Kite's thoughts on pergens: Difference between revisions

Wikispaces>TallKite
**Imported revision 624808115 - Original comment: **
Wikispaces>TallKite
**Imported revision 624808533 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:TallKite|TallKite]] and made on <tt>2018-01-12 18:32:44 UTC</tt>.<br>
: This revision was by author [[User:TallKite|TallKite]] and made on <tt>2018-01-12 19:08:55 UTC</tt>.<br>
: The original revision id was <tt>624808115</tt>.<br>
: The original revision id was <tt>624808533</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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Pergens can also be used to notate rank-2 scales, e.g. (P8, P4/3) [7] = third-fourth heptatonic is a JI-agnostic name for the Porcupine [7] scale. As long as the 5th is tuned fairly accurately, any two temperaments that have the same pergen tend to have the same MOS scales. Third-fourth heptatonic is the 1L6s scale. All MOS scales can be named after a pergen. There are multiple pergens that can generate the MOS scale, preference is given to the simpler one, and the one that makes a reasonable L/s ratio. A ratio of 3 or more makes a scale that's too lopsided. For example, 3L2s (anti-pentatonic) has a generator in the 400-480¢ range, suggesting both P11/4 and P12/4. But the former, with a just 11th, makes L = 351¢ and s = 73.5¢, and L/s = 4.76, quite large. The latter with a just 12th makes L = 249¢, s = 226.5¢, and L/s = 1.10, much better.
Pergens can also be used to notate rank-2 scales, e.g. (P8, P4/3) [7] = third-fourth heptatonic is a JI-agnostic name for the Porcupine [7] scale. As long as the 5th is tuned fairly accurately, any two temperaments that have the same pergen tend to have the same MOS scales. Third-fourth heptatonic is the 1L6s scale. All MOS scales can be named after a pergen. There are multiple pergens that can generate the MOS scale, preference is given to the simpler one, and the one that makes a reasonable L/s ratio. A ratio of 3 or more makes a scale that's too lopsided. For example, 3L2s (anti-pentatonic) has a generator in the 400-480¢ range, suggesting both P11/4 and P12/4. But the former, with a just 11th, makes L = 351¢ and s = 73.5¢, and L/s = 4.76, quite large. The latter with a just 12th makes L = 249¢, s = 226.5¢, and L/s = 1.10, much better.


||||~ pentatonic MOS scales ||~  ||~ secondary examples ||
||||||~ Tetratonic MOS scales ||~ secondary examples ||
||= 1L 3s ||= (P8, P4/2) [4] ||= half-4th tetratonic || third-4th, third-5th ||
||= 2L 2s ||= (P8/2, P5) [4] ||= half-8ve tetratonic ||   ||
||= 3L 1s ||= (P8, P5/2) [4] ||= half-fifth tetratonic ||  ||
||||||~ Pentatonic MOS scales ||~   ||
||= 1L 4s ||= (P8, P5/3) [5] ||= third-5th pentatonic || third-4th, quarter-4th, quarter-5th ||
||= 1L 4s ||= (P8, P5/3) [5] ||= third-5th pentatonic || third-4th, quarter-4th, quarter-5th ||
||= 2L 3s ||= (P8, P5) [5] ||= unsplit pentatonic || third-11th ||
||= 2L 3s ||= (P8, P5) [5] ||= unsplit pentatonic || third-11th ||
||= 3L 2s ||= (P8, P12/5) [5] ||= quarter-12th pentatonic || quarter-11th ||
||= 3L 2s ||= (P8, P12/5) [5] ||= quarter-12th pentatonic || quarter-11th ||
||= 4L 1s ||= (P8, P4/2) [5] ||= half-4th pentatonic ||  ||
||= 4L 1s ||= (P8, P4/2) [5] ||= half-4th pentatonic ||  ||
||||~ hexatonic MOS scales ||~  ||~  ||
||||||~ Hexatonic MOS scales ||~  ||
||= 1L 5s ||= (P8, P4/3) [6] ||= third-4th hexatonic || quarter-4th, quarter-5th, fifth-4th, fifth-5th ||
||= 1L 5s ||= (P8, P4/3) [6] ||= third-4th hexatonic || quarter-4th, quarter-5th, fifth-4th, fifth-5th ||
||= 2L 4s ||= (P8/2, P5) [6] ||= half-8ve hexatonic ||  ||
||= 2L 4s ||= (P8/2, P5) [6] ||= half-8ve hexatonic ||  ||
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||= 4L 2s ||= (P8/2, P4/2) [6] ||= half-everything hexatonic ||  ||
||= 4L 2s ||= (P8/2, P4/2) [6] ||= half-everything hexatonic ||  ||
||= 5L 1s ||= (P8, P5/3) [6] ||= third-5th hexatonic ||  ||
||= 5L 1s ||= (P8, P5/3) [6] ||= third-5th hexatonic ||  ||
||||~ heptatonic MOS scales ||~  ||~  ||
||||||~ Heptatonic MOS scales ||~  ||
||=   ||=   ||=   ||   ||
||= 1L 6s ||= (P8, P4/3) [7] ||= third-4th heptatonic || quarter-4th, fifth-4th, fifth-5th, sixth-4th, sixth-5th ||
||=   ||=   ||=   ||   ||
||= 2L 5s ||= (P8, P11/3) [7] ||= third-11th heptatonic || fifth-WW4th, sixth-WW5th ||
||=   ||=   ||=   ||   ||
||= 3L 4s ||= (P8, P5/2) [7] ||= half-5th heptatonic || fifth-12th ||
||=   ||=   ||=   ||   ||
||= 4L 3s ||= (P8, P11/5) [7] ||= fifth-11th heptatonic || sixth-12th ||
||=   ||=   ||=   ||   ||
||= 5L 2s ||= (P8, P5) [7] ||= unsplit heptatonic || sixth-WW4th ||
||=   ||=   ||=   ||  ||
||= 6L 1s ||= (P8, P5/4) [7] ||= quarter-5th heptatonic ||  ||
||||||||  ||
||||||~ Octotonic MOS scales ||~   ||
||=  ||=  ||=  ||  ||
||=  ||=  ||=  ||  ||
||=  ||=  ||=  ||  ||
||=  ||=  ||=  ||  ||
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&lt;table class="wiki_table"&gt;
&lt;table class="wiki_table"&gt;
     &lt;tr&gt;
     &lt;tr&gt;
         &lt;th colspan="2"&gt;pentatonic MOS scales&lt;br /&gt;
         &lt;th colspan="3"&gt;Tetratonic MOS scales&lt;br /&gt;
&lt;/th&gt;
        &lt;th&gt;secondary examples&lt;br /&gt;
&lt;/th&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td style="text-align: center;"&gt;1L 3s&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;(P8, P4/2) [4]&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;half-4th tetratonic&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;third-4th, third-5th&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td style="text-align: center;"&gt;2L 2s&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;(P8/2, P5) [4]&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;half-8ve tetratonic&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td style="text-align: center;"&gt;3L 1s&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;(P8, P5/2) [4]&lt;br /&gt;
&lt;/td&gt;
        &lt;td style="text-align: center;"&gt;half-fifth tetratonic&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;th colspan="3"&gt;Pentatonic MOS scales&lt;br /&gt;
&lt;/th&gt;
&lt;/th&gt;
         &lt;th&gt;&lt;br /&gt;
         &lt;th&gt;&lt;br /&gt;
&lt;/th&gt;
        &lt;th&gt;secondary examples&lt;br /&gt;
&lt;/th&gt;
&lt;/th&gt;
     &lt;/tr&gt;
     &lt;/tr&gt;
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     &lt;/tr&gt;
     &lt;/tr&gt;
     &lt;tr&gt;
     &lt;tr&gt;
         &lt;th colspan="2"&gt;hexatonic MOS scales&lt;br /&gt;
         &lt;th colspan="3"&gt;Hexatonic MOS scales&lt;br /&gt;
&lt;/th&gt;
&lt;/th&gt;
         &lt;th&gt;&lt;br /&gt;
         &lt;th&gt;&lt;br /&gt;
&lt;/th&gt;
&lt;/th&gt;
        &lt;th&gt;&lt;br /&gt;
     &lt;/tr&gt;
&lt;/th&gt;
     &lt;/tr&gt;
     &lt;tr&gt;
     &lt;tr&gt;
         &lt;td style="text-align: center;"&gt;1L 5s&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;1L 5s&lt;br /&gt;
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     &lt;/tr&gt;
     &lt;/tr&gt;
     &lt;tr&gt;
     &lt;tr&gt;
         &lt;th colspan="2"&gt;heptatonic MOS scales&lt;br /&gt;
         &lt;th colspan="3"&gt;Heptatonic MOS scales&lt;br /&gt;
&lt;/th&gt;
        &lt;th&gt;&lt;br /&gt;
&lt;/th&gt;
&lt;/th&gt;
         &lt;th&gt;&lt;br /&gt;
         &lt;th&gt;&lt;br /&gt;
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     &lt;/tr&gt;
     &lt;/tr&gt;
     &lt;tr&gt;
     &lt;tr&gt;
         &lt;td style="text-align: center;"&gt;&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;1L 6s&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;(P8, P4/3) [7]&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;third-4th heptatonic&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td&gt;&lt;br /&gt;
         &lt;td&gt;quarter-4th, fifth-4th, fifth-5th, sixth-4th, sixth-5th&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
     &lt;/tr&gt;
     &lt;/tr&gt;
     &lt;tr&gt;
     &lt;tr&gt;
         &lt;td style="text-align: center;"&gt;&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;2L 5s&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;(P8, P11/3) [7]&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;third-11th heptatonic&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td&gt;&lt;br /&gt;
         &lt;td&gt;fifth-WW4th, sixth-WW5th&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
     &lt;/tr&gt;
     &lt;/tr&gt;
     &lt;tr&gt;
     &lt;tr&gt;
         &lt;td style="text-align: center;"&gt;&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;3L 4s&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;(P8, P5/2) [7]&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;half-5th heptatonic&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td&gt;&lt;br /&gt;
         &lt;td&gt;fifth-12th&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
     &lt;/tr&gt;
     &lt;/tr&gt;
     &lt;tr&gt;
     &lt;tr&gt;
         &lt;td style="text-align: center;"&gt;&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;4L 3s&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;(P8, P11/5) [7]&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;fifth-11th heptatonic&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td&gt;&lt;br /&gt;
         &lt;td&gt;sixth-12th&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
     &lt;/tr&gt;
     &lt;/tr&gt;
     &lt;tr&gt;
     &lt;tr&gt;
         &lt;td style="text-align: center;"&gt;&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;5L 2s&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;(P8, P5) [7]&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;unsplit heptatonic&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td&gt;&lt;br /&gt;
         &lt;td&gt;sixth-WW4th&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
     &lt;/tr&gt;
     &lt;/tr&gt;
     &lt;tr&gt;
     &lt;tr&gt;
         &lt;td style="text-align: center;"&gt;&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;6L 1s&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;(P8, P5/4) [7]&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;quarter-5th heptatonic&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td&gt;&lt;br /&gt;
         &lt;td&gt;&lt;br /&gt;
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     &lt;/tr&gt;
     &lt;/tr&gt;
     &lt;tr&gt;
     &lt;tr&gt;
         &lt;td style="text-align: center;"&gt;&lt;br /&gt;
         &lt;th colspan="3"&gt;Octotonic MOS scales&lt;br /&gt;
&lt;/td&gt;
&lt;/th&gt;
        &lt;td style="text-align: center;"&gt;&lt;br /&gt;
         &lt;th&gt;&lt;br /&gt;
&lt;/td&gt;
&lt;/th&gt;
        &lt;td style="text-align: center;"&gt;&lt;br /&gt;
&lt;/td&gt;
         &lt;td&gt;&lt;br /&gt;
&lt;/td&gt;
     &lt;/tr&gt;
     &lt;/tr&gt;
     &lt;tr&gt;
     &lt;tr&gt;
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&lt;!-- ws:start:WikiTextHeadingRule:62:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc16"&gt;&lt;a name="Further Discussion-Misc notes"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:62 --&gt;Misc notes&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:62:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc16"&gt;&lt;a name="Further Discussion-Misc notes"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:62 --&gt;Misc notes&lt;/h2&gt;
  &lt;br /&gt;
  &lt;br /&gt;
Pergens were discovered by Kite Giedraitis in 2017, and developed with the help of Praveen Venkataramana. Earlier drafts of this article can be found at &lt;!-- ws:start:WikiTextUrlRule:3518:http://xenharmonic.wikispaces.com/pergen+names --&gt;&lt;a href="http://xenharmonic.wikispaces.com/pergen+names"&gt;http://xenharmonic.wikispaces.com/pergen+names&lt;/a&gt;&lt;!-- ws:end:WikiTextUrlRule:3518 --&gt;&lt;br /&gt;
Pergens were discovered by Kite Giedraitis in 2017, and developed with the help of Praveen Venkataramana. Earlier drafts of this article can be found at &lt;!-- ws:start:WikiTextUrlRule:3553:http://xenharmonic.wikispaces.com/pergen+names --&gt;&lt;a href="http://xenharmonic.wikispaces.com/pergen+names"&gt;http://xenharmonic.wikispaces.com/pergen+names&lt;/a&gt;&lt;!-- ws:end:WikiTextUrlRule:3553 --&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Gedras can be expanded to 5-limit two ways: one, by including another keyspan that is compatible with 7 and 12, such as 9 or 16. Two, the third number can be the comma 81/80. Thus 5/4 would be a M3 minus a comma, [4, 2, -1]. If 64/63 is 7's notational comma, for (a,b,c,d) we get [k,s,g,r]:&lt;br /&gt;
Gedras can be expanded to 5-limit two ways: one, by including another keyspan that is compatible with 7 and 12, such as 9 or 16. Two, the third number can be the comma 81/80. Thus 5/4 would be a M3 minus a comma, [4, 2, -1]. If 64/63 is 7's notational comma, for (a,b,c,d) we get [k,s,g,r]:&lt;br /&gt;