Cv.m = Cv Ebv Gv)

C Ebvv G = C.vvm = "C double-downminor" or "C ~~dot~~ double-~~downminor~~"

C Ebvv G = C.vvm = "C double-downminor" (not "C-double-down minor" = Cvv.m = Cvv Ebvv Gvv)

C Eb^ G = C.^m = "C ~~upminor" or "C dot~~ upminor" (in EDOs 10, 17, 24, 31, etc., C~ = "C mid")

C Eb^ G = C.^m = "C upminor" (in EDOs 10, 17, 24, 31, etc., C~ = "C mid")

C Eb^^ G = C.^^m = "C ~~double-upminor" or "C dot~~ double-upminor" (in EDOs 20, 27, 34, 41, etc., C~ = "C mid")

C Eb^^ G = C.^^m = "C double-upminor" (in EDOs 20, 27, 34, 41, etc., C~ = "C mid")

C E G = C = "C" or "C major" (in perfect EDOs, "C" or "C perfect")

C Ev G = C.v = "C ~~dot down~~" or "C ~~downmajor~~" (in EDOs 10, 17, 24, 31, etc., C~ = "C mid")

C Ev G = C.v = "C downmajor" or "C dot down" (in EDOs 10, 17, 24, 31, etc., C~ = "C mid")

C Evv G = C.vv = "C ~~dot~~ double-~~down~~" or "C double-~~downmajor~~" (in EDOs 20, 27, 34, 41, etc., C~ = "C mid")

C Evv G = C.vv = "C double-downmajor" or "C dot double-down" (in EDOs 20, 27, 34, 41, etc., C~ = "C mid")

C E^ G = C.^ = "C dot up" (not "C up", which would be C^ major = C^ E^ G^)~~, or "C upmajor"~~

C E^ G = C.^ = "C upmajor" or "C dot up" (not "C up", which would be C^ major = C^ E^ G^)

C E^^ G = C.^^ = "C ~~dot~~ double-up" or "C double-~~upmajor~~"

C E^^ G = C.^^ = "C double-upmajor" or "C dot double-up"

C F G = Csus4 = "C sus four"

C F G = C4 or Csus or Csus4 = "C four" or "C sus" or "C sus four"

C Fv G = Csusv4 = "C sus down-four"

C Fv G = C.v4 or Csusv4 = "C down-four" or "C sus down-four"

C Fvv G = Csusvv4 = "C sus double-down four"

C Fvv G = C.vv4 or Csusvv4 = "C double-down-four" or "C sus double-down four"

C D# G = Csus#2 = "C sus sharp-two" or "C sus aug-two"

C Ebb G = C(bb3) = "C dim-three"

C Ebb G = C(bb3) = "C dim-three" (or possibly "C double-flat-three")

C E# G = C(#3) = "C sharp-three" or "C aug-three"

C Fb G = Csusb4 = "C ~~sus~~ flat-four" or "C ~~sus~~ dim-four"

C Fb G = C.b4 or Csusb4 = "C flat-four" or "C dim-four"

__**Altered fifths:**__

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C Eb Gbv = Cdim(v5) = "C dim down-five"

C Eb Gb^ = Cdim(^5) = "C dim up-five"

C Eb^ Gb = Cdim(^3) = "C dim up-three" (in certain EDOs, C~(b5) = "C mid flat-five")

C Eb^ Gb = Cdim(^3) = "C dim up-three" (in certain EDOs, Cdim(~3) = "C dim mid-three", or C~(b5) = "C mid flat-five")

(note that here "up-three" means upminor 3rd, not upmajor 3rd, because "dim" indicates a minor 3rd)

C Eb^ Gb^ = Cdim(^3,^5) = "C dim up-three up-five" (in certain EDOs, C~(^b5) = "C mid upflat-five")

C Eb Gv = Cm(v5) = "C minor down-five"

C Ebv Gv = C.vm(v5) = "C ~~downminor down-five" or "C dot~~ downminor down-five"

C Ebv Gv = C.vm(v5) = "C downminor down-five"

C E Gv = C(v5) = "C down-five" (not "C-down five", which would be a Cv power chord Cv.5 = Cv Gv)

C E G^ = C(^5) = "C up-five"

C E^ G^ = C.^(^5) = "C dot up, up-five"

C Ev Gv = C.v(v5) = "C dot down, down-five" (in certain EDOs, C~(v5) = "C mid down-five")

C Ev Gv = C.v(v5) = "C dot down down-five" or "C downmajor down-five" (in certain EDOs, C~(v5) = "C mid down-five")

C E G# is Caug = "C aug" (in perfect EDOs, C = "C" or "C perfect")

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C D# Gb = Csus#2(b5) = "C sus sharp-two, flat-five"

C Ebb Gb = Cdim(bb3) = "C dim dim-three"

C Ebb Gb = Cdim(bb3) = "C dim dim-three" (or possibly "C dim double-flat-three")

C Eb G# is Cmin(#5) = "C minor sharp-five"

C E# G# is Caug(#3) = "C aug sharp-three"

C Fb G# is ~~Caug,susb4~~ = "C ~~aug~~ sus flat-four"

C Fb G# is C.b4(#5) or Csusb4(#5) = "C flat-four sharp-five" or "C sus flat-four sharp-five"

__**Seventh chords:**__

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C Ev G Bb = C7(v3) = "C seven down-three" (in certain EDOs, C7(~3) = "C seven mid-three")

C E G Bbv = C(v7) = "C down-seven" (not "C-down seven", which would be Cv.7 = Cv Ev Gv Bbv)

C Ev G Bbv = C.v7 = "C dot down-seven" (in certain EDOs, C~(v7) = "C mid down-seven")

C Ev G Bbv = C.v7 = "C dot down seven" (in certain EDOs, C~(v7) = "C mid down-seven")

C E Gv Bb = C7(v5) = "C seven down-five"

C Ev Gv Bb = C7(v3,v5) = "C seven down-three down-five"

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C Eb^ G Bb = Cm7(^3) = "C minor seven up-three" (in certain EDOs, C7(~3) = "C seven mid-three")

C Eb G Bb^ = Cm(^7) = "C minor up-seven" (in certain EDOs, Cm(~7) = "C minor mid-seven")

C Eb^ G Bb^ = C.^m7 = "C (dot) upminor seven" (in certain EDOs, C.~7 = "C dot mid-seven")

C Eb^ G Bb^ = C.^m7 = "C (dot) upminor seven" (in certain EDOs, C.~7 = "C dot mid seven")

C E G B = CM7 = "C major seven" (in perfect EDOs, C7 = "C seven")

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C Eb^ Gb^ Bb^ = C.^m7(^b5) = "C dot upminor seven upflat-five" or "C half-dim up-three up-five up-seven"

C E G Bbb = C(bb7) = "C double-flat-seven" (not "C dim-seven", that sounds like Cdim7 = C Eb Gb Bbb)

C E G B# is C(#7) = "C sharp-seven" (not "C aug-seven", that sounds like "C aug seven" = Caug7)

C E G Cb = C(b8) = "C ~~dim~~-eight" or "C ~~flat~~-eight"

C E G Cb = C(b8) = "C flat-eight" or "C dim-eight"

__**Sixth chords:**__

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C E G Ab = C(b6) = "C flat-six" (not "C minor-six" because that sounds like "C minor six" = Cm6)

C E G A# is C(#6) = "C sharp-six"

__**Ninth chords:**__

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C D E G Bb = C9 = "C nine"

C D Ev G Bb = C9(v3) = "C nine down-three"

C D Ev G Bb = C9(v3) = "C nine down-three" (in certain EDOs, C9(~3) = "C nine mid-three")

C D E G ~~Bbv~~ = C9(v7) = "C nine ~~down~~-seven"

C D E G Bb^ = C9(^7) = "C nine up-seven" (in certain EDOs, C9(~7) = "C nine mid-seven")

C Dv E G Bb = C7(v9) = "C seven down-nine" or C9(v9) = "C nine down-nine"

C D Ev G Bbv = C.v9 = "C dot down-nine"

C D Ev G Bbv = C.v9 = "C dot down nine"

C Dv Ev G Bb = C7(v3,v9) = "C seven down-three down-nine"

C Dv E G Bbv = C(v7,v9) = "C down-seven down-nine"

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C Dv Ev Gv Bbv = C.v7(v5,v9) = "C dot down-seven down-five down-nine"

C D E G B = CM9 = "C major nine"

C D E G B = CM9 = "C major nine" (in perfect EDOs, C9 = "C nine")

C D Ev G B = CM9(v3) = "C major nine down-three"

C D Ev G B = CM9(v3) = "C major nine down-three" (in certain EDOs, CM9(~3) = "C major nine mid-three")

C D E G Bv = CM9(v7) = "C major nine down-seven"

C D E G Bv = CM9(v7) = "C major nine down-seven" (in certain EDOs, CM9(~7) = "C major nine mid-seven")

~~C Dv E G B = CM7~~(v9) = "C major seven ~~down-nine~~"

C D Ev G Bv = C.vM9 = "C dot down major-nine" (in certain EDOs, C.~M9 = "C dot mid major nine")

C D Ev G Bv = C.vM9 = "C dot ~~downmajor~~-nine"

C ~~Dv Ev~~ G B = ~~CM7~~(v3,v9) = "C ~~major seven down~~-three ~~down~~-~~nine~~"

C D Eb G Bb = Cm9 = "C minor nine" (in perfect EDOs, C9 = "C nine")

C ~~Dv E~~ G Bv = C(~~vM7~~,v9) = "C ~~downmajor~~-seven ~~down-nine~~"

C D Eb^ G Bb = Cm9(^3) = "C minor nine up-three" (in certain EDOs, C9(~3) = "C nine mid-three")

C ~~Dv Ev~~ G Bv = C.~~vM7~~(v9) = "C ~~dot downmajor~~-~~seven down-nine~~"

C D Eb G Bb^ = Cm9(^7) = "C minor nine up-seven" (in certain EDOs, Cm9(~7) = "C minor nine mid-seven")

C D Eb^ G Bb^ = C.^m9 = "C dot upminor-nine" (in certain EDOs, C9(~3) = "C nine mid-three")

C Db E G Bb = C(b9) = "C flat-nine" (not Cb9 ~~= "C-flat nine"~~ = Cb Db Eb Gb Bbb)

C Db E G Bb = C(b9) = "C flat-nine" (not Cb9 = Cb Db Eb Gb Bbb) (in perfect EDOs, C9 = "C nine")

C Db Ev G Bb = Cb9(v3) = "C flat-nine down-three"

C Db E G Bbv = Cb9(v7) = "C flat-nine down-seven"

C Dbv E G Bb = C7(vb9) = "C seven downflat-nine", or Cb9(v9) = "C flat-nine down-nine"

C Db Ev G Bbv = C.~~v7(b9)~~ = "C dot down~~-seven~~ flat-nine"

C Db Ev G Bbv = C.vb9 = "C dot down flat-nine"

C Dbv Ev G Bb = Cb9(v3,v9) = "C flat-nine down-three down-nine", or C7(v3,vb9)

C Dbv E G Bbv = Cb9(v7,v9) = "C flat-nine down-seven down-nine", or C(v7,vb9)

C Dbv Ev G Bbv = C.v7(vb9) = "C dot down seven downflat-nine"

C Dbv Ev G Bbv = C.v7(vb9) = "C dot down seven downflat-nine", or C.vb9(v9)

====__**Example EDOs:**__====

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<h2 id="toc7"><a name="Naming Chords-Chord names in other EDOs"></a>Chord names in other EDOs</h2>

When applied to notes, the mid symbol &quot;~&quot;means &quot;neither up nor down&quot;. But in chord names it means &quot;exactly midway between major and minor&quot;, hence neutral. This only applies to certain &quot;neutral EDOs&quot; in which the sharp equals an even number of EDOsteps. For example, in 10edo, 17edo, 24edo, 31edo, etc., a sharp is two EDOsteps, upminor equals downmajor, and &quot;mid&quot; replaces both terms. In 20edo, 27edo, 34edo, 41edo, etc., a sharp is four EDOsteps, and mid replaces both double-upminor and double-downmajor.

When applied to notes, the mid symbol &quot;~&quot;means &quot;neither up nor down&quot;. But in chord names it means &quot;exactly midway between major and minor&quot;, hence neutral. This only applies to certain &quot;neutral EDOs&quot; in which the sharp equals an even number of EDOsteps. For example, in every seventh EDO (10edo, 17edo, 24edo, 31edo, etc.), a sharp is two EDOsteps, upminor equals downmajor, and &quot;mid&quot; replaces both terms. In 20edo, 27edo, 34edo, 41edo, etc., a sharp is four EDOsteps, and mid replaces both double-upminor and double-downmajor.

In perfect EDOs (7, 14, 21, 28 and 35), every interval is perfect, and there is no major or minor. In the following list, omit major, minor, dim and aug. Substitute up for upmajor and upminor, and down for downmajor and downminor. The C-E-G chord is called &quot;C perfect&quot; or simply &quot;C&quot;. The D-F-A chord is &quot;D perfect&quot; or &quot;D&quot;.

In perfect EDOs (7, 14, 21, 28 and 35), every interval is perfect, and there is no major or minor. In the following list of chord names, omit major, minor, dim and aug. Substitute up for upmajor and upminor, and down for downmajor and downminor. The C-E-G chord is called &quot;C perfect&quot; or simply &quot;C&quot;. The D-F-A chord is &quot;D perfect&quot; or &quot;D&quot;.

~~In general, the~~ period is pronounced as &quot;dot&quot;. For example, C.v is &quot;C dot down&quot;, because &quot;C down&quot; means Cv major = Cv Ev Gv. ~~However sometimes~~ a slight pause suffices, e.g. C.vm = &quot;C downminor&quot; and Cv.m = &quot;C-down minor&quot;. This is analogous to saying &quot;A-flat nine&quot; for Ab C Eb Gb Bb ~~and~~ &quot;A flat-nine&quot; for A C# E G Bb. However C.v7 must be &quot;C dot down-seven&quot; because &quot;C down-seven&quot; is C(v7) = C E G Bbv~~. Even if the period doesn't need to be pronounced, it's always acceptable to do so~~.

A period in a chord name is pronounced as &quot;dot&quot;. For example, C.v = C Ev G is &quot;C dot down&quot;, because &quot;C down&quot; means Cv major = Cv Ev Gv. If there are any words after the up/down, a slight pause suffices, e.g. C.vm = &quot;C downminor&quot; and Cv.m = &quot;C-down minor&quot;. This is analogous to saying &quot;A-flat nine&quot; for Ab C Eb Gb Bb vs. &quot;A flat-nine&quot; for A C# E G Bb. Even if the period doesn't need to be pronounced, it's always acceptable to do so. However C.v7 must be &quot;C dot down-seven&quot; because &quot;C down-seven&quot; is C(v7) = C E G Bbv.

Applying &quot;dot up&quot; or &quot;dot down&quot; to a chord raises or lowers the 3rd, and also the 6th or the 7th, if present. Thus &quot;C dot down nine&quot; = C.v9 = C Ev G Bbv D. The rationale for this rule is that a chord often has a note a perfect fourth or fifth above the 3rd ~~(e.g. the maj6, min7, maj7, 6/9, min9 and maj9 chords)~~. Furthermore, in many EDOs, upfifths, downfifths, upfourths and downfourths will all be quite dissonant and rarely used in chords. Thus if the 3rd is upped or downed, the 6th or 7th likely would be too. However the 9th likely wouldn't, because that would create an upfifth or a downfifth with the ~~fifth~~.

Applying &quot;dot up&quot; or &quot;dot down&quot; to a chord raises or lowers the 3rd, and also the 6th or the 7th, if present. Thus &quot;C dot down nine&quot; is the usual C9 chord with the 3rd and 7th lowered: C.v9 = C Ev G Bbv D. A &quot;dot mid&quot; chord has a neutral 3rd and a neutral 6th/7th. The rationale for this rule is that a chord often has a note a perfect fourth or fifth above the 3rd. Furthermore, in many EDOs, upfifths, downfifths, upfourths and downfourths will all be quite dissonant and rarely used in chords. Thus if the 3rd is upped or downed, the 6th or 7th likely would be too. However the 9th likely wouldn't, because that would create an upfifth or a downfifth with the 5th.

Various triads:

C D G = Csus2 = &quot;C sus two&quot;

C D G = Csus2 or C2 = &quot;C sus two&quot; or &quot;C two&quot;

C D^ G = Csus^2 = &quot;C sus up-two&quot;

C D^ G = Csus^2 or C.^2 = &quot;C sus up-two&quot; or &quot;C up-two&quot; (not &quot;C-up two&quot;, which would be C^.2 = C^ D^ G^)

C D^^ G = Csus^^2 = &quot;C sus double-up two&quot;

C D^^ G = Csus^^2 or C.^^2 = &quot;C sus double-up two&quot; or &quot;C double-up-two&quot;

C Eb G = Cm = &quot;C minor&quot; (in perfect EDOs, C = &quot;C&quot; or &quot;C perfect&quot;)

C Ebv G = C.vm = &quot;C downminor&quot; (in perfect EDOs, C.v = &quot;C dot down&quot;) (&quot;C-down minor&quot; ~~would be~~ Cv.m = Cv Ebv Gv)

C Ebv G = C.vm = &quot;C downminor&quot; (in perfect EDOs, C.v = &quot;C dot down&quot;) (not &quot;C-down minor&quot; = Cv.m = Cv Ebv Gv)

C Ebvv G = C.vvm = &quot;C double-downminor&quot; or &quot;C ~~dot~~ double-~~downminor~~&quot;

C Ebvv G = C.vvm = &quot;C double-downminor&quot; (not &quot;C-double-down minor&quot; = Cvv.m = Cvv Ebvv Gvv)

C Eb^ G = C.^m = &quot;C ~~upminor&quot; or &quot;C dot~~ upminor&quot; (in EDOs 10, 17, 24, 31, etc., C~ = &quot;C mid&quot;)

C Eb^ G = C.^m = &quot;C upminor&quot; (in EDOs 10, 17, 24, 31, etc., C~ = &quot;C mid&quot;)

C Eb^^ G = C.^^m = &quot;C ~~double-upminor&quot; or &quot;C dot~~ double-upminor&quot; (in EDOs 20, 27, 34, 41, etc., C~ = &quot;C mid&quot;)

C Eb^^ G = C.^^m = &quot;C double-upminor&quot; (in EDOs 20, 27, 34, 41, etc., C~ = &quot;C mid&quot;)

C E G = C = &quot;C&quot; or &quot;C major&quot; (in perfect EDOs, &quot;C&quot; or &quot;C perfect&quot;)

C Ev G = C.v = &quot;C ~~dot down~~&quot; or &quot;C ~~downmajor~~&quot; (in EDOs 10, 17, 24, 31, etc., C~ = &quot;C mid&quot;)

C Ev G = C.v = &quot;C downmajor&quot; or &quot;C dot down&quot; (in EDOs 10, 17, 24, 31, etc., C~ = &quot;C mid&quot;)

C Evv G = C.vv = &quot;C ~~dot~~ double-~~down~~&quot; or &quot;C double-~~downmajor~~&quot; (in EDOs 20, 27, 34, 41, etc., C~ = &quot;C mid&quot;)

C Evv G = C.vv = &quot;C double-downmajor&quot; or &quot;C dot double-down&quot; (in EDOs 20, 27, 34, 41, etc., C~ = &quot;C mid&quot;)

C E^ G = C.^ = &quot;C dot up&quot; (not &quot;C up&quot;, which would be C^ major = C^ E^ G^)~~, or &quot;C upmajor&quot;~~

C E^ G = C.^ = &quot;C upmajor&quot; or &quot;C dot up&quot; (not &quot;C up&quot;, which would be C^ major = C^ E^ G^)

C E^^ G = C.^^ = &quot;C ~~dot~~ double-up&quot; or &quot;C double-~~upmajor~~&quot;

C E^^ G = C.^^ = &quot;C double-upmajor&quot; or &quot;C dot double-up&quot;

C F G = Csus4 = &quot;C sus four&quot;

C F G = C4 or Csus or Csus4 = &quot;C four&quot; or &quot;C sus&quot; or &quot;C sus four&quot;

C Fv G = Csusv4 = &quot;C sus down-four&quot;

C Fv G = C.v4 or Csusv4 = &quot;C down-four&quot; or &quot;C sus down-four&quot;

C Fvv G = Csusvv4 = &quot;C sus double-down four&quot;

C Fvv G = C.vv4 or Csusvv4 = &quot;C double-down-four&quot; or &quot;C sus double-down four&quot;

C D# G = Csus#2 = &quot;C sus sharp-two&quot; or &quot;C sus aug-two&quot;

C Ebb G = C(bb3) = &quot;C dim-three&quot;

C Ebb G = C(bb3) = &quot;C dim-three&quot; (or possibly &quot;C double-flat-three&quot;)

C E# G = C(#3) = &quot;C sharp-three&quot; or &quot;C aug-three&quot;

C Fb G = Csusb4 = &quot;C ~~sus~~ flat-four&quot; or &quot;C ~~sus~~ dim-four&quot;

C Fb G = C.b4 or Csusb4 = &quot;C flat-four&quot; or &quot;C dim-four&quot;

Altered fifths:

Line 1,671:

Line 1,672:

C Eb Gbv = Cdim(v5) = &quot;C dim down-five&quot;

C Eb Gb^ = Cdim(^5) = &quot;C dim up-five&quot;

C Eb^ Gb = Cdim(^3) = &quot;C dim up-three&quot; (in certain EDOs, C~(b5) = &quot;C mid flat-five&quot;)

C Eb^ Gb = Cdim(^3) = &quot;C dim up-three&quot; (in certain EDOs, Cdim(~3) = &quot;C dim mid-three&quot;, or C~(b5) = &quot;C mid flat-five&quot;)

(note that here &quot;up-three&quot; means upminor 3rd, not upmajor 3rd, because &quot;dim&quot; indicates a minor 3rd)

C Eb^ Gb^ = Cdim(^3,^5) = &quot;C dim up-three up-five&quot; (in certain EDOs, C~(^b5) = &quot;C mid upflat-five&quot;)

C Eb Gv = Cm(v5) = &quot;C minor down-five&quot;

C Ebv Gv = C.vm(v5) = &quot;C ~~downminor down-five&quot; or &quot;C dot~~ downminor down-five&quot;

C Ebv Gv = C.vm(v5) = &quot;C downminor down-five&quot;

C E Gv = C(v5) = &quot;C down-five&quot; (not &quot;C-down five&quot;, which would be a Cv power chord Cv.5 = Cv Gv)

C E G^ = C(^5) = &quot;C up-five&quot;

C E^ G^ = C.^(^5) = &quot;C dot up, up-five&quot;

C Ev Gv = C.v(v5) = &quot;C dot down, down-five&quot; (in certain EDOs, C~(v5) = &quot;C mid down-five&quot;)

C Ev Gv = C.v(v5) = &quot;C dot down down-five&quot; or &quot;C downmajor down-five&quot; (in certain EDOs, C~(v5) = &quot;C mid down-five&quot;)

C E G# is Caug = &quot;C aug&quot; (in perfect EDOs, C = &quot;C&quot; or &quot;C perfect&quot;)

Line 1,689:

Line 1,690:

C D# Gb = Csus#2(b5) = &quot;C sus sharp-two, flat-five&quot;

C Ebb Gb = Cdim(bb3) = &quot;C dim dim-three&quot;

C Ebb Gb = Cdim(bb3) = &quot;C dim dim-three&quot; (or possibly &quot;C dim double-flat-three&quot;)

C Eb G# is Cmin(#5) = &quot;C minor sharp-five&quot;

C E# G# is Caug(#3) = &quot;C aug sharp-three&quot;

C Fb G# is ~~Caug,susb4~~ = &quot;C ~~aug~~ sus flat-four&quot;

C Fb G# is C.b4(#5) or Csusb4(#5) = &quot;C flat-four sharp-five&quot; or &quot;C sus flat-four sharp-five&quot;

Seventh chords:

Line 1,698:

Line 1,699:

C Ev G Bb = C7(v3) = &quot;C seven down-three&quot; (in certain EDOs, C7(~3) = &quot;C seven mid-three&quot;)

C E G Bbv = C(v7) = &quot;C down-seven&quot; (not &quot;C-down seven&quot;, which would be Cv.7 = Cv Ev Gv Bbv)

C Ev G Bbv = C.v7 = &quot;C dot down-seven&quot; (in certain EDOs, C~(v7) = &quot;C mid down-seven&quot;)

C Ev G Bbv = C.v7 = &quot;C dot down seven&quot; (in certain EDOs, C~(v7) = &quot;C mid down-seven&quot;)

C E Gv Bb = C7(v5) = &quot;C seven down-five&quot;

C Ev Gv Bb = C7(v3,v5) = &quot;C seven down-three down-five&quot;

Line 1,709:

Line 1,710:

C Eb^ G Bb = Cm7(^3) = &quot;C minor seven up-three&quot; (in certain EDOs, C7(~3) = &quot;C seven mid-three&quot;)

C Eb G Bb^ = Cm(^7) = &quot;C minor up-seven&quot; (in certain EDOs, Cm(~7) = &quot;C minor mid-seven&quot;)

C Eb^ G Bb^ = C.^m7 = &quot;C (dot) upminor seven&quot; (in certain EDOs, C.~7 = &quot;C dot mid-seven&quot;)

C Eb^ G Bb^ = C.^m7 = &quot;C (dot) upminor seven&quot; (in certain EDOs, C.~7 = &quot;C dot mid seven&quot;)

C E G B = CM7 = &quot;C major seven&quot; (in perfect EDOs, C7 = &quot;C seven&quot;)

Line 1,732:

Line 1,733:

C Eb^ Gb^ Bb^ = C.^m7(^b5) = &quot;C dot upminor seven upflat-five&quot; or &quot;C half-dim up-three up-five up-seven&quot;

C E G Bbb = C(bb7) = &quot;C double-flat-seven&quot; (not &quot;C dim-seven&quot;, that sounds like Cdim7 = C Eb Gb Bbb)

C E G B# is C(#7) = &quot;C sharp-seven&quot; (not &quot;C aug-seven&quot;, that sounds like &quot;C aug seven&quot; = Caug7)

C E G Cb = C(b8) = &quot;C ~~dim~~-eight&quot; or &quot;C ~~flat~~-eight&quot;

C E G Cb = C(b8) = &quot;C flat-eight&quot; or &quot;C dim-eight&quot;

Sixth chords:

Line 1,749:

Line 1,751:

C E G Ab = C(b6) = &quot;C flat-six&quot; (not &quot;C minor-six&quot; because that sounds like &quot;C minor six&quot; = Cm6)

C E G A# is C(#6) = &quot;C sharp-six&quot;

~~ ~~

Ninth chords:

Line 1,758:

Line 1,759:

C D E G Bb = C9 = &quot;C nine&quot;

C D Ev G Bb = C9(v3) = &quot;C nine down-three&quot;

C D Ev G Bb = C9(v3) = &quot;C nine down-three&quot; (in certain EDOs, C9(~3) = &quot;C nine mid-three&quot;)

C D E G ~~Bbv~~ = C9(v7) = &quot;C nine ~~down~~-seven&quot;

C D E G Bb^ = C9(^7) = &quot;C nine up-seven&quot; (in certain EDOs, C9(~7) = &quot;C nine mid-seven&quot;)

C Dv E G Bb = C7(v9) = &quot;C seven down-nine&quot; or C9(v9) = &quot;C nine down-nine&quot;

C D Ev G Bbv = C.v9 = &quot;C dot down-nine&quot;

C D Ev G Bbv = C.v9 = &quot;C dot down nine&quot;

C Dv Ev G Bb = C7(v3,v9) = &quot;C seven down-three down-nine&quot;

C Dv E G Bbv = C(v7,v9) = &quot;C down-seven down-nine&quot;

Line 1,767:

Line 1,768:

C Dv Ev Gv Bbv = C.v7(v5,v9) = &quot;C dot down-seven down-five down-nine&quot;

C D E G B = CM9 = &quot;C major nine&quot;

C D E G B = CM9 = &quot;C major nine&quot; (in perfect EDOs, C9 = &quot;C nine&quot;)

C D Ev G B = CM9(v3) = &quot;C major nine down-three&quot;

C D Ev G B = CM9(v3) = &quot;C major nine down-three&quot; (in certain EDOs, CM9(~3) = &quot;C major nine mid-three&quot;)

C D E G Bv = CM9(v7) = &quot;C major nine down-seven&quot;

C D E G Bv = CM9(v7) = &quot;C major nine down-seven&quot; (in certain EDOs, CM9(~7) = &quot;C major nine mid-seven&quot;)

C ~~Dv E~~ G B = ~~CM7~~(~~v9)~~ = &quot;C major ~~seven down-~~nine&quot;

C D Ev G Bv = C.vM9 = &quot;C dot down major-nine&quot; (in certain EDOs, C.~M9 = &quot;C dot mid major nine&quot;)

C D Ev G Bv = C~~.vM9~~ = &quot;C ~~dot downmajor-~~nine&quot;

C ~~Dv Ev~~ G B = ~~CM7~~(v3,v9) = &quot;C ~~major seven down~~-three ~~down-nine~~&quot;

C D Eb G Bb = Cm9 = &quot;C minor nine&quot; (in perfect EDOs, C9 = &quot;C nine&quot;)

C ~~Dv E~~ G Bv = C(~~vM7~~,v9) = &quot;C ~~downmajor~~-seven ~~down-nine~~&quot;

C D Eb^ G Bb = Cm9(^3) = &quot;C minor nine up-three&quot; (in certain EDOs, C9(~3) = &quot;C nine mid-three&quot;)

C ~~Dv Ev~~ G Bv = C.~~vM7~~(v9) = &quot;C ~~dot downmajor~~-~~seven down-nine~~&quot;

C D Eb G Bb^ = Cm9(^7) = &quot;C minor nine up-seven&quot; (in certain EDOs, Cm9(~7) = &quot;C minor nine mid-seven&quot;)

C D Eb^ G Bb^ = C.^m9 = &quot;C dot upminor-nine&quot; (in certain EDOs, C9(~3) = &quot;C nine mid-three&quot;)

C Db E G Bb = C(b9) = &quot;C flat-nine&quot; (not Cb9 = &quot;C~~-flat~~ nine&quot; ~~= Cb Db Eb Gb Bbb~~)

C Db E G Bb = C(b9) = &quot;C flat-nine&quot; (not Cb9 = Cb Db Eb Gb Bbb) (in perfect EDOs, C9 = &quot;C nine&quot;)

C Db Ev G Bb = Cb9(v3) = &quot;C flat-nine down-three&quot;

C Db E G Bbv = Cb9(v7) = &quot;C flat-nine down-seven&quot;

C Dbv E G Bb = C7(vb9) = &quot;C seven downflat-nine&quot;, or Cb9(v9) = &quot;C flat-nine down-nine&quot;

C Db Ev G Bbv = C.~~v7(b9)~~ = &quot;C dot down~~-seven~~ flat-nine&quot;

C Db Ev G Bbv = C.vb9 = &quot;C dot down flat-nine&quot;

C Dbv Ev G Bb = Cb9(v3,v9) = &quot;C flat-nine down-three down-nine&quot;, or C7(v3,vb9)

C Dbv E G Bbv = Cb9(v7,v9) = &quot;C flat-nine down-seven down-nine&quot;, or C(v7,vb9)

C Dbv Ev G Bbv = C.v7(vb9) = &quot;C dot down seven downflat-nine&quot;

C Dbv Ev G Bbv = C.v7(vb9) = &quot;C dot down seven downflat-nine&quot;, or C.vb9(v9)

<h4 id="toc8"><a name="Naming Chords-Chord names in other EDOs--Example EDOs:"></a>Example EDOs:</h4>

@@ Line 1: / Line 1: @@
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-: This revision was by author [[User:TallKite|TallKite]] and made on <tt>2016-08-02 17:36:40 UTC</tt>.<br>
+: This revision was by author [[User:TallKite|TallKite]] and made on <tt>2016-08-02 19:37:21 UTC</tt>.<br>
-: The original revision id was <tt>588720252</tt>.<br>
+: The original revision id was <tt>588723470</tt>.<br>
 : The revision comment was: <tt></tt><br>
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@@ Line 320: / Line 320: @@
 ==__Chord names in other EDOs__==
-When applied to notes, the mid symbol "~"means "neither up nor down". But in chord names it means "exactly midway between major and minor", hence neutral. This only applies to certain "neutral EDOs" in which the sharp equals an even number of EDOsteps. For example, in 10edo, 17edo, 24edo, 31edo, etc., a sharp is two EDOsteps, upminor equals downmajor, and "mid" replaces both terms. In 20edo, 27edo, 34edo, 41edo, etc., a sharp is four EDOsteps, and mid replaces both double-upminor and double-downmajor.
+When applied to notes, the mid symbol "~"means "neither up nor down". But in chord names it means "exactly midway between major and minor", hence neutral. This only applies to certain "neutral EDOs" in which the sharp equals an even number of EDOsteps. For example, in every seventh EDO (10edo, 17edo, 24edo, 31edo, etc.), a sharp is two EDOsteps, upminor equals downmajor, and "mid" replaces both terms. In 20edo, 27edo, 34edo, 41edo, etc., a sharp is four EDOsteps, and mid replaces both double-upminor and double-downmajor.
-In perfect EDOs (7, 14, 21, 28 and 35), every interval is perfect, and there is no major or minor. In the following list, omit major, minor, dim and aug. Substitute up for upmajor and upminor, and down for downmajor and downminor. The C-E-G chord is called "C perfect" or simply "C". The D-F-A chord is "D perfect" or "D".
+In perfect EDOs (7, 14, 21, 28 and 35), every interval is perfect, and there is no major or minor. In the following list of chord names, omit major, minor, dim and aug. Substitute up for upmajor and upminor, and down for downmajor and downminor. The C-E-G chord is called "C perfect" or simply "C". The D-F-A chord is "D perfect" or "D".
-In general, the period is pronounced as "dot". For example, C.v is "C dot down", because "C down" means Cv major = Cv Ev Gv. However sometimes a slight pause suffices, e.g. C.vm = "C downminor" and Cv.m = "C-down minor". This is analogous to saying "A-flat nine" for Ab C Eb Gb Bb and "A flat-nine" for A C# E G Bb. However C.v7 must be "C dot down-seven" because "C down-seven" is C(v7) = C E G Bbv. Even if the period doesn't need to be pronounced, it's always acceptable to do so.
+A period in a chord name is pronounced as "dot". For example, C.v = C Ev G is "C dot down", because "C down" means Cv major = Cv Ev Gv. If there are any words after the up/down, a slight pause suffices, e.g. C.vm = "C downminor" and Cv.m = "C-down minor". This is analogous to saying "A-flat nine" for Ab C Eb Gb Bb vs. "A flat-nine" for A C# E G Bb. Even if the period doesn't need to be pronounced, it's always acceptable to do so. However C.v7 must be "C dot down-seven" because "C down-seven" is C(v7) = C E G Bbv.
-Applying "dot up" or "dot down" to a chord raises or lowers the 3rd, and also the 6th or the 7th, if present. Thus "C dot down nine" = C.v9 = C Ev G Bbv D. The rationale for this rule is that a chord often has a note a perfect fourth or fifth above the 3rd (e.g. the maj6, min7, maj7, 6/9, min9 and maj9 chords). Furthermore, in many EDOs, upfifths, downfifths, upfourths and downfourths will all be quite dissonant and rarely used in chords. Thus if the 3rd is upped or downed, the 6th or 7th likely would be too. However the 9th likely wouldn't, because that would create an upfifth or a downfifth with the fifth.
+Applying "dot up" or "dot down" to a chord raises or lowers the 3rd, and also the 6th or the 7th, if present. Thus "C dot down nine" is the usual C9 chord with the 3rd and 7th lowered: C.v9 = C Ev G Bbv D. A "dot mid" chord has a neutral 3rd and a neutral 6th/7th. The rationale for this rule is that a chord often has a note a perfect fourth or fifth above the 3rd. Furthermore, in many EDOs, upfifths, downfifths, upfourths and downfourths will all be quite dissonant and rarely used in chords. Thus if the 3rd is upped or downed, the 6th or 7th likely would be too. However the 9th likely wouldn't, because that would create an upfifth or a downfifth with the 5th.
 __**Various triads:**__
-C D G = Csus2 = "C sus two"
+C D G = Csus2 or C2 = "C sus two" or "C two"
-C D^ G = Csus^2 = "C sus up-two"
+C D^ G = Csus^2 or C.^2 = "C sus up-two" or "C up-two" (not "C-up two", which would be C^.2 = C^ D^ G^)
-C D^^ G = Csus^^2 = "C sus double-up two"
+C D^^ G = Csus^^2 or C.^^2 = "C sus double-up two" or "C double-up-two"
 C Eb G = Cm = "C minor" (in perfect EDOs, C = "C" or "C perfect")
-C Ebv G = C.vm = "C downminor" (in perfect EDOs, C.v = "C dot down") ("C-down minor" would be Cv.m = Cv Ebv Gv)
+C Ebv G = C.vm = "C downminor" (in perfect EDOs, C.v = "C dot down") (not "C-down minor" = Cv.m = Cv Ebv Gv)
-C Ebvv G = C.vvm = "C double-downminor" or "C dot double-downminor"
+C Ebvv G = C.vvm = "C double-downminor" (not "C-double-down minor" = Cvv.m = Cvv Ebvv Gvv)
-C Eb^ G = C.^m = "C upminor" or "C dot upminor" (in EDOs 10, 17, 24, 31, etc., C~ = "C mid")
+C Eb^ G = C.^m = "C upminor" (in EDOs 10, 17, 24, 31, etc., C~ = "C mid")
-C Eb^^ G = C.^^m = "C double-upminor" or "C dot double-upminor" (in EDOs 20, 27, 34, 41, etc., C~ = "C mid")
+C Eb^^ G = C.^^m = "C double-upminor" (in EDOs 20, 27, 34, 41, etc., C~ = "C mid")
 C E G = C = "C" or "C major" (in perfect EDOs, "C" or "C perfect")
-C Ev G = C.v = "C dot down" or "C downmajor" (in EDOs 10, 17, 24, 31, etc., C~ = "C mid")
+C Ev G = C.v = "C downmajor" or "C dot down" (in EDOs 10, 17, 24, 31, etc., C~ = "C mid")
-C Evv G = C.vv = "C dot double-down" or "C double-downmajor" (in EDOs 20, 27, 34, 41, etc., C~ = "C mid")
+C Evv G = C.vv = "C double-downmajor" or "C dot double-down" (in EDOs 20, 27, 34, 41, etc., C~ = "C mid")
-C E^ G = C.^ = "C dot up" (not "C up", which would be C^ major = C^ E^ G^), or "C upmajor"
+C E^ G = C.^ = "C upmajor" or "C dot up" (not "C up", which would be C^ major = C^ E^ G^)
-C E^^ G = C.^^ = "C dot double-up" or "C double-upmajor"
+C E^^ G = C.^^ = "C double-upmajor" or "C dot double-up"
-C F G = Csus4 = "C sus four"
+C F G = C4 or Csus or Csus4 = "C four" or "C sus" or "C sus four"
-C Fv G = Csusv4 = "C sus down-four"
+C Fv G = C.v4 or Csusv4 = "C down-four" or "C sus down-four"
-C Fvv G = Csusvv4 = "C sus double-down four"
+C Fvv G = C.vv4 or Csusvv4 = "C double-down-four" or "C sus double-down four"
 C D# G = Csus#2 = "C sus sharp-two" or "C sus aug-two"
-C Ebb G = C(bb3) = "C dim-three"
+C Ebb G = C(bb3) = "C dim-three" (or possibly "C double-flat-three")
 C E# G = C(#3) = "C sharp-three" or "C aug-three"
-C Fb G = Csusb4 = "C sus flat-four" or "C sus dim-four"
+C Fb G = C.b4 or Csusb4 = "C flat-four" or "C dim-four"
 __**Altered fifths:**__
@@ Line 358: / Line 358: @@
 C Eb Gbv = Cdim(v5) = "C dim down-five"
 C Eb Gb^ = Cdim(^5) = "C dim up-five"
-C Eb^ Gb = Cdim(^3) = "C dim up-three" (in certain EDOs, C~(b5) = "C mid flat-five")
+C Eb^ Gb = Cdim(^3) = "C dim up-three" (in certain EDOs, Cdim(~3) = "C dim mid-three", or C~(b5) = "C mid flat-five")
 (note that here "up-three" means upminor 3rd, not upmajor 3rd, because "dim" indicates a minor 3rd)
 C Eb^ Gb^ = Cdim(^3,^5) = "C dim up-three up-five" (in certain EDOs, C~(^b5) = "C mid upflat-five")
 C Eb Gv = Cm(v5) = "C minor down-five"
-C Ebv Gv = C.vm(v5) = "C downminor down-five" or "C dot downminor down-five"
+C Ebv Gv = C.vm(v5) = "C downminor down-five"
 C E Gv = C(v5) = "C down-five" (not "C-down five", which would be a Cv power chord Cv.5 = Cv Gv)
 C E G^ = C(^5) = "C up-five"
 C E^ G^ = C.^(^5) = "C dot up, up-five"
-C Ev Gv = C.v(v5) = "C dot down, down-five" (in certain EDOs, C~(v5) = "C mid down-five")
+C Ev Gv = C.v(v5) = "C dot down down-five" or "C downmajor down-five" (in certain EDOs, C~(v5) = "C mid down-five")
 C E G# is Caug = "C aug" (in perfect EDOs, C = "C" or "C perfect")
@@ Line 376: / Line 376: @@
 C D# Gb = Csus#2(b5) = "C sus sharp-two, flat-five"
-C Ebb Gb = Cdim(bb3) = "C dim dim-three"
+C Ebb Gb = Cdim(bb3) = "C dim dim-three" (or possibly "C dim double-flat-three")
 C Eb G# is Cmin(#5) = "C minor sharp-five"
 C E# G# is Caug(#3) = "C aug sharp-three"
-C Fb G# is Caug,susb4 = "C aug sus flat-four"
+C Fb G# is C.b4(#5) or Csusb4(#5) = "C flat-four sharp-five" or "C sus flat-four sharp-five"
 __**Seventh chords:**__
@@ Line 385: / Line 385: @@
 C Ev G Bb = C7(v3) = "C seven down-three" (in certain EDOs, C7(~3) = "C seven mid-three")
 C E G Bbv = C(v7) = "C down-seven" (not "C-down seven", which would be Cv.7 = Cv Ev Gv Bbv)
-C Ev G Bbv = C.v7 = "C dot down-seven" (in certain EDOs, C~(v7) = "C mid down-seven")
+C Ev G Bbv = C.v7 = "C dot down seven" (in certain EDOs, C~(v7) = "C mid down-seven")
 C E Gv Bb = C7(v5) = "C seven down-five"
 C Ev Gv Bb = C7(v3,v5) = "C seven down-three down-five"
@@ Line 396: / Line 396: @@
 C Eb^ G Bb = Cm7(^3) = "C minor seven up-three" (in certain EDOs, C7(~3) = "C seven mid-three")
 C Eb G Bb^ = Cm(^7) = "C minor up-seven" (in certain EDOs, Cm(~7) = "C minor mid-seven")
-C Eb^ G Bb^ = C.^m7 = "C (dot) upminor seven" (in certain EDOs, C.~7 = "C dot mid-seven")
+C Eb^ G Bb^ = C.^m7 = "C (dot) upminor seven" (in certain EDOs, C.~7 = "C dot mid seven")
 C E G B = CM7 = "C major seven" (in perfect EDOs, C7 = "C seven")
@@ Line 419: / Line 419: @@
 C Eb^ Gb^ Bb^ = C.^m7(^b5) = "C dot upminor seven upflat-five" or "C half-dim up-three up-five up-seven"
+C E G Bbb = C(bb7) = "C double-flat-seven" (not "C dim-seven", that sounds like Cdim7 = C Eb Gb Bbb)
 C E G B# is C(#7) = "C sharp-seven" (not "C aug-seven", that sounds like "C aug seven" = Caug7)
-C E G Cb = C(b8) = "C dim-eight" or "C flat-eight"
+C E G Cb = C(b8) = "C flat-eight" or "C dim-eight"
 __**Sixth chords:**__
@@ Line 436: / Line 437: @@
 C E G Ab = C(b6) = "C flat-six" (not "C minor-six" because that sounds like "C minor six" = Cm6)
 C E G A# is C(#6) = "C sharp-six"
 __**Ninth chords:**__
@@ Line 445: / Line 445: @@
 C D E G Bb = C9 = "C nine"
-C D Ev G Bb = C9(v3) = "C nine down-three"
+C D Ev G Bb = C9(v3) = "C nine down-three" (in certain EDOs, C9(~3) = "C nine mid-three")
-C D E G Bbv = C9(v7) = "C nine down-seven"
+C D E G Bb^ = C9(^7) = "C nine up-seven" (in certain EDOs, C9(~7) = "C nine mid-seven")
 C Dv E G Bb = C7(v9) = "C seven down-nine" or C9(v9) = "C nine down-nine"
-C D Ev G Bbv = C.v9 = "C dot down-nine"
+C D Ev G Bbv = C.v9 = "C dot down nine"
 C Dv Ev G Bb = C7(v3,v9) = "C seven down-three down-nine"
 C Dv E G Bbv = C(v7,v9) = "C down-seven down-nine"
@@ Line 454: / Line 454: @@
 C Dv Ev Gv Bbv = C.v7(v5,v9) = "C dot down-seven down-five down-nine"
-C D E G B = CM9 = "C major nine"
+C D E G B = CM9 = "C major nine" (in perfect EDOs, C9 = "C nine")
-C D Ev G B = CM9(v3) = "C major nine down-three"
+C D Ev G B = CM9(v3) = "C major nine down-three" (in certain EDOs, CM9(~3) = "C major nine mid-three")
-C D E G Bv = CM9(v7) = "C major nine down-seven"
+C D E G Bv = CM9(v7) = "C major nine down-seven" (in certain EDOs, CM9(~7) = "C major nine mid-seven")
-C Dv E G B = CM7(v9) = "C major seven down-nine"
+C D Ev G Bv = C.vM9 = "C dot down major-nine" (in certain EDOs, C.~M9 = "C dot mid major nine")
-C D Ev G Bv = C.vM9 = "C dot downmajor-nine"
-C Dv Ev G B = CM7(v3,v9) = "C major seven down-three down-nine"
+C D Eb G Bb = Cm9 = "C minor nine" (in perfect EDOs, C9 = "C nine")
-C Dv E G Bv = C(vM7,v9) = "C downmajor-seven down-nine"
+C D Eb^ G Bb = Cm9(^3) = "C minor nine up-three" (in certain EDOs, C9(~3) = "C nine mid-three")
-C Dv Ev G Bv = C.vM7(v9) = "C dot downmajor-seven down-nine"
+C D Eb G Bb^ = Cm9(^7) = "C minor nine up-seven" (in certain EDOs, Cm9(~7) = "C minor nine mid-seven")
+C D Eb^ G Bb^ = C.^m9 = "C dot upminor-nine" (in certain EDOs, C9(~3) = "C nine mid-three")
-C Db E G Bb = C(b9) = "C flat-nine" (not Cb9 = "C-flat nine" = Cb Db Eb Gb Bbb)
+C Db E G Bb = C(b9) = "C flat-nine" (not Cb9 = Cb Db Eb Gb Bbb) (in perfect EDOs, C9 = "C nine")
 C Db Ev G Bb = Cb9(v3) = "C flat-nine down-three"
 C Db E G Bbv = Cb9(v7) = "C flat-nine down-seven"
 C Dbv E G Bb = C7(vb9) = "C seven downflat-nine", or Cb9(v9) = "C flat-nine down-nine"
-C Db Ev G Bbv = C.v7(b9) = "C dot down-seven flat-nine"
+C Db Ev G Bbv = C.vb9 = "C dot down flat-nine"
 C Dbv Ev G Bb = Cb9(v3,v9) = "C flat-nine down-three down-nine", or C7(v3,vb9)
 C Dbv E G Bbv = Cb9(v7,v9) = "C flat-nine down-seven down-nine", or C(v7,vb9)
-C Dbv Ev G Bbv = C.v7(vb9) = "C dot down seven downflat-nine"
+C Dbv Ev G Bbv = C.v7(vb9) = "C dot down seven downflat-nine", or C.vb9(v9)
 ====__**Example EDOs:**__====
@@ Line 1,633: / Line 1,634: @@
   &lt;!-- ws:start:WikiTextHeadingRule:14:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc7"&gt;&lt;a name="Naming Chords-Chord names in other EDOs"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:14 --&gt;&lt;u&gt;Chord names in other EDOs&lt;/u&gt;&lt;/h2&gt;
   &lt;br /&gt;
-When applied to notes, the mid symbol &amp;quot;~&amp;quot;means &amp;quot;neither up nor down&amp;quot;. But in chord names it means &amp;quot;exactly midway between major and minor&amp;quot;, hence neutral. This only applies to certain &amp;quot;neutral EDOs&amp;quot; in which the sharp equals an even number of EDOsteps. For example, in 10edo, 17edo, 24edo, 31edo, etc., a sharp is two EDOsteps, upminor equals downmajor, and &amp;quot;mid&amp;quot; replaces both terms. In 20edo, 27edo, 34edo, 41edo, etc., a sharp is four EDOsteps, and mid replaces both double-upminor and double-downmajor.&lt;br /&gt;
+When applied to notes, the mid symbol &amp;quot;~&amp;quot;means &amp;quot;neither up nor down&amp;quot;. But in chord names it means &amp;quot;exactly midway between major and minor&amp;quot;, hence neutral. This only applies to certain &amp;quot;neutral EDOs&amp;quot; in which the sharp equals an even number of EDOsteps. For example, in every seventh EDO (10edo, 17edo, 24edo, 31edo, etc.), a sharp is two EDOsteps, upminor equals downmajor, and &amp;quot;mid&amp;quot; replaces both terms. In 20edo, 27edo, 34edo, 41edo, etc., a sharp is four EDOsteps, and mid replaces both double-upminor and double-downmajor.&lt;br /&gt;
 &lt;br /&gt;
-In perfect EDOs (7, 14, 21, 28 and 35), every interval is perfect, and there is no major or minor. In the following list, omit major, minor, dim and aug. Substitute up for upmajor and upminor, and down for downmajor and downminor. The C-E-G chord is called &amp;quot;C perfect&amp;quot; or simply &amp;quot;C&amp;quot;. The D-F-A chord is &amp;quot;D perfect&amp;quot; or &amp;quot;D&amp;quot;.&lt;br /&gt;
+In perfect EDOs (7, 14, 21, 28 and 35), every interval is perfect, and there is no major or minor. In the following list of chord names, omit major, minor, dim and aug. Substitute up for upmajor and upminor, and down for downmajor and downminor. The C-E-G chord is called &amp;quot;C perfect&amp;quot; or simply &amp;quot;C&amp;quot;. The D-F-A chord is &amp;quot;D perfect&amp;quot; or &amp;quot;D&amp;quot;.&lt;br /&gt;
 &lt;br /&gt;
-In general, the period is pronounced as &amp;quot;dot&amp;quot;. For example, C.v is &amp;quot;C dot down&amp;quot;, because &amp;quot;C down&amp;quot; means Cv major = Cv Ev Gv. However sometimes a slight pause suffices, e.g. C.vm = &amp;quot;C downminor&amp;quot; and Cv.m = &amp;quot;C-down minor&amp;quot;. This is analogous to saying &amp;quot;A-flat nine&amp;quot; for Ab C Eb Gb Bb and &amp;quot;A flat-nine&amp;quot; for A C# E G Bb. However C.v7 must be &amp;quot;C dot down-seven&amp;quot; because &amp;quot;C down-seven&amp;quot; is C(v7) = C E G Bbv. Even if the period doesn't need to be pronounced, it's always acceptable to do so.&lt;br /&gt;
+A period in a chord name is pronounced as &amp;quot;dot&amp;quot;. For example, C.v = C Ev G is &amp;quot;C dot down&amp;quot;, because &amp;quot;C down&amp;quot; means Cv major = Cv Ev Gv. If there are any words after the up/down, a slight pause suffices, e.g. C.vm = &amp;quot;C downminor&amp;quot; and Cv.m = &amp;quot;C-down minor&amp;quot;. This is analogous to saying &amp;quot;A-flat nine&amp;quot; for Ab C Eb Gb Bb vs. &amp;quot;A flat-nine&amp;quot; for A C# E G Bb. Even if the period doesn't need to be pronounced, it's always acceptable to do so. However C.v7 must be &amp;quot;C dot down-seven&amp;quot; because &amp;quot;C down-seven&amp;quot; is C(v7) = C E G Bbv.&lt;br /&gt;
 &lt;br /&gt;
-Applying &amp;quot;dot up&amp;quot; or &amp;quot;dot down&amp;quot; to a chord raises or lowers the 3rd, and also the 6th or the 7th, if present. Thus &amp;quot;C dot down nine&amp;quot; = C.v9 = C Ev G Bbv D. The rationale for this rule is that a chord often has a note a perfect fourth or fifth above the 3rd (e.g. the maj6, min7, maj7, 6/9, min9 and maj9 chords). Furthermore, in many EDOs, upfifths, downfifths, upfourths and downfourths will all be quite dissonant and rarely used in chords. Thus if the 3rd is upped or downed, the 6th or 7th likely would be too. However the 9th likely wouldn't, because that would create an upfifth or a downfifth with the fifth.&lt;br /&gt;
+Applying &amp;quot;dot up&amp;quot; or &amp;quot;dot down&amp;quot; to a chord raises or lowers the 3rd, and also the 6th or the 7th, if present. Thus &amp;quot;C dot down nine&amp;quot; is the usual C9 chord with the 3rd and 7th lowered: C.v9 = C Ev G Bbv D. A &amp;quot;dot mid&amp;quot; chord has a neutral 3rd and a neutral 6th/7th. The rationale for this rule is that a chord often has a note a perfect fourth or fifth above the 3rd. Furthermore, in many EDOs, upfifths, downfifths, upfourths and downfourths will all be quite dissonant and rarely used in chords. Thus if the 3rd is upped or downed, the 6th or 7th likely would be too. However the 9th likely wouldn't, because that would create an upfifth or a downfifth with the 5th.&lt;br /&gt;
 &lt;br /&gt;
 &lt;u&gt;&lt;strong&gt;Various triads:&lt;/strong&gt;&lt;/u&gt;&lt;br /&gt;
-C D G = Csus2 = &amp;quot;C sus two&amp;quot;&lt;br /&gt;
+C D G = Csus2 or C2 = &amp;quot;C sus two&amp;quot; or &amp;quot;C two&amp;quot;&lt;br /&gt;
-C D^ G = Csus^2 = &amp;quot;C sus up-two&amp;quot;&lt;br /&gt;
+C D^ G = Csus^2 or C.^2 = &amp;quot;C sus up-two&amp;quot; or &amp;quot;C up-two&amp;quot; (not &amp;quot;C-up two&amp;quot;, which would be C^.2 = C^ D^ G^)&lt;br /&gt;
-C D^^ G = Csus^^2 = &amp;quot;C sus double-up two&amp;quot;&lt;br /&gt;
+C D^^ G = Csus^^2 or C.^^2 = &amp;quot;C sus double-up two&amp;quot; or &amp;quot;C double-up-two&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
 C Eb G = Cm = &amp;quot;C minor&amp;quot; (in perfect EDOs, C = &amp;quot;C&amp;quot; or &amp;quot;C perfect&amp;quot;)&lt;br /&gt;
-C Ebv G = C.vm = &amp;quot;C downminor&amp;quot; (in perfect EDOs, C.v = &amp;quot;C dot down&amp;quot;) (&amp;quot;C-down minor&amp;quot; would be Cv.m = Cv Ebv Gv)&lt;br /&gt;
+C Ebv G = C.vm = &amp;quot;C downminor&amp;quot; (in perfect EDOs, C.v = &amp;quot;C dot down&amp;quot;) (not &amp;quot;C-down minor&amp;quot; = Cv.m = Cv Ebv Gv)&lt;br /&gt;
-C Ebvv G = C.vvm = &amp;quot;C double-downminor&amp;quot; or &amp;quot;C dot double-downminor&amp;quot;&lt;br /&gt;
+C Ebvv G = C.vvm = &amp;quot;C double-downminor&amp;quot; (not &amp;quot;C-double-down minor&amp;quot; = Cvv.m = Cvv Ebvv Gvv)&lt;br /&gt;
-C Eb^ G = C.^m = &amp;quot;C upminor&amp;quot; or &amp;quot;C dot upminor&amp;quot; (in EDOs 10, 17, 24, 31, etc., C~ = &amp;quot;C mid&amp;quot;)&lt;br /&gt;
+C Eb^ G = C.^m = &amp;quot;C upminor&amp;quot; (in EDOs 10, 17, 24, 31, etc., C~ = &amp;quot;C mid&amp;quot;)&lt;br /&gt;
-C Eb^^ G = C.^^m = &amp;quot;C double-upminor&amp;quot; or &amp;quot;C dot double-upminor&amp;quot; (in EDOs 20, 27, 34, 41, etc., C~ = &amp;quot;C mid&amp;quot;)&lt;br /&gt;
+C Eb^^ G = C.^^m = &amp;quot;C double-upminor&amp;quot; (in EDOs 20, 27, 34, 41, etc., C~ = &amp;quot;C mid&amp;quot;)&lt;br /&gt;
 &lt;br /&gt;
 C E G = C = &amp;quot;C&amp;quot; or &amp;quot;C major&amp;quot; (in perfect EDOs, &amp;quot;C&amp;quot; or &amp;quot;C perfect&amp;quot;)&lt;br /&gt;
-C Ev G = C.v = &amp;quot;C dot down&amp;quot; or &amp;quot;C downmajor&amp;quot; (in EDOs 10, 17, 24, 31, etc., C~ = &amp;quot;C mid&amp;quot;)&lt;br /&gt;
+C Ev G = C.v = &amp;quot;C downmajor&amp;quot; or &amp;quot;C dot down&amp;quot; (in EDOs 10, 17, 24, 31, etc., C~ = &amp;quot;C mid&amp;quot;)&lt;br /&gt;
-C Evv G = C.vv = &amp;quot;C dot double-down&amp;quot; or &amp;quot;C double-downmajor&amp;quot; (in EDOs 20, 27, 34, 41, etc., C~ = &amp;quot;C mid&amp;quot;)&lt;br /&gt;
+C Evv G = C.vv = &amp;quot;C double-downmajor&amp;quot; or &amp;quot;C dot double-down&amp;quot; (in EDOs 20, 27, 34, 41, etc., C~ = &amp;quot;C mid&amp;quot;)&lt;br /&gt;
-C E^ G = C.^ = &amp;quot;C dot up&amp;quot; (not &amp;quot;C up&amp;quot;, which would be C^ major = C^ E^ G^), or &amp;quot;C upmajor&amp;quot;&lt;br /&gt;
+C E^ G = C.^ = &amp;quot;C upmajor&amp;quot; or &amp;quot;C dot up&amp;quot; (not &amp;quot;C up&amp;quot;, which would be C^ major = C^ E^ G^)&lt;br /&gt;
-C E^^ G = C.^^ = &amp;quot;C dot double-up&amp;quot; or &amp;quot;C double-upmajor&amp;quot;&lt;br /&gt;
+C E^^ G = C.^^ = &amp;quot;C double-upmajor&amp;quot; or &amp;quot;C dot double-up&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
-C F G = Csus4 = &amp;quot;C sus four&amp;quot;&lt;br /&gt;
+C F G = C4 or Csus or Csus4 = &amp;quot;C four&amp;quot; or &amp;quot;C sus&amp;quot; or &amp;quot;C sus four&amp;quot;&lt;br /&gt;
-C Fv G = Csusv4 = &amp;quot;C sus down-four&amp;quot;&lt;br /&gt;
+C Fv G = C.v4 or Csusv4 = &amp;quot;C down-four&amp;quot; or &amp;quot;C sus down-four&amp;quot;&lt;br /&gt;
-C Fvv G = Csusvv4 = &amp;quot;C sus double-down four&amp;quot;&lt;br /&gt;
+C Fvv G = C.vv4 or Csusvv4 = &amp;quot;C double-down-four&amp;quot; or &amp;quot;C sus double-down four&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
 C D# G = Csus#2 = &amp;quot;C sus sharp-two&amp;quot; or &amp;quot;C sus aug-two&amp;quot;&lt;br /&gt;
-C Ebb G = C(bb3) = &amp;quot;C dim-three&amp;quot;&lt;br /&gt;
+C Ebb G = C(bb3) = &amp;quot;C dim-three&amp;quot; (or possibly &amp;quot;C double-flat-three&amp;quot;)&lt;br /&gt;
 C E# G = C(#3) = &amp;quot;C sharp-three&amp;quot; or &amp;quot;C aug-three&amp;quot;&lt;br /&gt;
-C Fb G = Csusb4 = &amp;quot;C sus flat-four&amp;quot; or &amp;quot;C sus dim-four&amp;quot;&lt;br /&gt;
+C Fb G = C.b4 or Csusb4 = &amp;quot;C flat-four&amp;quot; or &amp;quot;C dim-four&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
 &lt;u&gt;&lt;strong&gt;Altered fifths:&lt;/strong&gt;&lt;/u&gt;&lt;br /&gt;
@@ Line 1,671: / Line 1,672: @@
 C Eb Gbv = Cdim(v5) = &amp;quot;C dim down-five&amp;quot;&lt;br /&gt;
 C Eb Gb^ = Cdim(^5) = &amp;quot;C dim up-five&amp;quot;&lt;br /&gt;
-C Eb^ Gb = Cdim(^3) = &amp;quot;C dim up-three&amp;quot; (in certain EDOs, C~(b5) = &amp;quot;C mid flat-five&amp;quot;)&lt;br /&gt;
+C Eb^ Gb = Cdim(^3) = &amp;quot;C dim up-three&amp;quot; (in certain EDOs, Cdim(~3) = &amp;quot;C dim mid-three&amp;quot;, or C~(b5) = &amp;quot;C mid flat-five&amp;quot;)&lt;br /&gt;
 (note that here &amp;quot;up-three&amp;quot; means upminor 3rd, not upmajor 3rd, because &amp;quot;dim&amp;quot; indicates a minor 3rd)&lt;br /&gt;
 C Eb^ Gb^ = Cdim(^3,^5) = &amp;quot;C dim up-three up-five&amp;quot; (in certain EDOs, C~(^b5) = &amp;quot;C mid upflat-five&amp;quot;)&lt;br /&gt;
 &lt;br /&gt;
 C Eb Gv = Cm(v5) = &amp;quot;C minor down-five&amp;quot;&lt;br /&gt;
-C Ebv Gv = C.vm(v5) = &amp;quot;C downminor down-five&amp;quot; or &amp;quot;C dot downminor down-five&amp;quot;&lt;br /&gt;
+C Ebv Gv = C.vm(v5) = &amp;quot;C downminor down-five&amp;quot;&lt;br /&gt;
 C E Gv = C(v5) = &amp;quot;C down-five&amp;quot; (not &amp;quot;C-down five&amp;quot;, which would be a Cv power chord Cv.5 = Cv Gv)&lt;br /&gt;
 C E G^ = C(^5) = &amp;quot;C up-five&amp;quot;&lt;br /&gt;
 C E^ G^ = C.^(^5) = &amp;quot;C dot up, up-five&amp;quot;&lt;br /&gt;
-C Ev Gv = C.v(v5) = &amp;quot;C dot down, down-five&amp;quot; (in certain EDOs, C~(v5) = &amp;quot;C mid down-five&amp;quot;)&lt;br /&gt;
+C Ev Gv = C.v(v5) = &amp;quot;C dot down down-five&amp;quot; or &amp;quot;C downmajor down-five&amp;quot; (in certain EDOs, C~(v5) = &amp;quot;C mid down-five&amp;quot;)&lt;br /&gt;
 &lt;br /&gt;
 C E G# is Caug = &amp;quot;C aug&amp;quot; (in perfect EDOs, C = &amp;quot;C&amp;quot; or &amp;quot;C perfect&amp;quot;)&lt;br /&gt;
@@ Line 1,689: / Line 1,690: @@
 &lt;br /&gt;
 C D# Gb = Csus#2(b5) = &amp;quot;C sus sharp-two, flat-five&amp;quot;&lt;br /&gt;
-C Ebb Gb = Cdim(bb3) = &amp;quot;C dim dim-three&amp;quot;&lt;br /&gt;
+C Ebb Gb = Cdim(bb3) = &amp;quot;C dim dim-three&amp;quot; (or possibly &amp;quot;C dim double-flat-three&amp;quot;)&lt;br /&gt;
 C Eb G# is Cmin(#5) = &amp;quot;C minor sharp-five&amp;quot;&lt;br /&gt;
 C E# G# is Caug(#3) = &amp;quot;C aug sharp-three&amp;quot;&lt;br /&gt;
-C Fb G# is Caug,susb4 = &amp;quot;C aug sus flat-four&amp;quot;&lt;br /&gt;
+C Fb G# is C.b4(#5) or Csusb4(#5) = &amp;quot;C flat-four sharp-five&amp;quot; or &amp;quot;C sus flat-four sharp-five&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
 &lt;u&gt;&lt;strong&gt;Seventh chords:&lt;/strong&gt;&lt;/u&gt;&lt;br /&gt;
@@ Line 1,698: / Line 1,699: @@
 C Ev G Bb = C7(v3) = &amp;quot;C seven down-three&amp;quot; (in certain EDOs, C7(~3) = &amp;quot;C seven mid-three&amp;quot;)&lt;br /&gt;
 C E G Bbv = C(v7) = &amp;quot;C down-seven&amp;quot; (not &amp;quot;C-down seven&amp;quot;, which would be Cv.7 = Cv Ev Gv Bbv)&lt;br /&gt;
-C Ev G Bbv = C.v7 = &amp;quot;C dot down-seven&amp;quot; (in certain EDOs, C~(v7) = &amp;quot;C mid down-seven&amp;quot;)&lt;br /&gt;
+C Ev G Bbv = C.v7 = &amp;quot;C dot down seven&amp;quot; (in certain EDOs, C~(v7) = &amp;quot;C mid down-seven&amp;quot;)&lt;br /&gt;
 C E Gv Bb = C7(v5) = &amp;quot;C seven down-five&amp;quot;&lt;br /&gt;
 C Ev Gv Bb = C7(v3,v5) = &amp;quot;C seven down-three down-five&amp;quot;&lt;br /&gt;
@@ Line 1,709: / Line 1,710: @@
 C Eb^ G Bb = Cm7(^3) = &amp;quot;C minor seven up-three&amp;quot; (in certain EDOs, C7(~3) = &amp;quot;C seven mid-three&amp;quot;)&lt;br /&gt;
 C Eb G Bb^ = Cm(^7) = &amp;quot;C minor up-seven&amp;quot; (in certain EDOs, Cm(~7) = &amp;quot;C minor mid-seven&amp;quot;)&lt;br /&gt;
-C Eb^ G Bb^ = C.^m7 = &amp;quot;C (dot) upminor seven&amp;quot; (in certain EDOs, C.~7 = &amp;quot;C dot mid-seven&amp;quot;)&lt;br /&gt;
+C Eb^ G Bb^ = C.^m7 = &amp;quot;C (dot) upminor seven&amp;quot; (in certain EDOs, C.~7 = &amp;quot;C dot mid seven&amp;quot;)&lt;br /&gt;
 &lt;br /&gt;
 C E G B = CM7 = &amp;quot;C major seven&amp;quot; (in perfect EDOs, C7 = &amp;quot;C seven&amp;quot;)&lt;br /&gt;
@@ Line 1,732: / Line 1,733: @@
 C Eb^ Gb^ Bb^ = C.^m7(^b5) = &amp;quot;C dot upminor seven upflat-five&amp;quot; or &amp;quot;C half-dim up-three up-five up-seven&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
+C E G Bbb = C(bb7) = &amp;quot;C double-flat-seven&amp;quot; (not &amp;quot;C dim-seven&amp;quot;, that sounds like Cdim7 = C Eb Gb Bbb)&lt;br /&gt;
 C E G B# is C(#7) = &amp;quot;C sharp-seven&amp;quot; (not &amp;quot;C aug-seven&amp;quot;, that sounds like &amp;quot;C aug seven&amp;quot; = Caug7)&lt;br /&gt;
-C E G Cb = C(b8) = &amp;quot;C dim-eight&amp;quot; or &amp;quot;C flat-eight&amp;quot;&lt;br /&gt;
+C E G Cb = C(b8) = &amp;quot;C flat-eight&amp;quot; or &amp;quot;C dim-eight&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
 &lt;u&gt;&lt;strong&gt;Sixth chords:&lt;/strong&gt;&lt;/u&gt;&lt;br /&gt;
@@ Line 1,749: / Line 1,751: @@
 C E G Ab = C(b6) = &amp;quot;C flat-six&amp;quot; (not &amp;quot;C minor-six&amp;quot; because that sounds like &amp;quot;C minor six&amp;quot; = Cm6)&lt;br /&gt;
 C E G A# is C(#6) = &amp;quot;C sharp-six&amp;quot;&lt;br /&gt;
-&lt;br /&gt;
 &lt;br /&gt;
 &lt;u&gt;&lt;strong&gt;Ninth chords:&lt;/strong&gt;&lt;/u&gt;&lt;br /&gt;
@@ Line 1,758: / Line 1,759: @@
 &lt;br /&gt;
 C D E G Bb = C9 = &amp;quot;C nine&amp;quot;&lt;br /&gt;
-C D Ev G Bb = C9(v3) = &amp;quot;C nine down-three&amp;quot;&lt;br /&gt;
+C D Ev G Bb = C9(v3) = &amp;quot;C nine down-three&amp;quot; (in certain EDOs, C9(~3) = &amp;quot;C nine mid-three&amp;quot;)&lt;br /&gt;
-C D E G Bbv = C9(v7) = &amp;quot;C nine down-seven&amp;quot;&lt;br /&gt;
+C D E G Bb^ = C9(^7) = &amp;quot;C nine up-seven&amp;quot; (in certain EDOs, C9(~7) = &amp;quot;C nine mid-seven&amp;quot;)&lt;br /&gt;
 C Dv E G Bb = C7(v9) = &amp;quot;C seven down-nine&amp;quot; or C9(v9) = &amp;quot;C nine down-nine&amp;quot;&lt;br /&gt;
-C D Ev G Bbv = C.v9 = &amp;quot;C dot down-nine&amp;quot;&lt;br /&gt;
+C D Ev G Bbv = C.v9 = &amp;quot;C dot down nine&amp;quot;&lt;br /&gt;
 C Dv Ev G Bb = C7(v3,v9) = &amp;quot;C seven down-three down-nine&amp;quot;&lt;br /&gt;
 C Dv E G Bbv = C(v7,v9) = &amp;quot;C down-seven down-nine&amp;quot;&lt;br /&gt;
@@ Line 1,767: / Line 1,768: @@
 C Dv Ev Gv Bbv = C.v7(v5,v9) = &amp;quot;C dot down-seven down-five down-nine&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
-C D E G B = CM9 = &amp;quot;C major nine&amp;quot;&lt;br /&gt;
+C D E G B = CM9 = &amp;quot;C major nine&amp;quot; (in perfect EDOs, C9 = &amp;quot;C nine&amp;quot;)&lt;br /&gt;
-C D Ev G B = CM9(v3) = &amp;quot;C major nine down-three&amp;quot;&lt;br /&gt;
+C D Ev G B = CM9(v3) = &amp;quot;C major nine down-three&amp;quot; (in certain EDOs, CM9(~3) = &amp;quot;C major nine mid-three&amp;quot;)&lt;br /&gt;
-C D E G Bv = CM9(v7) = &amp;quot;C major nine down-seven&amp;quot;&lt;br /&gt;
+C D E G Bv = CM9(v7) = &amp;quot;C major nine down-seven&amp;quot; (in certain EDOs, CM9(~7) = &amp;quot;C major nine mid-seven&amp;quot;)&lt;br /&gt;
-C Dv E G B = CM7(v9) = &amp;quot;C major seven down-nine&amp;quot;&lt;br /&gt;
+C D Ev G Bv = C.vM9 = &amp;quot;C dot down major-nine&amp;quot; (in certain EDOs, C.~M9 = &amp;quot;C dot mid major nine&amp;quot;)&lt;br /&gt;
-C D Ev G Bv = C.vM9 = &amp;quot;C dot downmajor-nine&amp;quot;&lt;br /&gt;
+&lt;br /&gt;
-C Dv Ev G B = CM7(v3,v9) = &amp;quot;C major seven down-three down-nine&amp;quot;&lt;br /&gt;
+C D Eb G Bb = Cm9 = &amp;quot;C minor nine&amp;quot; (in perfect EDOs, C9 = &amp;quot;C nine&amp;quot;)&lt;br /&gt;
-C Dv E G Bv = C(vM7,v9) = &amp;quot;C downmajor-seven down-nine&amp;quot;&lt;br /&gt;
+C D Eb^ G Bb = Cm9(^3) = &amp;quot;C minor nine up-three&amp;quot; (in certain EDOs, C9(~3) = &amp;quot;C nine mid-three&amp;quot;)&lt;br /&gt;
-C Dv Ev G Bv = C.vM7(v9) = &amp;quot;C dot downmajor-seven down-nine&amp;quot;&lt;br /&gt;
+C D Eb G Bb^ = Cm9(^7) = &amp;quot;C minor nine up-seven&amp;quot; (in certain EDOs, Cm9(~7) = &amp;quot;C minor nine mid-seven&amp;quot;)&lt;br /&gt;
+C D Eb^ G Bb^ = C.^m9 = &amp;quot;C dot upminor-nine&amp;quot; (in certain EDOs, C9(~3) = &amp;quot;C nine mid-three&amp;quot;)&lt;br /&gt;
 &lt;br /&gt;
-C Db E G Bb = C(b9) = &amp;quot;C flat-nine&amp;quot; (not Cb9 = &amp;quot;C-flat nine&amp;quot; = Cb Db Eb Gb Bbb)&lt;br /&gt;
+C Db E G Bb = C(b9) = &amp;quot;C flat-nine&amp;quot; (not Cb9 = Cb Db Eb Gb Bbb) (in perfect EDOs, C9 = &amp;quot;C nine&amp;quot;)&lt;br /&gt;
 C Db Ev G Bb = Cb9(v3) = &amp;quot;C flat-nine down-three&amp;quot;&lt;br /&gt;
 C Db E G Bbv = Cb9(v7) = &amp;quot;C flat-nine down-seven&amp;quot;&lt;br /&gt;
 C Dbv E G Bb = C7(vb9) = &amp;quot;C seven downflat-nine&amp;quot;, or Cb9(v9) = &amp;quot;C flat-nine down-nine&amp;quot;&lt;br /&gt;
-C Db Ev G Bbv = C.v7(b9) = &amp;quot;C dot down-seven flat-nine&amp;quot;&lt;br /&gt;
+C Db Ev G Bbv = C.vb9 = &amp;quot;C dot down flat-nine&amp;quot;&lt;br /&gt;
 C Dbv Ev G Bb = Cb9(v3,v9) = &amp;quot;C flat-nine down-three down-nine&amp;quot;, or C7(v3,vb9)&lt;br /&gt;
 C Dbv E G Bbv = Cb9(v7,v9) = &amp;quot;C flat-nine down-seven down-nine&amp;quot;, or C(v7,vb9)&lt;br /&gt;
-C Dbv Ev G Bbv = C.v7(vb9) = &amp;quot;C dot down seven downflat-nine&amp;quot;&lt;br /&gt;
+C Dbv Ev G Bbv = C.v7(vb9) = &amp;quot;C dot down seven downflat-nine&amp;quot;, or C.vb9(v9)&lt;br /&gt;
 &lt;br /&gt;
 &lt;!-- ws:start:WikiTextHeadingRule:16:&amp;lt;h4&amp;gt; --&gt;&lt;h4 id="toc8"&gt;&lt;a name="Naming Chords-Chord names in other EDOs--Example EDOs:"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:16 --&gt;&lt;u&gt;&lt;strong&gt;Example EDOs:&lt;/strong&gt;&lt;/u&gt;&lt;/h4&gt;