Tútim Dennsuul Wafiil: Difference between revisions

Wikispaces>Osmiorisbendi
**Imported revision 439625128 - Original comment: **
Wikispaces>Osmiorisbendi
**Imported revision 441338120 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:Osmiorisbendi|Osmiorisbendi]] and made on <tt>2013-06-26 05:40:46 UTC</tt>.<br>
: This revision was by author [[User:Osmiorisbendi|Osmiorisbendi]] and made on <tt>2013-07-15 00:55:37 UTC</tt>.<br>
: The original revision id was <tt>439625128</tt>.<br>
: The original revision id was <tt>441338120</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
<h4>Original Wikitext content:</h4>
<h4>Original Wikitext content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">&lt;span style="font-size: 13px; line-height: 1.5;"&gt;Is a Xentonalist, bassist and guitarist, born in 1986, Chile, and an full enthusiastic of the unlimited paraversal musical cosmos, who works with the [[Armodue|Armodue system]], like a angular stone for his music, extending the use of that system over [[23edo|23-EDD]] (3;1 relation), [[39edo|39-EDD]] (5;2 relation) and [[62edo|62-EDD]] (8;3 relation), but just using 23, and 39 (beginning its construction yet), like concrete performance by himself. He hold his musical works momentainly, because he is redirecting his musical concepts and his existential attributions. Ocassionaly, he is apporting with musical stuff (part of his demos are still [[@http://www.reverbnation.com/23tdw39|here]]). "Dale tiempo al tiempo, ke el mundo no ha de acabar". "Solo haz y no hables demás". Collosal apports of each one in the name of the Music !&lt;/span&gt;
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">&lt;span style="font-size: 13px; line-height: 1.5;"&gt;Is a Xentonalist, bassist and guitarist, born in 1986, Arica, and an full enthusiastic of the unlimited paraversal musical cosmos, who works with the [[Armodue|Armodue system]], like a angular stone for his music, extending the use of that system over [[23edo|23-EDD]] (3;1 relation), [[39edo|39-EDD]] (5;2 relation) and [[62edo|62-EDD]] (8;3 relation), but just using 23, and 39 (beginning its construction yet), like concrete performance by himself. He hold his musical works momentainly, because he is redirecting his musical concepts and his existential attributions. Ocassionaly, he is apporting with musical stuff (part of his demos are still [[@http://www.reverbnation.com/23tdw39|here]]). "Dale tiempo al tiempo, ke el mundo no ha de acabar". "Solo haz y no hables demás". Collosal apports of each one in the name of the Music !&lt;/span&gt;


[[image:Icositriphonic_Bass.JPG width="719" height="235"]]
[[image:Icositriphonic_Bass.JPG width="719" height="235"]]
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!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!</pre></div>
!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!</pre></div>
<h4>Original HTML content:</h4>
<h4>Original HTML content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;Tútim Dennsuul Wafiil&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;span style="font-size: 13px; line-height: 1.5;"&gt;Is a Xentonalist, bassist and guitarist, born in 1986, Chile, and an full enthusiastic of the unlimited paraversal musical cosmos, who works with the &lt;a class="wiki_link" href="/Armodue"&gt;Armodue system&lt;/a&gt;, like a angular stone for his music, extending the use of that system over &lt;a class="wiki_link" href="/23edo"&gt;23-EDD&lt;/a&gt; (3;1 relation), &lt;a class="wiki_link" href="/39edo"&gt;39-EDD&lt;/a&gt; (5;2 relation) and &lt;a class="wiki_link" href="/62edo"&gt;62-EDD&lt;/a&gt; (8;3 relation), but just using 23, and 39 (beginning its construction yet), like concrete performance by himself. He hold his musical works momentainly, because he is redirecting his musical concepts and his existential attributions. Ocassionaly, he is apporting with musical stuff (part of his demos are still &lt;a class="wiki_link_ext" href="http://www.reverbnation.com/23tdw39" rel="nofollow" target="_blank"&gt;here&lt;/a&gt;). &amp;quot;Dale tiempo al tiempo, ke el mundo no ha de acabar&amp;quot;. &amp;quot;Solo haz y no hables demás&amp;quot;. Collosal apports of each one in the name of the Music !&lt;/span&gt;&lt;br /&gt;
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;Tútim Dennsuul Wafiil&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;span style="font-size: 13px; line-height: 1.5;"&gt;Is a Xentonalist, bassist and guitarist, born in 1986, Arica, and an full enthusiastic of the unlimited paraversal musical cosmos, who works with the &lt;a class="wiki_link" href="/Armodue"&gt;Armodue system&lt;/a&gt;, like a angular stone for his music, extending the use of that system over &lt;a class="wiki_link" href="/23edo"&gt;23-EDD&lt;/a&gt; (3;1 relation), &lt;a class="wiki_link" href="/39edo"&gt;39-EDD&lt;/a&gt; (5;2 relation) and &lt;a class="wiki_link" href="/62edo"&gt;62-EDD&lt;/a&gt; (8;3 relation), but just using 23, and 39 (beginning its construction yet), like concrete performance by himself. He hold his musical works momentainly, because he is redirecting his musical concepts and his existential attributions. Ocassionaly, he is apporting with musical stuff (part of his demos are still &lt;a class="wiki_link_ext" href="http://www.reverbnation.com/23tdw39" rel="nofollow" target="_blank"&gt;here&lt;/a&gt;). &amp;quot;Dale tiempo al tiempo, ke el mundo no ha de acabar&amp;quot;. &amp;quot;Solo haz y no hables demás&amp;quot;. Collosal apports of each one in the name of the Music !&lt;/span&gt;&lt;br /&gt;
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