Porcupine: Difference between revisions

Wikispaces>hstraub
**Imported revision 615953235 - Original comment: **
Wikispaces>hstraub
**Imported revision 617421575 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2017-07-27 10:00:57 UTC</tt>.<br>
: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2017-09-09 08:22:27 UTC</tt>.<br>
: The original revision id was <tt>615953235</tt>.<br>
: The original revision id was <tt>617421575</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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The specific tuning shown is the full 11-limit [[POTE tuning]], but of course there is a range of acceptible porcupine tunings that includes generators as small as 160 cents ([[15edo]]) and as large as 165.5 cents ([[29edo]]). (However, the 29edo patent val does not support 11-limit porcupine proper, not annihilating 64/63.)
The specific tuning shown is the full 11-limit [[POTE tuning]], but of course there is a range of acceptible porcupine tunings that includes generators as small as 160 cents ([[15edo]]) and as large as 165.5 cents ([[29edo]]). (However, the 29edo patent val does not support 11-limit porcupine proper, not annihilating 64/63.)
12/11, 11/10, and 10/9 are all represented by the same interval, the generator. This makes chords such as 8:9:10:11:12 exceptionally common and easy to find.
12/11, 11/10, and 10/9 are all represented by the same interval, the generator. This makes chords such as 8:9:10:11:12 exceptionally common and easy to find.
|| [[media type="file" key="OtonalPentad_JI.mp3"]] || [[media type="file" key="OtonalPentad_22edo.mp3"]] || [[media type="file" key="OtonalPentad_29edo.mp3"]] ||
|| 8:9:10:11:12 chord, in just intonation || Porcupine-tempered8:9:10:11:12 chord, in [[22edo]] || Porcupine-tempered 8:9:10:11:12 chord, in [[29edo]] ||
The 11/9 interval, usually considered a "neutral third", is in porcupine identical to the 6/5 "minor third". This means that the 27/20 "acute fourth" of the JI diatonic scale is equivalent to 11/8 (rather than becoming 4/3 as in meantone).
The 11/9 interval, usually considered a "neutral third", is in porcupine identical to the 6/5 "minor third". This means that the 27/20 "acute fourth" of the JI diatonic scale is equivalent to 11/8 (rather than becoming 4/3 as in meantone).
The characteristic small interval of porcupine, which is 60.75 cents in this tuning but can range from &lt;50 to 80 cents in general, represents both 25/24 and 81/80.
The characteristic small interval of porcupine, which is 60.75 cents in this tuning but can range from &lt;50 to 80 cents in general, represents both 25/24 and 81/80.
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Porcupine symmetric minor scale, containing two equal tetrachords with a major wholetone between them. (Tuning in &lt;a class="wiki_link" href="/22edo"&gt;22edo&lt;/a&gt;)&lt;br /&gt;
Porcupine symmetric minor scale, containing two equal tetrachords with a major wholetone between them. (Tuning in &lt;a class="wiki_link" href="/22edo"&gt;22edo&lt;/a&gt;)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextLocalImageRule:656:&amp;lt;img src=&amp;quot;/file/view/porcupine.png/615923469/porcupine.png&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt; --&gt;&lt;img src="/file/view/porcupine.png/615923469/porcupine.png" alt="porcupine.png" title="porcupine.png" /&gt;&lt;!-- ws:end:WikiTextLocalImageRule:656 --&gt;&lt;br /&gt;
&lt;!-- ws:start:WikiTextLocalImageRule:677:&amp;lt;img src=&amp;quot;/file/view/porcupine.png/615923469/porcupine.png&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt; --&gt;&lt;img src="/file/view/porcupine.png/615923469/porcupine.png" alt="porcupine.png" title="porcupine.png" /&gt;&lt;!-- ws:end:WikiTextLocalImageRule:677 --&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:2:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc0"&gt;&lt;a name="x-Interval chain"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:2 --&gt;Interval chain&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:5:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc0"&gt;&lt;a name="x-Interval chain"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:5 --&gt;Interval chain&lt;/h2&gt;
  Main article: &lt;a class="wiki_link" href="/Porcupine%20intervals"&gt;Porcupine intervals&lt;/a&gt;&lt;br /&gt;
  Main article: &lt;a class="wiki_link" href="/Porcupine%20intervals"&gt;Porcupine intervals&lt;/a&gt;&lt;br /&gt;


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The specific tuning shown is the full 11-limit &lt;a class="wiki_link" href="/POTE%20tuning"&gt;POTE tuning&lt;/a&gt;, but of course there is a range of acceptible porcupine tunings that includes generators as small as 160 cents (&lt;a class="wiki_link" href="/15edo"&gt;15edo&lt;/a&gt;) and as large as 165.5 cents (&lt;a class="wiki_link" href="/29edo"&gt;29edo&lt;/a&gt;). (However, the 29edo patent val does not support 11-limit porcupine proper, not annihilating 64/63.)&lt;br /&gt;
The specific tuning shown is the full 11-limit &lt;a class="wiki_link" href="/POTE%20tuning"&gt;POTE tuning&lt;/a&gt;, but of course there is a range of acceptible porcupine tunings that includes generators as small as 160 cents (&lt;a class="wiki_link" href="/15edo"&gt;15edo&lt;/a&gt;) and as large as 165.5 cents (&lt;a class="wiki_link" href="/29edo"&gt;29edo&lt;/a&gt;). (However, the 29edo patent val does not support 11-limit porcupine proper, not annihilating 64/63.)&lt;br /&gt;
12/11, 11/10, and 10/9 are all represented by the same interval, the generator. This makes chords such as 8:9:10:11:12 exceptionally common and easy to find.&lt;br /&gt;
12/11, 11/10, and 10/9 are all represented by the same interval, the generator. This makes chords such as 8:9:10:11:12 exceptionally common and easy to find.&lt;br /&gt;
&lt;table class="wiki_table"&gt;
    &lt;tr&gt;
        &lt;td&gt;&lt;!-- ws:start:WikiTextMediaRule:1:&amp;lt;img src=&amp;quot;http://www.wikispaces.com/site/embedthumbnail/file-audio/OtonalPentad_JI.mp3?h=20&amp;amp;w=240&amp;quot; class=&amp;quot;WikiMedia WikiMediaFile&amp;quot; id=&amp;quot;wikitext@@media@@type=&amp;amp;quot;file&amp;amp;quot; key=&amp;amp;quot;OtonalPentad_JI.mp3&amp;amp;quot;&amp;quot; title=&amp;quot;Local Media File&amp;quot;height=&amp;quot;20&amp;quot; width=&amp;quot;240&amp;quot;/&amp;gt; --&gt;&lt;embed src="/s/mediaplayer.swf" pluginspage="http://www.macromedia.com/go/getflashplayer" type="application/x-shockwave-flash" quality="high" width="240" height="20" wmode="transparent" flashvars="file=http%253A%252F%252Fxenharmonic.wikispaces.com%252Ffile%252Fview%252FOtonalPentad_JI.mp3?file_extension=mp3&amp;autostart=false&amp;repeat=false&amp;showdigits=true&amp;showfsbutton=false&amp;width=240&amp;height=20"&gt;&lt;/embed&gt;&lt;!-- ws:end:WikiTextMediaRule:1 --&gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;!-- ws:start:WikiTextMediaRule:2:&amp;lt;img src=&amp;quot;http://www.wikispaces.com/site/embedthumbnail/file-audio/OtonalPentad_22edo.mp3?h=20&amp;amp;w=240&amp;quot; class=&amp;quot;WikiMedia WikiMediaFile&amp;quot; id=&amp;quot;wikitext@@media@@type=&amp;amp;quot;file&amp;amp;quot; key=&amp;amp;quot;OtonalPentad_22edo.mp3&amp;amp;quot;&amp;quot; title=&amp;quot;Local Media File&amp;quot;height=&amp;quot;20&amp;quot; width=&amp;quot;240&amp;quot;/&amp;gt; --&gt;&lt;embed src="/s/mediaplayer.swf" pluginspage="http://www.macromedia.com/go/getflashplayer" type="application/x-shockwave-flash" quality="high" width="240" height="20" wmode="transparent" flashvars="file=http%253A%252F%252Fxenharmonic.wikispaces.com%252Ffile%252Fview%252FOtonalPentad_22edo.mp3?file_extension=mp3&amp;autostart=false&amp;repeat=false&amp;showdigits=true&amp;showfsbutton=false&amp;width=240&amp;height=20"&gt;&lt;/embed&gt;&lt;!-- ws:end:WikiTextMediaRule:2 --&gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;!-- ws:start:WikiTextMediaRule:3:&amp;lt;img src=&amp;quot;http://www.wikispaces.com/site/embedthumbnail/file-audio/OtonalPentad_29edo.mp3?h=20&amp;amp;w=240&amp;quot; class=&amp;quot;WikiMedia WikiMediaFile&amp;quot; id=&amp;quot;wikitext@@media@@type=&amp;amp;quot;file&amp;amp;quot; key=&amp;amp;quot;OtonalPentad_29edo.mp3&amp;amp;quot;&amp;quot; title=&amp;quot;Local Media File&amp;quot;height=&amp;quot;20&amp;quot; width=&amp;quot;240&amp;quot;/&amp;gt; --&gt;&lt;embed src="/s/mediaplayer.swf" pluginspage="http://www.macromedia.com/go/getflashplayer" type="application/x-shockwave-flash" quality="high" width="240" height="20" wmode="transparent" flashvars="file=http%253A%252F%252Fxenharmonic.wikispaces.com%252Ffile%252Fview%252FOtonalPentad_29edo.mp3?file_extension=mp3&amp;autostart=false&amp;repeat=false&amp;showdigits=true&amp;showfsbutton=false&amp;width=240&amp;height=20"&gt;&lt;/embed&gt;&lt;!-- ws:end:WikiTextMediaRule:3 --&gt;&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;8:9:10:11:12 chord, in just intonation&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;Porcupine-tempered8:9:10:11:12 chord, in &lt;a class="wiki_link" href="/22edo"&gt;22edo&lt;/a&gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;Porcupine-tempered 8:9:10:11:12 chord, in &lt;a class="wiki_link" href="/29edo"&gt;29edo&lt;/a&gt;&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
&lt;/table&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The 11/9 interval, usually considered a &amp;quot;neutral third&amp;quot;, is in porcupine identical to the 6/5 &amp;quot;minor third&amp;quot;. This means that the 27/20 &amp;quot;acute fourth&amp;quot; of the JI diatonic scale is equivalent to 11/8 (rather than becoming 4/3 as in meantone).&lt;br /&gt;
The 11/9 interval, usually considered a &amp;quot;neutral third&amp;quot;, is in porcupine identical to the 6/5 &amp;quot;minor third&amp;quot;. This means that the 27/20 &amp;quot;acute fourth&amp;quot; of the JI diatonic scale is equivalent to 11/8 (rather than becoming 4/3 as in meantone).&lt;br /&gt;
The characteristic small interval of porcupine, which is 60.75 cents in this tuning but can range from &amp;lt;50 to 80 cents in general, represents both 25/24 and 81/80.&lt;br /&gt;
The characteristic small interval of porcupine, which is 60.75 cents in this tuning but can range from &amp;lt;50 to 80 cents in general, represents both 25/24 and 81/80.&lt;br /&gt;
&lt;!-- ws:start:WikiTextMediaRule:1:&amp;lt;img src=&amp;quot;http://www.wikispaces.com/site/embedthumbnail/custom/11980245?h=0&amp;amp;w=0&amp;quot; class=&amp;quot;WikiMedia WikiMediaCustom&amp;quot; id=&amp;quot;wikitext@@media@@type=&amp;amp;quot;custom&amp;amp;quot; key=&amp;amp;quot;11980245&amp;amp;quot;&amp;quot; title=&amp;quot;Custom Media&amp;quot;/&amp;gt; --&gt;&lt;script type="text/javascript" src="http://mediaplayer.yahoo.com/js"&gt;
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&lt;!-- ws:start:WikiTextHeadingRule:4:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc1"&gt;&lt;a name="x-Spectrum of Porcupine Tunings by Eigenmonzos"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:4 --&gt;Spectrum of Porcupine Tunings by Eigenmonzos&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:7:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc1"&gt;&lt;a name="x-Spectrum of Porcupine Tunings by Eigenmonzos"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:7 --&gt;Spectrum of Porcupine Tunings by Eigenmonzos&lt;/h2&gt;
   
   


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[8/5 12/7] eigenmonzos: &lt;a class="wiki_link" href="/porcupinewoo15"&gt;porcupinewoo15&lt;/a&gt; &lt;a class="wiki_link" href="/porcupinewoo22"&gt;porcupinewoo22&lt;/a&gt;&lt;br /&gt;
[8/5 12/7] eigenmonzos: &lt;a class="wiki_link" href="/porcupinewoo15"&gt;porcupinewoo15&lt;/a&gt; &lt;a class="wiki_link" href="/porcupinewoo22"&gt;porcupinewoo22&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:6:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc2"&gt;&lt;a name="x-Spectrum of Porcupine Tunings by Eigenmonzos-Spectrum of Porcupinefish Tunings"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:6 --&gt;Spectrum of Porcupinefish Tunings&lt;/h3&gt;
&lt;!-- ws:start:WikiTextHeadingRule:9:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc2"&gt;&lt;a name="x-Spectrum of Porcupine Tunings by Eigenmonzos-Spectrum of Porcupinefish Tunings"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:9 --&gt;Spectrum of Porcupinefish Tunings&lt;/h3&gt;
   
   


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&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:8:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc3"&gt;&lt;a name="x-History"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:8 --&gt;History&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:11:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc3"&gt;&lt;a name="x-History"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:11 --&gt;History&lt;/h2&gt;
  Porcupine temperament/scales were discovered by &lt;a class="wiki_link" href="/Dave%20Keenan"&gt;Dave Keenan&lt;/a&gt;, but didn't have a name until &lt;a class="wiki_link" href="/Herman%20Miller"&gt;Herman Miller&lt;/a&gt; mentioned that his Mizarian Porcupine Overture in 15-tET had a section that pumps the 250:243 comma. Although this music did not use a Porcupine MOS or MODMOS (which would have 7 or 8 notes), the name was adopted for such scales as well, once the essentially one-to-one relationship between vanishing commas and sequences of DE scales was fully evident. It was clear that even though Herman's piece was in 15, 22 was a porcupine tuning par excellence, and that was an interesting development in itself.&lt;br /&gt;
  Porcupine temperament/scales were discovered by &lt;a class="wiki_link" href="/Dave%20Keenan"&gt;Dave Keenan&lt;/a&gt;, but didn't have a name until &lt;a class="wiki_link" href="/Herman%20Miller"&gt;Herman Miller&lt;/a&gt; mentioned that his Mizarian Porcupine Overture in 15-tET had a section that pumps the 250:243 comma. Although this music did not use a Porcupine MOS or MODMOS (which would have 7 or 8 notes), the name was adopted for such scales as well, once the essentially one-to-one relationship between vanishing commas and sequences of DE scales was fully evident. It was clear that even though Herman's piece was in 15, 22 was a porcupine tuning par excellence, and that was an interesting development in itself.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:10:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc4"&gt;&lt;a name="x-See also"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:10 --&gt;See also&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:13:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc4"&gt;&lt;a name="x-See also"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:13 --&gt;See also&lt;/h2&gt;
  &lt;a class="wiki_link" href="/Chords%20of%20porcupine"&gt;Chords of porcupine&lt;/a&gt;&lt;br /&gt;
  &lt;a class="wiki_link" href="/Chords%20of%20porcupine"&gt;Chords of porcupine&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link" href="/Porcupine%20Notation"&gt;Porcupine Notation&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link" href="/Porcupine%20Notation"&gt;Porcupine Notation&lt;/a&gt;&lt;br /&gt;
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&lt;a class="wiki_link" href="/Porcupine%20Album%20Project"&gt;Porcupine Album Project&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link" href="/Porcupine%20Album%20Project"&gt;Porcupine Album Project&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:12:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc5"&gt;&lt;a name="x-Musical examples"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:12 --&gt;Musical examples&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:15:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc5"&gt;&lt;a name="x-Musical examples"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:15 --&gt;Musical examples&lt;/h2&gt;
  &lt;ul&gt;&lt;li&gt;&amp;quot;&lt;a class="wiki_link_ext" href="http://sites.google.com/site/teamouse/home#TOC-Mizarian-music" rel="nofollow"&gt;Mizarian Porcupine Overture&lt;/a&gt;&amp;quot;, Herman Miller, 1999. (15edo, namesake of the temperament)&lt;/li&gt;&lt;li&gt;&amp;quot;&lt;a class="wiki_link_ext" href="http://www.myspace.com/paulerlich/music/songs/glassic-in-22-tone-equal-temperament-45202095" rel="nofollow"&gt;Glassic&lt;/a&gt;&amp;quot;, Paul Erlich, &lt;a class="wiki_link" href="/22edo"&gt;22edo&lt;/a&gt; (at least the beginning part is in porcupine).&lt;/li&gt;&lt;li&gt;&amp;quot;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.archive.org/download/NightOnPorcupineMountain/Genewardsmithmussorgsky-NightOnPorcupineMountain.mp3" rel="nofollow"&gt;Night on Porcupine Mountain&lt;/a&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&amp;quot;, Gene Ward Smith and Modest Mussorgsky, &lt;a class="wiki_link" href="/22edo"&gt;22edo&lt;/a&gt;.&lt;/li&gt;&lt;li&gt;&amp;quot;&lt;a class="wiki_link_ext" href="http://soundclick.com/share.cfm?id=8839060" rel="nofollow"&gt;being a&lt;/a&gt;&amp;quot;, Andrew Heathwaite, 2010, 22edo, mode 3 1 3 3 3 3 3 3 of Porcupine[8].&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/15-ET/daily20110619_millers_porcupine_7a.mp3" rel="nofollow"&gt;Playing Gently with Miller's Porcupine&lt;/a&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;, &lt;a class="wiki_link" href="/Chris%20Vaisvil"&gt;Chris Vaisvil&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/15-ET/daily20111231-porcupine15-indian.mp3" rel="nofollow"&gt;15 Porcupines in India&lt;/a&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;, Sarangi, Tambura and Sitar improvisation by &lt;a class="wiki_link" href="/Chris%20Vaisvil"&gt;Chris Vaisvil&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/15-ET/daily20111231-porcupine15-piano.mp3" rel="nofollow"&gt;15 Quills&lt;/a&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt; piano solo by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/15-ET/daily20111231-porcupine15-prickly-side-of-love.mp3" rel="nofollow"&gt;Prickly Side of Love&lt;/a&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt; - rock band in Porcupine Temperament with vocals by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/15-ET/daily20120102-porcupine-organ.mp3" rel="nofollow"&gt;Porcupine Organ Composition&lt;/a&gt;&lt;/em&gt;&lt;/span&gt; by &lt;a class="wiki_link" href="/Chris%20Vaisvil"&gt;Chris Vaisvil&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;em&gt;&lt;a href="http://xenharmonic.wikispaces.com/file/view/AmongOtherThings2.mp3/319978024/AmongOtherThings2.mp3" onclick="ws.common.trackFileLink('http://xenharmonic.wikispaces.com/file/view/AmongOtherThings2.mp3/319978024/AmongOtherThings2.mp3');"&gt;Among Other Things 2&lt;/a&gt;&lt;/em&gt; by Petr Pařízek&lt;/li&gt;&lt;li&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Freivald/porcupine-comma-pump.mp3" rel="nofollow"&gt;Porcupine Comma Pump&lt;/a&gt;&lt;/em&gt;, by Jake Freivald&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=DSao0Yg3Tck" rel="nofollow" target="_blank"&gt;Life on Mars&lt;/a&gt; by Omega9&lt;/li&gt;&lt;/ul&gt;&lt;!-- ws:start:WikiTextHeadingRule:14:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc6"&gt;&lt;a name="x-Images"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:14 --&gt;Images&lt;/h2&gt;
  &lt;ul&gt;&lt;li&gt;&amp;quot;&lt;a class="wiki_link_ext" href="http://sites.google.com/site/teamouse/home#TOC-Mizarian-music" rel="nofollow"&gt;Mizarian Porcupine Overture&lt;/a&gt;&amp;quot;, Herman Miller, 1999. (15edo, namesake of the temperament)&lt;/li&gt;&lt;li&gt;&amp;quot;&lt;a class="wiki_link_ext" href="http://www.myspace.com/paulerlich/music/songs/glassic-in-22-tone-equal-temperament-45202095" rel="nofollow"&gt;Glassic&lt;/a&gt;&amp;quot;, Paul Erlich, &lt;a class="wiki_link" href="/22edo"&gt;22edo&lt;/a&gt; (at least the beginning part is in porcupine).&lt;/li&gt;&lt;li&gt;&amp;quot;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.archive.org/download/NightOnPorcupineMountain/Genewardsmithmussorgsky-NightOnPorcupineMountain.mp3" rel="nofollow"&gt;Night on Porcupine Mountain&lt;/a&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&amp;quot;, Gene Ward Smith and Modest Mussorgsky, &lt;a class="wiki_link" href="/22edo"&gt;22edo&lt;/a&gt;.&lt;/li&gt;&lt;li&gt;&amp;quot;&lt;a class="wiki_link_ext" href="http://soundclick.com/share.cfm?id=8839060" rel="nofollow"&gt;being a&lt;/a&gt;&amp;quot;, Andrew Heathwaite, 2010, 22edo, mode 3 1 3 3 3 3 3 3 of Porcupine[8].&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/15-ET/daily20110619_millers_porcupine_7a.mp3" rel="nofollow"&gt;Playing Gently with Miller's Porcupine&lt;/a&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;, &lt;a class="wiki_link" href="/Chris%20Vaisvil"&gt;Chris Vaisvil&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/15-ET/daily20111231-porcupine15-indian.mp3" rel="nofollow"&gt;15 Porcupines in India&lt;/a&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;, Sarangi, Tambura and Sitar improvisation by &lt;a class="wiki_link" href="/Chris%20Vaisvil"&gt;Chris Vaisvil&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/15-ET/daily20111231-porcupine15-piano.mp3" rel="nofollow"&gt;15 Quills&lt;/a&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt; piano solo by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/15-ET/daily20111231-porcupine15-prickly-side-of-love.mp3" rel="nofollow"&gt;Prickly Side of Love&lt;/a&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt; - rock band in Porcupine Temperament with vocals by Chris Vaisvil&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/15-ET/daily20120102-porcupine-organ.mp3" rel="nofollow"&gt;Porcupine Organ Composition&lt;/a&gt;&lt;/em&gt;&lt;/span&gt; by &lt;a class="wiki_link" href="/Chris%20Vaisvil"&gt;Chris Vaisvil&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;em&gt;&lt;a href="http://xenharmonic.wikispaces.com/file/view/AmongOtherThings2.mp3/319978024/AmongOtherThings2.mp3" onclick="ws.common.trackFileLink('http://xenharmonic.wikispaces.com/file/view/AmongOtherThings2.mp3/319978024/AmongOtherThings2.mp3');"&gt;Among Other Things 2&lt;/a&gt;&lt;/em&gt; by Petr Pařízek&lt;/li&gt;&lt;li&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Freivald/porcupine-comma-pump.mp3" rel="nofollow"&gt;Porcupine Comma Pump&lt;/a&gt;&lt;/em&gt;, by Jake Freivald&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=DSao0Yg3Tck" rel="nofollow" target="_blank"&gt;Life on Mars&lt;/a&gt; by Omega9&lt;/li&gt;&lt;/ul&gt;&lt;!-- ws:start:WikiTextHeadingRule:17:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc6"&gt;&lt;a name="x-Images"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:17 --&gt;Images&lt;/h2&gt;
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