Tútim Dennsuul Wafiil: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>

This is an imported revision from Wikispaces. The revision metadata is included below for reference:

: This revision was by author [[User:Osmiorisbendi|Osmiorisbendi]] and made on <tt>2012-05-03 04:52:35 UTC</tt>.

: This revision was by author [[User:Osmiorisbendi|Osmiorisbendi]] and made on <tt>2012-05-03 19:20:53 UTC</tt>.

: The original revision id was <tt>~~329218980~~</tt>.

: The original revision id was <tt>329678472</tt>.

: The revision comment was: <tt></tt>

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.

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[[image:Icositritar.JPG width="720" height="369"]]

His Icositritar. The electric guitar has been dismantled, for results like a crap in its modification, by a scammer and false luthier ¬¬

But soon I will have my electric guitar renewed.

=== ===

===__TMDW Notes:__===

My particular adherence here in Xenharmonic wiki is for the huge potential that offers the superdiatonic EDDs for the music. Emphirically I discovered that scale when was an adolescent, at the age of 16 years old, when I always dreamed about have my own guitar and bass builded handcrafted and my dilem of how to do the fret positions. Oddly I had discovered a way of how to calculate the distances for the frets: in that beggining I used a Scale Length of 640mm for the guitar, sizing the first fret in other guitar (acoustic guitar of 635mm [25"] Scale Length) and then i realize the operation 'Scale Length/the size of the first fret on that acoustic guitar'. After of that, i applied it for the artisan guitar of 640mm and draw the first fret, and then i did another fret line resting 2mm after the first fret and for each fret drawed i continued resting 2mm to each fret until arrive at the 12º fret. So then, i continued drawing fret lines but now resting 1mm each fret until the 21º fret. "Wow, I did it" i said. For the Bass i used a Scale Length of 800mm and applied the same work of the guitar (but here resting 4mm until the 12º fret and then, resting 2mm each one).

No obstantly, I don't know how i did for had discovered a type of 16 frets per Duplave on 560mm Scale Length, doing a calcules on paper and proceeding with the same scheme (here resting ~~1mm~~ each fret until the Duplave fret and then, resting ~~0,5mm~~ each fret), being surprised by this. My intrigue for this grew it, and it was not until 2007 where I had the opportunity to fully explore this issue, at first known only as microtonalism, when by one of those casualities I discover the Armodue web. "This is amazing.." i said emotionally. So my interest for follow learning much more for this unusual way for make music had be my principal priority, until today. Passing by Armodue, i followed with some GWS music in the old page, then Ralph Jarzombek 14-EDD music page, Sethares xentonality page, MIDI compositions page (Mats Oljare, i guess that he call it), Dante Rosati page, Neil Haverstick page, Ron Sword in his beggining too, Charles Loli in Hispasonic forums page, Fabrizio Fiale esadekaphony tutorials, Andrew Heathwaite soundclick and XJ Scott too, Freenote Catler page, and wow much much much more etcéteras. I thank all of you with their contributions. Gracias, totales!

No obstantly, I don't know how i did for had discovered a type of 16 frets per Duplave on 560mm Scale Length, doing a calcules on paper and proceeding with the same scheme (here resting 2mm each fret until the Duplave fret and then, resting 1mm each fret), being surprised by this. My intrigue for this grew it, and it was not until 2007 where I had the opportunity to fully explore this issue, at first known only as microtonalism, when by one of those casualities I discover the Armodue web. "This is amazing.." i said emotionally. So my interest for follow learning much more for this unusual way for make music had be my principal priority, until today. Passing by Armodue, i followed with some GWS music in the old page, then Ralph Jarzombek 14-EDD music page, Sethares xentonality page, MIDI compositions page (Mats Oljare, i guess that he call it), Dante Rosati page, Neil Haverstick page, Ron Sword in his beggining too, Charles Loli in Hispasonic forums page, Fabrizio Fiale esadekaphony tutorials, Andrew Heathwaite soundclick and XJ Scott too, Freenote Catler page, and wow much much much more etcéteras. I thank all of you with their contributions. Gracias, totales!

!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!</pre></div>

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<img src="/file/view/Icositritar.JPG/329168178/720x369/Icositritar.JPG" alt="Icositritar.JPG" title="Icositritar.JPG" style="height: 369px; width: 720px;" />

His Icositritar. The electric guitar has been dismantled, for results like a crap in its modification, by a scammer and false luthier ¬¬

But soon I will have my electric guitar renewed.

But soon I will have my electric guitar renewed.

<h3 id="toc0"> </h3>

<h3 id="toc1"><a name="x--TMDW Notes:"></a>TMDW Notes:</h3>

My particular adherence here in Xenharmonic wiki is for the huge potential that offers the superdiatonic EDDs for the music. Emphirically I discovered that scale when was an adolescent, at the age of 16 years old, when I always dreamed about have my own guitar and bass builded handcrafted and my dilem of how to do the fret positions. Oddly I had discovered a way of how to calculate the distances for the frets: in that beggining I used a Scale Length of 640mm for the guitar, sizing the first fret in other guitar (acoustic guitar of 635mm [25&quot;] Scale Length) and then i realize the operation 'Scale Length/the size of the first fret on that acoustic guitar'. After of that, i applied it for the artisan guitar of 640mm and draw the first fret, and then i did another fret line resting 2mm after the first fret and for each fret drawed i continued resting 2mm to each fret until arrive at the 12º fret. So then, i continued drawing fret lines but now resting 1mm each fret until the 21º fret. &quot;Wow, I did it&quot; i said. For the Bass i used a Scale Length of 800mm and applied the same work of the guitar (but here resting 4mm until the 12º fret and then, resting 2mm each one).

No obstantly, I don't know how i did for had discovered a type of 16 frets per Duplave on 560mm Scale Length, doing a calcules on paper and proceeding with the same scheme (here resting ~~1mm~~ each fret until the Duplave fret and then, resting ~~0,5mm~~ each fret), being surprised by this. My intrigue for this grew it, and it was not until 2007 where I had the opportunity to fully explore this issue, at first known only as microtonalism, when by one of those casualities I discover the Armodue web. &quot;This is amazing..&quot; i said emotionally. So my interest for follow learning much more for this unusual way for make music had be my principal priority, until today. Passing by Armodue, i followed with some GWS music in the old page, then Ralph Jarzombek 14-EDD music page, Sethares xentonality page, MIDI compositions page (Mats Oljare, i guess that he call it), Dante Rosati page, Neil Haverstick page, Ron Sword in his beggining too, Charles Loli in Hispasonic forums page, Fabrizio Fiale esadekaphony tutorials, Andrew Heathwaite soundclick and XJ Scott too, Freenote Catler page, and wow much much much more etcéteras. I thank all of you with their contributions. Gracias, totales!

No obstantly, I don't know how i did for had discovered a type of 16 frets per Duplave on 560mm Scale Length, doing a calcules on paper and proceeding with the same scheme (here resting 2mm each fret until the Duplave fret and then, resting 1mm each fret), being surprised by this. My intrigue for this grew it, and it was not until 2007 where I had the opportunity to fully explore this issue, at first known only as microtonalism, when by one of those casualities I discover the Armodue web. &quot;This is amazing..&quot; i said emotionally. So my interest for follow learning much more for this unusual way for make music had be my principal priority, until today. Passing by Armodue, i followed with some GWS music in the old page, then Ralph Jarzombek 14-EDD music page, Sethares xentonality page, MIDI compositions page (Mats Oljare, i guess that he call it), Dante Rosati page, Neil Haverstick page, Ron Sword in his beggining too, Charles Loli in Hispasonic forums page, Fabrizio Fiale esadekaphony tutorials, Andrew Heathwaite soundclick and XJ Scott too, Freenote Catler page, and wow much much much more etcéteras. I thank all of you with their contributions. Gracias, totales!

!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!</body></html></pre></div>

@@ Line 1: / Line 1: @@
 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:Osmiorisbendi|Osmiorisbendi]] and made on <tt>2012-05-03 04:52:35 UTC</tt>.<br>
+: This revision was by author [[User:Osmiorisbendi|Osmiorisbendi]] and made on <tt>2012-05-03 19:20:53 UTC</tt>.<br>
-: The original revision id was <tt>329218980</tt>.<br>
+: The original revision id was <tt>329678472</tt>.<br>
 : The revision comment was: <tt></tt><br>
 The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
@@ Line 13: / Line 13: @@
 [[image:Icositritar.JPG width="720" height="369"]]
 His Icositritar. The electric guitar has been dismantled, for results like a crap in its modification, by a scammer and false luthier ¬¬
 But soon I will have my electric guitar renewed.
 === ===
 ===__TMDW Notes:__===
 My particular adherence here in Xenharmonic wiki is for the huge potential that offers the superdiatonic EDDs for the music. Emphirically I discovered that scale when was an adolescent, at the age of 16 years old, when I always dreamed about have my own guitar and bass builded handcrafted and my dilem of how to do the fret positions. Oddly I had discovered a way of how to calculate the distances for the frets: in that beggining I used a Scale Length of 640mm for the guitar, sizing the first fret in other guitar (acoustic guitar of 635mm [25"] Scale Length) and then i realize the operation 'Scale Length/the size of the first fret on that acoustic guitar'. After of that, i applied it for the artisan guitar of 640mm and draw the first fret, and then i did another fret line resting 2mm after the first fret and for each fret drawed i continued resting 2mm to each fret until arrive at the 12º fret. So then, i continued drawing fret lines but now resting 1mm each fret until the 21º fret. "Wow, I did it" i said. For the Bass i used a Scale Length of 800mm and applied the same work of the guitar (but here resting 4mm until the 12º fret and then, resting 2mm each one).
-No obstantly, I don't know how i did for had discovered a type of 16 frets per Duplave on 560mm Scale Length, doing a calcules on paper and proceeding with the same scheme (here resting 1mm each fret until the Duplave fret and then, resting 0,5mm each fret), being surprised by this. My intrigue for this grew &lt;span class="hps"&gt;it&lt;/span&gt;, &lt;span class="hps"&gt;and it was not until 2007 where I had the opportunity to fully explore this issue&lt;/span&gt;, at first &lt;span class="hps"&gt;known only as microtonalism&lt;/span&gt;, when by &lt;span class="hps"&gt;one of those casualities I discover the Armodue web. "This is amazing.." i said emotionally. So my interest for follow learning much more for this unusual way for make music had be my principal priority, until today. Passing by Armodue, i followed with some GWS music in the old page, then Ralph Jarzombek 14-EDD music page, Sethares xentonality page, MIDI compositions page (Mats Oljare, i guess that he call it), Dante Rosati page, Neil Haverstick page, Ron Sword in his beggining too, Charles Loli in Hispasonic forums page, Fabrizio Fiale esadekaphony tutorials, Andrew Heathwaite soundclick and XJ Scott too, Freenote Catler page, and wow much much much more etcéteras. I &lt;/span&gt;thank &lt;span class="hps"&gt;all of you with their contributions.&lt;/span&gt; Gracias, totales!
+No obstantly, I don't know how i did for had discovered a type of 16 frets per Duplave on 560mm Scale Length, doing a calcules on paper and proceeding with the same scheme (here resting 2mm each fret until the Duplave fret and then, resting 1mm each fret), being surprised by this. My intrigue for this grew &lt;span class="hps"&gt;it&lt;/span&gt;, &lt;span class="hps"&gt;and it was not until 2007 where I had the opportunity to fully explore this issue&lt;/span&gt;, at first &lt;span class="hps"&gt;known only as microtonalism&lt;/span&gt;, when by &lt;span class="hps"&gt;one of those casualities I discover the Armodue web. "This is amazing.." i said emotionally. So my interest for follow learning much more for this unusual way for make music had be my principal priority, until today. Passing by Armodue, i followed with some GWS music in the old page, then Ralph Jarzombek 14-EDD music page, Sethares xentonality page, MIDI compositions page (Mats Oljare, i guess that he call it), Dante Rosati page, Neil Haverstick page, Ron Sword in his beggining too, Charles Loli in Hispasonic forums page, Fabrizio Fiale esadekaphony tutorials, Andrew Heathwaite soundclick and XJ Scott too, Freenote Catler page, and wow much much much more etcéteras. I &lt;/span&gt;thank &lt;span class="hps"&gt;all of you with their contributions.&lt;/span&gt; Gracias, totales!
 !!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!</pre></div>
@@ Line 28: / Line 28: @@
 &lt;!-- ws:start:WikiTextLocalImageRule:5:&amp;lt;img src=&amp;quot;/file/view/Icositritar.JPG/329168178/720x369/Icositritar.JPG&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; style=&amp;quot;height: 369px; width: 720px;&amp;quot; /&amp;gt; --&gt;&lt;img src="/file/view/Icositritar.JPG/329168178/720x369/Icositritar.JPG" alt="Icositritar.JPG" title="Icositritar.JPG" style="height: 369px; width: 720px;" /&gt;&lt;!-- ws:end:WikiTextLocalImageRule:5 --&gt;&lt;br /&gt;
 His Icositritar. The electric guitar has been dismantled, for results like a crap in its modification, by a scammer and false luthier ¬¬&lt;br /&gt;
-But soon I will have my electric guitar renewed. &lt;br /&gt;
+But soon I will have my electric guitar renewed.&lt;br /&gt;
 &lt;!-- ws:start:WikiTextHeadingRule:0:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc0"&gt;&lt;!-- ws:end:WikiTextHeadingRule:0 --&gt; &lt;/h3&gt;
   &lt;!-- ws:start:WikiTextHeadingRule:2:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc1"&gt;&lt;a name="x--TMDW Notes:"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:2 --&gt;&lt;u&gt;TMDW Notes:&lt;/u&gt;&lt;/h3&gt;
   My particular adherence here in Xenharmonic wiki is for the huge potential that offers the superdiatonic EDDs for the music. Emphirically I discovered that scale when was an adolescent, at the age of 16 years old, when I always dreamed about have my own guitar and bass builded handcrafted and my dilem of how to do the fret positions. Oddly I had discovered a way of how to calculate the distances for the frets: in that beggining I used a Scale Length of 640mm for the guitar, sizing the first fret in other guitar (acoustic guitar of 635mm [25&amp;quot;] Scale Length) and then i realize the operation 'Scale Length/the size of the first fret on that acoustic guitar'. After of that, i applied it for the artisan guitar of 640mm and draw the first fret, and then i did another fret line resting 2mm after the first fret and for each fret drawed i continued resting 2mm to each fret until arrive at the 12º fret. So then, i continued drawing fret lines but now resting 1mm each fret until the 21º fret. &amp;quot;Wow, I did it&amp;quot; i said. For the Bass i used a Scale Length of 800mm and applied the same work of the guitar (but here resting 4mm until the 12º fret and then, resting 2mm each one).&lt;br /&gt;
-No obstantly, I don't know how i did for had discovered a type of 16 frets per Duplave on 560mm Scale Length, doing a calcules on paper and proceeding with the same scheme (here resting 1mm each fret until the Duplave fret and then, resting 0,5mm each fret), being surprised by this. My intrigue for this grew &lt;span class="hps"&gt;it&lt;/span&gt;, &lt;span class="hps"&gt;and it was not until 2007 where I had the opportunity to fully explore this issue&lt;/span&gt;, at first &lt;span class="hps"&gt;known only as microtonalism&lt;/span&gt;, when by &lt;span class="hps"&gt;one of those casualities I discover the Armodue web. &amp;quot;This is amazing..&amp;quot; i said emotionally. So my interest for follow learning much more for this unusual way for make music had be my principal priority, until today. Passing by Armodue, i followed with some GWS music in the old page, then Ralph Jarzombek 14-EDD music page, Sethares xentonality page, MIDI compositions page (Mats Oljare, i guess that he call it), Dante Rosati page, Neil Haverstick page, Ron Sword in his beggining too, Charles Loli in Hispasonic forums page, Fabrizio Fiale esadekaphony tutorials, Andrew Heathwaite soundclick and XJ Scott too, Freenote Catler page, and wow much much much more etcéteras. I &lt;/span&gt;thank &lt;span class="hps"&gt;all of you with their contributions.&lt;/span&gt; Gracias, totales!&lt;br /&gt;
+No obstantly, I don't know how i did for had discovered a type of 16 frets per Duplave on 560mm Scale Length, doing a calcules on paper and proceeding with the same scheme (here resting 2mm each fret until the Duplave fret and then, resting 1mm each fret), being surprised by this. My intrigue for this grew &lt;span class="hps"&gt;it&lt;/span&gt;, &lt;span class="hps"&gt;and it was not until 2007 where I had the opportunity to fully explore this issue&lt;/span&gt;, at first &lt;span class="hps"&gt;known only as microtonalism&lt;/span&gt;, when by &lt;span class="hps"&gt;one of those casualities I discover the Armodue web. &amp;quot;This is amazing..&amp;quot; i said emotionally. So my interest for follow learning much more for this unusual way for make music had be my principal priority, until today. Passing by Armodue, i followed with some GWS music in the old page, then Ralph Jarzombek 14-EDD music page, Sethares xentonality page, MIDI compositions page (Mats Oljare, i guess that he call it), Dante Rosati page, Neil Haverstick page, Ron Sword in his beggining too, Charles Loli in Hispasonic forums page, Fabrizio Fiale esadekaphony tutorials, Andrew Heathwaite soundclick and XJ Scott too, Freenote Catler page, and wow much much much more etcéteras. I &lt;/span&gt;thank &lt;span class="hps"&gt;all of you with their contributions.&lt;/span&gt; Gracias, totales!&lt;br /&gt;
 &lt;br /&gt;
 !!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!&lt;/body&gt;&lt;/html&gt;</pre></div>