Subfifth: Difference between revisions
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Wikispaces>k9assassin **Imported revision 526704098 - Original comment: ** |
Wikispaces>k9assassin **Imported revision 526741648 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:k9assassin|k9assassin]] and made on <tt>2014-10- | : This revision was by author [[User:k9assassin|k9assassin]] and made on <tt>2014-10-16 08:02:36 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>526741648</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
<h4>Original Wikitext content:</h4> | <h4>Original Wikitext content:</h4> | ||
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">A Subfifth is a term for an awkward interval range that is too narrow to be perfect fifth, yet too wide to be a tritone. It is a peculiar interval in that it has a range of producing a massive amount of | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">A Subfifth is a term for an awkward interval range that is too narrow to be perfect fifth, yet too wide to be a conventional tritone. It is a peculiar interval in that it has a range of producing a massive amount of overtones to the point of heavily distorting the timbre of any instrument that it is played on. The interval is normally considered a[[16_11| 16/11]] and is quite harsh regardless of timbre, but some are worse than others. Regardless of what the name suggests, a subfifth isn't really a type of perfect fifth but rather can be thought of as related to the tritone, however, the interval really is a class in it's own right. | ||
overtones to the point of heavily distorting the timbre of any instrument that it is played on. The interval is normally considered a 16/11 and is quite harsh regardless of timbre, but some are worse than others. | |||
The subfifth has a xen appeal because it is a sound that is so far from anything possible in 12 ET or 5 limit JI that it resembles the very essence of the term "out of tune". Anyone who does not enjoy rough intervals will hate this interval range with a passion. This is for those who can find beauty in the harsh and dissonant. </pre></div> | The subfifth has a xen appeal because it is a sound that is so far from anything possible in 12 ET or 5 limit JI that it resembles the very essence of the term "out of tune". Anyone who does not enjoy rough intervals will hate this interval range with a passion. This is for those who can find beauty in the harsh and dissonant. | ||
See 16/11 </pre></div> | |||
<h4>Original HTML content:</h4> | <h4>Original HTML content:</h4> | ||
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Subfifth</title></head><body>A Subfifth is a term for an awkward interval range that is too narrow to be perfect fifth, yet too wide to be a tritone. It is a peculiar interval in that it has a range of producing a massive amount of | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Subfifth</title></head><body>A Subfifth is a term for an awkward interval range that is too narrow to be perfect fifth, yet too wide to be a conventional tritone. It is a peculiar interval in that it has a range of producing a massive amount of overtones to the point of heavily distorting the timbre of any instrument that it is played on. The interval is normally considered a<a class="wiki_link" href="/16_11"> 16/11</a> and is quite harsh regardless of timbre, but some are worse than others. Regardless of what the name suggests, a subfifth isn't really a type of perfect fifth but rather can be thought of as related to the tritone, however, the interval really is a class in it's own right. <br /> | ||
overtones to the point of heavily distorting the timbre of any instrument that it is played on. The interval is normally considered a 16/11 and is quite harsh regardless of timbre, but some are worse than others. | <br /> | ||
The subfifth has a xen appeal because it is a sound that is so far from anything possible in 12 ET or 5 limit JI that it resembles the very essence of the term &quot;out of tune&quot;. Anyone who does not enjoy rough intervals will hate this interval range with a passion. This is for those who can find beauty in the harsh and dissonant.<br /> | |||
<br /> | <br /> | ||
See 16/11</body></html></pre></div> | |||
Revision as of 08:02, 16 October 2014
IMPORTED REVISION FROM WIKISPACES
This is an imported revision from Wikispaces. The revision metadata is included below for reference:
- This revision was by author k9assassin and made on 2014-10-16 08:02:36 UTC.
- The original revision id was 526741648.
- The revision comment was:
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.
Original Wikitext content:
A Subfifth is a term for an awkward interval range that is too narrow to be perfect fifth, yet too wide to be a conventional tritone. It is a peculiar interval in that it has a range of producing a massive amount of overtones to the point of heavily distorting the timbre of any instrument that it is played on. The interval is normally considered a[[16_11| 16/11]] and is quite harsh regardless of timbre, but some are worse than others. Regardless of what the name suggests, a subfifth isn't really a type of perfect fifth but rather can be thought of as related to the tritone, however, the interval really is a class in it's own right. The subfifth has a xen appeal because it is a sound that is so far from anything possible in 12 ET or 5 limit JI that it resembles the very essence of the term "out of tune". Anyone who does not enjoy rough intervals will hate this interval range with a passion. This is for those who can find beauty in the harsh and dissonant. See 16/11
Original HTML content:
<html><head><title>Subfifth</title></head><body>A Subfifth is a term for an awkward interval range that is too narrow to be perfect fifth, yet too wide to be a conventional tritone. It is a peculiar interval in that it has a range of producing a massive amount of overtones to the point of heavily distorting the timbre of any instrument that it is played on. The interval is normally considered a<a class="wiki_link" href="/16_11"> 16/11</a> and is quite harsh regardless of timbre, but some are worse than others. Regardless of what the name suggests, a subfifth isn't really a type of perfect fifth but rather can be thought of as related to the tritone, however, the interval really is a class in it's own right. <br /> <br /> The subfifth has a xen appeal because it is a sound that is so far from anything possible in 12 ET or 5 limit JI that it resembles the very essence of the term "out of tune". Anyone who does not enjoy rough intervals will hate this interval range with a passion. This is for those who can find beauty in the harsh and dissonant.<br /> <br /> See 16/11</body></html>